More from Paolo Amoroso's Journal
<![CDATA[DandeGUI now does graphics and this is what it looks like. Some text and graphics output windows created with DandeGUI on Medley Interlisp. In addition to the square root table text output demo, I created the other graphics windows with the newly implemented functionality. For example, this code draws the random circles of the top window: (DEFUN RANDOM-CIRCLES (&KEY (N 200) (MAX-R 50) (WIDTH 640) (HEIGHT 480)) (LET ((RANGE-X (- WIDTH ( 2 MAX-R))) (RANGE-Y (- HEIGHT ( 2 MAX-R))) (SHADES (LIST IL:BLACKSHADE IL:GRAYSHADE (RANDOM 65536)))) (DANDEGUI:WITH-GRAPHICS-WINDOW (STREAM :TITLE "Random Circles") (DOTIMES (I N) (DECLARE (IGNORE I)) (IL:FILLCIRCLE (+ MAX-R (RANDOM RANGE-X)) (+ MAX-R (RANDOM RANGE-Y)) (RANDOM MAX-R) (ELT SHADES (RANDOM 3)) STREAM))))) GUI:WITH-GRAPHICS-WINDOW, GUI:OPEN-GRAPHICS-STREAM, and GUI:WITH-GRAPHICS-STREAM are the main additions. These functions and macros are the equivalent for graphics of what GUI:WITH-OUTPUT-TO-WINDOW, GUI:OPEN-WINDOW-STREAM, and GUI:WITH-WINDOW-STREAM, respectively, do for text. The difference is the text facilities send output to TEXTSTREAM streams whereas the graphics facilities to IMAGESTREAM, a type of device-independent graphics streams. Under the hood DandeGUI text windows are customized TEdit windows with an associated TEXTSTREAM. TEdit is the rich text editor of Medley Interlisp. Similarly, the graphics windows of DandeGUI run the Sketch line drawing editor under the hood. Sketch windows have an IMAGESTREAM which Interlisp graphics primitives like IL:DRAWLINE and IL:DRAWPOINT accept as an output destination. DandeGUI creates and manages Sketch windows with the type of stream the graphics primitives require. In other words, IMAGESTREAM is to Sketch what TEXTSTREAM is to TEdit. The benefits of programmatically using Sketch for graphics are the same as TEdit windows for text: automatic window repainting, scrolling, and resizing. The downside is overhead. Scrolling more than a few thousand graphics elements is slow and adding even more may crash the system. However, this is an acceptable tradeoff. The new graphics functions and macros work similarly to the text ones, with a few differences. First, DandeGUI now depends on the SKETCH and SKETCH-STREAM library modules which it automatically loads. Since Sketch has no notion of a read-only drawing area GUI:OPEN-GRAPHICS-STREAM achieves the same effect by other means: (DEFUN OPEN-GRAPHICS-STREAM (&KEY (TITLE "Untitled")) "Open a new window and return the associated IMAGESTREAM to send graphics output to. Sets the window title to TITLE if supplied." (LET ((STREAM (IL:OPENIMAGESTREAM '|Untitled| 'IL:SKETCH '(IL:FONTS ,DEFAULT-FONT*))) (WINDOW (IL:\\SKSTRM.WINDOW.FROM.STREAM STREAM))) (IL:WINDOWPROP WINDOW 'IL:TITLE TITLE) ;; Disable left and middle-click title bar menu (IL:WINDOWPROP WINDOW 'IL:BUTTONEVENTFN NIL) ;; Disable sketch editing via right-click actions (IL:WINDOWPROP WINDOW 'IL:RIGHTBUTTONFN NIL) ;; Disable querying the user whether to save changes (IL:WINDOWPROP WINDOW 'IL:DONTQUERYCHANGES T) STREAM)) Only the mouse gestures and commands of the middle-click title bar menu and the right-click menu change the drawing area interactively. To disable these actions GUI:OPEN-GRAPHICS-STREAM removes their menu handlers by setting to NIL the window properties IL:BUTTONEVENTFN and IL:RIGHTBUTTONFN. This way only programmatic output can change the drawing area. The function also sets IL:DONTQUERYCHANGES to T to prevent querying whether to save the changes at window close. By design output to DandeGUI windows is not permanent, so saving isn't necessary. GUI:WITH-GRAPHICS-STREAM and GUI:WITH-GRAPHICS-WINDOW are straightforward: (DEFMACRO WITH-GRAPHICS-STREAM ((VAR STREAM) &BODY BODY) "Perform the operations in BODY with VAR bound to the graphics window STREAM. Evaluates the forms in BODY in a context in which VAR is bound to STREAM which must already exist, then returns the value of the last form of BODY." `(LET ((,VAR ,STREAM)) ,@BODY)) (DEFMACRO WITH-GRAPHICS-WINDOW ((VAR &KEY TITLE) &BODY BODY) "Perform the operations in BODY with VAR bound to a new graphics window stream. Creates a new window titled TITLE if supplied, binds VAR to the IMAGESTREAM associated with the window, and executes BODY in this context. Returns the value of the last form of BODY." `(WITH-GRAPHICS-STREAM (,VAR (OPEN-GRAPHICS-STREAM :TITLE (OR ,TITLE "Untitled"))) ,@BODY)) Unlike GUI:WITH-TEXT-STREAM and GUI:WITH-TEXT-WINDOW, which need to call GUI::WITH-WRITE-ENABLED to establish a read-only environment after every output operation, GUI:OPEN-GRAPHICS-STREAM can do this only once at window creation. GUI:CLEAR-WINDOW, GUI:WINDOW-TITLE, and GUI:PRINT-MESSAGE now work with graphics streams in addition to text streams. For IMAGESTREAM arguments GUI:PRINT-MESSAGE prints to the system prompt window as Sketch stream windows have no prompt area. The random circles and fractal triangles graphics demos round up the latest additions. #DandeGUI #CommonLisp #Interlisp #Lisp a href="https://remark.as/p/journal.paoloamoroso.com/adding-graphics-support-to-dandegui"Discuss.../a Email | Reply @amoroso@oldbytes.space !--emailsub--]]>
<![CDATA[Printing rich text to windows is one of the planned features of DandeGUI, the GUI library for Medley Interlisp I'm developing in Common Lisp. I finally got around to this and implemented the GUI:WITH-TEXT-STYLE macro which controls the attributes of text printed to a window, such as the font family and face. GUI:WITH-TEXT-STYLE establishes a context in which text printed to the stream associated with a TEdit window is rendered in the style specified by the arguments. The call to GUI:WITH-TEXT-STYLE here extends the square root table example by printing the heading in a 12-point bold sans serif font: (gui:with-output-to-window (stream :title "Table of square roots") (gui:with-text-style (stream :family :sans :size 12 :face :bold) (format stream "~&Number~40TSquare Root~2%")) (loop for n from 1 to 30 do (format stream "~&~4D~40T~8,4F~%" n (sqrt n)))) The code produces this window in which the styled column headings stand out: Medley Interlisp window of a square root table generated by the DandeGUI GUI library. The :FAMILY, :SIZE, and :FACE arguments determine the corresponding text attributes. :FAMILY may be a generic family such as :SERIF for an unspecified serif font; :SANS for a sans serif font; :FIX for a fixed width font; or a keyword denoting a specific family like :TIMESROMAN. At the heart of GUI:WITH-TEXT-STYLE is a pair of calls to the Interlisp function PRINTOUT that wrap the macro body, the first for setting the font of the stream to the specified style and the other for restoring the default: (DEFMACRO WITH-TEXT-STYLE ((STREAM &KEY FAMILY SIZE FACE) &BODY BODY) (ONCE-ONLY (STREAM) `(UNWIND-PROTECT (PROGN (IL:PRINTOUT ,STREAM IL:.FONT (TEXT-STYLE-TO-FD ,FAMILY ,SIZE ,FACE)) ,@BODY) (IL:PRINTOUT ,STREAM IL:.FONT DEFAULT-FONT)))) PRINTOUT is an Interlisp function for formatted output similar to Common Lisp's FORMAT but with additional font control via the .FONT directive. The symbols of PRINTOUT, i.e. its directives and arguments, are in the Interlisp package. In turn GUI:WITH-TEXT-STYLE calls GUI::TEXT-STYLE-TO-FD, an internal DandeGUI function which passes to .FONT a font descriptor matching the required text attributes. GUI::TEXT-STYLE-TO-FD calls IL:FONTCOPY to build a descriptor that merges the specified attributes with any unspecified ones copied from the default font. The font descriptor is an Interlisp data structure that represents a font on the Medley environment. #DandeGUI #CommonLisp #Interlisp #Lisp a href="https://remark.as/p/journal.paoloamoroso.com/changing-text-style-for-dandegui-window-output"Discuss.../a Email | Reply @amoroso@oldbytes.space !--emailsub--]]>
<![CDATA[I'm working on DandeGUI, a Common Lisp GUI library for simple text and graphics output on Medley Interlisp. The name, pronounced "dandy guy", is a nod to the Dandelion workstation, one of the Xerox D-machines Interlisp-D ran on in the 1980s. DandeGUI allows the creation and management of windows for stream-based text and graphics output. It captures typical GUI patterns of the Medley environment such as printing text to a window instead of the standard output. The main window of this screenshot was created by the code shown above it. A text output window created with DandeGUI on Medley Interlisp and the Lisp code that generated it. The library is written in Common Lisp and exposes its functionality as an API callable from Common Lisp and Interlisp code. Motivations In most of my prior Lisp projects I wrote programs that print text to windows. In general these windows are actually not bare Medley windows but running instances of the TEdit rich-text editor. Driving a full editor instead of directly creating windows may be overkill, but I get for free content scrolling as well as window resizing and repainting which TEdit handles automatically. Moreover, TEdit windows have an associated TEXTSTREAM, an Interlisp data structure for text stream I/O. A TEXTSTREAM can be passed to any Common Lisp or Interlisp output function that takes a stream as an argument such as PRINC, FORMAT, and PRIN1. For example, if S is the TEXTSTREAM associated with a TEdit window, (FORMAT S "~&Hello, Medley!