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Welcome! BoredReading is a fresh way to read high quality articles (updated every hour). Our goal is to curate (with your help) Michelin star quality articles (stuff that's really worth reading). We currently have articles in 0 categories from architecture, history, design, technology, and more. Grab a cup of freshly brewed coffee and start reading. This is the best way to increase your attention span, grow as a person, and get a better understanding of the world (or atleast that's why we built it).

18
I’ll never forget the moment. I still walk past the jiujitsu gym, just a block over from our place and the moment comes rushing back. I was walking our dearly departed Boxer dog, Shaun. It was 2017. It was early. The Ralph Gracie Academy occupies a long stretch of Howard Street, with all-glass windows allowing you to see into the gym and when the sessions are going on. As I started to pass the Academy from east to west, I peeked in as I usually do and I did a double take. There, sitting half cross-legged and one knee up, was Anthony Bourdain, warming up on the mat. He looked at me, I looked at him. He knew I knew who he was, but I made no gesture. If I did, it was subtle, maybe a barely perceptible nod, but I respected his time and space, and kept moving. I knew he was in town filming an episode, and knew that he had gotten deeply involved in BJJ, leading to his lithe muscular physique and transformation during the run of Parts Unknown. The moment meant a lot to me, and it was the...
2 months ago

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More from Naz Hamid — Journal + Links

✏️ Tag, you're it

Tagged by Scott and Luke and in thoughtful return, I’m answering the Blog Questions Challenge here. Some of these answers may overlap with the answers I gave Manu for his People & Blogs series, so I’ll do my best to do something a bit different. Please visit Manu’s P&B site though, and read through many of the excellent interviews there. Much credit to Bear Blog for these questions. Why did you start blogging in the first place? I noted how I appreciated the early bloggers, in particular from the Pyra Labs/Blogger crew, but to go back even further, I was fond of journaling early. Much of that was in the form of drawings as a child, then coupled with text. It wasn’t until I read about how musicians like Eddie Vedder of Pearl Jam would keep copious journals, and in particular, Henry Rollins’ Get In The Van, showed me that documenting your life was important as a record of a lived person. Rollins would later read from these journals early in his transition from full-time musician to spoken word artist, and the storytelling inspired me. Since I was online, and web design had captivated me, it all came together. What platform are you using to manage your blog and why did you choose it? I’m currently using the lovely static site generator, Eleventy (11ty). It pushes to a GitHub repository, which triggers a deploy to Netlify. After using so many different platforms over the decades, with my posts and data semi-locked in MySQL databases, the idea of a fast, file-first, SSG was the way I absolutely wanted to go when I started blogging at this domain. Steph Ango’s File Over App is a thoughtful read on data portability. Have you blogged on other platforms before? As mentioned just before this, yes. I started with Geocities, Livejournal, tried Greymatter, then Movable Type was the first to make it all click. I got really comfortable and pushed that system far — Gapers Block was the most involved version that I had done with multiple blogs running under one instance with different layouts and sections and includes all over the place. Dean Allen’s (RIP) Textpattern stole my heart away for many years after MT got acquired, and then I stopped blogging when Weightshift became my focus, and social media started to bloom. Weightshift used various CMSs for clients: MT, TXP, ExpressionEngine, CraftCMS, Wordpress, etc. I toyed with Tumblr, and other things, but eventually restarted with Jekyll, but quickly switched to 11ty. How do you write your posts? For example, in a local editing tool, or in a panel/dashboard that’s part of your blog? Most everything starts in Bear. I have a master note of ideas, that links out to other notes and I keep adding new ones, revisit others, and check off published ones. When do you feel most inspired to write? Whenever an idea strikes. This can happen at any time and drafts are started anywhere. I generally publish in the evening though. Do you publish immediately after writing, or do you let it simmer a bit as a draft? I used to be more immediate with my publishing decades ago, adhering to a near daily schedule. These days, some thought and care goes into each post, and if possible, I like to add a touch of flavor to a post, like the rotated album covers for the Music in 2024 post. What are you generally interested in writing about? How we as humans live in a world ever-changing because of technological influence and society’s adoption and adaptation to it. I love travel so posts about cultures and countries, as well as overlanding and camping domestically. And personal things that are more feeling the feels. Who are you writing for? Myself first, but through a lens of, “this information or thought could help someone else, and/or I’d love to share a different perspective that’s unique to me.” What’s your favorite post on your blog? 2023 in the Rearview is a big one, and I worked on that for a while. Taken for a Ride is a good one I think about taking a Waymo autonomous vehicle for the first time, but I like the sort of pieces that come from a more emotional and resilient place, like Let This Be a Moment, that allow me to work through things. Any future plans for your blog? Maybe a redesign, a move to another platform, or adding a new feature? I’m very content with 11ty. I’m constantly evolving and refactoring the design and code where I can see improvement. This is a lovely mode to be in: it’s iterative like software development than constantly new like marketing. As for features: a work section (underway), and better ways to showcase my photography, which is a longtime interest and activity for me. Tag ‘em. I’m going to tag Bix, Ethan, Gosha, Grant, Matt, Piper, Rachel, Simon, Susan, Thu, and Winnie. Read on nazhamid.com or Reply via email

