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This website has a new section: blogroll.opml! A blogroll is a list of blogs - a lightweight way of people recommending other people’s writing on the indieweb. What it includes The blogs that I included are just sampled from my many RSS subscriptions that I keep in my Feedbin reader. I’m subscribed to about 200 RSS feeds, the majority of which are dead or only publish once a year. I like that about blogs, that there’s no expectation of getting a post out every single day, like there is in more algorithmically-driven media. If someone who I interacted with on the internet years ago decides to restart their writing, that’s great! There’s no reason to prune all the quiet feeds. The picks are oriented toward what I’m into: niches, blogs that have a loose topic but don’t try to be general-interest, people with distinctive writing. If you import all of the feeds into your RSS reader, you’ll probably end up unsubscribing from some of them because some of the experimental electric guitar design or bonsai news is not what you’re into. Seems fine, or you’ll discover a new interest! How it works Ruben Schade figured out a brilliant way to show blogrolls and I copied him. Check out his post on styling OPML and RSS with XSLT to XHTML for how it works. My only additions to that scheme were making the blogroll page blend into the rest of the website by using an include tag with Jekyll to add the basic site skeleton, and adding a link with the download attribute to provide a simple way to download the OPML file. Oddly, if you try to save the OPML page using Save as… in Firefox, Firefox will save the transformed output via the XSLT, rather than the raw source code. XSLT is such an odd and rare part of the web ecosystem, I had to use it.
I have a non-recently post ready to write, any day now… Reading This was a strong month for reading: I finished The Hidden Wealth of Nations, Useful Not True, and Cyberlibertarianism. I had a book club that read Cyberlibertarianism so we discussed it last week. I have a lot of qualms with the book, and gave it two stars for that reason. But I will admit that it’s taking up space in my mind. The ‘cyberlibertarian’ ideology was familiar to me before reading it. The book’s critique of it didn’t shift my thinking that much. But I have been thinking a lot about what it argued for, which is a world in which the government has very extensive powers – to limit what is said online, to regulate which companies can even create forums or social media platforms. He also believed that a government should be able to decrypt and read conversations between private citizens. It’s a very different idea of government power than what I’m used to, and well outside my comfort zone. I think it’s interesting to consider these things: the government probably should have some control of some kinds of speech, and in some cases it’s useful to have the FBI tapping the phones of drug smugglers or terrorists. How do we really define what’s acceptable and what isn’t? I don’t know, I want to do more thinking about the uncomfortable things that nevertheless may be necessary for functioning of society. Besides that, there is so much to read. This month I added a lot of news subscriptions to my pile, which I think is now Hell Gate, Wired, NYTimes, Bloomberg, 404 Media, The Verge, and a bunch of newsletters. This interview with Stephanie Kelton, who is at the forefront of the Modern Monetary Theory movement in America, and wrote the very good book The Deficit Myth. This 404 Media story on an AI-generated ‘true crime’ YouTube channel is great because the team at 404 Media does both deep research and they interrogate their sources. Nathan Tankus has always been good but in this era he’s essential reading. His piece on Fort Knox is quick and snappy. His others are more involved but always worth reading. Listening We’ve been rewatching The Bear and admiring the dad-rock soundtrack. This Nine Inch Nails track shows up at the end of a season: And this Eno track: Besides that, this track from Smino played at a local cocktail bar. The bars at 0:45 sound like they’re tumbling downhill in a delightful way. Watching So I bought a sewing machine in February, a beautiful old Kenmore 158-series, produced in the 1970s in Japan. It’s awesome. How sewing machines work is amazing, as this video lays out. There’s so much coordinated motion happening for every stitch, and the machines are so well-designed that they last for decades easily. Besides that, I just watched The Apprentice, which I really did not like. Elsewhere I was on a podcast with Jeremy Jung, taking about Placemark! My post in the /micro/ section, All Hat No Cowboy, probably could have or should have been a blog post, but I was feeling skittish about being too anti-AI on the main.
