More from nanoscale views
Back in the dawn of the 21st century, the American Chemical Society founded a new journal, Nano Letters, to feature letters-length papers about nanoscience and nanotechnology. This was coincident with the launch of the National Nanotechnology Initiative, and it was back before several other publishers put out their own nano-focused journals. For a couple of years now I've been an associate editor at NL, and it was a lot of fun to work with my fellow editors on putting together this roadmap, intended to give a snapshot of what we think the next quarter century might hold. I think some of my readers will get a kick out of it.
The fall semester is about to begin at my university, and I'm going to be teaching undergraduate statistical and thermal physics. This is a course I've taught before, last full term in 2019, and the mass availability of large language models and generative AI tools have changed the world in the interim. We've all seen the headlines and articles about how some of these systems can be very good at solving traditional homework and exam problems. Many of these tools are capable of summarizing written material and writing essays that are very readable. Higher education is wrestling with the essential question: What is the right working relationship between students, teachers, and these tools, one that benefits and actually educates students (both about subject matter and the use of these tools)? Personalized individual AI tutoring seems like it could be great for teaching huge numbers of people. Conversely, if all we are doing is teaching students to copy-paste assignments into the homework-answer-machine, clearly we are failing students at multiple levels. The quote in the image here (from Kathy Hepinstall Parks) is one that I came across this week that originates in the FAQ from a writers workshop. For my purposes I could paraphrase: Why should we learn physics (or any other science or engineering discipline) when a machine already knows the formalism and the answers? On some level, this has been a serious question since the real advent of search engines. The sum total of human knowledge is available at a few keystrokes. Teaching students just rote recall of facts is approaching pointless (though proficiency can be hugely important in some circumstances - I want a doctor who can diagnose and treat ailments without having to google a list of my symptoms.). My answer to this question is layered. First, I would argue that beyond factual content we are teaching students how to think and reason. This is and I believe will remain important, even in an era when AI tools are more capable and reliable than at present. I like to think that there is some net good in training your brain to work hard, to reason your way through complicated problems (in the case of physics, formulating and then solving and testing models of reality). It's hard for me to believe that this is poor long-term strategy. Second, while maybe not as evocative as the way creative expression is described in the quote, there is real accomplishment (in your soul?) in actually learning something yourself. A huge number of people are better at playing music than I am, but that doesn't mean it wasn't worthwhile to me to play the trumpet growing up. Overworked as referencing Feynman is, the pleasure of finding things out is real. AI/LLMs can be great tools for teachers. There are several applet-style demos that I've put off making for years because of how long it would take for me to code them up nicely. With these modern capabilities, I've been able to make some of these now, in far less time than it would otherwise have taken, and students will get the chance to play with them. Still, the creativity involved in what demos to make and how they should look and act was mine, based on knowledge and experience. People still have a lot to bring to the process, and I don't think that's going to change for a very long time.
Amazingly, this blog has now been around for more than twenty years (!) - see this first post for reference from June of 2005, when I had much less gray hair and there were a lot more science blogs. Thanks to all of you for sticking around. Back then, when I debuted my writing to my loyal readers (all five of them at the time), I never thought I'd keep this up. Some info, including stats according to blogger: Total views: 8.3M Most views in one day, this past May 31, with 272K Top two most-viewed posts are this one from 2023 with a comment thread about Ranga Dias, and this one from 2009 titled "What is a plasmon?" Just a reminder that I have collected a bunch of condensed matter terms and concept posts here. I've also written some career-related posts, like a guide to faculty job searches, advice on choosing a graduate school, needs-to-be-updated advice on postdoc positions, etc. Some personal favorite posts, some of which I wish had gotten more notice, include the physics of drying your hands, the physics of why whiskey stones aren't as good as ice to cool your drink, materials and condensed matter in science fiction, the physics of vibranium, the physics of beskar, the physics of ornithopters, and why curving your pizza slice keeps if from flopping over. I'm also happy with why soft matter is hard, which was a well-viewed post. I also like to point out my essay about J. Henrik Schön, because I worry that people have forgotten about that episode. Real life has intruded quite a bit into my writing time the last couple of years, but I hope to keep doing this for a while longer. I also still hope one day to find the right time and approach to write a popular book about the physics of materials, why they are amazing, and why our understanding of this physics, limited as it is, is still an astonishing intellectual achievement. Two other things to read that I came across this week: This post about Maxwell's Demon from the Skull in the Stars blog (which has been around nearly as long as mine!) is an excellent and informative piece of writing. I'm definitely pointing my statistical and thermal physics undergraduate class to this next month. Ross McKenzie has a very nice looking review article up on the arXiv about emergence. I haven't read it yet, but I have no doubt that it will be well-written and thought-provoking.