2 months ago 29 votes
🔗 Be A Property Owner And Not A Renter On The Internet

We are tenants with landlords who want to make sure that we can’t leave the building or go hang out with friends elsewhere, all while showing us how happy we should be with the limitations imposed on us. — Den Delimarsky A long, weighty one, but very worth the read. Visit original link → or View on nazhamid.com →

2 months ago 20 votes
🔗 SEEN, READ 2024

01/05 PREDATORS, AMERICAN GREED — Steven Soderbergh Director Steven Soderbergh's media recap of 2024. It's fascinating to see how many movies he watched multiple times, and the reverse watch of the original Star Wars trilogy. Phantom of the Menace twice too? Visit original link → or View on nazhamid.com →

2 months ago 20 votes
🔗 Media Recap 2024

I’m including the most memorable, impactful, or beloved works of—creative genius, or something, that I’ve encountered this year. I’m not a critic; I am mostly just talking about things I liked. These are tremendous to me. I hope they can be tremendous to you, too. — Anh The list is great, but this one is also visually gorgeous. Best experienced in a browser near you. Visit original link → or View on nazhamid.com →

2 months ago 17 votes
🔗 Future Web

It’s idealistic and very millennial of me to reminiscence the early days of Web innocence, unbound creativity it hosted and wonderful lack of monetisation of virtually every aspect of being online. We can’t turn back time. But, individually and collectively, we can strive for better as the Web evolves as a home for work, knowledge, community, and love. We can resist the ongoing enshittification and corporate capitalism. So I jotted down an non-exhaustive list of what I’d love the future Web to be. — Karolina Szczur A great list. Visit original link → or View on nazhamid.com →

2 months ago 20 votes

More in literature

'Livelier in Pleasant Weather'

Magazines have long been fond of asking well-known writers to recommend books appropriate to certain times of year, usually as Christmas gifts or so-called “beach reading.” The results tend to be surprisingly conventional and unrewarding, with pleasing exceptions. Consider this:  “Since I long ago gave up reading for any reason except pleasure, my literary diet does not vary much by the season. If anything, I find I am apt to indulge myself in less trivial fare during holiday months than in the winter -- I have more leisure for savoring and less need to drug myself to sleep with something uncerebral.”   The writer is the much-underrated American poet Phyllis McGinley (1905-78) responding to the “Recommended Summer Reading” feature in the Summer 1962 issue of The American Scholar. Among her co-respondents are other members of the journal’s editorial board, including Alfred Kazin and the historian of the South, C. Vann Woodward (The Strange Carrer of Jim Crow). Sorry to say, most of responses are dull. McGinley distinguishes herself by enthusiasm, good taste and no evidence of showing off.   Like her, I’ve never understood how reading in the summer differs from any other time of the year. The choice of reading matter is an internal affair, not subject to the influence of sunlight, warm temperatures and other external factors. McGinley makes an exception for travel:   “On a motoring trip, for instance, my husband and I always carry along A. E. Housman. You have to be young to enjoy Housman, and young is what one is inclined to feel while driving happily along strange roads. Enclosed, insulated from real life by speed, movement and the abandonment of domestic duties, the adolescent pessimism, the pseudoclassic despair and the impeccable music of that verse seem satisfying as they did when we were college freshmen. It does not do for bedtime reading but it is delightful to chant aloud en route.”   I’m charmed by the scene of a middle-aged American couple, sometime during the Kennedy administration, reciting in tandem one of Housman’s lyrics while touring the country. McGinley recommends other good titles – Kim, Mrs. Gaskell’s Cranford, Austen’s Persuasion, H.D.F. Kitto’s The Greeks, Adam Bede, Trevelyan’s History of England. That final three-volume work is, she writes, “as romantic and satisfactory a book as one could ask. In fact, a vacation is a natural and proper time to renew one’s friendships with early enthusiasms. The wells of joy are apt to be livelier in pleasant weather.”   In his introductory lecture as professor of Latin at University College, London, in 1892, Housman says: “The sum of things to be known is inexhaustible, and however long we read, we shall never come to the end of our story-book.”

17 hours ago 1 votes
Andrey Platonov's "Soul" - the universal happiness of the unhappy

