More from Paul Cudenec
In the latest part of my retrospective essay on ten years of The Acorn, which I edit, I look back on its content in 2019.
In the latest part of my retrospective essay on ten years of The Acorn, which I edit, I look back on its content in 2018.
In the latest part of my retrospective essay on ten years of The Acorn, which I edit, I look back on its content in 2017.
In the first part of a retrospective essay on ten years of The Acorn, which I edit on the Winter Oak site, I look back on its content in 2015, the year in which it was launched.
More in life
In the end, judgment comes first. And that means hiring is a gut decision. As much science as people want to try to pour into the hiring process, art always floats to the top. This is especially true when hiring at the executive level. The people who make the final calls — the ones who are judged on outcome, not effort — are ultimately hired based on experience and judgement. Two traits that are qualities, not quantities. They are tasked with setting direction, evaluating situations, and making decisions with limited information. All day long they are making judgment calls. That's what you hire them to do, and that's how you decide who to hire. Presented with a few finalists, you decide who you *think* will do a better job when they have to *think* about what to do in uncertain situations. This is where their experience and judgment come in. It's the only thing they have that separates them from someone else. Embrace the situation. You don't know, they don't know, everyone's guessing, some guess better than others. You can't measure how well someone's going to guess next time, you can only make assumptions based on other assumptions. Certainty is a mirage. In the art of people, everything is subjective. In the end, it's not about qualifications — it's about who you trust to make the right call when it matters most. Ultimately, the only thing that was objective was your decision. The reasons were not. -Jason
On Milei, Musk, and Trump
Or why we need less math in music theory