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Today's links Fingerspitzengefühl: IP vs process knowledge. Hey look at this: Delights to delectate. Object permanence: Buddhist hell theme-park; ORG launches; Yahoo spies for Beijing; Secret plan for border laptop-searches; BBC Creative Archive launches; Penn and Teller BBS; Immortan Trump; IP. Upcoming appearances: Where to find me. Recent appearances: Where I've been. Latest books: You keep readin' em, I'll keep writin' 'em. Upcoming books: Like I said, I'll keep writin' 'em. Colophon: All the rest. Fingerspitzengefühl (permalink) This was the plan: America would stop making things and instead make recipes, the "IP" that could be sent to other countries to turn into actual stuff, in distant lands without the pesky environmental and labor rules that forced businesses accept reduced profits because they weren't allowed to maim their workers and poison the land, air and water. This was quite a switch! At the founding of the American republic, the US refused to extend patent protection to foreign inventors. The inventions of foreigners would be fair game for Americans, who could follow their recipes without paying a cent, and so improve the productivity of the new nation without paying rent to old empires over the sea. It was only once America found itself exporting as much as it imported that it saw fit to recognize the prerogatives of foreign inventors, as part of reciprocal agreements that required foreigners to seek permission and pay royalties to American patent-holders. But by the end of the 20th Century, America's ruling class was no longer interested in exporting things; they wanted to export ideas, and receive things in return. You can see why: America has a limited supply of things, but there's an infinite supply of ideas (in theory, anyway). There was one problem: why wouldn't the poor-but-striving nations abroad copy the American Method for successful industrialization? If ignoring Europeans' patents allowed America to become the richest and most powerful nation in the world, why wouldn't, say, China just copy all that American "IP"? If seizing foreigners' inventions without permission was good enough for Thomas Jefferson, why not Jiang Zemin? America solved this problem with the promise of "free trade." The World Trade Organization divided the world into two blocs: countries that could trade with one another without paying tariffs, and the rabble without who had to navigate a complex O(^2) problem of different tariff schedules between every pair of nations. To join the WTO club, countries had to sign up to a side-treaty called the Trade-Related Aspects of Intellectual Property Rights (TRIPS). Under the TRIPS, the Jeffersonian plan for industrialization (taking foreigners' ideas without permission) was declared a one-off, a scheme only the US got to try and no other country could benefit from. For China to join the WTO and gain tariff-free access to the world's markets, it would have to agree to respect foreign patents, copyrights, trademarks and other "IP." We know the story of what followed over the next quarter-century: China became the world's factory, and became so structurally important that even if it violated its obligations under the TRIPS, "stealing the IP" of rich nations, no one could afford to close their borders to Chinese imports, because every country except China had forgotten how to make things. But this isn't the whole story – it's not even the most important part of it. In his new book Breakneck, Dan Wang (a Chinese-born Canadian who has lived extensively in Silicon Valley and in China) devotes a key chapter to "process knowledge": https://danwang.co/breakneck/ What's "process knowledge"? It's all the intangible knowledge that workers acquire as they produce goods, combined with the knowledge that their managers acquire from overseeing that labor. The Germans call it "Fingerspitzengefühl" ("fingertip-feeling"), like the sense of having a ball balanced on your fingertips, and knowing exactly which way it will tip as you tilt your hand this way or that. Wang's book is big and complicated, and I haven't yet finished it. There's plenty I disagree with Wang about – I think he overstates the role of proceduralism in slowing down American progress and understates the role monopoly and oligarchy play in corrupting the rule of law. But the chapter on process knowledge is revelatory. Don't take my word for it: read Henry Farrell, who says that "[process knowledge] is the message of Dan Wang's new book": https://www.programmablemutter.com/p/process-knowledge-is-crucial-to-economic And Dan Davies, who uses the example of the UK's iconic Brompton bikes to explain the importance of process knowledge: https://backofmind.substack.com/p/the-brompton-ness-of-it-all Process knowledge is everything from "Here's how to decant feedstock into this gadget so it doesn't jam," to "here's how to adjust the flow of this precursor on humid days to account for the changes in viscosity" to "if you can't get the normal tech to show up and calibrate the part, here's the phone number of the guy who retired last year and will do it for time-and-a-half." It can also be decidedly high-tech. A couple years ago, the legendary hardware hacker Andrew "bunnie" Huang explained to me his skepticism about the