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A few months ago, I was talking with a friend about my ergonomic setup and they asked if being vertical helps it with cooling. I wasn't sure, because it seems like it could help but it was probably such a small difference that it wouldn't matter. So, I did what any self-respecting nerd would do: I procrastinated. The question didn't leave me, though, so after those months passed, I did the second thing any self-respecting nerd would do: benchmarks. The question and the setup What we want to find out is whether or not the position of the laptop would affect its CPU performance. I wanted to measure it in three positions: normal: using it the way any normal person uses their laptop, with the screen and keyboard at something like a 90-degree angle closed: using it like a tech nerd, closed but plugged into a monitor and peripherals vertical: using it like a weird blogger who has sunk a lot of time into her ergonomic setup and wants to justify it even further My hypothesis was that...
a month ago

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More from ntietz.com blog - technically a blog

Taking a break

I've been publishing at least one blog post every week on this blog for about 2.5 years. I kept it up even when I was very sick last year with Lyme disease. It's time for me to take a break and reset. This is the right time, because the world is very difficult for me to move through right now and I'm just burnt out. I need to focus my energy on things that give me energy and right now, that's not writing and that's not tech. I'll come back to this, and it might look a little different. This is my last post for at least a month. It might be longer, if I still need more time, but I won't return before the end of May. I know I need at least that long to heal, and I also need that time to focus on music. I plan to play a set at West Philly Porchfest, so this whole month I'll be prepping that set. If you want to follow along with my music, you can find it on my bandcamp (only one track, but I'll post demos of the others that I prepare for Porchfest as they come together). And if you want to reach out, my inbox is open. Be kind to yourself. Stay well, drink some water. See you in a while.

a month ago 11 votes
The five stages of incident response

The scene: you're on call for a web app, and your pager goes off. Denial. No no no, the app can't be down. There's no way it's down. Why would it be down? It isn't down. Sure, my pager went off. And sure, the metrics all say it's down and the customer is complaining that it's down. But it isn't, I'm sure this is all a misunderstanding. Anger. Okay so it's fucking down. Why did this have to happen on my on-call shift? This is so unfair. I had my dinner ready to eat, and *boom* I'm paged. It's the PM's fault for not prioritizing my tech debt, ugh. Bargaining. Okay okay okay. Maybe... I can trade my on-call shift with Sam. They really know this service, so they could take it on. Or maybe I can eat my dinner while we respond to this... Depression. This is bad, this is so bad. Our app is down, and the customer knows. We're totally screwed here, why even bother putting it back up? They're all going to be mad, leave, the company is dead... There's not even any point. Acceptance. You know, it's going to be okay. This happens to everyone, apps go down. We'll get it back up, and everything will be fine.

