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Hard as it may be to believe from my supremely easy-going and liberal attitude these days (no laughing at the back), there was a time when I was, well, if not completely anti-vegan then certainly vegan-skeptic. To someone who once considered vegetarianism radically restrictive, veganism seemed like vegetarianism with the few remaining good bits (butter, cheese, cream, eggs) taken out, a path taken only by people who didn't really like food in the first place and were looking for a more socially acceptable word to substitute for "dietary neurosis". And certainly, there are cuisines that (for want of a better word) "veganise" better than others. Most of the SE Asian and Indian subcontinent handle veganism supremely well - certain subgenres of Indian food are largely vegan anyway, and I have it on good authority from a vegan friend who went on holiday to Thailand recently that he ate extremely well almost everywhere. Just don't try being a vegan in France - one member of my family...
2 weeks ago

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More from Cheese and Biscuits

Uncle Hon's BBQ, Hackney Wick

After traipsing halfway across London, dodging travel works and closed Overground lines and carriages with malfunctioning air conditioning and all the other things that make moving around this city on a weekend in the summer such an endless joy, it's equally annoying to find that your destination is good or bad. If it's good, you will bemoan the fact that somewhere worth visiting is so bloody difficult to get to, and seethe with jealousy of those lucky locals who have such a good place on their doorstep. And if it's bad, you wish you'd spent your Saturday morning and sanity going somewhere else. Uncle Hon's isn't awful. It's not great, but it's not awful. The brisket (sorry, ox cheeks) was over-tender to the point of mush (it would definitely not pass the competition BBQ "pull-test" and a bit too sweet. Pulled lamb had a decent flavour but a rather uniform texture - the joys of the "pulled" element of a BBQ tray lie almost entirely in finding little crispy crunchy bits of fat and charred flesh; this was just a bit boring. And some cubes of pork belly were decent enough in that Cantonese roast style but was yet more sweet, syrupy, mushy meat next to two other piles of sweet, syrupy, mushy meat and the whole thing was just a bit sickly. Iberico ribs were a bit better in terms of texture - they did at least have a bit of a bite and didn't just slop off the bone as is depressingly often the case - but I feel like Iberico has become a bit of a meaningless foodie buzzword like Wagyu, ie. nowhere near the guarantee of quality it once was (if indeed it ever was). These were definitely the best things we ate though, and were pretty easily polished off. Oh I should say pickles and slaw were fine, if fairly unmemorable, and a single piece of crackling weirdly lodged vertically into a mound of rice like the sword in the stone had a pleasant enough greaseless texture but was pretty under seasoned. Look, I can see what they're trying to do at Uncle Hon's - fusion American/Chinese BBQ food, bringing a bit of a new twist to what is now fairly ubiquitous London drinking-den fare, and with a bit more thought and skill it could have been, well, if not completely worth that awful journey but at least some compensation for your efforts. But after having paid £50pp for what is an only fairly mediocre tray of food plus 3 small extra pork ribs, we were left feeling fairly unhappy, not very satisfied and more than a little ripped off. 5/10

