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Another Saturday, another significant station birthday. This time it's a 50th birthday and it's on the Underground, the anniversary station being Hatton Cross. brand new rolling stock was introduced on the Piccadilly line, freshly fitted out with additional luggage space. The first such train made the inaugural public journey into Hatton Cross around 10am, and may well roll in again today 50 years later because TfL still haven't managed to introduce a replacement. I don't think any significant celebrations are planned. Hatton Cross and then in 1977 to Heathrow Central. Here's a poster from the time and here's the customer leaflet, both sides. Hatton Cross station was to serve "the maintenance areas on the south side of the airport and the large housing districts of North Feltham and Bedfont". Meanwhile "passengers for airlines and spectators" were urged to continue to alight at a remodelled Hounslow West and take the A1 Express bus from the station forecourt. Being of mid-70s vintage, Hatton Cross has a certain brutalist aesthetic, or if you're feeling less polite looks like a concrete bunker. Its flat roof is because it was once meant to have a car park on top until the airport decided that might be a distraction to incoming planes, which do admittedly come into land incredibly close by. Look more closely and the ripples on the slabs round the perimeter of the roof are actually art, a concrete frieze by William Mitchell, although the artworks most people are aware of are the gorgeous mosaics down on the island platform. 'Speedbird' motif of Imperial Airways/BOAC, gloriously picked out in blue against an orange background. If waiting for a train, perhaps changing for a looper to Terminal 4, they always brighten the soul. Meanwhile the roof is made from corrugated metal, the floor comprises panels of multicoloured terrazzo and the larger wall tiles are in shades of off-grey and subdued green. Note also the illuminated roundels, these now found only here and at Pimlico which had opened three years earlier. As a time capsule of mid-Seventies design the tube has no finer example. the stairs - Hatton Cross being the youngest tube station not to have lifts - and you reach a broad funnelling concourse. Beyond is a covered waiting area brightened by a glass lantern and several hanging baskets, where global travellers mingle with airport staff and perhaps take the opportunity for a nap. The shop unit still trades, although the name Newscafe is plainly out of date and they probably now sell more bottles and cans than anything else. The doors to the booking hall were originally operated by treadpads and opened automatically, which was proper cutting edge, but those to the bus station are more annoying as they all need pushing and one alas is full-on defective. Hatton Cross got a spruce-up last year including the addition of vinyl artworks across many of the ground floor windows. The upper frieze features the Speedbird motif amidst a burst of colour, echoing back to designs downstairs, while below are Himalayan blue poppies and Shirui lilies, two species discovered by Frank Kingdon-Ward who once had a nursery close by. At the same time a so-called Energy Garden was added in the flowerbeds round the back and a few tubs out front. It looked dazzling in Ian Visits' initial report but the current reality is scrappy green plants in need of watering, so at best that means I missed their spring flowering but more likely suggests it's no longer getting the attention it deserves. station sits amid an oppressive urban environment with a major dual carriageway on one side and Britain's largest airport on the other. But look more carefully amid the sheds and hotels and the remnants of something older linger, because all of this has been built right on top of what was once a small quiet Middlesex village, a cluster of farms and cottages around a loop of country lanes, large enough for a pub and chapel but not a church or shop, surrounded by many acres of market gardening. Its misfortune is that in 1925 the Great South West Road was aligned straight through the middle, then brutally widened ten years later, and where the village got lucky is that when London Airport expanded it got no further than the A30, thus a few scraps of Hatton remain to the south of the main road. Hatton is now occupied by the screamingly blue Atrium hotel, where you should never ever book an overnight room if it's Runway Alternation Week One. The older house across the road with all the vans round the back was originally called The Orchard while the feeder road outside, now Dick Turpin Way, follows the alignment of a brief back lane. A tad more of Steam Farm Lane survives, now somewhere taxis and coaches park up during pauses between airport transfers. The boarded-off hall here was originally Hatton Mission Chapel, an outpost of St Mary's East Bedfont whose vicar travelled by horse and cart to hold a service on Sunday afternoons, and which finally closed in 1992 for fear of fallen roof tiles. Hatton's oldest surviving building by far is The Green Man pub, allegedly Jacobean although its listing only reckons 18th century. It's a lovely higgledy building, formerly thatched, whose stables contain a highwayman's hide built into the open back of the chimney, now a feature in the Lounge Bar. If you're ever waiting a long time for a flight it looks a better place to enjoy chicken, chips and a pint than forking out for something fussier airside. For an even cheaper meal try Super Singh's, a no-frills cafe in a blue and white shed on Faggs Lane specialising in vegan pizza and eggless cakes. As for the business park across the road this replaced an extensive Catholic orphanage, the St Anthony's Home, which packed its dormitories tight but fled the area in 1962. Happy 50th!