a month ago 20 votes
Python is an interpreted language with a compiler

After I put up a post about a Python gotcha, someone remarked that "there are very few interpreted languages in common usage," and that they "wish Python was more widely recognized as a compiled language." This got me thinking: what is the distinction between a compiled or interpreted language? I was pretty sure that I do think Python is interpreted[1], but how would I draw that distinction cleanly? On the surface level, it seems like the distinction between compiled and interpreted languages is obvious: compiled languages have a compiler, and interpreted languages have an interpreter. We typically call Java a compiled language and Python an interpreted language. But on the inside, Java has an interpreter and Python has a compiler. What's going on? What's an interpreter? What's a compiler? A compiler takes code written in one programming language and turns it into a runnable thing. It's common for this to be machine code in an executable program, but it can also by bytecode for VM or assembly language. On the other hand, an interpreter directly takes a program and runs it. It doesn't require any pre-compilation to do so, and can apply a variety of techniques to achieve this (even a compiler). That's where the distinction really lies: what you end up running. An interpeter runs your program, while a compiler produces something that can run later[2] (or right now, if it's in an interpreter). Compiled or interpreted languages A compiled language is one that uses a compiler, and an interpreted language uses an interpreter. Except... many languages[3] use both. Let's look at Java. It has a compiler, which you feed Java source code into and you get out an artifact that you can't run directly. No, you have to feed that into the Java virtual machine, which then interprets the bytecode and runs it. So the entire Java stack seems to have both a compiler and an interpreter. But it's the usage, that you have to pre-compile it, that makes it a compiled language. And similarly is Python[4]. It has an interpreter, which you feed Python source code into and it runs the program. But on the inside, it has a compiler. That compiler takes the source code, turns it into Python bytecode, and then feeds that into the Python virtual machine. So, just like Java, it goes from code to bytecode (which is even written to the disk, usually) and bytecode to VM, which then runs it. And here again we see the usage, where you don't pre-compile anything, you just run it. That's the difference. And that's why Python is an interpreted language with a compiler! And... so what? Ultimately, why does it matter? If I can do cargo run and get my Rust program running the same as if I did python main.py, don't they feel the same? On the surface level, they do, and that's because it's a really nice interface so we've adopted it for many interactions! But underneath it, you see the differences peeping out from the compiled or interpreted nature. When you run a Python program, it will run until it encounters an error, even if there's malformed syntax! As long as it doesn't need to load that malformed syntax, you're able to start running. But if you cargo run a Rust program, it won't run at all if it encounters an error in the compilation step! It has to run the entire compilation process before the program will start at all. The difference in approaches runs pretty deep into the feel of an entire toolchain. That's where it matters, because it is one of the fundamental choices that everything else is built around. The words here are ultimately arbitrary. But they tell us a lot about the language and tools we're using. * * * Thank you to Adam for feedback on a draft of this post. It is worth occasionally challenging your own beliefs and assumptions! It's how you grow, and how you figure out when you are actually wrong. ↩ This feels like it rhymes with async functions in Python. Invoking a regular function runs it immediately, while invoking an async function creates something which can run later. ↩ And it doesn't even apply at the language level, because you could write an interpreter for C++ or a compiler for Hurl, not that you'd want to, but we're going to gloss over that distinction here and just keep calling them "compiled/interpreted languages." It's how we talk about it already, and it's not that confusing. ↩ Here, I'm talking about the standard CPython implementation. Others will differ in their details. ↩

2 months ago 24 votes
Typing using my keyboard (the other kind)

