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In 1945, mathematician George Pólya released the book “How to solve it”. It aims at helping math teachers guide their students into solving abstract problems by asking the right questions. It has since had a large influence on math education and computer science, to the point of being mentioned by Marvin Minksy as a book that everyone should know. In this post, I will try to see how we can use Pólya’s methodology to solve a concrete software engineering problem: rendering 3D objects. Understanding the problem Before starting to solve the problem, we must make sure that we completely understand the problem. The first question to ask ourselves is What is the data? The data is a 3D object. The object is made out of triangles. Each triangle is made out of 3 vertices (and a normal vector). Those objects are stored in .STL files, but I will not cover the parsing of those files in this article, and will rely on the hschendel/stl lib instead. The second question, which is probably the most...
10 months ago

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More from Alice GG

Writing GDScript with Neovim

Neovim is by far my favorite text editor. The clutter-free interface and keyboard-only navigation are what keep me productive in my daily programming. In an earlier post, I explained how I configure it into a minimalist development environment. Today, I will show you how to use it with Godot and GDScript. Configure Godot First, we need to tell Godot to use nvim as a text editor instead of the built-in one. Open Godot, and head to Editor Settings > General > Text Editor > External. There, you will need to tick the box Use external editor, indicate your Neovim installation path, and use --server /tmp/godothost --remote-send "<C-\><C-N>:n {file}<CR>{line}G{col}|" as execution flags. While in the settings, head to Network > Language Server and note down the remote port Godot is using. By default, it should be 6005. We will need that value later. Connecting to Godot with vim-godot Neovim will be able to access Godot features by using a plugin called vim-godot. We will need to edit the nvim configuration file to install plugins and configure Neovim. On Mac and Linux, it is located at ~/.config/nvim/init.vim I use vim-plug to manage my plugins, so I can just add it to my configuration like this: call plug#begin('~/.vim/plugged') " ... Plug 'habamax/vim-godot' " ... call plug#end() Once the configuration file is modified and saved, use the :PlugInstall command to install it. You’ll also need to indicate Godot’s executable path. Add this line to your init.vim: let g:godot_executable = '/Applications/Godot.app/Contents/MacOS/Godot' For vim-godot to communicate with the Godot editor, it will need to listen to the /tmp/godothost file we configured in the editor previously. To do that, simply launch nvim with the flag --listen /tmp/godothost. To save you some precious keypress, I suggest creating a new alias in your bashrc/zshrc like this: alias gvim="nvim --listen /tmp/godothost" Getting autocompletion with coc.nvim Godot ships with a language server. It means the Godot editor can provide autocompletion, syntax highlighting, and advanced navigation to external editors like nvim. While Neovim now has built-in support for the language server protocol, I’ve used the plugin coc.nvim to obtain these functionalities for years and see no reason to change. You can also install it with vim-plug by adding the following line to your plugin list: Plug 'neoclide/coc.nvim', {'branch':'release'} Run :PlugInstall again to install it. You’ll need to indicate the Godot language server address and port using the command :CocConfig. It should open Coc’s configuration file, which is a JSON file normally located at ~/.config/nvim/coc-settings.json. In this file enter the following data, and make sure the port number matches the one located in your editor: { "languageserver": { "godot": { "host": "127.0.0.1", "filetypes": ["gdscript"], "port": 6005 } } } I recommend adding Coc’s example configuration to your init.vim file. You can find it on GitHub. It will provide you with a lot of useful shortcuts, such as using gd to go to a function definition and gr to list its references. Debugging using nvim-dap If you want to use the debugger from inside Neovim, you’ll need to install another plugin called nvim-dap. Add the following to your plugins list: Plug 'mfussenegger/nvim-dap' The plugin authors suggest configuring it using Lua, so let’s do that by adding the following in your init.vim: lua <<EOF local dap = require("dap") dap.adapters.godot = { type = "server", host = "127.0.0.1", port = 6006, } dap.configurations.gdscript = { { type = "godot", request = "launch", name = "Launch scene", project = "${workspaceFolder}", launch_scene = true, }, } vim.api.nvim_create_user_command("Breakpoint", "lua require'dap'.toggle_breakpoint()", {}) vim.api.nvim_create_user_command("Continue", "lua require'dap'.continue()", {}) vim.api.nvim_create_user_command("StepOver", "lua require'dap'.step_over()", {}) vim.api.nvim_create_user_command("StepInto", "lua require'dap'.step_into()", {}) vim.api.nvim_create_user_command("REPL", "lua require'dap'.repl.open()", {}) EOF This will connect to the language server (here on port 6005), and allow you to pilot the debugger using the following commands: :Breakpoint to create (or remove) a breakpoint :Continue to launch the game or run until the next breakpoint :StepOver to step over a line :StepInto to step inside a function definition :REPL to launch a REPL (useful if you want to examine values) Conclusion I hope you’ll have a great time developing Godot games with Neovim. If it helps you, you can check out my entire init.vim file on GitHub gist.