a month ago 19 votes
Norbert's, East Dulwich

They're like the buses, these rotisserie places. You wait years for a decent, affordable spit-roast chicken in the capital, and then two come along at once. one in Holborn closed (where I would go at least once every couple of weeks back in the day), then Kentish Town, then Tooting, and then after hanging on for a year or two the final spot in St John's Wood shuttered. Hélène Darroze's Sunday roast (sorry - Dimanche poulet) at the Connaught, and while some of the starter elements were very nice (particularly a genius-level chicken consommé and Armagnac shot - hook it into my veins) the main event was overcooked, dry and disappointing. And, of course, stupidly expensive. Knave of Clubs (in fact I believe they opened within a couple of months of each other) is Norbert's in East Dulwich, a much more modest operation than that grand old Victorian pub in Shoreditch (I'm sure Norbert's won't mind me saying) but still aiming to apply intelligence and skill to the business of roast poultry. The menu is short - very short, just the aforementioned chicken with sides and a couple of starters - but then that's the whole point of a specialist place like this. This is not a restaurant that does chicken, it is a chicken restaurant, and if you're vegetarian, well, you can find somewhere else to eat. We started with taramasalata which in itself was lovely but the salt and vinegar crisps it came with was, I think, a flavour too far for the same dish, the astringency fighting with the seafood. Much better would have been plain, I think. But still, an excellent tarama. didn't like it, and was offered something else. In a hapless attempt to salvage both mine and the restaurant's mistake I offered to pay for the first wine anyway, so we ended up in the end spending a small fortune on wine, not all of which we ended up drinking. The chicken, though, was just about worth the stress. A healthily thick, dark skin packed with spice and seasoning, a brined but not in the least bit 'hammy' flesh, some excellent crisp fries that held their structure and flavour until the last bite, and a supremely crunchy, fresh salad. Perhaps it wasn't quite the same level as the Turner & George chicken from the Knave, for an almost identical price (salad and fries are extra here, but included at the Knave) but was still worth the journey. We also found space for some nice cheese from Mons cheesemongers up the road, a gruyere style from Ireland which was a perfect temperature. Which didn't help our £72pp final bill but as I say, most of that was wine, whether we wanted it or not. I'm in two minds about Norbert's. On the one hand it is perfectly acceptable chicken for not a huge amount of money and it's an unpretentious little addition to this corner of East Dulwich. On the other hand the whole business with the wine left us wishing the whole experience had gone differently, and yes it doesn't compare well with a certain other rival rotisserie spot in Shoreditch doing things a little bit better for pretty much the same price. I think I know where's more likely to get my repeat custom. We paid in full but didn't get a photo of the receipt. If you want to keep subscribing for free via email please sign up to my Substack where there may also even be occasional treats for paid subscribers coming soon.

a month ago 19 votes
The Knave of Clubs, Shoreditch

I wouldn't normally feel comfortable sticking a score on a place after sampling just 2 dishes from a menu, but I will make an exception for the Knave of Clubs for two reasons. Firstly, they have put the rotisserie "centre stage" at one end of the large dining room and that is what, I imagine, the large majority of their visitors will be ordering. Secondly, I bloody loved the place, so I don't think they'll mind me writing about it even without trying most of what their kitchens can offer. We started, though, with oysters - an extremely reasonable £20 for 6 large, lean specimens supplied with all the correct condiments. In a town when the average price per bivalve is hovering around the £5 mark (and in some cases is well above that), it's nice to know that there's somewhere still offering value like this. The same sense of value is evident in the rest of the menu. They really could charge a lot more for a whole chicken than £38, especially given the quality of these birds (from arguably London's best butcher Turner and George), and even if they didn't come with a giant helping of sides. For your money you get loads of chicken fat roasties, a nice sharply-dressed green salad, some slices of baguette and a little pot of light, homemade aioli. All of this generosity would have come to naught if the chicken itself wasn't up to scratch, but fortunately thanks to the provenance I mentioned, plus judicious use of brining (not too salty but just enough to ensure every bit of the flesh is tender and juicy), plus a really lovely chermoula spice rub, the end result was a truly impressive bit of rotisserie - the best pub roast chicken I've had the pleasure to tear into in recent memory; certainly the best value. We absolutely demolished the chicken then spent many happy minutes mopping up the chermoula cooking juices with the slices of baguette, and for a while, all was well with the world. The bill, with a £32 bottle of wine came to £51pp - you really can spend a lot more than this and get a lot less, and not just in central London. In fact the whole experience, including the lovely and attentive staff, made me forgive the only real complaint I have about the place - bloody communal tables. But the spots are spread out around them quite generously, and actually just gives me an excuse to return and try the bistro-style One Club Row upstairs in the same building, where chef Patrick Powell (ex- Allegra) is really stretching his wings. I bet it's great. Watch this space. P.S. Anyone who subscribes by email I am aware of the fact that follow.it have started to be very annoying and not posting the content in the body of the email, just a link to it hosted by them. I didn't ask for this, and am not making any money from it. If you want to continue receiving the full posts via email, can I suggest you subscribe to my substack here, where you can opt to receive the full posts via email, for free.