I am not going to repeat the news. But man, things are really, really bad and getting worse in America. It’s all so unendingly stupid and evil. The tech industry is being horrible, too. Wishing strength to the people who are much more exposed to the chaos than I am. Reading A Confederacy of Dunces was such a perfect novel. It was pure escapism, over-the-top comedy, and such an unusual artifact, that was sadly only appreciated posthumously. Very earnestly I believe that despite greater access to power and resources, the box labeled “socially acceptable ways to be a man” is much smaller than the box labeled “socially acceptable ways to be a woman.” This article on the distinction between patriarchy and men was an interesting read. With the whole… politics out there, it’s easy to go off the rails with any discussion about men and women and whether either have it easy or hard. The same author wrote this good article about declining male enrollment in college. I think both are worth a read. Whenever I read this kind of article, I’m reminded of how limited and mostly fortunate my own experience is. There’s a big difference, I think, in how vigorously you have to perform your gender in some red state where everyone owns a pickup truck, versus a major city where the roles are a little more fluid. Plus, I’ve been extremely fortunate to have a lot of friends and genuine open conversations about feelings with other men. I wish that was the norm! On Having a Maximum Wealth was right up my alley. I’m reading another one of the new-French-economist books right now, and am still fascinated by the prospect of wealth taxes. My friend David has started a local newsletter for Richmond, Virginia, and written a good piece about public surveillance. Construction Physics is consistently great, and their investigation of why skyscrapers are all glass boxes is no exception. Watching David Lynch was so great. We watched his film Lost Highway a few days after he passed, and it was even better than I had remembered it. Norm Macdonald’s extremely long jokes on late-night talk shows have been getting me through the days. Listening This song by the The Hard Quartet – a supergroup of Emmett Kelly, Stephen Malkmus (Pavement), Matt Sweeney and Jim White. It’s such a loving, tender bit of nonsense, very golden-age Pavement. They also have this nice chill song: I came across this SML album via Hearing Things, which has been highlighting a lot of good music. Small Medium Large by SML It’s a pretty good time for these independent high-quality art websites. Colossal has done the same for the art world and highlights good new art: I really want to make it out to see the Nick Cave (not the musician) art show while it’s in New York.
Happy end-of-2024! It’s been a pretty good year overall. I’m thankful. There’s no way that I’ll be able to remember and carve out the time around New Years to write this, so here’s some end-of-year roundup, ahead of schedule! Running This was my biggest year for running on record: 687 miles as of today. I think the biggest difference with this year was just that nothing stood in the way of my being pretty consistent and putting in the miles: the weather has been mild, I haven’t had any major injuries, and long runs have felt pretty good. I was happy to hit a half-marathon PR (1:36:21), but my performance in 5Ks was far short of the goal of sub-20 – partly because Brooklyn’s wonderful 5K series was run at the peak of summer, with multiple races at over 85°F. I learned the value of good lightweight running gear: Bakline’s singlets and Goodr sunglasses were super helpful in getting me through the summer. Work Val Town raised a seed round and hired a bunch of excellent people. We moved into a new office of our own, which has a great vibe. It’s been good: we’re doing a lot of ground-up work wrangling cgroups and low-level worker scheduling, and a lot of UX-in work, just trying to make it a pleasant tool. Frankly, with every product I’ve worked on, I’ve never had a feeling that it was good enough, and accordingly, for me, Val Town feels like it has a long way to go. It’s probably a good tendency to be sort of unsatisfied and motivated to constantly improve. New York It’s still such a wonderful place to live. Late this year, I’ve been rediscovering my obsession with cycling, and realizing how much I whiffed the opportunity to ride more when I lived in San Francisco. I guess that’s the first time I felt genuinely nostalgic for the West coast. I miss DC a bit too: it’s one of the few cities where my friends have been able to stay in the city proper while raising children, and I miss the accessible, underdog punk scene. But Brooklyn is just a remarkable place to live. My walk score is 100. The degree to which people here are in the city because they want to be, not because they have to, shapes so much of what makes it great. Other ‘metrics’ Relative to my old level obsession about self-quantification, my ‘metrics’ are pretty moderate now. Everything’s just backward-looking: I’m not paying much attention to the numbers as I go, it’s just fun to look at them year-over-year trends. That said, this was a lackluster year for reading: just 18 books so far. I think I just read an above-average number of books that I didn’t enjoy very much. Next year I’m going to return to authors who I already love, and stay away from genres that – the data shows – I don’t like. Whereas this was a banner year for watching movies: not great! Next year, I want to flip these results. Of everything I saw, Kinds of Kindness will probably stick with me the most. Placemark It seems like a decade ago that I released Placemark as open source software, as developing it as a closed-source SaaS application for a few years. But I did that in January. There have been a few great open source contributions since then, but it’s pretty quiet. Which is okay, somewhat expected: there