CHIPS Act's goal of onshoring the most advanced (4-5nm) chips. Bunnie laid out the process by which these chips are etched: first you need to make the correct wavelength of light for the nanolithography machine. Stage one of that is spraying droplets of molten tin into an evacuated chamber, where each droplet is tracked by a computer vision system that targets them to be hit with a highly specialized laser that smashes each droplet into a precise coin shape. Then, a second kind of extremely esoteric laser evaporates each of these little tin coins to make a specific kind of tin vapor that can be used to generate the right wavelength of light. This light is then played over two wafers on reciprocating armatures; each wafer needs to be precisely (as in nanograms and nanometers) the same dimensions and weight, otherwise the moving platters they slide back and forth on will get out of balance and the wafers will be spoiled as they are mis-etched. This process is so esoteric, and has so many figurative and literal moving parts, that it needs to be closely overseen and continuously adjusted by someone with a PhD in electrical engineering. That overseer needs to wear a clean-room suit, and they have to work an eight-hour shift without a bathroom, food or water break (because getting out of the suit means going through an airlock means shutting down the system means long delays and wastage). That PhD EENG is making $50k/year. Bunnie's topline explanation for the likely failure of the CHIPS Act is that this is a process that could only be successfully executed in a country "with an amazing educational system and a terrible passport." For bunnie, the extensive educational subsidies that produced Taiwan's legion of skilled electrical engineers and the global system that denied them the opportunity to emigrate to higher-wage zones were the root of the country's global dominance in advanced chip manufacture. I have no doubt that this is true, but I think it's incomplete. What bunnie is describing isn't merely the expertise imparted by attaining a PhD in electrical engineering – it's the process knowledge built up by generations of chip experts who debugged generations of systems that preceded the current tin-vaporizing Rube Goldberg machines. Even if you described how these machines worked to a doctoral EENG who had never worked in this specific field, they couldn't oversee these machines. Sure, they'd have the technical background to be seriously impressed by how cool all this shit is, and you might be able to train them don a bunny suit and hold onto their bladders for 8 hours and make the machine go, but simply handing them the "IP" for this process will not get you a chip foundry. It's undeniable that there's been plenty of Chinese commercial espionage, some of it with state backing. But in reading Wang, it's clear that the country's leaders have cooled on the importance of "IP" – indeed, these days, they call it "imaginary property," and call the IP economy the "imaginary economy" (contrast with the "real economy" of making stuff). Wang evocatively describes how China built up its process knowledge over the WTO years, starting with simple assembly of complex components made abroad, then progressing to making those components, then progressing to coming up with novel ways to reconfiguring them ("a drone is a cellphone with propellers"). He explains how the vicious cycle of losing process knowledge accelerated the decline of manufacturing in the west: every time a factory goes to China, US manufacturers that had been in its supply chain lose process knowledge. You can no longer call up that former supplier and brainstorm solutions to tricky production snags, which means that other factories in the supply chain suffer, and they, too get offshored to China. America's vicious cycle was China's virtuous cycle. The process knowledge that drained out of America accumulated in China. Years of experience solving problems in earlier versions of new equipment and processes gives workers a conceptual framework to debug the current version – they know about the raw mechanisms subsumed in abstraction layers and sealed packages and can visualize what's going on inside those black boxes. Likewise in colonial America: taking foreigners' patents was just table-stakes. Real improvement came from the creation of informal communities built around manufacturing centers, and from the pollinators who spread innovations around among practitioners. Long before John Deere turned IP troll and locked farmers out of servicing their own tractors, they paid and army of roving engineers who would visit farmers to learn about the ways they'd improved their tractors, and integrate these improvements into new designs: https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/ But here's the thing: while "IP" can be bought and sold by the capital classes, process knowledge is inseparably vested in the minds and muscle-memory of their workers. People who own the instructions are constitutionally prone to assuming that making the recipe is the important part, while following the recipe is donkey-work you can assign to any freestanding oaf who can take instruction. Think of John Philip Sousa, decrying the musicians who recorded and sold his compositions on early phonograms: These talking machines