It's been a busy time that has cut into my blogging, but I wanted to point out some links from the past couple of weeks. Physics Today has a cover article this past issue about what is colloquially known as static electricity, but what is more technically described as triboelectricity, the transfer of charge between materials by rubbing. I just wrote about this six months ago, and the detailed mechanisms remain poorly understood. Large surface charge densities (like \(10^{12}\) electronic charges per square cm) can be created this way on insulators, leading to potential differences large enough to jump a spark from your finger to the door handle. This can also lead to static electric fields near surfaces that are not small and can reveal local variations in material properties. That leads right into this paper (which I learned about from here) about the extreme shapes of the heads of a family of insects called treehoppers. These little crawlies have head and body shapes that often have cuspy, pointy bits that stick out - spines, horns, etc. As we learn early on about electrostatics, elongated and pointy shapes tend to lead to large local electric fields and field gradients. The argument of this paper is that the spiky body and cranial morphology can help these insects better sense electric field distributions, and this makes it easier for them to find their way and avoid predators. This manuscript on the arXiv this week is a particularly nice, pedagogical review article (formatted for Rev Mod Phys) about quantum geometry and Berry curvature in condensed matter systems. I haven't had the chance to read it through, but I think this will end up being very impactful and a true resource for students to learn about these topics. Another very pretty recent preprint is this one, which examines the electronic phase diagram of twisted bilayers of WSe2, with a relative twist angle of 4.6°. Much attention has been paid to the idea that moiré lattices can be in a regime seemingly well described by a Hubbard-like model, with an on-site Coulomb repulsion energy \(U\) and an electronic bandwidth \(W\). This paper shows an exceptionally clean example of this, where disorder seems to be very weak, electron temperatures are quite cold, and phase diagrams are revealed that look remarkably like the phenomena seen in the cuprate superconductors (superconducting "domes" as a function of charge density adjacent to antiferromagnetic insulating states, and with "strange metal" linear-in-\(T\) resistance in the normal state near the superconducting charge density). Results like this make me more optimistic about overcoming some of the major challenges in using twisted van der Waals materials as simulators of hard-to-solve hamilitonians. I was all set to post this earlier today, with no awful news for once about science in the US that I felt compelled to discuss, but I got sidetracked by real work. Then, late this afternoon, this executive order about federal grants was released. I can't sugar coat it - it's awful. Ignoring a large volume of inflammatory rhetoric, it contains this gem, for instance: "The grant review process itself also undermines the interests of American taxpayers." It essentially tries to bar any new calls for proposals until a new (and problematic) process is put in place at every agency (see Sect. 3(c)). Also, it says "All else being equal, preference for discretionary awards should be given to institutions with lower indirect cost rates." Now, indirect cost rates are set by negotiations between institutions and the government. Places that only do very small volumes of research have low rates, so get ready for MIT to get fewer grants and Slippery Rock University to get more. The only certainty is that the nation's lawyers are going to have a field day with all the suits that will come out of this.