I read Andrey Platonov’s novel Chevengur (1929) not too long ago and the collection of stories Soul (1935-46) last month.  Here we will have some notes.  These are the Robert and Elizabeth Chandler translations (four additional translators assist with Soul).  Those dates are for the completion of the writing; publication was always a complex story for poor Platonov. Platonov was a rationalist and engineer but also a mystic.  He was a true believer in the, or let’s say a, Soviet experiment, but also fully understood, for rationalist and mystical reasons, that the experiment would always fail.  He had a great writer’s imagination but – no, this should be “and” – had lifelong trouble adapting himself to Soviet censorship.  He was hardly alone there. I think I will stick with the Soul collection today, and quote from the novella “Soul,” “published” in a single proof copy in 1935, in censored form in 1966, and finally complete in 1999. Which is also when the Chandlers published their English version. “Soul,” like much of Platonov, is mercilessly grim: He foresaw that it would probably be his lot to die here and that his nation would be lost, too, ending up as corpses in the desert.  Chagataev felt no regret for himself: Stalin was alive and would bring about the universal happiness of the unhappy anyway, but it was a shame that the Dzhan nation, who had a greater need for life and happiness than any other nation of the Soviet Union, would by then be dead.  (75) Ambiguous phrase there, "the univeersal happiness of the unhappy."  Chagataev is a young engineer, tasked with leading his “nation,” a nomadic tribe subsisting, barely, in the deserts and marshes between the Caspian and Aral Seas, to Soviet civilization.  Which he does, eventually – happy ending! The entire Dzhan nation was now living without an everyday sense of its death, working at finding food for itself in the desert, lake and the Ust-Yurt Mountains, just as most of humanity normally lives in the world.  (108) An unconvincing happy ending given what happens along the way.  Platonov foreshadows the environmental destruction of the Aral Sea and the demographic decline of Russia (the nomads, by the time Chagataev returns to them, are almost all elderly, somehow living off grass and hot water).  Horrible things happen to everyone for many pages.  Chagataev is almost eaten by carrion birds.  But only almost! Chagataev felt the pain of his sorrow: his nation did not need communism.  It needed oblivion – until the wind had chilled its body and slowly squandered it in space.  (“Soul,” 102) Animals are treated terribly in “Soul,” and in other stories, no worse than the human animals, but still, the reader sensitive to such things should beware, and in particular get nowhere near the story “The Cow” (written 1938, published 1958) which is like an entry in a “saddest story ever written” contest.  Possibly my favorite thing in “Soul” is a few pages on a flock of feral sheep: And for several years the sheep had lived in the desert with their sheep dogs; the dogs had taken to eating the sheep, but then the dogs had all died or run away in melancholy yearning, and the sheep had been left on their own, gradually dying of old age, or being killed by wild beasts, or straying into waterless sands.  (62) “[D]ying of old age” is remarkable; the “melancholy yearning” of the absent dogs is a superb Gogolian touch. The other stories in the Soul collection are also good if you have the emotional strength to read them. Chevengur tomorrow.

2 hours ago 1 votes
Hidden Open Thread 375.5

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yesterday 2 votes
'People Who Just Love the Proximity of Books'

Left in a hefty anthology titled The Faber Book of War Poetry (ed. Kenneth Baker, 1996) was a postcard from O’Gara & Wilson, Ltd. Booksellers in Chicago. More than forty years ago I visited that shop near the University of Chicago and purchased a partial set of Conrad for a decent price. They bundled the books and I carried them back to Ohio on the train. The card suggests a seriousness of purpose often missing from bookstores today:   “Chicago’s Oldest Bookstore Established 1882 200,000 Titles in Stock Used Books Bought & Sold Small Collections or Complete Libraries No Quantity Too Large – House Calls Made”   Smaller copy says O’Gara & Wilson carries books “in almost all fields, but we are especially interested in American history, art, Balkan and Central European history, English and American literature, Greek and Latin classics, medieval history and literature, military history, philosophy, religion & theology.” In other words, a serious bookstore for serious readers. This is not Harlequin Romance country.   Joseph Epstein’s great friend, the late sociologist Edward Shils, who taught at the University of Chicago, published “The Bookshop in America” in the winter 1963 issue of Daedalus. In it, Shils calls bookshops “an almost indispensable part of life. Like libraries, one goes to them for what one knows and wants and to discover books one did not know before.” He continues:   “I have gone to bookshops to buy and browse. I have gone to them to buy books I wanted, and because I just wanted to buy a book, and much of the time just because I wanted to be among books to inhale their presence.”   He speaks for me. I have gone to bookstores I knew from prior sad experience were lousy, just to wander among the shelves, hopelessly hoping for treasure. In such places, I have been tempted to buy books I already owned just to salvage something tangible out of disappointment. Shils formulates a theory of good bookstores contrary to conventional economic sense:    “A bookshop, in order to be good, must have a large stock of books for which there is not likely to be a great demand but for which there will be an occasional demand. This means, unlike the retail trade in groceries, or the practice in industry to produce on order, a bookshop must render its capital inert by putting a lot of it into slow-moving lines.”   Shils is writing, of course, long before the Age of Amazon. I looked online to see if O’Gara & Wilson is still in business. It is, but relocated to Chesterton, Ind., fifty miles southeast of Chicago. I wish I could visit. More power to the new owners Doug and Jill Wilson. Shils writes:     “The wonder is, given the unremunerativeness of the business, that bookshops exist at all. It takes a special kind of person, somewhat daft in a socially useful and quite pleasant way but nonetheless somewhat off his head, to give himself to bookselling. Why should anyone who has or who can obtain $10,000 or $20,000 invest it in a bookshop to sell serious books when, if he were an economically reasonable person, he would do better to open a beauty parlor or a hamburger and barbecue shop, or put his money into the stock market? The bookseller must be one of those odd people who just love the proximity of books.”

yesterday 2 votes
Maybe villages are our future—not cities

Italy's Matera as a case study for revitalizing small governments and creating a future of interconnected villages.

2 days ago 2 votes