4 months ago 52 votes
Stuff I've been working on

It’s been around 2 years that I’ve had to stop with my long-term addiction to stable jobs. Quite a few people who read this blog are wondering what the hell exactly I’ve been doing since then so I’m going to update all of you on the various projects I’ve been working on. Meme credit: Fabian Stadler Mikochi Last year, I created Mikochi, a minimalist remote file browser written in Go and Preact. It has slowly been getting more and more users, and it’s now sitting at more than 200 GitHub stars and more than 6000 Docker pulls. I personally use it almost every day and it fits my use case perfectly. It is basically feature-complete so I don’t do too much development on it. I’ve actually been hoping users help me solve the few remaining GitHub issues. So far it happened twice, a good start I guess. Itako You may have seen a couple of posts on this blog regarding finance. It’s a subject I’ve been trying to learn more about for a while now. This led me to read some excellent books including Nassim Taleb’s Fooled by Randomness, Robert Shiller’s Irrational Exuberance, and Robert Carver’s Smart Portfolios. Those books have pushed me toward a more systematic approach to investing, and I’ve built Itako to help me with that. I’ve not talked about it on this blog so far, but it’s a SaaS software that gives clear data visualizations of a stock portfolio performance, volatility, and diversification. It’s currently in beta and usable for free. I’m quite happy that there are actually people using it and that it seems to work without any major issues. However, I think making it easier to use and adding a couple more features would be necessary to make it into a commercially viable product. I try to work on it when I find the time, but for the next couple of months, I have to prioritize the next project. Dice’n Goblins I play RPGs too much and now I’m even working on making them. This project was actually not started by me but by Daphnée Portheault. In the past, we worked on a couple of game jams and produced Cosmic Delusion and Duat. Now we’re trying to make a real commercial game called Dice’n Goblins. The game is about a Goblin who tries to escape from a dungeon that seems to grow endlessly. It’s inspired by classic dungeon crawlers like Etrian Odyssey and Lands of Lore. The twist is that you have to use dice to fight monsters. Equipping items you find in the dungeon gives you new dice and using skills allows you to change the dice values during combat (and make combos). We managed to obtain a decent amount of traction on this project and now it’s being published by Rogue Duck Interactive. The full game should come out in Q1 2025, for PC, Mac, and Linux. You can already play the demo (and wishlist the game) on Steam. If you’re really enthusiastic about it, don’t hesitate to join the Discord community. Technically it’s quite a big change for me to work on game dev since I can’t use that many of the reflexes I’ve built while working on infra subjects. But I’m getting more and more comfortable with using Godot and figuring out all the new game development related lingo. It’s also been an occasion to do a bit of work with non-code topics, like press relations. Japanese Something totally not relevant to tech. Since I’ve managed to reach a ‘goed genoeg’ level of Dutch, I’ve also started to learn more Japanese. I’ve almost reached the N4 level. (By almost I mean I’ve failed but it was close.) A screenshot from the Kanji Study Android App I’ve managed to learn all the hiraganas, katakanas, basic vocabulary, and grammar. So now all I’ve left to do is a huge amount of immersion and grind more kanjis. This is tougher than I thought it would be but I guess it’s fun that I can pretend to be studying while playing Dragon Quest XI in Japanese.