a month ago 21 votes
The Parakeet, Kentish Town

I'm going to start this post about the Parakeet, with - unfortunately (for them, and possibly for you) - a bit of a rant. Why is it that no matter how much money has been lavished on a place, no matter how starry the chefs, how extensive the wine list, how exclusive the whisky collection (the Parakeet has some very interesting bourbons), the beer offering is almost always absolute garbage? I've lost count of the amount of gastropubs I've turned up to for a pre-dinner pint that seem to think it's OK to serve an exciting, seasonal modern British menu with a straight face alongside Camden Hells, Moretti, Guinness and bugger-all else. There's nothing poisonous about any of these bog-standard beers, and not everywhere can be the Wenlock Arms, but honestly guys, it's not difficult - serve the mass-market crap if you must but why not have one or two taps available for something from Deya, or Verdant, or Signature, or Pressure Drop, or god knows how many other great independent craft breweries on your doorstep? Would it really kill you? So yes my evening at the Parakeet got off to a bit of a humdrum start, with a pint of something entirely forgettable, but I'll give them this - at least, unlike so many 'gastropubs', it's still a proper pub, with a handsome and tastefully restored high-Victorian bar area supported by banquette seating at least equal in size to the dining section. And they're both beautiful spaces, with stained glass details and dark wood panelling, the dining area theatrically unveiled with the raising of curtains at the beginning of service. They can do a good Negroni too, and know how to put together a supremely attractive Spring menu, with a lot of my favourite words - crab, asparagus, wild garlic, oysters - offered at prices that, these days at least, seem almost modest. The point is, the Parakeet are doing lots of things right and so when they do slip up it only serves to remind you how much better it would be if they'd paid slightly closer attention to the details. This, for example - described on the menu as "Poached oysters & sea buckthorn granita". Now I'm going to be generous and forgive the plurality as a typo, rather than anything more sinister, because it's £5 for a single beastie is pretty much the norm these days. But am I right in thinking "poached" means served warm? This was ice-cold and tasted raw - again, perfectly fine if that's what you want but not as described. And doesn't "granita" mean a kind of shaved-ice frozen affair? This was a very nice dressing, with what can be a sharply astringent sea buckthorn element tempered by apple juice, but I wouldn't call it a granita. Duck hoi sin tartlets were very pretty little things which tasted as good as they looked - bags of salty, syrupy hoi sin flavour and with nice soft chunks of pink duck. Crab lasagne bites contained a good amount of crab meat and a very seductive cheese-toastie style arrangement of textures. They were also something I'd genuinely never seen before on a menu, which for this jaded blogger after nearly two decades in the game is impressive by itself. Hopefully it's not too much of a criticism to say that this plate of artichoke, broad beans (properly peeled, thank you) and sunflower seeds possibly would have been better described and sold as a side, rather than a starter. It had nice shaved artichokes, plenty of big juicy broad beans and the seeds added an attractive crunch, but in the end there wasn't quite enough going on to justify itself as a standalone dish. Nevertheless, we did quite happily polish it off. The only real dud of the evening, food-wise at least, was the turbot. Under-seasoned, with an unattractive flabby skin and a strangely blobby-textured, soily flesh, it really wasn't a very pleasant thing to eat and was a poor advertisement for what can otherwise be one of the best fish to eat on the planet. The pickled white asparagus and grape dressing it came with, however, was lovely, which although hardly making up for the turbot did mean there was at least something to enjoy on the plate. Bizarrely though, considering the poor state of the turbot, this battered, deep-fried red mullet was an absolute joy. Inside a nice crunchy greaseless batter was a fillet of superb mullet, every inch of it properly seasoned and bursting with flavour. I'll forgive them missing to remove a few bones from one side - they were easily dealt with, and the masala and curry leaf sauce it came with was rich with tomato and spices. I know through bitter experience that red mullet does not always taste this good, so this was a surprise as well as a delight. Desserts were enjoyable, but didn't seem to have had the same amount of care lavished on them as the savoury courses. Chocolate mousse was tasty enough and a bed of crunchy puffed oats (I think they were) gave it a bit of texture, but it's not really the best chocolate mousse I've eaten this month (step forward, yet again, the Devonshire) never mind longer ago. Citrus Bakewell tart was slightly more interesting and I liked the fragile ribbons of caramelised fruit they'd draped on top, but the cake element was slightly dry and crumbly. Overall, though, the Parakeet are doing more things right than wrong, and if that seems like damning with faint praise it still puts them ahead of a lot of spots in town. I hesitate to mention service on invites like these but everyone seemed very enthusiastic, and kept exactly the right balance between friendliness and professionalism - they also passed the folded napkin test with flying colours. And although the food menu wasn't exactly at the budget end of the scale, they do offer a house white for £29 which is approaching a genuine steal these days. So yes, if I was going to spend this amount of money and take a journey across town for this kind of food there's a few places (not least the Devonshire, but also the Baring, the Drapers Arms and the Pelican) that would be ahead of the list. But if I was a local, I think I'd be pretty happy to have the option to visit. And perhaps that's all that matters. I was invited to the Parakeet and didn't see a bill, but totting up what we ate and drank from the menus comes to about £70pp which isn't bad really.