are going to ruin the artistic development of music in this country. When I was a boy…in front of every house in the summer evenings, you would find young people together singing the songs of the day or old songs. Today you hear these infernal machines going night and day. We will not have a vocal cord left. The vocal cord will be eliminated by a process of evolution, as was the tail of man when he came from the ape. For Sousa, musicians were just the trained monkeys who followed the instructions that talented composers set down on paper and handed off to other trained monkeys to print and distribute for sale. The exaltation of "IP" over process knowledge is part of the ancient practice of bosses denigrating their workers' contribution to the bottom line. It's key to the myth that workers can be replaced by AI: an AI can consume all the "IP" produced by workers, but it doesn't have their process knowledge. It can't, because process knowledge is embodied and enmeshed, it is relational and physical. It doesn't appear in training data. In other words, elevating "IP" over process knowledge is a form of class war. And now that the world's store of process knowledge has been sent to the global south, the class war has gone racial. Think of how Howard Dean – now a paid shill for the pharma lobby – peddled the racist lie that there was no point in dropping patent protections for the covid vaccines, because brown people in poor countries were too stupid to make advanced vaccines: https://pluralistic.net/2021/04/08/howard-dino/#the-scream The truth is that the world's largest vaccine factories are to be found in the global south, particularly India, and these factories sit at the center of a vast web of process knowledge, embedded in relationships and built up with hard-won problem-solving. Bosses would love it if process knowledge didn't matter, because then workers could finally be tamed by industry. We could just move the "IP" around to the highest bidders with the cheapest workforces. But Wang's book makes a forceful argument that it's easier to build up a powerful, resilient society based on process knowledge than it is to do so with IP. What good is a bunch of really cool recipes if no one can follow them? I think that bosses are, psychoanalytically speaking, haunted by the idea that their workers own the process knowledge that is at the heart of their profits. That's why bosses are so obsessed with noncompete "agreements." If you can't own your workers' expertise, then you must own your workers. Any time a debate breaks out over noncompetes, a boss will say something like, "My intellectual property walks out the door of my shop every day at 5PM." They're wrong: the intellectual property is safely stored on the company's hard drives – it's the process knowledge that walks out the door. You can see this in the prepper dreaming of the ruling class. Preppers are consumed by "disaster fantasies" in which the world ends in a way that they – and they alone – can put to rights. In Dancing at Armageddon: Survivalism and Chaos in Modern Times, the ethnographer Richard Mitchell describes a water chemist who is obsessed with terrorists poisoning the water supply: https://pluralistic.net/2020/03/22/preppers-are-larpers/#preppers-unprepared This chemist has stockpiled everything he would need to restore order after a mass water-supply poisoning. But when Mitchell presses him to explain why he thinks it's likely that his town's water supply would be poisoned by terrorists, the prepper is at a loss. Eventually, he basically confesses that it would just be really cool if the world ended in such a way that only he could save it. Which is a problem for a boss. The chemist has a lot of process knowledge, he knows how to do stuff. But the boss knows how to raise money from investors, how to ignore the company's essential qualitative traits (such as the relationships between workers) and reduce the firm to a set of optimizable spreadsheet cells that are legible to the financial markets. What kind of crisis recovery demands those skills? As I posit in my novella "The Masque of the Red Death," the perfect boss fantasy is one in which the boss hunkers down in a luxury bunker while the rabble rebuild civilization from the ashes: https://pluralistic.net/2020/03/14/masque-of-the-red-death/#masque And once that task is complete, the boss emerges from his hidey-hole with an army of mercenaries in bomb-collars, a vast cache of AR-15s, gemstone-quality emeralds, and thumbdrives full of bitcoin, and does what he does best – takes over the show and tells everyone else what to do, from the comfort his high-walled fortress, with its mountain of canned goods and its harem. The absurdity of this – as I try to show with my story – is that the process knowledge of wheedling, bullying and coercing other people to work for you is actually not very useful. The IP you can buy and sell an inert curiosity until it finds its way to people who can put it into process. Hey look at this (permalink) Statement on discourse about ActivityPub and AT Protocol https://github.com/swicg/general/blob/master/statements%2F2025-09-05-activitypub-and-atproto-discourse.md A message from Emily James, director of the upcoming documentary Enshittification: The Film. https://www.kickstarter.com/projects/doctorow/enshittification-the-drm-free-audiobook/posts/4478169 