I got a new-to-me keyboard recently. It was my brother's in school, but he doesn't use it anymore, so I set it up in my office. It's got 61 keys and you can hook up a pedal to it, too! But when you hook it up to the computer, you can't type with it. I mean, that's expected—it makes piano and synth noises mostly. But what if you could type with it? Wouldn't that be grand? (Ha, grand, like a pian—you know, nevermind.) How do you type on a keyboard? Or more generally, how do you type with any MIDI device? I also have a couple of wind synths and a MIDI drum pad, can I type with those? The first and most obvious idea is to map each key to a letter. The lowest key on the keyboard could be 'a'[1], etc. This kind of works for a piano-style keyboard. If you have a full size keyboard, you get 88 keys. You can use 52 of those for the letters you need for English[2] and 10 for digits. Then you have 26 left. That's more than enough for a few punctuation marks and other niceties. It only kind of works, though, because it sounds pretty terrible. You end up making melodies that don't make a lot of sense, and do not stay confined to a given key signature. Plus, this assumes you have an 88 key keyboard. I have a 61 key keyboard, so I can't even type every letter and digit! And if I want to write some messages using my other instruments, I'll need something that works on those as well. Although, only being able to type 5 letters using my drums would be pretty funny... Melodic typing The typing scheme I settled on was melodic typing. When you write your message, it should correspond to a similarly beautiful[3] melody. Or, conversely, when you play a beautiful melody it turns into some text on your computer. The way we do this is we keep track of sequences of notes. We start with our key, which will be the key of C, the Times New Roman of key signatures. Then, each note in the scale is has its scale degree: C is 1, D is 2, etc. until B is 7. We want to use scale degree, so that if we jam out with others, we can switch to the appropriate key and type in harmony with them. Obviously. We assign different computer keys to different sequences of these scale degrees. The first question is, how long should our sequences be? If we have 1-note sequences, then we can type 7 keys. Great for some very specific messages, but not for general purpose typing. 2-note sequences would give us 49 keys, and 3-note sequences give us 343. So 3 notes is probably enough, since it's way more than a standard keyboard. But could we get away with the 49? (Yes.) This is where it becomes clear why full Unicode support would be a challenge. Unicode has 155,063 characters (according to wikipedia). To represent the full space, we'd need at least 7 notes, since 7^7 is 823,543. You could also use a highly variable encoding, which would make some letters easy to type and others very long-winded. It could be done, but then the key mapping would be even harder to learn... My first implementation used 3-note sequences, but the resulting tunes were... uninspiring, to say the least. There was a lot of repetition of particular notes, which wasn't my vibe. So I went back to 2-note sequences, with a pared down set of keys. Instead of trying to represent both lowercase and uppercase letters, we can just do what keyboards do, and represent them using a shift key[4]. My final mapping includes the English alphabet, numerals 0 to 9, comma, period, exclamation marks, spaces, newlines, shift, backspace, and caps lock—I mean, obviously we're going to allow constant shouting. This lets us type just about any message we'd want with just our instrument. And we only used 44 of the available sequences, so we could add even more keys. Maybe one of those would shift us into a 3-note sequence. The key mapping The note mapping I ended up with is available in a text file in the repo. This mapping lets you type anything you'd like, as long as it's English and doesn't use too complicated of punctuation. No contractions for you, and—to my chagrin—no em dashes either. The key is pretty helpful, but even better is a dynamic key. When I was trying this for the first time, I had two major problems: I didn't know which notes would give me the letter I wanted I didn't know what I had entered so far (sometimes you miss a note!) But we can solve this with code! The UI will show you which notes are entered so far (which is only ever 1 note, for the current typing scheme), as well as which notes to play to reach certain keys. It's basically a peek into the state machine behind what you're typing! An example: "hello world" Let's see this in action. As all programmers, we're obligated by law to start with "hello, world." We can