The beginning of a RET poster session Research Experience for Teachers (RET) programs are an example of the kind of programs that the National Science Foundation funds which are focused on K12 (and broader) education. This summer I hosted a high school physics teacher in my lab for 6 weeks, where he worked on a brief project, with one of my doctoral students helping out in a mentoring role. Just yesterday was the big poster session for all of the participants in the program, and it was very enjoyable to talk with a whole cadre of high school science teachers from across the greater Houston area about their projects and their experiences. Readers may be more familiar with the sibling Research Experience for Undergraduates (REU) programs, which give undergraduate students the chance to work for 10 weeks or so in a lab that is very likely not at their home institution. REUs are a great way for students interested in research to get broad exposure to new topics, meet people and acquire new skills, and for some, figure out whether they like research (and maybe which topics are exciting to them). The educational goal of REUs is clear: providing direct research experience to interested undergrads, ideally while advancing a research project and for some small fraction of students resulting in an eventual publication. RET programs are different: They are intended as professional development. The teachers are exposed to new topics, hopefully a fun research environment, and they are encouraged to think carefully about how they can take the concepts they learn and translate those for the classroom. I am very much not an expert in education research, but there is evidence (see here, for example) that teachers who participate in these programs get a great deal of satisfaction and have lower attrition from teaching professions. (Note that it's hard to do statistics well on questions like that, since the population of teachers that seek out opportunities like this may be a special subset of the total population of teachers.) An idea that makes sense to me: Enhancing the motivation and job satisfaction of a teacher can have a larger cumulative impact on educating students than an individual research project for a single student. It would be a great shame if RET and REU programs are victims of large-scale cuts at NSF. The NSF is the only science agency with education as part of its mission (at least historically). All the more reason to try to persuade appropriators to not follow the draconian presidential budget request for the agency.
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Belting your favorite song over prerecorded music into a microphone in front of friends and strangers at karaoke is a popular way for people around the world to destress after work or celebrate a friend’s birthday. The idea for the karaoke machine didn’t come from a singer or a large entertainment company but from Nichiden Kogyo, a small electronics assembly company in Tokyo. The company’s founder, Shigeichi Negishi, was singing to himself at work one day in 1967 when an employee jokingly told him he was out of tune. Figuring that singing along to music would help him stay on pitch, Negishi began thinking about how to make that possible. He had the idea to turn one of the 8-track tape decks his company manufactured into what is now known as the karaoke machine. Later that year, he built what would become the first such machine, which he called the Music Box. The 30-centimeter cube housed an 8-track player for four tapes of instrumental recordings and included a microphone to sing into. He sold his machine in 1967 to a Japanese trading company, which then sold it to restaurants, bars, and hotel banquet halls, where they used it as entertainment. The machine was coined karaoke in the 1970s to describe the act of singing along to prerecorded music. The term is a combination of two Japanese words: kara, meaning empty, and okesutora, meaning orchestra. In a few years, dedicated establishments known as karaoke bars began to open across Japan. Today the country has more than 8,000, according to Statista. The karaoke machine has been commemorated as an IEEE Milestone. The dedication ceremony was held in June in the area that houses karaoke booths connected to the Shinagawa Prince Hotel in Tokyo. Negishi’s family attended the event along with IEEE leaders. Negishi died last year at the age of 100. He was grateful that people enjoy karaoke around the world, his son, Akihiro Negishia, said at the ceremony, “though he didn’t imagine it to spread globally when he created it.” Accidentally inventing one of the world’s favorite pastimes Shigeichi Negishi grew up in Tokyo, where his mother ran a tobacco store and his father oversaw regional elections as a government official. After earning a bachelor’s degree in economics from