The story of how RSS beat Microsoft https://buttondown.com/blog/rss-vs-ice Ideas Have Consequences The Impact of Law and Economics on American Justice https://academic.oup.com/qje/advance-article/doi/10.1093/qje/qjaf042/8241352 Object permanence (permalink) #20yrsago BBC Creative Archive pilot launches http://news.bbc.co.uk/2/hi/entertainment/4225914.stm #20yrsago Gold Rush-era sailing ship ruin excavated in San Fran https://web.archive.org/web/20050910151416/https://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2005/09/06/state/n154446D61.DTL #20yrsago iTunes phone gratuitously crippled by DRM https://web.archive.org/web/20051001030643/http://playlistmag.com/weblogs/todayatplaylist/2005/09/hiddengoodies/index.php #20yrsago My photos from the Buddhist hells of the Singaporean Tiger Balm themepark https://memex.craphound.com/2005/09/07/corys-photos-from-the-buddhist-hells-of-the-singaporean-tiger-balm-themepark/ #20yrsago Online Rights Group UK launches https://web.archive.org/web/20051120005155/http://www.openrightsgroup.org/ #20yrsago Yahoo rats out Chinese reporter to Beijing, writer gets 10 years in jail http://news.bbc.co.uk/2/hi/asia-pacific/4221538.stm #15yrsago Secret copyright treaty: USA caves on border laptop/phone/MP3 player searches for copyright infringement https://www.michaelgeist.ca/2010/09/acta-enforcement-practice-chapter/ #15yrsago Login screens from Penn and Teller BBS, 1987 https://www.flickr.com/photos/davidkha/4969386169/ #10yrsago Antihoarding: When “decluttering” becomes a compulsion https://www.theatlantic.com/health/archive/2015/09/ocd-obsessive-compulsive-decluttering-hoarding/401591/ #10yrsago NZ bans award-winning YA novel after complaints from conservative Christian group https://www.theguardian.com/world/2015/sep/07/new-zealand-bans-into-the-river-teenage-novel-outcry-christian-group #10yrsago Immortan Trump https://imgur.com/gallery/relevant-donald-trump-cos-play-OQe2rU5 #5yrsago Antitrust trouble for cloud services https://pluralistic.net/2020/09/08/attack-surface-kickstarter/#reasonable-agreements #5yrsago FTC about to hammer Intuit https://pluralistic.net/2020/09/08/attack-surface-kickstarter/#tax-fraud #5yrsago IP https://pluralistic.net/2020/09/08/attack-surface-kickstarter/#control #5yrsago My first-ever Kickstarter https://pluralistic.net/2020/09/08/attack-surface-kickstarter/#asks #5yrsago David Graeber on Spectre TV https://pluralistic.net/2020/09/07/facebook-v-humanity/#spectre #5yrsago Facebook's foreseeable election consequences https://pluralistic.net/2020/09/07/facebook-v-humanity/#zuck-off Upcoming appearances (permalink) Ithaca: Enshittification at Buffalo Street Books, Sept 11 https://buffalostreetbooks.com/event/2025-09-11/cory-doctorow-tcpl-librarian-judd-karlman Ithaca: AD White keynote (Cornell), Sep 12 https://deanoffaculty.cornell.edu/events/keynote-cory-doctorow-professor-at-large/ Ithaca: Enshittification at Autumn Leaves Books, Sept 13 https://www.autumnleavesithaca.com/event-details/enshittification-why-everything-got-worse-and-what-to-do-about-it Ithaca: Radicalized Q&A (Cornell), Sept 16 https://events.cornell.edu/event/radicalized-qa-with-author-cory-doctorow Ithaca: The Counterfeiters (Dinner/Movie Night) (Cornell), Sept 17 https://adwhiteprofessors.cornell.edu/visits/cory-doctorow/ Ithaca: Communication Power, Policy, and Practice (Cornell), Sept 18 https://events.cornell.edu/event/policy-provocations-a-conversation-about-communication-power-policy-and-practice Ithaca: A Reverse-Centaur's Guide to Being a Better AI Critic (Cornell), Sept 18 https://events.cornell.edu/event/2025-nordlander-lecture-in-science-public-policy NYC: Enshittification and Renewal (Cornell Tech), Sept 19 https://www.eventbrite.com/e/enshittification-and-renewal-a-conversation-with-cory-doctorow-tickets-1563948454929 DC: Enshittification with Rohit Chopra (Politics and Prose), Oct 8 https://politics-prose.com/cory-doctorow-10825 NYC: Enshittification with Lina Khan (Brooklyn Public Library), Oct 9 https://www.bklynlibrary.org/calendar/cory-doctorow-discusses-central-library-dweck-20251009-0700pm New Orleans: DeepSouthCon63, Oct 10-12 http://www.contraflowscifi.org/ Chicago: Enshittification with Anand Giridharadas (Chicago Humanities), Oct 15 https://www.oldtownschool.org/concerts/2025/10-15-2025-kara-swisher-and-cory-doctorow-on-enshittification/ San Francisco: Enshittification at Public Works (The Booksmith), Oct 20 https://app.gopassage.com/events/doctorow25 Madrid: Conferencia EUROPEA 4D (Virtual), Oct 28 https://4d.cat/es/conferencia/ Miami: Enshittification at Books & Books, Nov 5 https://www.eventbrite.com/e/an-evening-with-cory-doctorow-tickets-1504647263469 Recent appearances (permalink) Nerd Harder! (This Week in Tech) https://twit.tv/shows/this-week-in-tech/episodes/1047 Techtonic with Mark Hurst https://www.wfmu.org/playlists/shows/155658 Cory Doctorow DESTROYS Enshittification (QAA Podcast) https://soundcloud.com/qanonanonymous/cory-doctorow-destroys-enshitification-e338 Latest books (permalink) "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels). "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (the-bezzle.org). "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org). "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245). "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com. "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com