a month ago 20 votes

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In a New Pop-Up Exhibition, Erica Ward Presents Tokyo as a Living, Breathing Organism

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14 hours ago 4 votes
I remember

I remember film for cameras. You couldn't just wander around with a smartphone snapping willynilly, you needed special film like Colourprint II designed for instant loading cameras. You bought a box of film from the shop, in this case Boots, and had to manoeuvre the cartridge into your camera without accidentally overexposing it on the way in. This particular film only had space for 12 pictures so you had to take photos really sparingly or you'd run out before the end of the holiday. There was always a best before date, in this case May 1980, and note the depressing news that PRICE DOES NOT INCLUDE PROCESSING. Every film had to be sent away after use, in this case dropped into Boots, and then you'd go back a few days later and excitedly flick through the blurry messes you'd taken. No 'dodgy' photos in those days, Mr Chemist was watching. If you're a certain age you probably remember film for cameras too, also I'm aware you can still get it for certain retro devices, but my word instant photography has moved on in the last fifty years. 24 cards featuring Dr Who And His Enemies just as Tom Baker hit his peak. You got 4 characters at a time, each of which had to be pushed out of its card before you could play with them in front of the colourful alien scene on the back of the packet. I never got the full set, instead I ended up with two Yetis, also I was only 10 so didn't remember any Dr Who stories containing a Quark or White Robot. Gordon Archer did the artwork and they're now eminently collectable, not that I realised this at the time. I also remember Magic Roundabout pencil toppers in Ricicles and Klondike Pete comics in Golden Nuggets, as will you if you're a certain age, and wow breakfasts got a lot duller when they stopped putting random freebies in cereal packets. plastic viewer with two eyepieces and then you could buy all sorts of discs on all sorts of topics to slot into them. Each 'reel' had 14 transparencies, and by viewing them in pairs you got to see seven 3D images as the disc rotated. This set's Wombles-themed from 1973, with three discs each bringing to life one of the stories from the stop-motion TV series. Ideally someone else read the text from the booklet out loud while you were clicking through, or else you knew the story off by heart because you'd watched them over and over. In the absence of video recorders, this is how we filled our afternoons. If you're of a certain age you'll remember Viewmasters too, maybe any age because they're been around since 1939 and are still in production. Originally the main content was tourist-related, so for example I have another set of reels from Niagara Falls, but eventually storytelling for children took over and in 2008 they stopped making scenic panoramas altogether. Letraset made some stunners - and pick a decorative style for a bedroom cupboard or something more sober for the front of a presentation. Of course you had to try to keep the line straight or the end result looked wonky, plus the letters had a tendency to eventually rub off, but if you're of a certain age you will very much remember dry-transfer lettering. comments if(postComments['91851351325181'] != null){document.write(' (' + postComments['91851351325181'] + ')')}else{document.write(' (0)')}; I remember Pocketeers. They were a series of hand-held non-electronic games released by Palitoy in the late 1970s and my brother and I were totally target audience. Each came in a green sleeve and generally what you got was a plastic box with some kind of clever mechanical game inside. Time Up was a maze through which you had to try to roll a small silver ball, scoring up to 100 points according to how far you got before a mechanical timer halted your progress. I also owned Steeplechase which was a mini-obstacle course, The Derby which was a wheel-turning four horse race and Pinball which was self-explanatory and ideal for 10 year-olds who couldn't go into pubs yet. My brother had Cup Final and Golf, the latter with a teensy player you took out of the box and set up to hit teensy balls into a teensy hole. We never got the full set of Pocketeers because they cost 99p at the Co-op and that was beyond our pocket money but they were a much-loved possession that filled many an afternoon and I remember them very fondly. boiled sweet produced by Trebor, named because they had a hard flavour outside and a soft sherbet inside. My absolute favourites were strawberries and cream Double Agents, numbered 004, closely followed by lime and chocolate (as pictured, 