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Back in the spring, we spent some time with the Buck Mason team in LA , working on a project but also learning about their design process, how their references work and the way those feed into finished products. This was important for me be... > Read more
I miss this. Visiting a mill is such an enjoyable, often inspiring experience, yet I don’t do it as much as I used to. Perhaps because once you’d done one worsted weaver it’s hard to justify more. But we’ve never done silk. I did go to Vann... > Read more
We love a guayabera shirt at Permanent Style. On my 2022 trip to Mexico I picked up two lovely shirts which sadly, like the Cadbury’s Freddo , appear to have suffered from some form of sartorial shrinkflation. It can’t possibly be me that’s ... > Read more
By Reginald Jerome de Mans* I wore a pair of Gurkha trousers the other day. Those wide-waistbanded eccentricities that looked so dashing on friends’ fit posts, their criss-crossing straps so gloriously inconvenient, they put me in mind of th... > Read more
More in life
My move from fractional work to full-time employment!
After a two-year absence from running a digital publication, namely Minimalissimo, I’m returning with a new project. Just when I thought I was out... Okay, no Pacino impressions. I definitely needed that break from curation and probably also from the constraints of minimalism for that matter. Over the past few years I’ve focused a lot on making digital tools and the odd experimental physical object. The latter still interests me hugely, and I’m casually working on a design for FFF, which I’ll cover in greater detail another time. Yet I became pretty disillusioned with the former: digital tooling in the age of AI. The sheer pace of development, replicas, slop, and hype just killed my enthusiasm for building. And I thought, “What do I actually enjoy doing?” The short and simple answer to that was “curation”. The longer and more complex answer is building a respectable publication that features journalistic deep dives, meaningful conversations, and tasteful curation. All presented and exhibited in a way that makes you appreciate the web experience over any social media feed or RSS reader. My new project is called MOUTHPRINT, which I’m building with my cofounder George Kroustallis, aka Minorstep. Together, our approach is to look closely at visual culture across art, fashion, and product design, tracing the people, processes, and choices behind the work. We’ll be publishing case files, which might sound a bit odd, but what the hell. These will examine individual projects through research and conversations with the people behind them. Ultimately, it’s about acknowledging and recording the many people who contributed to these projects and helped shape them. Alongside that, we’ll be publishing exhibitions that bring works together around a theme, making connections across disciplines and time. I’m under no illusions about how difficult it is to build a publication from the ground up. We’re totally up against it, but the web is a big place, we’re locked in, and we want to be heard. I’d now like to invite you to subscribe to our newsletter for the latest developments ahead of our official launch. We’d love to have you along for the ride. → mouthprint.com
Measuring output and time spent is easy, while measuring efficiency and effectiveness is hard. Here's why trusting your engineers beats tracking their productivity.