~%") inserts the text "Hello, Medley!" in the window at the position of the cursor. Simple and versatile. As I wrote more GUI code, recurring patterns and boilerplate emerged. These programs usually create a new TEdit window; set up the title and other options; fetch the associated text stream; and return it for further use. The rest of the program prints application specific text to the stream and hence to the window. These patterns were ripe for abstracting and packaging in a library that other programs can call. This work is also good experience with API design. Usage An example best illustrates what DandeGUI can do and how to use it. Suppose you want to display in a window some text such as a table of square roots. This code creates the table in the screenshot above: (gui:with-output-to-window (stream :title "Table of square roots") (format stream "~&Number~40TSquare Root~2%") (loop for n from 1 to 30 do (format stream "~&~4D~40T~8,4F~%" n (sqrt n)))) DandeGUI exports all the public symbols from the DANDEGUI package with nickname GUI. The macro GUI:WITH-OUTPUT-TO-WINDOW creates a new TEdit window with title specified by :TITLE, and establishes a context in which the variable STREAM is bound to the stream associated with the window. The rest of the code prints the table by repeatedly calling the Common Lisp function FORMAT with the stream. GUI:WITH-OUTPUT-TO-WINDOW is best suited for one-off output as the stream is no longer accessible outside of its scope. To retain the stream and send output in a series of steps, or from different parts of the program, you need a combination of GUI:OPEN-WINDOW-STREAM and GUI:WITH-WINDOW-STREAM. The former opens and returns a new window stream which may later be used by FORMAT and other stream output functions. These functions must be wrapped in calls to the macro GUI:WITH-WINDOW-STREAM to establish a context in which a variable is bound to the appropriate stream. The DandeGUI documentation on the project repository provides more details, sample code, and the API reference. Design DandeGUI is a thin wrapper around the Interlisp system facilities that provide the underlying functionality. The main reason for a thin wrapper is to have a simple API that covers the most common user interface patterns. Despite the simplicity, the library takes care of a lot of the complexity of managing Medley GUIs such as content scrolling and window repainting and resizing. A thin wrapper doesn't hide much the data structures ubiquitous in Medley GUIs such as menus and font descriptors. This is a plus as the programmer leverages prior knowledge of these facilities. So far I have no clear idea how DandeGUI may evolve. One more reason not to deepen the wrapper too much without a clear direction. The user needs not know whether DandeGUI packs TEdit or ordinary windows under the hood. Therefore, another design goal is to hide this implementation detail. DandeGUI, for example, disables the main command menu of TEdit and sets the editor buffer to read-only so that typing in the window doesn't change the text accidentally. Using Medley Common Lisp DandeGUI relies on basic Common Lisp features. Although the Medley Common Lisp implementation is not ANSI compliant it provides all I need, with one exception. The function DANDEGUI:WINDOW-TITLE returns the title of a window and allows to set it with a SETF function. However, the SEdit structure editor and the File Manager of Medley don't support or track function names that are lists such as (SETF WINDOW-TITLE). A good workaround is to define SETF functions with DEFSETF which Medley does support along with the CLtL macro DEFINE-SETF-METHOD. Next steps At present DandeGUI doesn't do much more than what described here. To enhance this foundation I'll likely allow to clear existing text and give control over where to insert text in windows, such as at the beginning or end. DandeGUI will also have rich text facilities like printing in bold or changing