use our handy-dandy cheat sheet above to figure out how to do this. "Hello, world!" uses a pesky capital letter, so we start with a shift. C C Then an 'h'. D F Then we continue on for the rest of it and get: D C E C E C E F A A B C F G E F E B E C C B A B Okay, of course this will catch on! Here's my honest first take of dooting out those notes from the translation above. Hello, world! I... am a bit disappointed, because it would have been much better comedy if it came out like "HelLoo wrolb," but them's the breaks. Moving on, though, let's make this something musical. We can take the notes and put a basic rhythm on them. Something like this, with a little swing to it. By the magic of MIDI and computers, we can hear what this sounds like. maddie marie · Hello, world! (melody) Okay, not bad. But it's missing something... Maybe a drum groove... maddie marie · Hello, world! (w/ drums) Oh yeah, there we go. Just in time to be the song of the summer, too. And if you play the melody, it enters "Hello, world!" Now we can compose music by typing! We have found a way to annoy our office mates even more than with mechanical keyboards[5]! Other rejected neglected typing schemes As with all great scientific advancements, other great ideas were passed by in the process. Here are a few of those great ideas we tried but had to abandon, since we were not enough to handle their greatness. A chorded keyboard. This would function by having the left hand control layers of the keyboard by playing a chord, and then the right hand would press keys within that layer. I think this one is a good idea! I didn't implement it because I don't play piano very well. I'm primarily a woodwind player, and I wanted to be able to use my wind synth for this. Shift via volume! There's something very cathartic about playing loudly to type capital letters and playing quietly to print lowercase letters. But... it was pretty difficult to get working for all instruments. Wind synths don't have uniform velocity (the MIDI term for how hard the key was pressed, or how strong breath was on a wind instrument), and if you average it then you don't press the key until after it's over, which is an odd typing experience. Imagine your keyboard only entering a character when you release it! So, this one is tenable, but more for keyboards than for wind synths. It complicated the code quite a bit so I tossed it, but it should come back someday. Each key is a key. You have 88 keys on a keyboard, which definitely would cover the same space as our chosen scheme. It doesn't end up sounding very good, though... Rhythmic typing. This is the one I'm perhaps most likely to implement in the future, because as we saw above, drums really add something. I have a drum multipad, which has four zones on it and two pedals attached (kick drum and hi-hat pedal). That could definitely be used to type, too! I am not sure the exact way it would work, but it might be good to quantize the notes (eighths or quarters) and then interpret the combination of feet/pads as different letters. I might take a swing at this one sometime. Please do try this at home I've written previously about how I was writing the GUI for this. The GUI is now available for you to use for all your typing needs! Except the ones that need, you know, punctuation or anything outside of the English alphabet. You can try it out by getting it from the sourcehut repo (https://git.sr.ht/~ntietz/midi-keys). It's a Rust program, so you run it with cargo run. The program is free-as-in-mattress: it's probably full of bugs, but it's yours if you want it. Well, you have to comply with the license: either AGPL or the Gay Agenda License (be gay, do crime[6]). If you try it out, let me know how it goes! Let me know what your favorite pieces of music spell when you play them on your instrument. Coincidentally, this is the letter 'a' and the note is A! We don't remain so fortunate; the letter 'b' is the note A#. ↩ I'm sorry this is English only! But, you could to the equivalent thing for most other languages. Full Unicode support would be tricky, I'll show you why later in the post. ↩ My messages do not come out as beautiful melodies. Oops. Perhaps they're not beautiful messages. ↩ This is where it would be fun to use an organ and have the lower keyboard be lowercase and the upper keyboard be uppercase. ↩ I promise you, I will do this if you ever make me go back to working in an open office. ↩ For any feds reading this: it's a joke, I'm not advocating people actually commit crimes. What kind of lady do you think I am? Obviously I'd never think that civil disobedience is something we should do, disobeying unjust laws, nooooo... I'm also never sarcastic. ↩