5 months ago 73 votes
How to publish your Godot game on Mac

Since 2019, Apple has required all MacOS software to be signed and notarized. This is meant to prevent naive users from installing malware while running software from unknown sources. Since this process is convoluted, it stops many indie game developers from releasing their Godot games on Mac. To solve this, this article will attempt to document each and every step of the signing and notarization process. Photo by Natasya Chen Step 0: Get a Mac While there tools exists to codesign/notarize Mac executables from other platforms, I think having access to a MacOS machine will remove quite a few headaches. A Mac VM, or even a cloud machine, might do the job. I have not personally tested those alternatives, so if you do, please tell me if it works well. Step 1: Get an Apple ID and the Developer App You can create an Apple ID through Apple’s website. While the process should be straightforward, it seems like Apple has trust issues when it comes to email from protonmail.com or custom domains. Do not hesitate to contact support in case you encounter issues creating or logging into your Apple ID. They are quite responsive. Once you have a working Apple ID, use it to log into the App Store on your Mac and install the Apple Developer application. Step 2: Enroll in the Apple Developer Program Next, open the Apple Developer app, log in, and ask to “Enroll” in the developer program. This will require you to scan your ID, fill in data about you and your company, and most likely confirm those data with a support agent by phone. The process costs ~99$ and should take between 24 and 48 hours. Step 3: Setup Xcode Xcode will be used to codesign and notarize your app through Godot. You should install the app through the App Store like you did for the Apple Developer application. Once the app is installed, we need to accept the license. First, launch Xcode and close it. Then open a terminal and run the following commands: sudo xcode-select -s /Applications/Xcode.app/Contents/Developer sudo xcodebuild -license accept Step 4: Generate a certificate signing request To obtain a code signing certificate, we need to generate a certificate request. To do this, open Keychain, and from the top menu, select Keychain Access > Certificate Assistant > Request a Certificate From a Certificate Authority. Fill in your email address and choose Request is: Saved to disk. Click on Continue and save the .certSigningRequest file somewhere. Step 5: Obtain a code signing certificate Now, head to the Apple Developer website. Log in and go to the certificate list. Click on the + button to create a new certificate. Check Developer ID Application when asked for the type of certificate and click on continue. On the next screen, upload the certificate signing request we generated in step 4. You’ll be prompted to download your certificate. Do it and add it to Keychain by double-clicking on the file. You can check that your certificate was properly added by running the following command: security find-identity -v -p codesigning It should return (at least) one identity. Step 6: Get an App Store Connect API Key Back to the Apple Developer website, go to Users and Access, and open the Integrations tab. From this page, you should request access to the App Store Connect API. This access should normally be granted immediately. From this page, create a new key by clicking on the + icon. Give your key a name you will remember and give it the Developer access. Click on Generate and the key will be created. You will then be prompted to download your key. Do it and store the file safely, as you will only be able to download it once. Step 7: Configure Godot Open your Godot project and head to the project settings using the top menu (Project > Project Settings). From there search for VRAM Compression and check Import ETC2 ASTC. Then make sure you have installed up-to-date export templates by going through the Editor > Manage Export Templates menu and clicking on Download and Install. To export your project, head to the Project > Export. Click on Add and select macOS to create new presets. In the presets form on the left, you’ll have to fill in a unique Bundle Identifier in the Application section, this can be com.yourcompany.yourgame. In the Codesign section, select Xcode codesign and fill in your Apple Team ID and Identity. Those can be found using the security find-identity -v -p codesigning command: the first (~40 characters) part of the output is your identity, and the last (~10 characters, between parentheses) is your Team ID. In the Notarization section, select Xcode notarytool and fill in your API UUID (found on the appstoreconnect page), API Key (the file you saved in Step 6), and API Key ID (also found on the appstoreconnect page). Click on Export Project… to start the export. Step 8: Checking the notarization status Godot will automatically send your exported file for notarization. You can check the notarization progress by running: xcrun notarytool history --key YOUR_AUTH_KEY_FILE.p8 --key-id YOUR_KEY_ID --issuer YOUR_ISSUER_ID According to Apple, the process should rarely take more than 15 minutes. Empirically, this is sometimes very false and the process can give you enough time to grab a coffee, bake a cake, and water your plants. Once the notarization appears completed (with the status Valid or Invalid), you can run this command to check the result (using the job ID found in the previous command output): xcrun notarytool log --key YOUR_AUTH_KEY_FILE.p8 --key-id YOUR_KEY_ID --issuer YOUR_ISSUER_ID YOUR_JOB_ID Step 9: Stapling your executable To make sure that your executable can work offline, you are supposed to ‘staple’ the notarization to it. This is done by running the following command: xcrun stapler staple MY_SOFTWARE.dmg Extra: Exporting the game as .app Godot can export your game as .dmg, .zip, or .app. For most users, it is more convenient to receive the game as .app, as those can be directly executed. However, the notarization process doesn’t support uploading .app files to Apple’s server. I think the proper way to obtain a notarized .app file is to: Export the project .dmg from Godot with code signing and notarization Mount the .dmg and extract the .app located inside of it Staple the .app bundle Extra: Code signing GodotSteam GodotSteam is a Godot add-on that wraps the Steam API inside GDscript. If you use it, you might encounter issues during notarization, because it adds a bunch of .dylib and .framework files. What I did to work around that was to codesign the framework folders: codesign --deep --force --verify --verbose --sign "Developer ID Application: My Company" libgodotsteam.macos.template_release.framework codesign --deep --force --verify --verbose --sign "Developer ID Application: My Company" libgodotsteam.macos.template_debug.framework I also checked the options Allow DyId environment variable and Disable Library Validation in the export settings (section Codesign > Entitlements). FAQ: Is this really necessary if I’m just going to publish my game on Steam? Actually, I’m not 100% sure, but I think it is only “recommended” and Steam can bypass the notarization. Steamworks does contain a checkbox asking if App Bundles Are Notarized, so I assume it might do something.