The London Lens In today's edition we investigate art, science, conspiracy and just what did the councillors know? It looks important, heavily signposted in gleaming red letters from both Greenhill Way and Station Road. A chain of blue and green lights beckons through an alleyway between a cake shop and a chicken shop, while a sign on a lamppost lures you in with promises of STREET FOOD ART AND MORE. But beyond the skips all we found was a silent cluster of lockable units, adapted containers and pseudo-greenhouses, all connected via a chain of timber ramps because this tumbleweed corner is nothing if not accessible. Who precisely is accountable for whatever hasn't happened here? special activities hitching onto the coattails of the London Festival of Architecture. Our bet is that the live music and local food was better appreciated than the panel on incremental urbanism, especially on a Thursday evening. And yet a month later nobody is here, not unless they're walking through from the adjacent street market, and the empty units echo with the sound of misplaced investment. Subscribe! But first — a quick look at the big London stories this week: Welcome to The London Lens. We're the capital's essential news magazine, delivered exclusively by Substack and online. Sign up to our mailing list and get free editions of The London Lens full of tantalising titbits you need to know about the city, although for the in-depth proper journalistic stuff we want your money because we have mortgages to pay. Please consider becoming a backer of The London Lens at just £7.95 a month, which is quite small if you think of it in terms of 'three coffees' and definitely not nearly £100 a year if you do the actual maths. The Cultural Lens Thirst! It's all about water and the lack of it, because we love to bring you the exclusives. Please subscribe!! Thirst! continues until February 2026 which is basically forever, so it'll be worth a visit on a glum winter Saturday when you've run out of interesting things to do. This article was published by The London Lens, a new quality Substack channel prioritising all things London. Several times a week we'll share with you a carefully curated story, plus our best recommendations, at least until we start to lose interest due to lack of subscriptions. We prioritise quality over quantity and delight in hiding all the best bits behind our paywall, tempting you in with dangling cliffhangers and hoping you'll cough up dosh to discover how things end. Please subscribe! Art Park continues unabated. map of the Art Park framed on the wall whose key is entirely empty, all the way from Units 1-14 to Galleries E-G. And yet it all started with such high hopes. Meanwhile Space on behalf of the London Borough of Harrow, the aim to "establish itself as a creative and social catalyst for Harrow's future". Beancounters should have run a mile when they read that the Art Park was to be "a hub of curiosity" but instead they paid up and this deadzone is the end result. Subscribe right now!! told the London Lens that the project highlighted Harrow Council's inability to plan and co-ordinate effectively, also that "hundreds of pounds in taxpayers' money is likely being wasted on keeping the lights on all day every day” which we're pretty sure is a ridiculous exaggeration. In response the Conservative council leader admitted it would take a few months to reach full occupancy as you'd expect with any new venue, then blamed Labour councillors for being too downbeat. "The Council is learning and adapting as we go along," he added, which to be fair did sound like a confession it was a bit rubbish at the moment. The remainder of this post is for paid subscribers only. Subscribe to The London Lens to read the second half of this and every newsletter going forward, because trust us we are really good at making the second half sound like it must be really interesting. £7.95 a month is nothing in the grand scheme of things, especially if you're the kind of Londoner who'll spaff twice that on a five-minute Uber journey, so why not share some of your disposable income with us? Please subscribe to the London Lens and keep the flames of proper newsgathering alive. It's better than doing a real job, especially now that so few real jobs for journalists remain. We implore you to subscribe!! Already a subscriber? Please sign in.