fonts. The windows of some of my programs have an attached menu of commands and a status area for displaying errors and other messages. I will eventually implement such menu-ed windows. To support programs that do graphics output I plan to leverage the functionality of Sketch for graphics in a way similar to how I build upon TEdit for text. Sketch is the line drawing editor of Medley. The Interlisp graphics primitives require as an argument a DISPLAYSTREAM, a data stracture that represents an output sink for graphics. It is possible to use the Sketch drawing area as an output destination by associating a DISPLAYSTREAM with the editor's window. Like TEdit, Sketch takes care of repainting content as well as window scrolling and resizing. In other words, DISPLAYSTREAM is to Sketch what TEXTSTREAM is to TEdit. DandeGUI will create and manage Sketch windows with associated streams suitable for use as the DISPLAYSTREAM the graphics primitives require. #DandeGUI #CommonLisp #Interlisp #Lisp a href="https://remark.as/p/journal.paoloamoroso.com/dandegui-a-gui-library-for-medley-interlisp"Discuss.../a Email | Reply @amoroso@fosstodon.org !--emailsub--]]>
<![CDATA[I spoke too soon when I said I was enjoying the stability of Linux. I have been using Linux Mint Cinnamon on a System76 Merkaat PC with no major issues since July of 2024. But a few days ago a routine system update of Mint 22 dumped me to the text console. A fresh install of Mint 22.1, the latest release, brought the system back online. I had backups and the mishap luckily turned out as just an annoyance that consumed several hours of unplanned maintenance. It all started when the Mint Update Manager listed several packages for update, including the System76 driver and tools. Oddly, the Update Manager also marked for removal several packages including core ones such as Xorg, Celluloid, and more. The smooth running of Mint made my paranoid side fall asleep and I applied the recommend changes. At the next reboot the graphics session didn't start and landed me at the text console with no clue what happened. I don't use Timeshift for system snapshots as I prefer a fresh install and restore of data backups if the system breaks. Therefore, to fix such an issue apparently related to Mint 22 the obvious route was to install Mint 22.1. Besides, this was the right occasion to try the new release. On my Raspberry Pi 400 I ran dd to flash a bootable USB stick with Mint 22.1. I had no alternatives as GNOME Disks didn't work. The Merkaat failed to boot off the stick, possibly because I messed with the arguments of dd. I still had around a USB stick with Mint 22 and I used it to freshly install it on the Merkaat. Then I immediately ran the upgrade to Mint 22.1 which completed successfully unlike a prior upgrade attempt. Next, I tried to install the System76 driver with sudo apt install system76-driver but got a package not found error. At that point I had already added the System76 package repository to the APT sources and refreshing the Mint Update Manager yielded this error: Could not refresh the list of updates Error, pkgProblemResolver::Resolve generated breaks, this may be caused by held packages Aside from the errors the system was up and running on the Merkaat, so with Nemo I reflashed the Mint 22.1 stick. This time the PC did boot off the stick and let me successfully install Mint 22.1. Restoring the data completed the system recovery. I left out the System76 driver as it's the primary suspect, possibly due to package conflicts. Mint detects and supports all hardware of the Merkaat anyway and it's only prudent to skip the package for the time being. Besides improvements under the hood, Mint 22.1 features a redesigned default Cinnamon theme. No major changes, I feel at home. The main takeaway of this adventure is that it's better to have a bootable USB stick ready with the latest Mint release, even if I don't plan to upgrade immediately. Another takeaway is the Pi 400 makes for a viable backup computer that can support my major tasks, should it take longer to recover the Merkaat. However, using the device for making bootable media is problematic as little flashing software is available and some is unreliable. Finally, over decades of Linux experience I honed my emergency installation skills so much I can now confidently address most broken system situations. #linux #pi400 a href="https://remark.as/p/journal.paoloamoroso.com/an-unplanned-upgrade-to-linux-mint-22-1-cinnamon"Discuss.../a Email | Reply @amoroso@fosstodon.org !--emailsub--]]>