is no hidden crowd of people with extra time on their hands and unending enthusiasm for ‘geospatial software’ waiting to contribute to that kind of project. Placemark is also, even with my obsessive focus on simplicity, a pretty complicated codebase. The learning curve is probably pretty significant. Maps are a challenging problem area: that’s what attracts a lot of people to them, but people who use maps persistently have the feeling that it couldn’t be that complicated, which means that few users convert into contributors. There are a few prominent efforts chasing similar goals as Placemark: Atlas.co is aiming to be an all-in-one editing/analysis platform, Felt a cloud-native GIS platform, and then there are plenty of indiehackers-style projects. I hope these projects take off! Figma plugins I also kept maintaining the Figma plugins I developed under the Placemark name. Potentially a lot of people are using them, but I don’t really know. The problem with filling in water shapes in the plugins is still unsolved: it’s pretty hard and I haven’t had the time or motivation to fix it. The most energy into those plugins this year, unfortunately, was when someone noticed that the dataset I was using - Natural Earth – marked Crimea as part of Russia. Which obviously: I don’t draw the countries in datasets, but it’s a reasonable thing to point out (but to assume that the author is malicious was a real downer, again, like, I don’t draw the countries). This decision from Natural Earth’s maintainer is heavily discussed and they aren’t planning on changing it, so I switched to world-atlas, which doesn’t have that problem. Which was fine, but a reminder of the days when I worked on maps full-time and this kind of unexpected “you’re the baddie” realization came up much more often. Sometimes it was silly: people who complain about label priority in the sense of “why, at zoom level 3, does one country’s name show up and not anothers?” was just silly. The answer, ahem, was that there isn’t enough space for the two labels and one country had a higher population or a geometry that gave their label more distance from the other country’s centroid. But a lot of the territorial disputes are part of people’s long cultural, political, military history and the source of intergenerational strife. Of course that’s serious stuff. Making a tool that shows a globe with labels on it will probably always trigger some sort of moment like that, and it’s a reason to not work on it that much because you’re bound to unintentionally step on something contentious. Other projects I released Obsidian Freeform, and have been using it a bit myself. Obsidian has really stuck for me. My vault is well over 2,000 notes, and I’ve created a daily note for almost every day for the last year. Freeform was a fun project and I have other ideas that are Obsidian plugin-shaped, though I’ve become a little bit let down by the plugin API - the fact that Obsidian-flavored-Markdown is nonstandard and the parser/AST is not accessible to plugins is a pretty big drawback for the kinds of things I want to build. Elsewhere recently I’ve been writing a bit: Recently I’ve written about dependency bloat and a developer analytics tool we built at Val Town, and started writing some supplementary documentation for Observable Plot about parts of its API that I think are unintuitive. On the micro blog, I wrote about not using GitHub Copilot and how brands should make a comeback. This blog got a gentle redesign in May, to show multiple categories of posts on the home page, and then in August I did a mass update to switch all YouTube embeds to lite-youtube-embed to make pages load faster. I’m still running Jekyll, like I have been for the last decade, and it works great. Oh, and I’ve basically stopped using Twitter and am only on Mastodon and Bluesky. Bluesky more than Mastodon recently because it seems like it’s doing a better job at attracting a more diverse community. I’m looking forward to 2025, to cycling a lot more and a new phase of startup-building. See you in the new year.
More in programming
I have added syntax highlighting to my blog using tree-sitter. Here are some notes about what I learned, with some complaining. static site generator markdown ingestion highlighting incompatible?! highlight names class names styling code results future work frontmatter templates feed style highlight quality static site generator I moved my blog to my own web site a few years ago. It is produced using a scruffy Rust program that converts a bunch of Markdown files to HTML using pulldown-cmark, and produces complete pages from Handlebars templates. Why did I write another static site generator? Well, partly as an exercise when learning Rust. Partly, since I wrote my own page templates, I’m not going to benefit from a library of existing templates. On the contrary, it’s harder to create new templates that work with a general-purpose SSG than write my own simpler site-specific SSG. It’s miserable to write programs in template languages. My SSG can keep the logic in the templates to a minimum, and do all the fiddly stuff in Rust. (Which is not very fiddly, because my site doesn’t have complicated navigation – compared to the multilevel menus on www.dns.cam.ac.uk for instance.) markdown ingestion There are a few things to do to each Markdown file: split off and deserialize the YAML frontmatter find the <cut> or <toc> marker that indicates the end of the teaser / where the table of contents should be inserted augment headings with self-linking anchors (which are also used by the ToC) Before this work I was using regexes to do all these jobs, because that allowed me to treat pulldown-cmark as a black box: Markdown in, HTML out. But for syntax highlighting I had to be able to find fenced code blocks. It was time to put some code into the pipeline between pulldown-cmark’s parser and renderer. And if