Upcoming books (permalink) "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025 "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025 https://us.macmillan.com/books/9780374619329/enshittification/ "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2026 "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026 "The Memex Method," Farrar, Straus, Giroux, 2026 "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, 2026 Colophon (permalink) Today's top sources: Currently writing: "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. FIRST DRAFT COMPLETE AND SUBMITTED. A Little Brother short story about DIY insulin PLANNING This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net. https://creativecommons.org/licenses/by/4.0/ Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution. How to get Pluralistic: Blog (no ads, tracking, or data-collection): Pluralistic.net Newsletter (no ads, tracking, or data-collection): https://pluralistic.net/plura-list Mastodon (no ads, tracking, or data-collection): https://mamot.fr/@pluralistic Medium (no ads, paywalled): https://doctorow.medium.com/ Twitter (mass-scale, unrestricted, third-party surveillance and advertising): https://twitter.com/doctorow Tumblr (mass-scale, unrestricted, third-party surveillance and advertising): https://mostlysignssomeportents.tumblr.com/tagged/pluralistic "When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer. ISSN: 3066-764X

September 5, 2025.

Today's links Canny Valley: My little art-book is here! Hey look at this: Delights to delectate. Object permanence: Ballmer throws a chair; Bruce Sterling on Singapore; RIP David Graeber; Big Car warns of lethal Right to Repair. Upcoming appearances: Where to find me. Recent appearances: Where I've been. Latest books: You keep readin' em, I'll keep writin' 'em. Upcoming books: Like I said, I'll keep writin' 'em. Colophon: All the rest. Canny Valley (permalink) I've spent every evening this week painstakingly unpacking, numbering and signing 500 copies of my very first art-book, a strange and sturdy little volume called Canny Valley. Canny Valley collects 80 of the best collages I've made for my Pluralistic newsletter, where I publish 5-6 essays every week, usually headed by a strange, humorous and/or grotesque image made up of public domain sources and Creative Commons works. These images are made from open access sources, and they are themselves open access, licensed Creative Commons Attribution Share-Alike, which means you can take them, remix them, even sell them, all without my permission. I never thought I'd become a visual artist, but as I've grappled with the daily challenge of figuring out how to illustrate my furious editorials about contemporary techno-politics, especially "enshittification," I've discovered a deep satisfaction from my deep dives into historical archives of illustration, and, of course, the remixing that comes afterward. Over the years, many readers have asked whether I would ever collect these in a book. Then I ran into Creative Commons CEO Anna Tumadóttir and we brainstormed ideas for donor gifts in honor of Creative Commons' 25th anniversary. My first novel was the first book ever released under a CC license, and while CC has gone on to bigger and better things (without CC there'd be no Wikipedia!), I never forget that my own artistic career and CC's trajectory are co-terminal: https://craphound.com/down/download/ Talking with Anna, I hit on the idea of making a beautiful little book of my favorite illustrations from Pluralistic. Anna thought CC could use about 400 of these, and all the printers I talked to offered me a pretty great quantity break at 500, so I decided I'd do it, and offer the excess 100 copies as premiums in my next Kickstarter, for the enshittification book: https://www.kickstarter.com/projects/doctorow/enshittification-the-drm-free-audiobook/ That Kickstarter is going really well – about to break $100,000! – and as I type these words, there are only five copies of Canny Valley up for grabs. I'm pretty sure they'll be gone long before the campaign closes in ten days. Of course, the fact that you can't get a physical copy of the book doesn't mean that you can't get access to all its media. Here's the full set of all 238 collages, in high-rez, for your plundering pleasure: https://www.flickr.com/photos/doctorow/albums/72177720316719208 But there is one part of this book that's not online: my pal and mentor Bruce Sterling, a cyberpunk legend turned electronic art impressario turned assemblage sculptor, wrote me a brilliant foreword for Canny Valley. Bruce gave me the go-ahead to license this CC BY 4.0 as well, and so I'm reproducing it below. Having spent several days now handling hundreds of these books, I have to say, I am indecently pleased with how they turned out, which is all down to other people. My friend John Berry, a legendary book designer and typographer, laid it out: https://johndberry.com/ And the folks at LA's best comics shop, Secret Headquarters, hooked me up with an incredible printer, the 100+ year old Pasadena institution Typecraft: https://www.typecraft.com/live2/who-we-are.html Typecraft ran this on a gorgeous Indigo printer on 100lb