More from The Scholar's Stage
In November 2024, I traveled to India as part of a delegation hosted by the India Foundation. The foundation is a part of the new nationalist establishment steering Indian society. As they see things, India’s relationship with America has been mediated by hostile parties for too long. On the Indian side you have Congress-sympathizing functionaries; on the American side, a set of intellectuals and diplomats who can neither speak for nor to the American right. Direct links between Indian and American nationalists are needed. So I was invited India.
MIDWAY through his 900 page history of biology, zoologist Ernst Mayr considers the problem posed by Alfred Wallace. Wallace was a contemporary of Charles Darwin who independently developed a theory of speciation by means of natural selection. By the time Wallace came on the scene Darwin had been sitting on his evolutionary theory for two decades. Reading Wallace’s 1858 paper “On the Tendency of Species to Form Varities” spooked Darwin. He did not want to be scooped. Within a year Darwin had rushed his material into an “abstract which… must necessarily be imperfect” as it only gave “the general conclusions” of his theory, and offered only a “few facts in illustration” to support them. We know this abstract well: it was published as The Origin of Species.
MANY HAVE TRIED to pin Trump to Heritage’s “Project 2025.” The Trump campaign has not only refused to endorse Project 2025—they have refused to endorse any detailed policy plan whatsoever. Trump prefers to keep his options open. One unanticipated benefit of this approach is that Republicans have spent much of the last year engaged in intensive but open debates over policy. Ambitious politicians, congressional offices, and think tanks have laid out their preferred plans on almost every issue of importance. These plans often differ from each other in striking ways. Absent endorsement from Trump or his campaign, no one quite knows which of these policy packages will eventually be adopted as the Republican standard. The Republicans involved have thus been free to debate the merits and costs of each. Take China policy.
IN WESTERN PHILOSOPHY AND AESTHETICS a contrast is sometimes made between the Dionysian and the Apollonian. Made famous by Nietzsche, this schema was first used to describe the thought and art of Ancient Greece. On the Apollonian end we have all that is rational, intentional, structured, abstract, or well ordered; on the Dionysian side we find all that is passionate, instinctual, chaotic, sensual or protean. The Apollonian strain of western culture is associated with daylight, law, mathematics, sculpture, discipline, and the city; the Dionysian strain is associated with nightfall, violence, poetry, music, drunkenness, and nature. The Apollonian element is stereotypically male; the Dionysian element is stereotypically female. The Apollonian ideal is realized by the solitary philosopher solemn in thought. The model Dionysian is an ecstatic madman frenzied in a crowd.
More in history
Die Mondexpedition is the original German book that was translated into English in 1969 as The Log of a Moon Expedition. It's full title at the time was Die Mondexpedition: 14 Mal 24 Stunden auf dem Mond roughly translated as The Lunar Expedition: 14 times on the moon for 24 hours. Which I simplify as "The Lunar Expedition: 14 days on the Moon." The author and illustration was Ludek Pesek, a well known space artist. See his Wikipedia article here. He illustrated space and planetary themes in books and National Geographic illustrations since 1963. This was his first science fiction novel which he chose to illustrate with lush paintings of an expedition to the Moon. I blogged about the English language copy of this book in 2009. If you have not seen these before I am happy to show you some wonderful art you might have missed. Pesek, Ludek. Illustrated by Pesek, Ludek. Die Mondexpedition: 14 Mal 24 Stunden auf dem Mond . Recklinghausen: Paulus Verlag. (126 p.)
Review of David Lay Williams’s “The Greatest of All Plagues”
In 1979, American artist Christy Rupp (born 1949) created a street poster of a prowling, life-sized rat. With a keen interest in animal behaviour and habitat, Rupp’s popster coincided with a three-week strike by NYC sanitation workers. As the rubbish bags piled up on the city’s streets, Rupp added her poster wherever rats were claiming … Continue reading "Christy Rupp: Rat Patrol in New York City, 1979" The post Christy Rupp: Rat Patrol in New York City, 1979 appeared first on Flashbak.
‘All state authority is derived from the people’