I’m using a proper parser I can get rid of a few regexes: after some hacking, now only the YAML frontmatter is handled with a regex. Sub-heading linkification and ToC construction are fiddly and more complicated than they were before. But they are also less buggy: markup in headings actually works now! Compared to the ToC, it’s fairly simple to detect code blocks and pass them through a highlighter. You can look at my Markdown munger here. (I am not very happy with the way it uses state, but it works.) highlighting As well as the tree-sitter-highlight documentation I used femark as an example implementation. I encountered a few problems. incompatible?! I could not get the latest tree-sitter-highlight to work as described in its documentation. I thought the current tree-sitter crates were incompatible with each other! For a while I downgraded to an earlier version, but eventually I solved the problem. Where the docs say, let javascript_language = tree_sitter_javascript::language(); They should say: let javascript_language = tree_sitter::Language::new( tree_sitter_javascript::LANGUAGE ); highlight names I was offended that tree-sitter-highlight seems to expect me to hardcode a list of highlight names, without explaining where they come from or what they mean. I was doubly offended that there’s an array of STANDARD_CAPTURE_NAMES but it isn’t exported, and doesn’t match the list in the docs. You mean I have to copy and paste it? Which one?! There’s some discussion of highlight names in the tree-sitter manual’s “syntax highlighting” chapter, but that is aimed at people who are writing a tree-sitter grammar, not people who are using one. Eventually I worked out that tree_sitter_javascript::HIGHLIGHT_QUERY in the tree-sitter-highlight example corresponds to the contents of a highlights.scm file. Each @name in highlights.scm is a highlight name that I might be interested in. In principle I guess different tree-sitter grammars should use similar highlight names in their highlights.scm files? (Only to a limited extent, it turns out.) I decided the obviously correct list of highlight names is the list of every name defined in the HIGHLIGHT_QUERY. The query is just a string so I can throw a regex at it and build an array of the matches. This should make the highlighter produce <span> wrappers for as many tokens as possible in my code, which might be more than necessary but I don’t have to style them all. class names The tree-sitter-highlight crate comes with a lightly-documented HtmlRenderer, which does much of the job fairly straightforwardly. The fun part is the attribute_callback. When the HtmlRenderer is wrapping a token, it emits the start of a <span then expects the callback to append whatever HTML attributes it thinks might be appropriate. Uh, I guess I want a class="..." here? Well, the highlight names work a little bit like class names: they have dot-separated parts which tree-sitter-highlight can match more or less specifically. (However I am telling it to match all of them.) So I decided to turn each dot-separated highlight name into a space-separated class attribute. The nice thing about this is that my Rust code doesn’t need to know anything about a language’s tree-sitter grammar or its highlight query. The grammar’s highlight names become CSS class names automatically. styling code Now I can write some simple CSS to add some colours to my code. I can make type names green, code span.hilite.type { color: #aca; } If I decide builtin types should be cyan like keywords I can write, code span.hilite.type.builtin, code span.hilite.keyword { color: #9cc; } results You can look at my tree-sitter-highlight wrapper here. Getting it to work required a bit more creativity than I would have preferred, but it turned out OK. I can add support for a new language by adding a crate to Cargo.toml and a couple of lines to hilite.rs – and maybe some CSS if I have not yet covered its highlight names. (Like I just did to highlight the CSS above!) future work While writing this blog post I found myself complaining about things that I really ought to fix instead. frontmatter I might simplify the per-page source format knob so that I can use pulldown-cmark’s support for YAML frontmatter instead of a separate regex pass. This change will be easier if I can treat the html pages as Markdown without mangling them too much (is Markdown even supposed to be idempotent?). More tricky are a couple of special case pages whose source is Handlebars instead of Markdown. templates I’m not entirely happy with Handlebars. It’s a more powerful language than I need – I chose Handlebars instead of Mustache because Handlebars works neatly with serde. But it has a dynamic type system that makes the templates more error-prone than I would like. Perhaps I can find a more static Rust template system that takes advantage of the close coupling between my templates and the data structure that describes the web site. However, I like my templates to be primarily HTML with a sprinkling of insertions, not something weird that’s neither HTML nor Rust. feed style There’s no CSS in my Atom feed, so code blocks there will remain unstyled. I don’t know if feed readers accept <style> tags or if it has to be inline styles. (That would make a mess of my neat setup!) highlight quality I’m not entirely satisfied with the level of detail and consistency provided by the tree-sitter language grammars and highlight queries. For instance, in the CSS above the class names and property names have the same colour because the CSS highlights.scm gives them the same highlight name. The C grammar is good at identifying variables, but the Rust grammar is not. Oh well, I guess it’s good enough for now. At least it doesn’t involve Javascript.
Simplify complex decisions by separating upsides from downsides, investing in upsides, vetoing with downsides, and using an appropriate decision framework.