Mohawk paper that just drank the ink. The PVA glue in the binding will last a century, and the matte coat cover doesn't pick up smudges or fingerprints. It's a stunning little artifact. This has been so much fun (and such a success) that I imagine I'll do future volumes in the years to come. In the meantime, enjoy Bruce's intro, and join me in basking in the fact that "enshittification" has made Webster's: https://bsky.app/profile/merriam-webster.com/post/3lxxhhxo4nc2e INTRODUCTION by Bruce Sterling In 1970 a robotics professor named Masahiro Mori discovered a new problem in aesthetics. He called this "bukimi no tani genshō." The Japanese robots he built were functional, so the "bukimi no tani" situation was not an engineering problem. It was a deep and basic problem in the human perception of humanlike androids. Humble assembly robots, with their claws and swivels, those looked okay to most people. Dolls, puppets and mannequins, those also looked okay. Living people had always aesthetically looked okay to people. Especially, the pretty ones. However, between these two realms that the late Dr Mori was gamely attempting to weld together — the world of living mankind and of the pseudo-man-like machine– there was an artistic crevasse. Anything in this "Uncanny Valley" looked, and felt, severely not-okay. These overdressed robots looked and felt so eerie that their creator's skills became actively disgusting. The robots got prettier, but only up to a steep verge. Then they slid down the precipice and became zombie doppelgangers. That's also the issue with the aptly-titled "Canny Valley" art collection here. People already know how to react aesthetically to traditional graphic images. Diagrams are okay. Hand-drawn sketches and cartoons are also okay. Brush-made paintings are mostly fine. Photographs, those can get kind of dodgy. Digital collages that slice up and weld highly disparate elements like diagrams, cartoons, sketches and also photos and paintings, those trend toward the uncanny. The pixel-juggling means of digital image-manipulation are not art-traditional pencils or brushes. They do not involve the human hand, or maybe not even the human eye, or the human will. They're not fixed on paper or canvas; they're a Frankenstein mash-up landscape of tiny colored screen-dots where images can become so fried that they look and feel "cursed." They're conceptually gooey congelations, stuck in the valley mire of that which is and must be neither this-nor-that. A modern digital artist has billions of jpegs in files, folders, clouds and buckets. He's never gonna run out of weightless grist from that mill. Why would Cory Doctorow — novelist, journalist, activist, opinion columnist and so on — want to lift his typing fingers from his lettered keyboard, so as to create graphics with cut-and-paste and "lasso tools"? Cory Doctorow also has some remarkably tangled, scandalous and precarious issues to contemplate, summarize and discuss. They're not his scandalous private intrigues, though. Instead, they're scandalous public intrigues. Or, at least Cory struggles to rouse some public indignation about these intrigues, because his core topics are the tangled penthouse/slash/underground machinations of billionaire web moguls. Cory really knows really a deep dank lot about this uncanny nexus of arcane situations. He explains the shameful disasters there, but they're difficult to capture without torrents of unwieldy tech jargon. I think there are two basic reasons for this. The important motivation is his own need to express himself by some method other than words. I'm reminded here of the example of H. G. Wells, another science fiction writer turned internationally famous political pundit. HG Wells was quite a tireless and ambitious writer — so much so that he almost matched the torrential output of Cory Doctorow. But HG Wells nevertheless felt a compelling need to hand-draw cartoons. He called them "picshuas." These hundreds of "picshuas" were rarely made public. They were usually sketched in the margins of his hand-written letters. Commonly the picshuas were aimed at his second wife, the woman he had renamed "Jane." These picshuas were caricatures, or maybe rapid pen-and-ink conceptual outlines, of passing conflicts, events and situations in the life of Wells. They seemed to carry tender messages to Jane that the writer was unable or unwilling to speak aloud to her. Wells being Wells, there were always issues in his private life that might well pose a challenge to bluntly state aloud: "Oh by the way, darling, I've built a second house in the South of France where I spend my summers with a comely KGB asset, the Baroness Budberg." Even a famously glib and charming writer might feel the need to finesse that. Cory Doctorow also has some remarkably tangled, scandalous and precarious issues to contemplate, summarize and discuss. They're not his scandalous private intrigues, though. Instead, they're scandalous public intrigues. Or, at least Cory struggles to rouse some public indignation about these intrigues, because his core topics are the tangled penthouse/slash/underground machinations of billionaire web moguls. Cory really knows really a deep dank lot about this uncanny nexus of arcane situations. He explains the shameful disasters there, but they're difficult to