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Rock and roll came from the transistor radio. When Sony launched its cheap portable radio more than sixty years ago, it came with a headphone. For the first time in history, teenagers could listen to music without their parents eavesdropping. This opened the door to Chuck Berry and then the Beatles. AM radio needed hits, […]
Apophenia is the uniquely human tendency to perceive meaningful patterns or connections in random or unrelated data, events, or objects. Humans are story telling machines. And one thing we do is turn co-incident events into more than coincidences. When we see faces and shapes in clouds, apophenia wastes our time in the form of pareidolia. […]
What if they meant it? What if your return felt special to the people behind the counter? What if they knew, without looking it up, or being told–what if they knew that you were here, again, a vote of trust and confidence. Returning home is one of the oldest human desires. It’s a feeling that […]
The standards have changed a lot in the last few millennia: The big man said it. The book said it. The newspaper said it. I saw a photo. I saw it on TV. I read it on the internet. That’s what the AI said. There has always been room for doubt. But the last century […]
More in life
My move from fractional work to full-time employment!
After a two-year absence from running a digital publication, namely Minimalissimo, I’m returning with a new project. Just when I thought I was out... Okay, no Pacino impressions. I definitely needed that break from curation and probably also from the constraints of minimalism for that matter. Over the past few years I’ve focused a lot on making digital tools and the odd experimental physical object. The latter still interests me hugely, and I’m casually working on a design for FFF, which I’ll cover in greater detail another time. Yet I became pretty disillusioned with the former: digital tooling in the age of AI. The sheer pace of development, replicas, slop, and hype just killed my enthusiasm for building. And I thought, “What do I actually enjoy doing?” The short and simple answer to that was “curation”. The longer and more complex answer is building a respectable publication that features journalistic deep dives, meaningful conversations, and tasteful curation. All presented and exhibited in a way that makes you appreciate the web experience over any social media feed or RSS reader. My new project is called MOUTHPRINT, which I’m building with my cofounder George Kroustallis, aka Minorstep. Together, our approach is to look closely at visual culture across art, fashion, and product design, tracing the people, processes, and choices behind the work. We’ll be publishing case files, which might sound a bit odd, but what the hell. These will examine individual projects through research and conversations with the people behind them. Ultimately, it’s about acknowledging and recording the many people who contributed to these projects and helped shape them. Alongside that, we’ll be publishing exhibitions that bring works together around a theme, making connections across disciplines and time. I’m under no illusions about how difficult it is to build a publication from the ground up. We’re totally up against it, but the web is a big place, we’re locked in, and we want to be heard. I’d now like to invite you to subscribe to our newsletter for the latest developments ahead of our official launch. We’d love to have you along for the ride. → mouthprint.com
Measuring output and time spent is easy, while measuring efficiency and effectiveness is hard. Here's why trusting your engineers beats tracking their productivity.