I've been running Linux, Neovim, and Framework for a year now, but it easily feels like a decade or more. That's the funny thing about habits: They can be so hard to break, but once you do, they're also easily forgotten. That's how it feels having left the Apple realm after two decades inside the walled garden. It was hard for the first couple of weeks, but since then, it’s rarely crossed my mind. Humans are rigid in the short term, but flexible in the long term. Blessed are the few who can retain the grit to push through that early mental resistance and reach new maxima. That is something that gets harder with age. I can feel it. It takes more of me now to wipe a mental slate clean and start over. To go back to being a beginner. But the reward for learning something new is as satisfying as ever. But it's also why I've tried to be modest with the advocacy. I don't know if most developers are better off on Linux. I mean, I believe they are, at some utopian level, especially if they work for the web, using open source tooling. But I don't know if they are as humans with limited will or capacity for change. Of course, it's fair to say that one doesn't want to. Either because one remain a fan of Apple, in dire need of the remaining edge MacBooks retain on efficiency/battery, or simply content inside the ecosystem. There are plenty of reasons why someone might not want to change. It's not just about rigidity. Besides, it's a dead end trying to convince anyone of an alternative with the sharp end of a religious argument. That kind of crusading just seeds resentment and stubbornness. I know that all too well. What I've found to work much better is planting seeds and showing off your plowshare. Let whatever curiosity that blooms find its own way towards your blue sky. The mimetic engine of persuasion runs much cleaner anyway. And for me, it's primarily about my personal computing workbench regardless of what the world does or doesn't. It was the same with finding Ruby. It's great when others come along for the ride, but I'd also be happy taking the trip solo too. So consider this a postcard from a year into the Linux, Neovim, and Framework journey. The sun is still shining, the wind is in my hair, and the smile on my lips hasn't been this big since the earliest days of OS X.
Yesterday I gave a talk at Monki Gras 2025. This year, the theme is Sustaining Software Development Craft, and here’s the description from the conference website: The big question we want to explore is – how can we keep doing the work we do, when it sustains us, provides meaning and purpose, and sometimes pays the bills? We’re in a period of profound change, technically, politically, socially, economically, which has huge implications for us as practitioners, the makers and doers, but also for the culture at large. I did a talk about the first decade of my career, which I’ve spent working on projects that are designed to last. I’m pleased with my talk, and I got a lot of nice comments. Monki Gras is always a pleasure to attend and speak at – it’s such a lovely, friendly vibe, and the organisers James Governor and Jessica West do a great job of making it a nice day. When I left yesterday, I felt warm and fuzzy and appreciated. I also have a front-row photo of me speaking, courtesy of my dear friend Eriol Fox. Naturally, I chose my outfit to match my slides (and this blog post!). Key points How do you create something that lasts? You can’t predict the future, but there are patterns in what lasts People skills sustain a career more than technical skills Long-lasting systems cannot grow without bound; they need weeding Links/recommended reading Sibyl Schaefer presented a paper Energy, Digital Preservation, and the Climate at iPres 2024, which is about how digital preservation needs to change in anticipation of the climate crisis. This was a major inspiration for this talk. Simon Willison gave a talk Coping strategies for the serial project hoarder at DjangoCon US in 2022, which is another inspiration for me. I’m not as prolific as Simon, but I do see parallels between his approach and what I remember of Metaswitch. Most of the photos in the talk come from the Flickr Commons, a collection of historical photographs from over 100 international cultural heritage organisations. You can learn more about the Commons, browse the photos, and see who’s involved using the Commons Explorer https://commons.flickr.org/. (Which I helped to build!) Slides and notes Photo: dry stone wall building in South Wales. Taken by Wikimedia Commons user TR001, used under CC BY‑SA 3.0. [Make introductory remarks; name and pronouns; mention slides on my website] I’ve been a software developer for ten years, and I’ve spent my career working on projects that are designed to last – first telecoms and networking, now cultural heritage – so when I heard this year’s theme “sustaining craft”, I thought about creating things that last a long time. The key question I want to address in this talk is how do you create something that lasts? I want to share a few thoughts I’ve had from working on decade- and century-scale projects. Part of this is about how we sustain ourselves as software developers, as the individuals who create software, especially with the skill threat of AI and the shifting landscape of funding software. I also want to go broader, and talk about how we sustain the craft, the skill, the projects. Let’s go through my career, and see what we can learn. Photo: women working at a Bell System telephone switchboard. From the U.S. National Archives, no known copyright restrictions. My first software developer job was at a company called Metaswitch. Not a household name, they made telecoms equipment, and you’d probably have heard of their customers. They sold equipment to carriers like AT&T, Vodafone, and O2, who’d use that equipment to sell you telephone service. Telecoms infrastructure is designed to last a long time. I spent most of my time at Metaswitch working with BGP, a routing protocol designed on a pair of napkins in 1989. BGP is sometimes known as the "two-napkin protocol", because of the two napkins on which Kirk Lougheed and Yakov Rekhter