capture without torrents of unwieldy tech jargon. So instead, he diligently clips, cuts, pastes, lassos, collages and pastiches. He might, plausibly, hire a professional artist to design his editorial cartoons for him. However, then Cory would have to verbally explain all his political analysis to this innocent graphics guy. Then Cory would also have to double-check the results of the artist and fix the inevitable newbie errors and grave misunderstandings. That effort would be three times the labor for a dogged crusader who is already working like sixty. It's more practical for him to mash-up images that resemble editorial cartoons. He can't draw. Also, although he definitely has a pronounced sense of aesthetics, it's not a aesthetic most people would consider tasteful. Cory Doctorow, from his very youth, has always had a "craphound" aesthetic. As an aesthete, Cory is the kind of guy who would collect rain-drenched punk-band flyers that had fallen off telephone poles and store them inside a 1950s cardboard kid-cereal box. I am not scolding him for this. He's always been like that. As Wells used to say about his unique "picshuas," they seemed like eccentric scribblings, but over the years, when massed-up as an oeuvre, they formed a comic burlesque of an actual life. Similarly, one isolated Doctorow collage can seem rather what-the-hell. It's trying to be "canny." If you get it, you get it. If you don't get the first one, then you can page through all of these, and at the end you will probably get it. En masse, it forms the comic burlesque of a digital left-wing cyberspatial world-of-hell. A monster-teeming Silicon Uncanny Valley of extensively raked muck. <img src="https://craphound.com/images/ai-freud.jpg" alt="Sigmund Freud's study with his famous couch. Behind the couch stands an altered version of the classic Freud portrait in which he is smoking a cigar. Freud's clothes and cigar have all been tinted in bright neon colors. His head has been replaced with the glaring red eye of HAL9000 from Kubrick's '2001: A Space Odyssey.' His legs have been replaced with a tangle of tentacles. Cryteria (modified)/https://commons.wikimedia.org/wiki/File:HAL9000.svg/CC BY 3.0/https://creativecommons.org/licenses/by/3.0/deed.en | Ser Amantio di Nicolao (modified)/https://commons.wikimedia.org/wiki/File:Study_with_the_couch,_Freud_Museum_London,_18M0143.jpg"/CC BY-SA 3.0/https://creativecommons.org/licenses/by-sa/3.0/deed"> There are a lot of web-comix people who like to make comic fun of the Internet, and to mock "the Industry." However, there's no other social and analytical record quite like this one. It has something of the dark affect of the hundred-year-old satirical Dada collages of Georg Schultz or Hannah Hoch. Those Dada collages look dank and horrible because they're "Dada" and pulling a stunt. These images look dank and horrible because they're analytical, revelatory and make sense. If you do not enjoy contemporary electronic politics, and instead you have somehow obtained an art degree, I might still be able to help you with my learned and well-meaning intro here. I can recommend a swell art-critical book titled "Memesthetics" by Valentina Tanni. I happen to know Dr. Tanni personally, and her book is the cat's pyjamas when it comes to semi-digital, semi-collage, appropriated, Situationiste-detournement, net.art "meme aesthetics." I promise that I could robotically mimic her, and write uncannily like her, if I somehow had to do that. I could even firmly link the graphic works of Cory Doctorow to the digital avant-garde and/or digital folk-art traditions that Valentina Tanni is eruditely and humanely discussing. Like with a lot of robots, the hard part would be getting me to stop. Cory works with care on his political meme-cartoons — because he is using them to further his own personal analysis, and to personally convince himself. They're not merely sharp and partisan memes, there to rouse one distinct viewer-emotion and make one single point. They're like digital jigsaw-puzzle landscape-sketches — unstable, semi-stolen and digital, because the realm he portrays is itself also unstable, semi-stolen and digital. The cartoons are dirty and messy because the situations he tackles are so dirty and messy. That's the grain of his lampoon material, like the damaged amps in a punk song. A punk song that was licensed by some billionaire and then used to spy on hapless fans with surveillance-capitalism. Since that's how it goes, that's also what you're in for. You have been warned, and these collages will warn you a whole lot more. If you want to aesthetically experience some elegant, time-tested collage art that was created by a major world artist, then you should gaze in wonder at the Max Ernst masterpiece, "Une semaine de bonté" ("A Week of Kindness"). This indefinable "collage novel" aka "artist's book" was created in the troubled time of 1934. It's very uncanny rather than "canny, "and it's also capital-A great Art. As an art critic, I could balloon this essay to dreadful robotic proportions while I explain to you in detail why this weirdo mess is a lasting monument to the expressive power of collage. However, Cory Doctorow is not doing Max Ernst's dreamy, oneiric, enchanting Surrealist art. He would never do that and it wouldn't make any sense if he did. Cory