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"An exquisite peace obtains: a drowsy, golden peace, flowing honey-sweet over my dwelling, soaking it, dripping like music from the walls... A peace for gods; a divine emptiness."
9 months ago

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More from The Marginalian

Carl Linnaeus’s Flower Clock

“The eternal problem of the human being is how to structure his waking hours,” the Canadian psychiatrist Eric Berne observed in his 1964 classic Games People Play. Four centuries earlier, Galileo had both combated and complicated the problem by inventing timekeeping and with it, in a deep sense, the modern world. The first clocks were a revolution, a revelation, a civilizing force. The young saw them as a form of rebellion against their provincial, blinkered elders. One teenager wrote: When mankind invented how to measure time, they invented a notion of prodigious utility for the commons; although time in itself… read article

yesterday 2 votes
Walt Whitman on Owning Your Life

At the bottom of the abyss between us is the hard fact that to be a person, a particular person, is so profoundly different from what any other person can suppose. This is why one of the hardest learnings in life is that you cannot love — or scold, or coax, or palter — anyone out of their personal suffering or into their personal potential, cannot shepherd anyone else’s becoming. We may live our lives in parallel, but at the most fundamental level we experience aliveness alone, in the solitary chamber of the self, our experience a Möbius strip of… read article

5 days ago 7 votes
On Play

The necessities of survival make our lives livable, but everything that makes them worth living partakes of the art of the unnecessary: beauty (the cave was no warmer or safer for our paintings, and what about the bowerbird?), love (how easily we could propagate our genes without it), music (we may have never milked it from mathematics, and the universe would have cohered just the same). Play is one of those things. We might make do without it, but we wouldn’t create — it is no accident that Einstein attributed his best ideas to his practice of “combinatory play,” that… read article

a week ago 8 votes
Comets, Orbits, and the Mystery We Are: The Enchanted Celestial Mechanics of Australian Artist Shane Drinkwater

“We are bathing in mystery and confusion,” Carl Sagan told his best interviewer. “That will always be our destiny. The universe will always be much richer than our ability to understand it.” We have wielded our tools of reason at the mystery — theorems and telescopes, postulates and particle colliders — but the best tool we have invented for cutting through our confusion remains an instrument of love and not of reason: We make art. Long before we understood how stars made souls and what happens when we return our borrowed stardust to the universe, our ancestors sought an organizing… read article

a week ago 12 votes
The Half Room of Living and Loving

When I can’t sleep, I read children’s books. One night, I discovered In the Half Room (public library) by Carson Ellis in my tsundoku — an impressionistic invitation into a world where only half of everything exists. Leafing through this quietly delightful treasure, I had a flash memory of a passage from The Man Who Mistook His Wife for a Hat (public library) — the 1985 classic in which Oliver Sacks staggered the modern mind with revelations of how the brain’s fragility renders reality itself fragile. One of the cases he relays is that of a bright woman in her… read article

a week ago 9 votes

More in literature

'After So Many Deaths I Live and Write'

One needn’t be a fetishist or even a book collector – reader is close enough -- to prize an “association copy,” a term neatly defined here: “A book that belonged to or was annotated by the author, someone close to the author, a famous or noteworthy person, or someone especially associated with the content of the work.” The full title of the volume in question is The Poetical Works of George Herbert. With Life, Critical Dissertation, and Explanatory Notes, by the Rev. George Gilfillan, published by D. Appleton & Co., N.Y., in 1854. The front end paper is signed in black ink: “Helen A. Pinkerton 12-1945.” Poet, scholar, one-time student of Yvor Winters and J.V. Cunningham, Helen gave me the leather-bound volume in 2015 and died two years later.  The only marks Helen left in the book are minute dots and checks beside the titles of eleven poems in the table of contents, including my favorite Herbert poem, “The Flower,” with the beginning of the sixth of its seven stanzas:   “And now in age I bud again, After so many deaths I live and write.”   Herbert renders encouragement to late-bloomers and anyone else who has been stalled, tired, sick, preoccupied or otherwise blocked by life. In 2019, just months away from his death by cancer, Clive James was introduced to “The Flower” by a friend, a gift he wrote about in an essay:      “[B]ack there in the middle of the 20th century I somehow missed it, when I was first reading Herbert in the Albatross Book of Living Verse, which we used to call the ‘Book of Living Albatrosses.’ How I ever missed anything in Herbert’s prolific output is a puzzle. He fascinated me from the jump, almost as much as Marvell. I blame Herbert for not calling himself Marvell every time. A poet called Herbert will occasionally be overlooked; call yourself Wonderful and everything will get into the list of contents.”   Herbert was born on this date, April 3, in 1593 and died in 1639 at age thirty-nine.