wrote the original design. From the Computer History Museum. These are those napkins. This design is basically still the backbone of the Internet. A lot of the building blocks of the telephone network and the Internet are fundamentally the same today as when they were created. I was working in a codebase that had been actively developed for most of my life, and was expected to outlast me. This was my first job so I didn’t really appreciate it at the time, but Metaswitch did a lot of stuff designed to keep that codebase going, to sustain it into the future. Let’s talk about a few of them. Photo: a programmer testing electronic equipment. From the San Diego Air & Space Museum Archives, no known copyright restrictions. Metaswitch was very careful about adopting new technologies. Most of their code was written in C, a little C++, and Rust was being adopted very slowly. They didn’t add new technology quickly. Anything they add, they have to support for a long time – so they wanted to pick technologies that weren’t a flash in the pan. I learnt about something called “the Lindy effect” – this is the idea that any technology is about halfway through its expected life. An open-source library that’s been developed for decades? That’ll probably be around a while longer. A brand new JavaScript framework? That’s a riskier long-term bet. The Lindy effect is about how software that’s been around a long time has already proven its staying power. And talking of AI specifically – I’ve been waiting for things to settle. There’s so much churn and change in this space, if I’d learnt a tool six months ago, most of that would be obsolete today. I don’t hate AI, I love that people are trying all these new tools – but I’m tired and I learning new things is exhausting. I’m waiting for things to calm down before really diving deep on these tools. Metaswitch was very cautious about third-party code, and they didn’t have much of it. Again, anything they use will have to be supported for a long time – is that third-party code, that open-source project stick around? They preferred to take the short-term hit of writing their own code, but then having complete control over it. To give you some idea of how seriously they took this: every third-party dependency had to be reviewed and vetted by lawyers before it could be added to the codebase. Imagine doing that for a modern Node.js project! They had a lot of safety nets. Manual and automated testing, a dedicated QA team, lots of checks and reviews. These were large codebases which had to be reliable. Long-lived systems can’t afford to “move fast and break things”. This was a lot of extra work, but it meant more stability, less churn, and not much risk of outside influences breaking things. This isn’t the only way to build software – Metaswitch is at one extreme of a spectrum – but it did seem to work. I think this is a lesson for building software, but also in what we choose to learn as individuals. Focusing on software that’s likely to last means less churn in our careers. If you learn the fundamentals of the web today, that knowledge will still be useful in five years. If you learn the JavaScript framework du jour? Maybe less so. How do you know what’s going to last? That’s the key question! It’s difficult, but it’s not impossible. This is my first thought for you all: you can’t predict the future, but there are patterns in what lasts. I’ve given you some examples of coding practices that can help the longevity of a codebase, these are just a few. Maybe I have rose-tinted spectacles, but I’ve taken the lessons from Metaswitch and brought them into my current work, and I do like them. I’m careful about external dependencies, I write a lot of my own code, and I create lots of safety nets, and stuff doesn’t tend to churn so much. My code lasts because it isn’t constantly being broken by external forces. Photo: a child in nursery school cutting a plank of wood with a saw. From the Community Archives of Belleville and Hastings County, no known copyright restrictions. So that’s what the smart people were doing at Metaswitch. What was I doing? I joined Metaswitch when I was a young and twenty-something graduate, so I knew everything. I knew software development was easy, these old fuddy-duddies were making it all far too complicated, and I was gonna waltz in and show them how it was done. And obviously, that happened. (Please imagine me reading that paragraph in a very sarcastic voice.) I started doing the work, and it was a lot harder than I expected – who knew that software development was difficult? But I was coming from a background as a solo dev who’d only done hobby projects. I’d never worked in a team before. I didn’t know how to say that I was struggling, to ask for help. I kept making bold promises about what I could do, based on how quickly I thought I should be able to do the work – but I was making promises my skills couldn’t match. I kept missing self-imposed deadlines. You can do that once, but you can’t make it a habit. About six months before I left, my manager said to me “Alex, you have a reputation for being unreliable”. Photo: a boy with a pudding bowl haircut, photographed by Elinor Wiltshire, 1964. From the National Library of Ireland, no known copyright restrictions. He was right! I had such a history of making promises that I couldn’t keep, people stopped trusting me. I didn’t get to work on interesting features or the exciting projects, because nobody trusted me to deliver. That was part of why I left that job – I’d ploughed my reputation into the ground, and I needed to reset. Photo: the library stores at Wellcome Collection. Taken by Thomas SG Farnetti used under CC BY‑NC 4.0. I got that reset at Wellcome Collection, a London museum and library that some of you might know. I was working a lot with their collections, a lot of data and metadata. Wellcome Collection is building on long tradition of libraries and archives, which go back thousands of years. Long-term thinking is in their DNA. To give you one example: there’s stuff in the archive that won’t be made public until the turn of the century. Everybody who works there today will be long gone, but