6 months ago 67 votes
Create a presskit in 10 minutes with Milou

Talking to the press is an inevitable part of marketing a game or software. To make the journalist’s job easier, it’s a good idea to put together a press kit. The press kit should contain all the information someone could want to write an article about your product, as well as downloadable, high-resolution assets. Dice'n Goblins Introducing Milou Milou is a NodeJS software that generates press kits in the form of static websites. It aims at creating beautiful, fast, and responsive press kits, using only YAML configuration files. I built it on top of presskit.html, which solved the same problem but isn’t actively maintained at the moment. Milou improves on its foundation by using a more modern CSS, YAML instead of XML, and up-to-date Javascript code. Installation First, you will need to have NodeJS installed: curl -o- https://raw.githubusercontent.com/nvm-sh/nvm/v0.39.7/install.sh | bash nvm install 22 Once Node is ready, you can use NPM to install Milou: npm install -g milou Running milou -V should display its version (currently 1.1.1). Let’s build a press kit Let’s create a new project: mkdir mypresskit cd mypresskit milou new The root directory of your project will be used for your company. In this directory, the file data.yml should contain data about your company, such as your company name, location, website, etc… You can find an example of a fully completed company data.yml file on GitHub. To validate that your file is a valid YAML file, you can use an online validator. Your company directory should contain a sub-folder called images, you should put illustrations you want to appear in your press kit inside it. Any file named header.*** will be used as the page header, favicon.ico will be used as the page favicon, and files prefixed by the word logo will appear in a dedicated logo section of the page (eg. logo01.png or logo.jpg). Other images you put in this folder will be included in your page, in the Images section. After completing your company page, we can create a product page. This will be done in a subfolder: mkdir myproduct cd myproduct milou new -t product Just like for a company, you should fill in the data.yml file with info about your product, like its title, features, and prices. You can find an example of a product file on GitHub. The product folder should also contain an images subfolder. It works the same way as for the company. When your product is ready, go back to the company folder and build the press kit: cd ../ milou build . This will generate the HTML and CSS files for your online presskit in the directory build. You can then use any web server to access them. For example, this will make them accessible from http://localhost:3000/ cd build npx serve To put your press kit online, you can upload this folder to any static site host, like CloudFlare Pages, Netlify, or your own server running Nginx. Conclusion Milou is still quite new, and if you encounter issues while using it, don’t hesitate to open an issue. And if it works perfectly for you, leave a star on GitHub.

9 months ago 88 votes

More in programming

Supa Pecha Kucha

slug: supapechakucha

18 hours ago 3 votes
The Power of Principles in Web Development Decision-Making (article)

Discover how The Epic Programming Principles can transform your web development decision-making, boost your career, and help you build better software.