Hosei University in Tokyo, he was drafted into the Imperial Japanese Army during World War II. He became a prisoner of war and spent two years in Singapore before being released in 1947. He returned to Tokyo and sold cameras for electrical parts manufacturer Olympus Corp. In 1956 he started Nichiden Kogyo, which manufactured and assembled portable radios for the home and car, according to the Engineering and Technology History Wiki entry about the karaoke machine. Negishi would start each morning singing along to the “Pop Songs Without Lyrics” radio show, according to a Forbes article. He typically didn’t sing in the office, but one fateful day he did. Negishi was inspired to engineer one of the 8-track tape decks his company manufactured into what is now known as the karaoke machine An 8-track tape deck can play and record audio using magnetic tape cartridges. Nichiden Kogyo’s Music Box was a 30-centimeter cube with slots to insert four 8-track tapes on the top panel, with control buttons to play, stop, or skip to the next song. Inside each 13-centimeter-long rectangular 8-track cartridge is a loop of almost 1 cm-wide magnetic tape that is coiled around a circular reel, as explained in an EverPresent blog post on the technology. A small motor inside each cartridge pulls the tape across an audio head inside the player, which reads the magnetic patterns and translates them into sound. Each tape had a metal sensing strip that notified a solenoid coil located in the player when a song had ended or if a person pressed the button to switch to the next song, according to an Autodesk Instribules blog post. The coil created a magnetic field when electricity passed through it—which rotated the spindle on which the audio head was mounted to move to the next track on the tape. Each tape could hold about eight songs. Negishi added a microphone amplifier to the player’s top panel, as well as a mixing circuit. The user could adjust the volume of the music and the microphone. He also recorded 20 of his favorite songs onto the tapes and printed out the lyrics on cardstock. He tested the machine by singing a popular ballad, “Mujo no Yume” (“The Heartless Dream”). “It works! That’s all I was thinking,” Negishi told reporter Matt Alt years later, when asked what his thoughts were the first time he tested the Music Box. Alt wrote Pure Invention: How Japan Made the Modern World. In 1969 engineers at Tokyo-based trading company Kokusai Shohin added a coin acceptor to the machine, renaming the Music Box the Sparko Box.Dr. Tomohiro Hase The fees to file a patent were too expensive, according to the ETHW entry, so in 1967 Negishi sold the rights to the machine to Mitsuyoshi Hamasu, a salesman at Kokusai Shohin. The Tokyo-based trading company began selling and leasing the machines by the end of the year. In 1969 engineers at Kokusai Shohin added a coin acceptor to the machine. The company renamed the Music Box the Sparko Box. In six years, about 8,000 units were sold, Hamasu said in an interview about the rise of karaoke. Karaoke became so popular that in the 1980s, venues and bars specializing in soundproofed rooms known as karaoke boxes emerged. Groups could rent the rooms by the hour. Negishi’s family owns the first Music Box he made. It still works. The Milestone plaque recognizing the karaoke machine is on display in front of the former headquarters of Nichiden Kogyo, which Negishi turned into a tobacco shop after he retired. The shop is now owned by his daughter. The plaque reads: “The first karaoke machine was created in 1967 by mixing live vocals with prerecorded accompaniment for public entertainment, leading to its worldwide popularity. Created by Shigeichi Negishi of Nichiden Kogyo, and originally called Music Box (later Sparko Box), it included a mixer, microphone, and 8-track tape player, with a coin payment system to charge the singer. An early operational machine has been displayed at the original company site in Tokyo.” Administered by the IEEE History Center and supported by donors, the Milestone program recognizes outstanding technical developments around the world. The IEEE Tokyo Section sponsored the nomination.
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Back in the dawn of the 21st century, the American Chemical Society founded a new journal, Nano Letters, to feature letters-length papers about nanoscience and nanotechnology. This was coincident with the launch of the National Nanotechnology Initiative, and it was back before several other publishers put out their own nano-focused journals. For a couple of years now I've been an associate editor at NL, and it was a lot of fun to work with my fellow editors on putting together this roadmap, intended to give a snapshot of what we think the next quarter century might hold. I think some of my readers will get a kick out of it.