2 months ago 20 votes

More in programming

What is the competitive advantage of authors in the age of LLMs?

Over the past 19 months, I’ve written Crafting Engineering Strategy, a book on creating engineering strategy. I’ve also been working increasingly with large language models at work. Unsurprisingly, the intersection of those two ideas is a topic that I’ve been thinking about a lot. What, I’ve wondered, is the role of the author, particularly the long-form author, in a world where an increasingly large percentage of writing is intermediated by large language models? One framing I’ve heard somewhat frequently is the view that LLMs are first and foremost a great pillaging of authors’ work. It’s true. They are that. At some point there was a script to let you check which books had been loaded into Meta’s LLaMa, and every book I’d written at that point was included, none of them with my consent. However, I long ago made my peace with plagiarism online, and this strikes me as not particularly different, albeit conducted by larger players. The folks using this writing are going to keep using it beyond the constraints I’d prefer it to be used in, and I’m disinterested in investing my scarce mental energy chasing through digital or legal mazes. Instead, I’ve been thinking about how this transition might go right for authors. My favorite idea that I’ve come up with is the idea of written content as “datapacks” for thinking. Buy someone’s book / “datapack”, then upload it into your LLM, and you can immediately operate almost as if you knew the book’s content. Let’s start with an example. Imagine you want help onboarding as an executive, and you’ve bought a copy of The Engineering Executive’s Primer, you could create a project in Anthropic’s Claude, and upload the LLM-optimized book into your project. Here is what your Claude project might look like. Once you have it set up, you can ask it to help you create your onboarding plan. This guidance makes sense, largely pulled from Your first 90 days as CTO. As always, you can iterate on your initial prompt–including more details you want to include into the plan–along with follow ups to improve the formatting and so on. One interesting thing here, is that I don’t currently have a datapack for The Engineering Executive’s Primer! To solve that, I built one from all my blog posts marked with the “executive” tag. I did that using this script that packages Hugo blog posts, that I generated using this prompt with Claude 3.7 Sonnet. The output of that script gets passed into repomix via: repomix --include "`./scripts/tags.py content executive | paste -d, -s -`" The mess with paste is to turn the multiline output from tags.py into a comma-separated list that repomix knows how to use. This is a really neat pattern, and starts to get at where I see the long-term advantage of writers in the current environment: if you’re a writer and have access to your raw content, you can create a problem-specific datapack to discuss the problem. You can also give that datapack to someone else, or use it to answer their questions. For example, someone asked me a very detailed followup question about a recent blog post. It was a very long question, and I was on a weekend trip. I already had a Claude project setup with the contents of Crafting Engineering Strategy, so I just passed the question verbatim into that project, and sent the answer back to the person who asked it. (I did have to ask Claude to revise the answer once to focus more on what I thought the most important part of the answer was.) This, for what it’s worth, wasn’t a perfect answer, but it’s pretty good. If the question asker had the right datapack, they could have gotten it themselves, without needing me to decide to answer it. However, this post is less worried about the reader than it is about the author. What is our competitive advantage as authors in a future where people are not reading our work? Well, maybe they’re still buying our work in the form of datapacks and such, but it certainly seems likely that book sales, like blog traffic, will be impacted negatively. In trade, it’s now possible for machines to understand our thinking that we’ve recorded down into words over time. There’s a running joke in my executive learning circle that I’ve written a blog post on every topic that comes up, and that’s kind of true. That means that I am on the cusp of the opportunity to uniquely scale myself by connecting “intelligence on demand for a few cents” with the written details of my thinking built over the past two decades of being a writer who operates. The tools that exist today are not quite there yet, although a combination of selling datapacks like the one for Crafting Engineering Strategy and tools like Claude’s projects are a good start. There are many ways the exact details might come together, but I’m optimistic that writing will become more powerful rather than less in this new world, even if the particular formats change. (For what it’s worth, I don’t think human readers are going away either.) If you’re interested in the fully fleshed out version of this idea, starting here you can read the full AI Companion to Crafting Engineering Strategy. The datapack will be available via O’Reilly in the next few months. If you’re an existing O’Reilly author who’s skepical of this idea, don’t worry: I worked with them to sign a custom contract, this usage–as best I understood it, although I am not a lawyer and am not providing legal advice–is outside of the scope of the default contract I signed with my prior book, and presumably most others’ contracts as well.