9 hours ago 2 votes
Closing the borders alone won't fix the problems

Denmark has been reaping lots of delayed accolades from its relatively strict immigration policy lately. The Swedes and the Germans in particular are now eager to take inspiration from The Danish Model, given their predicaments. The very same countries that until recently condemned the lack of open-arms/open-border policies they would champion as Moral Superpowers.  But even in Denmark, thirty years after the public opposition to mass immigration started getting real political representation, the consequences of culturally-incompatible descendants from MENAPT continue to stress the high-trust societal model. Here are just three major cases that's been covered in the Danish media in 2025 alone: Danish public schools are increasingly struggling with violence and threats against students and teachers, primarily from descendants of MENAPT immigrants. In schools with 30% or more immigrants, violence is twice as prevalent. This is causing a flight to private schools from parents who can afford it (including some Syrians!). Some teachers are quitting the profession as a result, saying "the Quran run the class room". Danish women are increasingly feeling unsafe in the nightlife. The mayor of the country's third largest city, Odense, says he knows why: "It's groups of young men with an immigrant background that's causing it. We might as well be honest about that." But unfortunately, the only suggestion he had to deal with the problem was that "when [the women] meet these groups... they should take a big detour around them". A soccer club from the infamous ghetto area of Vollsmose got national attention because every other team in their league refused to play them. Due to the team's long history of violent assaults and death threats against opposing teams and referees. Bizarrely leading to the situation were the team got to the top of its division because they'd "win" every forfeited match. Problems of this sort have existed in Denmark for well over thirty years. So in a way, none of this should be surprising. But it actually is. Because it shows that long-term assimilation just isn't happening at a scale to tackle these problems. In fact, data shows the opposite: Descendants of MENAPT immigrants are more likely to be violent and troublesome than their parents. That's an explosive point because it blows up the thesis that time will solve these problems. Showing instead that it actually just makes it worse. And then what? This is particularly pertinent in the analysis of Sweden. After the "far right" party of the Swedish Democrats got into government, the new immigrant arrivals have plummeted. But unfortunately, the net share of immigrants is still increasing, in part because of family reunifications, and thus the problems continue. Meaning even if European countries "close the borders", they're still condemned to deal with the damning effects of maladjusted MENAPT immigrant descendants for decades to come. If the intervention stops there. There are no easy answers here. Obviously, if you're in a hole, you should stop digging. And Sweden has done just that. But just because you aren't compounding the problem doesn't mean you've found a way out. Denmark proves to be both a positive example of minimizing the digging while also a cautionary tale that the hole is still there.