they assume that those records will exist in some shape or form form when that time comes, and they’re planning for those files to eventually be opened. This is century-scale thinking. Photo: Bob Hoover. From the San Diego Air & Space Museum Archives, no known copyright restrictions. When I started, I sat next to a guy called Chris. (I couldn’t find a good picture of him, but I feel like this photo captures his energy.) Chris was a senior archivist. He’d been at Wellcome Collection about twenty-five years, and there were very few people – if anyone – who knew more about the archive than he did. He absolutely knew his stuff, and he could have swaggered around like he owned the place. But he didn’t. Something I was struck by, from my very first day, was how curious and humble he was. A bit of a rarity, if you work in software. He was the experienced veteran of the organisation, but he cared about what other people had to say and wanted to learn from them. Twenty-five years in, and he still wanted to learn. He was a nice guy. He was a pleasure to work with, and I think that’s a big part of why he was able to stay in that job as long as he did. We were all quite disappointed when he left for another job! This is my second thought for you: people skills sustain a career more than technical ones. Being a pleasure to work with opens so many doors and opportunities than technical skill alone cannot. We could do another conference just on what those people skills are, but for now I just want to give you a few examples to think about. Photo: Lt.(jg.) Harriet Ida Pickens and Ens. Frances Wills, first Negro Waves to be commissioned in the US Navy. From the U.S. National Archives, no known copyright restrictions. Be a respectful and reliable teammate. You want to be seen as a safe pair of hands. Reliability isn’t about avoiding mistakes, it’s about managing expectations. If you’re consistently overpromising and underdelivering, people stop trusting you (which I learnt the hard way). If you want people to trust you, you have to keep your promises. Good teammates communicate early when things aren’t going to plan, they ask for help and offer it in return. Good teammates respect the work that went before. It’s tempting to dismiss it as “legacy”, but somebody worked hard on it, and it was the best they knew how to do – recognise that effort and skill, don’t dismiss it. Listen with curiosity and intent. My colleague Chris had decades of experience, but he never acted like he knew everything. He asked thoughtful questions and genuinely wanted to learn from everyone. So many of us aren’t really listening when we’re “listening” – we’re just waiting for the next silence, where we can interject with the next thing we’ve already thought of. We aren’t responding to what other people are saying. When we listen, we get to learn, and other people feel heard – and that makes collaboration much smoother and more enjoyable. Finally, and this is a big one: don’t give people unsolicited advice. We are very bad at this as an industry. We all have so many opinions and ideas, but sometimes, sharing isn’t caring. Feedback is only useful when somebody wants to hear it – otherwise, it feels like criticism, it feels like an attack. Saying “um, actually” when nobody asked for feedback isn’t helpful, it just puts people on the defensive. Asking whether somebody wants feedback, and what sort of feedback they want, will go a long way towards it being useful. So again: people skills sustain a career more than technical skills. There aren’t many truly solo careers in software development – we all have to work with other people – for many of us, that’s the joy of it! If you’re a nice person to work with, other people will want to work with you, to collaborate on projects, they’ll offer you opportunities, it opens doors. Your technical skills won’t sustain your career if you can’t work with other people. Photo: "The Keeper", an exhibition at the New Museum in New York. Taken by Daniel Doubrovkine, used under CC BY‑NC‑SA 4.0. When I went to Wellcome Collection, it was my first time getting up-close and personal with a library and archive, and I didn’t really know how they worked. If you’d asked me, I’d have guessed they just keep … everything? And it was gently explained to me that “No Alex, that’s hoarding.” “Your overflowing yarn stash does not count as an archive.” Big collecting institutions are actually super picky – they have guidelines about what sort of material they collect, what’s in scope, what isn’t, and they’ll aggressively reject anything that isn’t a good match. At Wellcome Collection, their remit was “the history of health and human experience”. You have medical papers? Definitely interesting! Your dad’s old pile of car magazines? Less so. Photo: a dumpster full of books that have been discarded. From brewbooks on Flickr, used under CC BY‑SA 2.0. Collecting institutions also engage in the practice of “weeding” or “deaccessioning”, which is removing material, pruning the collection. For example, in lending libraries, books will be removed from the shelves if they’ve become old, damaged, or unpopular. They may be donated, or sold, or just thrown away – but whatever happens, they’re gotten rid of. That space is reclaimed for other books. Getting rid of material is a fundamental part of professional collecting, because professionals know that storing something has an ongoing cost. They know they can’t keep everything. Photo: a box full of printed photos. From Miray Bostancı on Pexels, used under the Pexels license. This is something I think about in my current job as well. I currently work at the Flickr Foundation, where we’re thinking about how to keep Flickr’s pictures visible for 100 years. How do we preserve social media, how do we maintain our digital legacy? When we talk to people, one thing that comes up regularly is that almost everybody has too many photos. Modern smartphones have made it so easy to snap, snap, snap, and we end up with enormous libraries with thousands of images, but we can’t find the photos we care about. We can’t find the meaningful memories. We’re collecting too much stuff. Digital photos