did this instead. It is art, though. It is what it is, and there's nothing else like it. It's artistic expression as Cory Doctorow has a sincere need to perform that, and in twenty years it will be even more rare and interesting. It's journalism ahead of its time (a little) and with a passage of time, it will become testimonial. Bruce Sterling — Ibiza MMXXV Hey look at this (permalink) Twitter users on Enshittification https://x.com/search?q=https%3A%2F%2Ftwitter.com%2FMerriamWebster%2Fstatus%2F1963336587712057346&amp;src=typed_query&amp;f=live Introducing Structural Zero: a New Monthly Newsletter https://hrdag.org/introducing-structural-zero-a-new-monthly-newsletter/ 70 leading Canadians, civil society groups ask Carney to protect Canada's 'digital sovereignty' https://www.cbc.ca/news/politics/open-letter-mark-carney-digital-sovereignty-1.7623128 AI Darwin Awards https://aidarwinawards.org/ Kraft Heinz went all-in on scale. Now it’s banking on a breakup to save its business https://www.cnn.com/2025/09/03/business/kraft-heinz-nightcap Object permanence (permalink) #20yrsago Singapore’s cool-ass hard-drive video-players https://memex.craphound.com/2005/09/03/singapores-cool-ass-hard-drive-video-players/ #20yrsago Being Poor — meditation by John Scalzi https://whatever.scalzi.com/2005/09/03/being-poor/ #20yrsago MSFT CEO: I will “fucking kill” Google — then he threw a chair https://battellemedia.com/archives/2005/09/ballmer_throws_a_chair_at_fing_google #20yrsago Massachusetts to MSFT: switch to open formats or you’re fired https://web.archive.org/web/20051001011728/http://www.boston.com/business/technology/articles/2005/09/02/state_may_drop_office_software/ #20yrsago Bruce Sterling’s Singapore wrapup https://web.archive.org/web/20051217133502/https://wiredblogs.tripod.com/sterling/index.blog?entry_id=1211240 #20yrsago Apple //e mainboards networked and boxed: the Applecrate https://web.archive.org/web/20050407173742/http://members.aol.com/MJMahon/CratePaper.html #15yrsago Jewelry made from laminated, polished cross-sections of bookshttps://littlefly.co.uk/ #15yrsago Boneless, clubfooted French Connection model invades Melbournehttps://www.flickr.com/photos/doctorow/4953586953/ #5yrsago Corporate spooks track you "to your door" https://pluralistic.net/2020/09/03/rip-david-graeber/#hyas #5yrsago Hedge fund managers trouser 64% https://pluralistic.net/2020/09/03/rip-david-graeber/#2-and-20 #5yrsago Rest in Power, David Graeber https://pluralistic.net/2020/09/03/rip-david-graeber/#rip-david-graeber #5yrsago Coronavirus is over (if we want it) https://pluralistic.net/2020/09/03/rip-david-graeber/#test-test-test #5yrsago Snowden vindicated https://pluralistic.net/2020/09/03/rip-david-graeber/#criming-spooks #5yrsago Algorithmic grading https://pluralistic.net/2020/09/03/rip-david-graeber/#computer-says-no #5yrsago Big Car says Right to Repair will MURDER YOU https://pluralistic.net/2020/09/03/rip-david-graeber/#rolling-surveillance-platforms Upcoming appearances (permalink) Ithaca: AD White keynote (Cornell), Sep 12 https://deanoffaculty.cornell.edu/events/keynote-cory-doctorow-professor-at-large/ DC: Enshittification at Politics and Prose, Oct 8 https://politics-prose.com/cory-doctorow-10825 NYC: Enshittification with Lina Khan (Brooklyn Public Library), Oct 9 https://www.bklynlibrary.org/calendar/cory-doctorow-discusses-central-library-dweck-20251009-0700pm New Orleans: DeepSouthCon63, Oct 10-12 http://www.contraflowscifi.org/ Chicago: Enshittification with Anand Giridharadas (Chicago Humanities), Oct 15 https://www.oldtownschool.org/concerts/2025/10-15-2025-kara-swisher-and-cory-doctorow-on-enshittification/ San Francisco: Enshittification at Public Works (The Booksmith), Oct 20 https://app.gopassage.com/events/doctorow25 Madrid: Conferencia EUROPEA 4D (Virtual), Oct 28 https://4d.cat/es/conferencia/ Miami: Enshittification at Books & Books, Nov 5 https://www.eventbrite.com/e/an-evening-with-cory-doctorow-tickets-1504647263469 Recent appearances (permalink) Nerd Harder! (This Week in Tech) https://twit.tv/shows/this-week-in-tech/episodes/1047 Techtonic with Mark Hurst https://www.wfmu.org/playlists/shows/155658 Cory Doctorow DESTROYS Enshittification (QAA Podcast) https://soundcloud.com/qanonanonymous/cory-doctorow-destroys-enshitification-e338 Latest books (permalink) "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels). "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (the-bezzle.org). "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org). "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245). "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com. "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com Upcoming books (permalink) "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025 "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025 https://us.macmillan.com/books/9780374619329/enshittification/ "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2026 "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026 "The Memex Method," Farrar, Straus, Giroux, 2026 "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, 2026 Colophon (permalink) Today's top sources: Currently writing: "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. 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Spoiler alert: ChatGPT won.