19 hours ago 2 votes
We all lose when art is anonymised

One rabbit hole I can never resist going down is finding the original creator of a piece of art. This sounds simple, but it’s often quite difficult. The Internet is a maze of social media accounts that only exist to repost other people’s art, usually with minimal or non-existent attribution. A popular image spawns a thousand copies, each a little further from the original. Signatures get cropped, creators’ names vanish, and we’re left with meaningless phrases like “no copyright intended”, as if that magically absolves someone of artistic theft. Why do I do this? I’ve always been a bit obsessive, a bit completionist. I’ve worked in cultural heritage for eight years, which has made me more aware of copyright and more curious about provenance. And it’s satisfying to know I’ve found the original source, that I can’t dig any further. This takes time. It’s digital detective work, using tools like Google Lens and TinEye, and it’s not always easy or possible. Sometimes the original pops straight to the top, but other times it takes a lot of digging to find the source of an image. So many of us have become accustomed to art as an endless, anonymous stream of “content”. A beautiful image appears in our feed, we give it a quick heart, and scroll on, with no thought for the human who sweated blood and tears to create it. That original artist feels distant, disconected. Whatever benefit they might get from the “exposure” of your work going viral, they don’t get any if their name has been removed first. I came across two examples recently that remind me it’s not just artists who miss out – it’s everyone who enjoys art. I saw a photo of some traffic lights on Tumblr. I love their misty, nighttime aesthetic, the way the bright colours of the lights cut through the fog, the totality of the surrounding darkness. But there was no name – somebody had just uploaded the image to their Tumblr page, it was reblogged a bunch of times, and then it appeared on my dashboard. Who took it? I used Google Lens to find the original photographer: Lucas Zimmerman. Then I discovered it was part of a series. And there was a sequel. I found interviews. Context. Related work. I found all this cool stuff, but only because I knew Lucas’s name. Traffic Lights, by Lucas Zimmerman. Published on Behance.net under a CC BY‑NC 4.0 license, and reposted here in accordance with that license. The second example was a silent video of somebody making tiny chess pieces, just captioned “wow”. It was clearly an edit of another video, with fast-paced cuts to make it accommodate a short attention span – and again with no attribution. This was a little harder to find – I had to search several frames in Google Lens before I found a summary on a Russian website, which had a link to a YouTube video by metalworker and woodworker Левша (Levsha). This video is four times longer than the cut-up version I found, in higher resolution, and with commentary from the original creator. I don’t speak Russian, but YouTube has auto-translated subtitles. Now I know how this amazing set was made, and I have a much better understanding of the materials and techniques involved. (This includes the delightful name Wenge wood, which I’d never heard before.) https://youtube.com/watch?v=QoKdDK3y-mQ A piece of art is more than just a single image or video. It’s a process, a human story. When art is detached from its context and creator, we lose something fundamental. Creators lose the chance to benefit from their work, and we lose the opportunity to engage with it in a deeper way. We can’t learn how it was made, find their other work, or discover how to make similar art for ourselves. The Internet has done many wonderful things for art, but it’s also a machine for endless copyright infringement. It’s not just about generative AI and content scraping – those are serious issues, but this problem existed long before any of us had heard of ChatGPT. It’s a thousand tiny paper cuts. How many of us have used an image from the Internet because it showed up in a search, without a second thought for its creator? When Google Images says “images may be subject to copyright”, how many of us have really thought about what that means? Next time you want to use an image from the web, look to see if it’s shared under a license that allows reuse, and make sure you include the appropriate attribution – and if not, look for a different image. Finding the original creator is hard, sometimes impossible. The Internet is full of shadows: copies of things that went offline years ago. But when I succeed, it feels worth the effort – both for the original artist and myself. When I read a book or watch a TV show, the credits guide me to the artists, and I can appreciate both them and the rest of their work. I wish the Internet was more like that. I wish the platforms we rely on put more emphasis on credit and attribution, and the people behind art. The next time an image catches your eye, take a moment. Who made this? What does it mean? What’s their story? [If the formatting of this post looks odd in your feed reader, visit the original article]

yesterday 1 votes
Apple does AI as Microsoft did mobile

When the iPhone first appeared in 2007, Microsoft was sitting pretty with their mobile strategy. They'd been early to the market with Windows CE, they were fast-following the iPod with their Zune. They also had the dominant operating system, the dominant office package, and control of the enterprise. The future on mobile must have looked so bright! But of course now, we know it wasn't. Steve Ballmer infamously dismissed the iPhone with a chuckle, as he believed all of Microsoft's past glory would guarantee them mobile victory. He wasn't worried at all. He clearly should have been! After reliving that Ballmer moment, it's uncanny to watch this CNBC interview from one year ago with Johny Srouji and John Ternus from Apple on their AI strategy. Ternus even repeats the chuckle!! Exuding the same delusional confidence that lost Ballmer's Microsoft any serious part in the mobile game.  But somehow, Apple's problems with AI seem even more dire. Because there's apparently no one steering the ship. Apple has been promising customers a bag of vaporware since last fall, and they're nowhere close to being able to deliver on the shiny concept demos. The ones that were going to make Apple Intelligence worthy of its name, and not just terrible image generation that is years behind the state of the art. Nobody at Apple seems able or courageous enough to face the music: Apple Intelligence sucks. Siri sucks. None of the vaporware is anywhere close to happening. Yet as late as last week, you have Cook promoting the new MacBook Air with "Apple Intelligence". Yikes. This is partly down to the org chart. John Giannandrea is Apple's VP of ML/AI, and he reports directly to Tim Cook. He's been in the seat since 2018. But Cook evidently does not have the product savvy to be able to tell bullshit from benefit, so he keeps giving Giannandrea more rope. Now the fella has hung Apple's reputation on vaporware, promised all iPhone 16 customers something magical that just won't happen, and even spec-bumped all their devices with more RAM for nothing but diminished margins. Ouch. This is what regression to the mean looks like. This is what fiefdom management looks like. This is what having a company run by a logistics guy looks like. Apple needs a leadership reboot, stat. That asterisk is a stain.

2 days ago 3 votes