003). All the sweet wrappers had coded messages on them which could be unravelled if you found the packet with the right Spy Information printed on the inside (a simple substitution code but with all the words written backwards). Trebor often ran special offers - they sent me a Fingerprint Kit in 1978 in return for four wrappers and a 10p coin. Double Agents would have been the perfect sweet to eat while reading the KnowHow Book of Spycraft, an Usborne publication which I read and reread and which may still be one of the best books of all time. You may remember none of this, or you may have taken everything to heart and learned to reveal absolutely nothing. Space 1999. I must have got through a lot of lollies in the summer of 1976 because I've got a dozen of them, also they stopped hiding picture cards inside the wrappers the following year. The artwork wasn't great because the real Dr Helena Russell looked considerably more realistic than that. As for tea cards we weren't a great consumer at the time so my grandmothers funnelled all their Brooke Bond freebies my way, and between us we managed to fill the entire album of The Race Into Space (1971), History of Aviation (1972) and The Sea - Our Other World (1974). Cuppas have never been so exciting since. comments if(postComments['91851351325182'] != null){document.write(' (' + postComments['91851351325182'] + ')')}else{document.write(' (0)')}; I remember ink cartridges. This is a pack of 10 Parker ink cartridges for my Parker fountain pen, cursive script being an essential part of a 1970s education. You needed a stash of cartridges because at any minute your nib might go a bit scratchy as the ink ran out and that could be the end of the world if you were in the middle of a crucial essay. I always plumped for black ink rather than the usual Royal Blue, either because I thought black looked cooler or because in the early days we only had a bottle of black Quink ink in the house. Also I note that this particular pack of ink cartridges is unopened, this because there was once a threshold in my life when the need to use a fountain pen became redundant and my lovely Parkers now sit in a drawer. In a way it's a damned shame, but also a good thing because I'm not forever hunting a sheet of blotting paper and my fingers no longer look like they're decaying from frostbite, indeed hardly anything needs writing any more and when it does biros and fibre tips have totally won out. green plastic rectangle you could slot into a payphone and make a call without the need for coins. It meant you had to make a purchase in a shop before you could make a call, but BT smiled because their payphones were no longer full of cash and a target for theft. Instead a strip on the front of the card was heated and 'erased' so they knew how many units you'd used, and if you could read the bumps you knew how many you had left. I think mine's fully used up which is just as well because cardphone technology was phased out in 1996 and otherwise I'd have wasted some of my sunk cost. You may remember BT Phonecards if you're old enough, but mainly when people get nostalgic about payphones it's all about dropping coins in slots and what the minimum coin was and giving three rings and how you had to press Button A and Button B, and one day people who use smartphones will be just as retrospectively tedious. pocket pets which you had to nurture so they grew up properly and didn't die. Feed them right and clear up their poop and they might grow from baby to child to adult, but neglect them for too long and they'd get into bad habits or waste away and go up to heaven like an angel. Eventually you learnt it was OK to go to sleep at night because they'd still be alive when you woke up, but like today's phones they were always burning a hole in your pocket begging for attention. I know they still make Tamagotchis but this is one of the first generation circa 1997, not that I was still a child but there's no age limit on novelty zeitgeist gadgets, and I'm hoping that a lot of you who didn't remember any of the earlier things will definitely remember this. I remember being 30. I got given a birthday card with this badge on... '30 and red hot' ...and I wore it at work all day. I didn't think I was red hot at the time but I look back now and sigh, recognising I was far more red hot than I thought I was and considerably red hotter than I am now, relatively speaking, indeed they don't make '60 and red hot' badges and they wouldn't sell anyway. But it's all too easy to spend your time looking back and sighing about the past, and droning on about the past, and fixating about the past, indeed focusing all your thoughts on the past, whereas the present is all we've got and the future is all we can change. Remember that.