aren’t expensive to store, but we feel the cost in other ways – the cognitive load of having to deal with so many images, of having to sift through a disorganised collection. Photo: a wheelbarrow in a garden. From Hans Middendorp on Pexels, used under the Pexels license. I think there’s a lesson here for the software industry. What’s the cost of all the code that we’re keeping? We construct these enormous edifices of code, but when do we turn things off? When do we delete code? We’re more focused on new code, new ideas, new features. I’m personally quite concerned by how much generative AI has focused on writing more code, and not on dealing with the code we already have. Code is text, so it’s cheap to store, but it still has a cost – it’s more cognitive load, more maintenance, more room for bugs and vulnerabilities. We can keep all our software forever, but we shouldn’t. Photo: Open Garbage Dump on Highway 112, North of San Sebastian. Taken by John Vachon, 1973. From the U.S. National Archives no known copyright restrictions. I think this is going to become a bigger issue for us. We live in an era of abundance, where we can get more computing resources at the push of a button. But that can’t last forever. What happens when our current assumptions about endless compute no longer hold? The climate crisis – where’s all our electricity and hardware coming from? The economics of AI – who’s paying for all these GPU-intensive workloads? And politics – how many of us are dependent on cloud computing based in the US? How many of us feel as good about that as we did three months ago? Libraries are good at making a little go a long way, about eking out their resources, about deciding what’s a good use of resources and what’s waste. Often the people who are good with money are the people who don’t have much of it, and we have a lot of money. It’s easier to make decisions about what to prune and what to keep when things are going well – it’s harder to make decisions in an emergency. This is my third thought for you: long-lasting systems cannot grow without bound; they need weeding. It isn’t sustainable to grow forever, because eventually you get overwhelmed by the weight of everything that came before. We need to get better at writing software efficiently, at turning things off that we don’t need. It’s a skill we’ve neglected. We used to be really good at it – when computers were the size of the room, programmers could eke out every last bit of performance. We can’t do that any more, but it’s so important when building something to last, and I think it’s a skill we’ll have to re-learn soon. Photo: Val Weaver and Vera Askew running in a relay race, Brisbane, 1939. From the State Library of Queensland no known copyright restrictions. Weeding is a term that comes from the preservation world, so let’s stay there. When you talk to people who work in digital preservation, we often describe it as a relay race. There is no permanent digital media, there’s no digital parchment or stone tablets – everything we have today will be unreadable in a few decades. We’re constantly migrating from one format to another, trying to stay ahead of obsolete technology. Software is also a bit of a relay race – there is no “write it once and you’re done”. We’re constantly upgrading, editing, improving. And that can be frustrating, but it also means have regular opportunities to learn and improve. We have that chance to reflect, to do things better. Photo: Broken computer monitor found in the woods. By Jeff Myers on Flickr, used under CC BY‑NC 2.0. I think we do our best reflections when computers go bust. When something goes wrong, we spring into action – we do retrospectives, root cause analysis, we work out what went wrong and how to stop it happening again. This is a great way to build software that lasts, to make it more resilient. It’s a period of intense reflection – what went wrong, how do we stop it happening again? What I’ve noticed is that the best systems are doing this sort of reflection all the time – they aren’t waiting for something to go wrong. They know that prevention is better than cure, and they embody it. They give themselves regular time to reflect, to think about what’s working and what’s not – and when we do, great stuff can happen. Photo: Statue of Astrid Lindgren. By Tobias Barz on Flickr, used under CC BY‑ND 2.0. I want to give you one more example. As a sidebar to my day job, I’ve been writing a blog for thirteen years. It’s the longest job – asterisk – I’ve ever had. The indie web is still cool! A lot of what I write, especially when I was starting, was sharing bits of code. “Here’s something I wrote, here’s what it does, here’s how it works and why it’s cool.” Writing about my code has been an incredible learning experience. You might know have heard the saying “ask a developer to review 5 lines of code, she’ll find 5 issues, ask her to review 500 lines and she’ll say it looks good”. When I sit back and deeply read and explain short snippets of my code, I see how to do things better. I get better at programming. Writing this blog has single-handedly had the biggest impact on my skill as a programmer. Photo: Midnight sun in Advent Bay, Spitzbergen, Norway. From the Library of Congress, no known copyright restrictions. There are so many ways to reflect on our work, opportunities to look back and ask how we can do better – but we have to make the most of them. I think we are, in some ways, very lucky that our work isn’t set in stone, that we do keep doing the same thing, that we have the opportunity to do better. Writing this talk has been, in some sense, a reflection on the first decade of my career, and it’s made me think about what I want the next decade to look like. In this talk, I’ve tried to distill some of those things, tried to give you some of the ideas that I want to keep, that I think will help my career and my software to last. Be careful about what you create, what you keep, and how you interact with other people. That care, that process of reflection – that is what creates things that last. [If the formatting of this post looks odd in your feed reader, visit the original article]