Back in 2003 I saw a table on Jonathan's blog and thought "ooh, I wonder how he did that". I checked the source code and tried to unpick it, also consulted my Teach Yourself HTML4 book, and so sussed out how tables worked. And since then tables have been a regular feature on this blog, almost a defining feature, because I really enjoy arranging facts and data in a grid. Most other blogs don't use tables, ever.Most websites don't use tables either, not within the actual text. Tables used to be more common, but not very common, perhaps for good reason.Tables look fine on my laptop, and generally perfectly readable on my mobile, but I suspect they muck up all sorts of accessibility for all sorts of people. Sorry if you can't read my tables easily. But I still love tables and have no intention of retiring them. Sorry.
The third week of July has more 30°+ temperatures than any other week of the year. heatwave update. Dates on which the temperature at Hampstead reached 30°C JunJulAugSep 2010279/10 201127 2012 2518 2013 13 15/16/17 221 2014 18 2015 122 2016 18/19/202413 201717/18/19/20/216 2018 5/6/7/8 15 23 25/26/272/3 6/7 20192923/24/2525/26/27 202024/25/26317/8/9/10/11/12 2021 18/19/20 20221711/12 17/18/1911/12/13/14 202311 25 6/7 9/10 2024 19 3012 202519 21 28/29/301 10/11/12tbctbc » in red: reached 33°C in red & bold: reached 35°C in red & bold & underlined: reached 37°C
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I have eaten at El Moli a number of times over the 40 or so years I and my family have been visiting this part of the world. The first couple of visits were pre-blog and pre-camera phone and I don't remember much about it other than being sat in those same ancient vaulted rooms (some parts of the building are 12th century) and being bitten by mosquitos. I went back with a couple of friends in 2007 and had a dreadful meal - it's possible that the food had been terrible on previous visits and I just had lower standards, or maybe we were just unlucky this time, but you can read about how awful it was here. Decades passed - understandably - before I was willing to give it another shot, but in October last year I had a genuinely lovely meal of interesting seafood and seasonal home-grown veg (El Moli have their own kitchen garden nearby) but thanks to a suspiciously cheap SD card reader picked up on the streets of Girona, managed to lose all my photos and so couldn't write it up. Before that though, the snacks. L'Escala is famous for its anchovies, and so you'd expect one of the town's leading restaurants to showcase these lovely salty little fellows in various different ways. So here is gorgeous crusty homemade anchovy sourdough served with anchovy butter... ...anchovy-stuffed olives which had a brilliant balance of soft savouriness and saline punch... ...and anchovy and truffle seaweed crackers, possibly the most distressingly addictive snack I've come across in the last few years. Even a couple of under 10s on our table who usually eat little else other than white bread and chocolate managed to gobble a number of these down, a testament to their universal appeal. From the starters proper, first to arrive were smoked sardines, something that had become a bit of a theme of the trip thanks to the discovery of a place in town that made their own using north Atlantic fish. I'm not sure where El Moli source theirs, but they were still very nice, accompanied by green beans and a gentle herby vinaigrette. White asparagus, carefully grilled to get a few dainty char marks but not so much to make them tough or dry, were served in another light vinaigrette which made the most of the veg. El Moli do have a slight tendency to add one or two more ingredients than strictly necessary to a plate - the usual Spanish style is to have the main item and nothing more - but this dish was a model of restraint, and all the better for it. White prawns next, from Llançà, a little fishing town just around the coast near the French border. Dressed simply with olive oil and salt - which is all they needed really - I'll forgive them the slightly redundant sprig of frisée lettuce on top partly because it was nice and crunchy and fresh and also because it soaked up the leftover dressing very well. I've never had grouper before in any form and though this arrangement of sashimi was perfectly pleasant, I'm not entirely sure there was enough flavour in the raw product to justify serving it raw. That said, I don't know where else you can get grouper sashimi so life experience ticked off there. Now it was time for the larger plates, but not before one of the more excruciating moments I've ever been through in a restaurant. We had, during ordering earlier, enquired about the smallest available Cap de Creus spiny lobster, a rare and expensive beastie with a short season, hand caught in the waters around Roses bay. We were told initially that they had a 300g specimen, which at €18/100g mean that we could have a taste of this delicacy for €54 - punchy, but not ridiculous. However, they later realised that the smallest lobster they had was in fact 700g (and brought it out still kicking to show us), meaning a significantly more damaging outlay of €126, so we reluctantly turned it down. Now, two things to say about this. Firstly, the staff couldn't have been nicer about the whole thing and swiftly and graciously took the lobster back kitchen-side, presumably to make for some rather more extravagant than normal staff dinner. So they could not have handled the situation any better from that point of view. And secondly, although you'd be tempted to blame such lack of communication on the language barrier, I can promise you that our waiter spoke better English than most front of house in London, so that wasn't the issue either. It was just one of those things, an unfortunate combination of us (probably) not quite rejecting the thing as forcefully as we could and them misreading our English politeness incorrectly, which if it had been an extra portion of chips or a plate of croquetas would have been unfortunate, but regarding a €126 serving of some of the Costa Brava's finest seafood became something else entirely. Anyway, I'm happy to say that the mains we did order were definitely worth our while. Scorpionfish came whole-roasted, boasting a lovely crisp salty skin and bright white, meaty flesh inside, alongside some more grilled vegetables from the kitchen garden. This was partly ordered out of curiosity as I don't think I'd ever tried scorpionfish before, but it was a lovely thing indeed, rather reminiscent of hake in texture. And it wasn't all about the seafood - this is a 500g "Txogitxu" Txuleton on the bone for an astonishingly reasonable €37.50 - bargains are to be found in all corners of a Spanish restaurant menu. The Txogitxu website proudly states they specialise in "Fat old cows", which can be both an amusing turn of phrase and completely true at the same time. We had all the desserts, too - well, apart from the Recuit goats cheese and honey which had run out. Torrija is a kind of Spanish French toast, buttery and crunchy on the outside and complimented by a rich homemade ice cream... ...Mille-fuille of seasonal citrus fruit was gorgeous to look out and incredibly easy to eat, with layers of lemon curd binding together delicate flakes of pastry. We probably should have ordered two of these, it disappeared so quickly... ...Basque-style cheesecake, of which we did order two, which had a fantastic creamy flavour and texture topped with sugared hazelnuts... ...chocolate mousse with toasted "garam bread" (fortunately not nearly as weird as it sounds) with olive oil and salt... ...and a strawberry pavlova hiding under a blanket of mousse-like meringue which was full of the joys of summer. There was also a cheese course, all excellent needless to say, but don't ask me to tell you what they were because I forgot to make a note and they were all super-local varieties that you probably wouldn't see outside of this corner of Spain even if you looked for them. By this point, aided by a couple of bottles of nice cava (a ludicrously reasonable €20 each) and a glass of treacly Pedro Ximines, we had largely put the Unfortunate Lobster Incident behind us and were further cheered by a bill of €522.30 - pretty good indeed for 11 people. Admittedly the under 10s mainly ate chicken fingers and bread (as well as those puffed seaweed snacks) but a couple of the older kids had oysters and roast hake and chips, and there was definitely plenty of food and drink for everyone. So when I say the spend per head was only just over €47, well, I'm only stretching the truth slightly. The point is, I can recommend El Moli de l'Escala with endless enthusiasm. Their style of food and service is unpretentious but considered, rarely overcomplicated and always bursting with flavour and charm. They offer a range of exciting and unusual seafood throughout the year (if you ever see Palamos prawns, get them - this applies to any other restaurant too) at prices that feel moderate bordering on bargainous. And when Incidents arise, they handle them with grace and charm. I do hope they found a willing customer (internal or otherwise) for that Cap de Creus lobster. And either way, I hope this post serves as enough of a thank-you. 8/10
Another Saturday, another significant station birthday. This time it's a 50th birthday and it's on the Underground, the anniversary station being Hatton Cross. brand new rolling stock was introduced on the Piccadilly line, freshly fitted out with additional luggage space. The first such train made the inaugural public journey into Hatton Cross around 10am, and may well roll in again today 50 years later because TfL still haven't managed to introduce a replacement. I don't think any significant celebrations are planned. Hatton Cross and then in 1977 to Heathrow Central. Here's a poster from the time and here's the customer leaflet, both sides. Hatton Cross station was to serve "the maintenance areas on the south side of the airport and the large housing districts of North Feltham and Bedfont". Meanwhile "passengers for airlines and spectators" were urged to continue to alight at a remodelled Hounslow West and take the A1 Express bus from the station forecourt. Being of mid-70s vintage, Hatton Cross has a certain brutalist aesthetic, or if you're feeling less polite looks like a concrete bunker. Its flat roof is because it was once meant to have a car park on top until the airport decided that might be a distraction to incoming planes, which do admittedly come into land incredibly close by. Look more closely and the ripples on the slabs round the perimeter of the roof are actually art, a concrete frieze by William Mitchell, although the artworks most people are aware of are the gorgeous mosaics down on the island platform. 