11 hours ago 1 votes
Splitting Our Sides

A new biography of a comedy pioneer The post Splitting Our Sides appeared first on The American Scholar.

12 hours ago 1 votes
Blocked

The post Blocked appeared first on The Perry Bible Fellowship.

yesterday 4 votes
'To Guide Him in the Real World'

In 1899, Edwin Arlington Robinson read Thoreau’s Walking, a work based on an 1851 lecture published posthumously in 1862. Robinson was not impressed by his fellow New Englander. He condemned Thoreau’s “glorified world-cowardice” in a letter to his friend Daniel Gregory Mason:  “For God’s sake says the sage, let me get away into the wilderness where I shall not have a single human responsibility or the first symptom of social discipline. Let me be a pickerel or a skunk cabbage or anything that will not have to meet the realities of civilization. There is a wholesomeness about some people that is positively unhealthy, and I find it in this essay.”   Starting as a teenager I idolized Thoreau. I read Walden many times and almost everything else he wrote, including the two oversized volumes of his Journals as published by Dover. I still think he sometimes wrote excellent prose (the poetry is refried Emerson, often unreadable) but his hippie ethos mingled with snobbery cooled my enthusiasm, beginning about fifteen years ago. His temperament was chilly. I suspect Thoreau is best read when we’re young and don’t yet understand our civil obligations. In 1844, when he accidentally started a forest fire and burned some three-hundred acres of woods in Concord, Thoreau expressed no remorse and never apologized to his townsmen. In his Journal in 1850 he wrote about the incident:   “Presently I heard the sound of the distant bell giving the alarm, and I knew that the town was on its way to the scene. Hitherto I had felt like a guilty person — nothing but shame and regret. But now I settled the matter with myself shortly. I said to myself, ‘Who are these men who are said to be the owners of these woods, and how am I related to them? I have set fire to the forest, but I have done no wrong therein, and now it is as if the lightning had done it. These flames are but consuming their natural food.’”   An impressive act of stiff-necked rationalization. “It has never troubled me,” he goes on, “from that day to this more than if the lightning had done it.” Scott Donaldson in Edwin Arlington Robinson: A Poet’s Life (2007) contrasts Thoreau with Robinson:   “Robinson required a commanding and fortified purpose to guide him in the real world. For him, there could be no worthy calling that did not help others. As a poet, he might not serve as overtly as a pastor comforting parishioners or a college professor mentoring students. Nonetheless he wanted desperately to believe that by writing poetry he would do some good in the world. . . .Time and again, as he was shaping his career, Robinson explicitly made the link between a life of poetry and a life of service.”   Trying to be a decent human being is a fulltime occupation that starts with our personal relations – family, friends, neighbors, coworkers. Grandiose schemes of improvement are delusional. In an April, 2, 1897 letter to his correspondent Edith Brower, Robinson writes:   “I am doing what I can for myself and a little for others; and I am very glad to know that I have been to some slight service to them. There are two or three fellows whom I have really helped. I know it; they have told me so; and their actions prove the truth of what they say. And now you—a total stranger—tell me that  I have helped you. What more can I ask?”

yesterday 2 votes
Terra Do Queixo

The post Terra Do Queixo appeared first on The American Scholar.

yesterday 2 votes