23 hours ago 3 votes
Market Square

45 45 Squared 25) MARKET SQUARE, N9 Borough of Enfield, 70m×50m Market Square in Edmonton. New not old, enclosed not open, basic not aspirational, blouses not yogawear, also you can't drive a vehicle into it which I think is a first in this year-long series. Come with me to the heart of Edmonton Green Shopping Centre, N9's sinuous concrete stripmall. fairly typical town centre until the late 1960s when the newly-formed Enfield council decided to bulldoze the majority in favour of full-on retail redevelopment. Frederick Gibberd & Co (of Harlow fame) came up with an innovative brutalist concoction mixing tower blocks with shopping opportunities and car parks, while Edmonton Green was substantially remodelled for through traffic. A new bus station replaced the old marketplace and all the stalls were moved into a large covered square at the core of the new development. North Mall bears off from one corner, South Mall from the opposite corner and a lowlit connector to the outside world from one side, all feeding shoppers into Market Square. Five parallel bands of glass let the light in. The original stalls are long gone, replaced by brighter permanent units with standard fascias. Some are small with space for key-cutting, engraving or a nail bar, a few are substantially larger and the majority appropriate for medium-sized traders in luggage, Caribbean groceries or dried nuts. The three prime corner units are all occupied by greengrocers, such is the demand for low-priced fruit and veg hereabouts, all neatly arrayed in bands of red, orange and green across hundreds of plastic bowls. Why walk all the way to Asda or Lidl when Letherbarrow's has all the loose tomatoes, peppers and grapes any family could need? Then there's Crystal Meats who are from the shrinkwrapped tray school of butchery, any three for £10, also Fashion Express who sell those huge checked bags ideal for taking washing to the launderette. It's all impressively tidy. outer edge of the square, the remaining beacons including JD Sports and William Hill, although the draw was considerably higher when Superdrug was still a Tesco. As for the Railway Tavern this claims to be a traditional pub, and indeed the original did stand by the level crossing on the Green for years, but this glum replacement has all the character of a dingy unit in the corner of a postwar market. Oh and there's also an upstairs, assuming you can get there. For some impractical reason it's only accessible up a single tissue-strewn staircase, or an adjacent lift, so first floor businesses must suffer terribly from low footfall. That said if you want the Turkish accountants, the special needs theatre or the local MP's office, you're more likely to be on a mission than just ambling by. What's unexpected is that after you've walked round the balcony a separate passage heads out onto the open roof... and into a street in the sky. A lot of councils tried mall-top living in the 70s, notably in Wood Green, but it's still surprising to see a row of eight townhouses on top of Clarks and Cardfactory, complete with washing hanging on the line and a lady sipping coffee in her front garden. My initial conclusion was that Edmonton Green Shopping Centre was a postwar success, still very well used and with a minimum of empty units. Then I remembered that there is essentially nowhere else for Edmonton's shoppers to go, the exterior retail offering having been so comprehensively extinguished, so of course tumbleweed has been held at bay. At least Market Square itself remains a cut above what most towns of this size offer, still appealingly blessed with everyday essentials, so long as you don't look round the edge or go upstairs.

4 days ago 5 votes