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In the past few years, social media use has gained a bad reputation. More or less everyone is now aware that TikTok is ruining your attention span, and Twitter is radicalizing you into extreme ideologies. But, despite its enormous popularity amongst technology enthusiasts, there’s not a lot of attention given to Discord. I personally have been using Discord so much for so long that the majority of my social circle is made of people I met through the platform. I even spent two years of my life helping run the infrastructure behind the most popular Bot available on Discord. In this article, I will try to give my perspective on Discord, why I think it is harmful, and what can we do about it. appshunter.io A tale of two book clubs To explain my point of view about Discord, I will compare the experience between joining a real-life book-club, and one that communicates exclusively through Discord. This example is about books, but the same issues would apply if it was a community talking about investing, knitting, or collecting stamps. As Marshall McLuhan showed last century, examining media should be done independently of their content. In the first scenario, we have Bob. Bob enjoys reading books, which is generally a solitary hobby. To break this solitude, Bob decides to join a book club. This book club reunites twice a month in a library where they talk about a new book each time. In the second scenario, we have Alice. Alice also likes books. Alice also wants to meet fellow book lovers. Being a nerd, Alice decides to join a Discord server. This server does not have fixed meeting times. Most users simply use the text channels to talk about what they are reading anytime during the day. Crumbs of Belongingness In Bob’s book club, a session typically lasts an hour. First, the librarian takes some time to welcome everyone and introduce newcomers. After, that each club member talks about the book they were expected to read. They can talk about what they liked and disliked, how the book made them feel, and the chapters they found particularly noteworthy. Once each member had the time to talk about the book, they vote on the book they are going to read for the next date. After the session is concluded, some members move to the nearest coffeehouse to keep talking. During this session of one hour, Bob spent around one hour socializing. The need for belongingness that drove Bob to join this book club is fully met. On Alice’s side, the server is running 24/7. When she opens the app, even if there are sometimes more than 4000 members of her virtual book club online, most of the time, nobody is talking. If she was to spend an entire hour staring at the server she might witness a dozen or so messages. Those messages may be part of small conversations in which Alice can take part. Sadly, most of the time they will be simple uploads of memes, conversations about books she hasn’t read, or messages that do not convey enough meaning to start a conversation. In one hour of constant Discord use, Alice’s need for socializing has not been met. Susan Q Yin The shop is closed Even if Bob’s library is open every day, the book club is only open for a total of two hours a month. It is enough for Bob. Since the book club fulfills his need, he doesn’t want it to be around for longer. He has not even entertained the thought of joining a second book club, because too many meetings would be overwhelming. For Alice, Discord is always available. No matter if she is at home or away, it is always somewhere in her phone or taskbar. At any moment of the day, she might notice a red circle above the icon. It tells her there are unread messages on Discord. When she notices that, she instinctively stops her current task and opens the app to spend a few minutes checking her messages. Most of the time those messages do not lead to a meaningful conversation. Reading a few messages isn’t enough to meet her need for socialization. So, after having scrolled through the messages, she goes back to waiting for the next notification. Each time she interrupts her current task to check Discord, getting back into the flow can take several minutes or not happen at all. This can easily happen dozens of times a day and cost Alice hundreds of hours each month. Book