Full Width [alt+shift+f] Shortcuts [alt+shift+k]
Sign Up [alt+shift+s] Log In [alt+shift+l]
1

More trouble than it’s worth

from Seth's Blog [alt+shift+b] in creative

This is the hallmark of projects that turn out to be worth doing. The trouble might be a symptom that we’re onto something that others don’t care enough to do. And the things that are obviously worth doing are probably already being done.
1st Feb 2026

Stay updated

Get a weekly newsletter with the top 5 articles worth reading every week.

More from Seth's Blog

Media and messages

Rock and roll came from the transistor radio. When Sony launched its cheap portable radio more than sixty years ago, it came with a headphone. For the first time in history, teenagers could listen to music without their parents eavesdropping. This opened the door to Chuck Berry and then the Beatles. AM radio needed hits, […]

a week ago • 1 votes
Apophenia cuts both ways

Apophenia is the uniquely human tendency to perceive meaningful patterns or connections in random or unrelated data, events, or objects. Humans are story telling machines. And one thing we do is turn co-incident events into more than coincidences. When we see faces and shapes in clouds, apophenia wastes our time in the form of pareidolia. […]

1st Sep 2026 • 2 votes
“Welcome back”

What if they meant it? What if your return felt special to the people behind the counter? What if they knew, without looking it up, or being told–what if they knew that you were here, again, a vote of trust and confidence. Returning home is one of the oldest human desires. It’s a feeling that […]

1st Aug 2026 • 2 votes
Can you believe it?

The standards have changed a lot in the last few millennia: The big man said it. The book said it. The newspaper said it. I saw a photo. I saw it on TV. I read it on the internet. That’s what the AI said. There has always been room for doubt. But the last century […]

1st Jul 2026 • 2 votes
Rethinking famous college admissions

Even if you’re not applying, this thought experiment gives a glimpse into how the world is about to be rewired. The top 10 most selective colleges in the US admit about 5% of those who apply. They’re not selling education as much as a label, a rare chance for someone to slot themselves into a […]

1st Jun 2026 • 1 votes

More in creative

Making a Carborundum Gel Plate

Akua Carbundum Platemaking Gel is a great new product that allows you to make high contrasted, textured intaglio plates. The gel can be screen printed onto a plate and printed with Akua Intaglio Inks. Drypoint Plastic makes a perfect plate with a wipe-clean surface. To make our own Caborundum Gel plate we used an exposed screen. A plain screen with an area sectioned off with tape also works well as the gel can be worked into when wet. A Thermofax screen may also be used. Peel off the top piece of film from your drypoint plastic and place your plate underneath the image on your screen. Scoop a line of Carborundum Gel along the top of your screen.  Use a squeegee to pull the gel down the screen and push it through the mesh. Hold the squeegee at a 45 degree angle and press quite firmly for best results. Be careful not to let your screen slide on the plate.  Let your gel dry on the plate – around 20 minutes on a warm day seems to be enough.  The Carborundum Gel can also be worked into whilst wet on the plate. We screen printed a large area of gel onto a plate using a screen exposed with a circle but you could use parcel tape to tape off a square or rectangle.  Whilst the gel is wet, work into it with brushes and other tools to leave marks. You can also press textures into the gel. When you’re happy with the plate, leave to dry.  When the plate is dry, peel off the back sheet of film. Before inking, soak the paper – we’re using Snowdon.  Roll a layer of Akua Intalgio Ink onto the plate.  Use a wad of scrim to polish the plate, removing excess ink from the smooth areas of plastic. Use a piece of cloth or tissue paper to wipe any ink smudges left on the plastic. Blot the soaked paper. Place the plate facing up on an etching press with dampened paper on top. Cover with blankets and put through the press on a tight pressure.  Ink up your textured plates and print in the same way.  Your plates can be washed up with a little water. If you want to reuse your plate for a new image, we have found that the gel can be gently removed with white spirit or Zest-It (these kind of plates are therefore not suitable for printing with traditional oil based inks that require solvents for clean up).  To print your own Carborundum Gel plates you will need: Akua Carborundum Gel Aluminium Screen (or Thermofax) Parcel Tape Squeegee or (Thermofax Squeegee) Drypoint Plastic Tools for mark making in the wet gel Akua Intaglio Ink Inking Plate or Glass Slab Palette Knife Roller Scrim Cloth or Tissue Etching Press Paper to print onto such as Snowdon Tray to soak paper Blotting paper Zest-It or White Spirit (optional)

6 days ago • 1 votes
🟣 TREND RADAR #21 :: HUMAN DRIVERS

Brand Patronage, Witchy Scents & Cute-washing

a week ago • 1 votes
Is Robert Pattinson Having the Greatest Movie Year Ever?

Plus: A24 gets greedy, South Park’s staying power, Avengers never-Endgame, girl groups return, and some recommended reads and datasets.

a week ago • 1 votes
Weekly Dose of Optimism #213

Starship Orbital, America.gov, Matic Master Plan, Freckle, Heart Age + Extra Doses

a week ago • 1 votes
Media and messages

Rock and roll came from the transistor radio. When Sony launched its cheap portable radio more than sixty years ago, it came with a headphone. For the first time in history, teenagers could listen to music without their parents eavesdropping. This opened the door to Chuck Berry and then the Beatles. AM radio needed hits, […]

a week ago • 1 votes
📚 BoredReading

You seem to be enjoying this.

Join free to unlock everything.

Create free account

Already have an account? Sign in