yesterday 3 votes
TypeScript Conditional Types for Type Safety (Without Assertions)

Using conditional types to achieve type safety without having to use 'as'

yesterday 2 votes
Solving LinkedIn Queens with SMT

No newsletter next week I’ll be speaking at Systems Distributed. My talk isn't close to done yet, which is why this newsletter is both late and short. Solving LinkedIn Queens in SMT The article Modern SAT solvers: fast, neat and underused claims that SAT solvers1 are "criminally underused by the industry". A while back on the newsletter I asked "why": how come they're so powerful and yet nobody uses them? Many experts responded saying the reason is that encoding SAT kinda sucked and they rather prefer using tools that compile to SAT. I was reminded of this when I read Ryan Berger's post on solving “LinkedIn Queens” as a SAT problem. A quick overview of Queens. You’re presented with an NxN grid divided into N regions, and have to place N queens so that there is exactly one queen in each row, column, and region. While queens can be on the same diagonal, they cannot be adjacently diagonal. (Important note: Linkedin “Queens” is a variation on the puzzle game Star Battle, which is the same except the number of stars you place in each row/column/region varies per puzzle, and is usually two. This is also why 'queens' don’t capture like chess queens.) Ryan solved this by writing Queens as a SAT problem, expressing properties like "there is exactly one queen in row 3" as a large number of boolean clauses. Go read his post, it's pretty cool. What leapt out to me was that he used CVC5, an SMT solver.2 SMT solvers are "higher-level" than SAT, capable of handling more data types than just boolean variables. It's a lot easier to solve the problem at the SMT level than at the SAT level. To show this, I whipped up a short demo of solving the same problem in Z3 (via the Python API). Full code here, which you can compare to Ryan's SAT solution here. I didn't do a whole lot of cleanup on it (again, time crunch!), but short explanation below. The code from z3 import * # type: ignore from itertools import combinations, chain, product solver = Solver() size = 9 # N Initial setup and modules. size is the number of rows/columns/regions in the board, which I'll call N below. # queens[n] = col of queen on row n # by construction, not on same row queens = IntVector('q', size) SAT represents the queen positions via N² booleans: q_00 means that a Queen is on row 0 and column 0, !q_05 means a queen isn't on row 0 col 5, etc. In SMT we can instead encode it as N integers: q_0 = 5 means that the queen on row 0 is positioned at column 5. This immediately enforces one class of constraints for us: we don't need any constraints saying "exactly one queen per row", because that's embedded in the definition of queens! (Incidentally, using 0-based indexing for the board was a mistake on my part, it makes correctly encoding the regions later really painful.) To actually make the variables [q_0, q_1, …], we use the Z3 affordance IntVector(str, n) for making n variables at once. solver.add([And(0 <= i, i < size) for i in queens]) # not on same column solver.add(Distinct(queens)) First we constrain all the integers to [0, N), then use the incredibly handy Distinct constraint to force all the integers to have different values. This guarantees at most one queen per column, which by the pigeonhole principle means there is exactly one queen per column. # not diagonally adjacent for i in range(size-1): q1, q2 = queens[i], queens[i+1] solver.add(Abs(q1 - q2) != 1) One of the rules is that queens can't be adjacent. We already know that they can't be horizontally or vertically adjacent via other constraints, which leaves the diagonals. We only need to add constraints that, for each queen, there is no queen in the lower-left or lower-right corner, aka q_3 != q_2 ± 1. We don't need to check the top corners because if q_1 is in the upper-left corner of q_2, then q_2 is in the lower-right corner of q_1! That covers everything except the "one queen per region" constraint. But the regions are the tricky part, which we should expect because we vary the difficulty of queens games by varying the regions. regions = { "purple": [(0, 0), (0, 1), (0, 2), (0, 3), (0, 4), (0, 5), (0, 6), (0, 7), (0, 8), (1, 0), (2, 0), (3, 0), (4, 0), (5, 0), (6, 0), (7, 0), (8, 0), (1, 1), (8, 1)], "red": [(1, 2), (2, 2), (2, 1), (3, 1), (4, 1), (5, 1), (6, 1), (6, 2), (7, 1), (7, 2), (8, 2), (8, 3),], # you get the picture } # Some checking code left out, see below The region has to be manually coded in, which is a huge pain. (In the link, some validation code follows. Since it breaks up explaining the model I put it in the next section.) for r in regions.values(): solver.add(Or( *[queens[row] == col for (row, col) in r] )) Finally we have the region constraint. The easiest way I found to say "there is exactly one queen in each region" is to say "there is a queen in region 1 and a queen in region 2 and a queen in region 3" etc." Then to say "there is a queen in region purple" I wrote "q_0 = 0 OR q_0 = 1 OR … OR q_1 = 0 etc." Why iterate over every position in the region instead of doing something like (0, q[0]) in r? I tried that but it's not an expression that Z3 supports. if solver.check() == sat: m = solver.model() print([(l, m[l]) for l in queens]) Finally, we solve and print the positions. Running this gives me: [(q__0, 0), (q__1, 5), (q__2, 8), (q__3, 2), (q__4, 7), (q__5, 4), (q__6, 1), (q__7, 3), (q__8, 6)] Which is the correct solution to the queens puzzle. I didn't benchmark the solution times, but I imagine it's considerably slower than a raw SAT solver. Glucose is really, really fast. But even so, solving the problem with SMT was a lot easier than solving it with SAT. That satisfies me as an explanation for why people prefer it to SAT. Sanity checks One bit I glossed over earlier was the sanity checking code. I knew for sure that I was going to make a mistake encoding the region, and the solver wasn't going to provide useful information abut what I did wrong. In cases like these, I like adding small tests and checks to catch mistakes early, because the solver certainly isn't going to catch them! all_squares = set(product(range(size), repeat=2)) def test_i_set_up_problem_right(): assert all_squares == set(chain.from_iterable(regions.values())) for r1, r2 in combinations(regions.values(), 2): assert not set(r1) & set(r2), set(r1) & set(r2) The first check was a quick test that I didn't leave any squares out, or accidentally put the same square in both regions. Converting the values into sets makes both checks a lot easier. Honestly I don't know why I didn't just use sets from the start, sets are great. def render_regions(): colormap = ["purple", "red", "brown", "white", "green", "yellow", "orange", "blue", "pink"] board = [[0 for _ in range(size)] for _ in range(size)] for (row, col) in all_squares: for color, region in regions.items(): if (row, col) in region: board[row][col] = colormap.index(color)+1 for row in board: print("".join(map(str, row))) render_regions() The second check is something that prints out the regions. It produces something like this: 111111111 112333999 122439999 124437799 124666779 124467799 122467899 122555889 112258899 I can compare this to the picture of the board to make sure I got it right. I guess a more advanced solution would be to print emoji squares like 🟥 instead. Neither check is quality code but it's throwaway and it gets the job done so eh. "Boolean SATisfiability Solver", aka a solver that can find assignments that make complex boolean expressions true. I write a bit more about them here. ↩ "Satisfiability Modulo Theories" ↩