hopping When Bob gets home, the club only requires him to read the next book. He may also choose to read two books at the same time, one for the book club and one from his personal backlog. But, if he were to keep his efforts to a strict minimum, he would still have things to talk about in the next session. Alice wants to be able to talk with other users about the books they are reading. So she starts reading the books that are trending and get mentionned often. The issue is, Discord’s conversation are instantaneous, and instantaneity compresses time. A book isn’t going to stay popular and relevant for two whole weeks, if it manages to be the thing people talk about for two whole days, it’s already great. Alice might try to purchase and read two to three books a week to keep up with the server rythm. Even if books are not terribly expensive, this can turn a 20 $/month hobby into a 200 $/month hobby. In addition to that, if reading a book takes Alice on average 10 hours, reading 3 books a week would be like adding a part-time job to her schedule. All this, while being constantly interrupted by the need to check if new conversations have been posted to the server. visnu deva Quitting Discord If you are in Alice’s situation, the solution is quite simple: use Discord less, ideally not at all. On my side, I’ve left every server that is not relevant to my current work. I blocked discord.com from the DNS of my coding computer (using NextDNS) and uninstalled the app from my phone. This makes the platform only usable as a direct messaging app, exclusively from my gaming device, which I cannot carry with me. I think many people realize the addictive nature of Discord, yet keep using the application all the time. One common objection to quitting the platform, is that there’s a need for an alternative: maybe we should go back to forums, or IRC, or use Matrix, etc… I don’t think any alternative internet chat platform can solve the problem. The real problem is that we want to be able to talk to people without leaving home, at any time, without any inconvenience. But what we should do is exactly that, leave home and join a real book club, one that is not open 24/7, and one where the members take the time to listen to each other. In the software community, we have also been convinced that every one of our projects needs to be on Discord. Every game needs a server, open-source projects offer support on Discord, and a bunch of AI startups even use it as their main user interface. I even made a server for Dice’n Goblins. I don’t think it’s really that useful. I’m not even sure it’s that convenient. Popular games are not popular because they have big servers, they have big servers because they are popular. Successful open-source projects often don’t even have a server.
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Read more about RSS Club. I’ve been reading Apple in China by Patrick McGee. There’s this part in there where he’s talking about a guy who worked for Apple and was known for being ruthless, stopping at nothing to negotiate the best deal for Apple. He was so aggressive yet convincing that suppliers often found themselves faced with regret, wondering how they got talked into a deal that in hindsight was not in their best interest.[1] One particular Apple executive sourced in the book noted how there are companies who don’t employ questionable tactics to gain an edge, but most of them don’t exist anymore. To paraphrase: “I worked with two kinds of suppliers at Apple: 1) complete assholes, and 2) those who are no longer in business.” Taking advantage of people is normalized in business on account of it being existential, i.e. “If we don’t act like assholes — or have someone on our team who will on our behalf[1] — we will not survive!” In other words: All’s fair in self-defense. But what’s the point of survival if you become an asshole in the process? What else is there in life if not what you become in the process? It’s almost comedically twisted how easy it is for us to become the very thing we abhor if it means our survival. (Note to self: before you start anything, ask “What will this help me become, and is that who I want to be?”) It’s interesting how we can smile at stories like that and think, “Gosh they’re tenacious, glad they’re on my side!” Not stopping to think for a moment what it would feel like to be on the other side of that equation. ⏎ Email · Mastodon · Bluesky