'Speedbird' motif of Imperial Airways/BOAC, gloriously picked out in blue against an orange background. If waiting for a train, perhaps changing for a looper to Terminal 4, they always brighten the soul. Meanwhile the roof is made from corrugated metal, the floor comprises panels of multicoloured terrazzo and the larger wall tiles are in shades of off-grey and subdued green. Note also the illuminated roundels, these now found only here and at Pimlico which had opened three years earlier. As a time capsule of mid-Seventies design the tube has no finer example. the stairs - Hatton Cross being the youngest tube station not to have lifts - and you reach a broad funnelling concourse. Beyond is a covered waiting area brightened by a glass lantern and several hanging baskets, where global travellers mingle with airport staff and perhaps take the opportunity for a nap. The shop unit still trades, although the name Newscafe is plainly out of date and they probably now sell more bottles and cans than anything else. The doors to the booking hall were originally operated by treadpads and opened automatically, which was proper cutting edge, but those to the bus station are more annoying as they all need pushing and one alas is full-on defective. Hatton Cross got a spruce-up last year including the addition of vinyl artworks across many of the ground floor windows. The upper frieze features the Speedbird motif amidst a burst of colour, echoing back to designs downstairs, while below are Himalayan blue poppies and Shirui lilies, two species discovered by Frank Kingdon-Ward who once had a nursery close by. At the same time a so-called Energy Garden was added in the flowerbeds round the back and a few tubs out front. It looked dazzling in Ian Visits' initial report but the current reality is scrappy green plants in need of watering, so at best that means I missed their spring flowering but more likely suggests it's no longer getting the attention it deserves. station sits amid an oppressive urban environment with a major dual carriageway on one side and Britain's largest airport on the other. But look more carefully amid the sheds and hotels and the remnants of something older linger, because all of this has been built right on top of what was once a small quiet Middlesex village, a cluster of farms and cottages around a loop of country lanes, large enough for a pub and chapel but not a church or shop, surrounded by many acres of market gardening. Its misfortune is that in 1925 the Great South West Road was aligned straight through the middle, then brutally widened ten years later, and where the village got lucky is that when London Airport expanded it got no further than the A30, thus a few scraps of Hatton remain to the south of the main road. Hatton is now occupied by the screamingly blue Atrium hotel, where you should never ever book an overnight room if it's Runway Alternation Week One. The older house across the road with all the vans round the back was originally called The Orchard while the feeder road outside, now Dick Turpin Way, follows the alignment of a brief back lane. A tad more of Steam Farm Lane survives, now somewhere taxis and coaches park up during pauses between airport transfers. The boarded-off hall here was originally Hatton Mission Chapel, an outpost of St Mary's East Bedfont whose vicar travelled by horse and cart to hold a service on Sunday afternoons, and which finally closed in 1992 for fear of fallen roof tiles. Hatton's oldest surviving building by far is The Green Man pub, allegedly Jacobean although its listing only reckons 18th century. It's a lovely higgledy building, formerly thatched, whose stables contain a highwayman's hide built into the open back of the chimney, now a feature in the Lounge Bar. If you're ever waiting a long time for a flight it looks a better place to enjoy chicken, chips and a pint than forking out for something fussier airside. For an even cheaper meal try Super Singh's, a no-frills cafe in a blue and white shed on Faggs Lane specialising in vegan pizza and eggless cakes. As for the business park across the road this replaced an extensive Catholic orphanage, the St Anthony's Home, which packed its dormitories tight but fled the area in 1962. Happy 50th!
all images courtesy the artist | used with permission Erica Ward is a California-born ink and watercolor artist who has called Tokyo her home for over 10 years. Inspired by Japanese designs and imagery, as well as the ever-changing landscape of Tokyo, Ward reinterprets everyday sights and objects in surreal ways within her artworks, asking […] Related posts: The Tokyoiter Presents Diverse Visions of Tokyo Louis Vuitton Tokyo City Guide &TOKYO: City of Tokyo Announces New Logo