3 days ago 6 votes
Why Go iterators are ugly, clever and elegant

Go 1.23 adds iterators. An iterator is a way to provide values that can be used in for x := range iter loops. People are happy the iterators were added to the language. Not everyone is happy about HOW they were implemented. This person opined that they demonstrate “typical Go fashion of quite ugly syntax”. The ugly Are Go iterators ugly? Here’s the boilerplate of an iterator: func IterNumbers(n int) func(func(int) bool) { return func(yield func(int) bool) { // ... the code } } Ok, that is kind of ugly. I can’t imagine typing it from memory. The competition We do not live in a vacuum. How do other languages implement iterators? C++ I recently implemented DirIter class with an iterator in C++, for SumatraPDF. I did it to so that I can write code like for (DirEntry* e : DirIter("c:\")) { ... } to read list of files in directory c:\. Implementing it was no fun. I had to implement a class with the following methods: begin() end() DirEntry* operator*() operator==() operator!=() operator++() operator++(int) Oh my, that’s a lot of methods to implement. A bigger problem is that the logic is complicated. This is an example of pull iterator where the caller “pulls” next value out of the iterator. The caller needs at least two operations from an iterator: give me next value do you have more values? In C++ it’s more complicated than that because “Overcomplication” is C++’s middle name. A function that reads a list of entries in a directory is relatively simple. The difficulty of implementing pull iterator comes from the need to track the current state of iteration to be able to provide “give me next value” function. A simple directory traversal turned into complicated tracking of what I have read so far, did the process finish and reading the next directory entry. C C# also has pull iterators but they removed incidental complexity present in C++. It reduced the interface to just 2 essential methods: T Next() which returns next element bool HasMore() which tells if there are more values to read Here’s an iterator that returns integers from 1 to n: class NumberIterator { private int _current; private int _end; public NumberIterator(int n) { _current = 0; _end = n; } public bool HasMore() { return _current < _end; } public int Next() { if (!HasMore()) { throw new InvalidOperationException("No more elements."); } return ++_current; } } Much better but still doesn’t solve the big problem: the logic is split across many calls to Next()so the code needs to track the state. C# push iterator with yield Later C# improved this by adding a way to implement push iterator. An iterator is just a function that “pushes” values to the caller using a yield statement. Push iterator is much simpler: static IEnumerable<int> GetNumbers(int n) { for (int i = 1; i <= n; i++) { yield return i; } } Clever and elegant Here’s a Go version: func GetNumbers(n int) func(func(int) bool) { return func(yield func(int) bool) { for i := i; i <= n; i++ { if !yield(i) { return } } } } The clever and elegant part is that Go designers figured out how to implement push iterators in a way very similar to C#’s yield without adding new keyword. The hard part, the logic of the iterator, is equally simple as with yield. The yield statement in C# is kind of magic. What actually happens is that the compiler rewrites the code inside-out and turns linear logic into a state machine. Go designers figured out how to implement it using just a function. It is true that there remains essential complexity: iterator is a function that returns a function that takes a function as an argument. That is a mind bend, but it can be analyzed. Instead of yield statement pushing values to the loop driver, we have a function. This function is synthesized by the compiler and provided to the iterator function. The argument to that function is the value we’re pushing to the loop. It returns a bool to indicate early exit. This is needed to implement early break out of for loop. An iterator function returns an iterator object. In Go case, the iterator object is a new function. This creates a closure. If function is an iterator object then local variables of the function are state of the iterator. I don’t know why Go designers chose this design over yield. I assume the implementation is simpler so maybe that was the reason. Or maybe they didn’t want to add new keyword and potentially break existing code.

3 days ago 4 votes
The Continuum From Static to Dynamic

Dan Abramov in “Static as a Server”: Static is a server that runs ahead of time. “Static” and “dynamic” don’t have to be binaries that describe an entire application architecture. As Dan describes in his post, “static” or “dynamic” it’s all just computers doing stuff. Computer A requests something (an HTML document, a PDF, some JSON, who knows) from computer B. That request happens via a URL and the response can be computed “ahead of time” or “at request time”. In this paradigm: “Static” is server responding ahead of time to an anticipated requests with identical responses. “Dynamic” is a server responding at request time to anticipated requests with varying responses. But these definitions aren’t binaries, but rather represent two ends of a spectrum. Ultimately, however you define “static” or “dynamic”, what you’re dealing with is a response generated by a server — i.e. a computer — so the question is really a matter of when you want to respond and with what. Answering the question of when previously had a really big impact on what kind of architecture you inherited. But I think we’re realizing we need more nimble architectures that can flex and grow in response to changing when a request/response cycle happens and what you respond with. Perhaps a poor analogy, but imagine you’re preparing holiday cards for your friends and family: “Static” is the same card sent to everyone “Dynamic” is a hand-written card to each individual But between these two are infinite possibilities, such as: A hand-written card that’s photocopied and sent to everyone A printed template with the same hand-written note to everyone A printed template with a different hand-written note for just some people etc. Are those examples “static” or “dynamic”? [Cue endless debate]. The beauty is that in proving the space between binaries — between what “static” means and what “dynamic” means — I think we develop a firmer grasp of what we mean by those words as well as what we’re trying to accomplish with our code. I love tools that help you think of the request/response cycle across your entire application as an endlessly-changing set of computations that happen either “ahead of time”, “just in time”, or somewhere in-between. Email · Mastodon · Bluesky

4 days ago 4 votes