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by Alexis Degryse I think we all know the <datalist> element (and if you don’t, it’s ok). It holds a list of <option> elements, offering suggested choices for its associated input field. It’s not an alternative for the <select> element. A field associated to a <datalist> can still allow any value that is not listed in the <option> elements. Here is a basic example: Pretty cool, isn't it? But what happens if we combine <datalist> with less common field types, like color and date: <label for="favorite-color">What is your favorite color?</label> <input type="color" list="colors-list" id="favorite-color"> <datalist id="colors-list"> <option>#FF0000</option> <option>#FFA500</option> <option>#FFFF00</option> <option>#008000</option> <option>#0000FF</option> <option>#800080</option> <option>#FFC0CB</option> <option>#FFFFFF</option> <option>#000000</option> </datalist> Colors listed in <datalist> are pre-selectable but the color picker is still usable by users if they need to choose a more specific one. <label for="event-choice" class="form-label col-form-label-lg">Choose a historical date</label> <input type="date" list="events" id="event-choice"> <datalist id="events"> <option label="Fall of the Berlin wall">1989-11-09</option> <option label="Maastricht Treaty">1992-02-07</option> <option label="Brexit Referendum">2016-06-23</option> </datalist> Same here: some dates are pre-selectable and the datepicker is still available. Depending on the context, having pre-defined values can possibly speed up the form filling by users. Please, note that <datalist> should be seen as a progressive enhancement because of some points: For Firefox (tested on 133), the <datalist> element is compatible only with textual field types (think about text, url, tel, email, number). There is no support for color, date and time. For Safari (tested on 15.6), it has support for color, but not for date and time. With some screen reader/browser combinations there are issues. For example, suggestions are not announced in Safari and it's not possible to navigate to the datalist with the down arrow key (until you type something matched with suggestions). Refer to a11ysupport.io for more. Find out more datalist experiment by Eiji Kitamura Documentation on MDN
by Schepp Everybody loves fast websites, and everyone despises slow ones even more. Site speed significantly contributes to the overall user experience (UX), determining whether it feels positive or negative. To ensure the fastest possible page load times, it’s crucial to design with performance in mind. However, performance optimization is an art form in itself. While implementing straightforward techniques like file compression or proper cache headers is relatively easy, achieving deeper optimizations can quickly become complex. But what if, instead of solely trying to accelerate the loading process, we triggered it earlier—without the user noticing? One way to achieve this is by prefetching pages the user might navigate to next using <link rel="prefetch"> tags. These tags are typically embedded in your HTML, but they can also be generated dynamically via JavaScript, based on a heuristic of your choice. Alternatively, you can send them as an HTML Link header if you lack access to the HTML code but can modify the server configuration. Browsers will take note of the prefetch directives and fetch the referenced pages as needed. ⚠︎ Caveat: To benefit from this prefetching technique, you must allow the browser to cache pages temporarily using the Cache-Control HTTP header. For example, Cache-Control: max-age=300 would tell the browser to cache a page for five minutes. Without such a header, the browser will discard the pre-fetched resource and fetch it again upon navigation, rendering the prefetch ineffective. In addition to <link rel="prefetch">, Chromium-based browsers support <link rel="prerender">. This tag is essentially a supercharged version of <link rel="prefetch">. Known as "NoState Prefetch," it not only prefetches an HTML page but also scans it for subresources—stylesheets, JavaScript files, images, and fonts referenced via a <link rel="preload" as="font" crossorigin> — loading them as well. The Speculation Rules API A relatively new addition to Chromium browsers is the Speculation Rules API, which offers enhanced prefetching and enables actual prerendering of webpages. It introduces a JSON-based syntax for precisely defining the conditions under which preprocessing should occur. Here’s a simple example of how to use it: <script type="speculationrules"> { "prerender": [{ "urls": ["next.html", "next2.html"] }] } </script> Alternatively, you can place the JSON file on your server and reference it using an HTTP header: Speculation-Rules: "/speculationrules.json". The above list-rule specifies that the browser should prerender the URLs next.html and next2.html so they are ready for instant navigation. The keyword prerender means more than fetching the HTML and subresources—it instructs the browser to fully render the pages in hidden tabs, ready to replace the current page instantly when needed. This makes navigation to these pages feel seamless. Prerendered pages also typically score excellent Core Web Vital metrics. Layout shifts and image loading occur during the hidden prerendering phase, and JavaScript execution happens upfront, ensuring a smooth experience when the user first sees the page. Instead of listing specific URLs, the API also allows for pattern matching using where and href_matches keys: <script type="speculationrules"> { "prerender": [{ "where": { "href_matches": "/*" } }] } </script> For more precise targeting, CSS selectors can be used with the selector_matches key: <script type="speculationrules"> { "prerender": [{ "where": { "selector_matches": ".navigation__link" } }] } </script> These rules, called document-rules, act on link elements as soon as the user triggers a pointerdown or touchstart event, giving the referenced pages a few milliseconds' head start before the actual navigation. If you want the preprocessing to begin even earlier, you can adjust the eagerness setting: <script type="speculationrules"> { "prerender": [{ "where": { "href_matches": "/*" }, "eagerness": "moderate" }] } </script> Eagerness values: immediate: Executes immediately. eager: Currently behaves like immediate but may be refined to sit between immediate and moderate. moderate: Executes after a 200ms hover or on pointerdown for mobile devices. conservative (default): Speculates based on pointer or touch interaction. For even greater flexibility, you can combine prerender and prefetch rules with different eagerness settings: <script type="speculationrules"> { "prerender": [{ "where": { "href_matches": "/*" }, "eagerness": "conservative" }], "prefetch": [{ "where": { "href_matches": "/*" }, "eagerness": "moderate" }] } </script> Limitations and Challenges While the Speculation Rules API is powerful, it comes with some limitations: Browser support: Only Chromium-based browsers support it. Other browsers lack this capability, so treat it as a progressive enhancement. Bandwidth concerns: Over-aggressive settings could waste user bandwidth. Chromium imposes limits to mitigate this: a maximum of 10 prerendered and 50 prefetched pages with immediate or eager eagerness. Server strain: Poorly optimized servers (e.g., no caching, heavy database dependencies) may experience significant load increases due to excessive speculative requests. Compatibility: Prefetching won’t work if a Service Worker is active, though prerendering remains unaffected. Cross-origin prerendering requires explicit opt-in by the target page. Despite these caveats, the Speculation Rules API offers a powerful toolset to significantly enhance perceived performance and improve UX. So go ahead and try them out! I would like to express a big thank you to the Webperf community for always being ready to help with great tips and expertise. For this article, I would like to thank Barry Pollard, Andy Davies, and Noam Rosenthal in particular for providing very valuable background information. ❤️
by Alexander Muzenhardt Introduction Imagine you’re tasked with building a cool new feature for a product. You dive into the work with full energy, and just before the deadline, you manage to finish it. Everyone loves your work, and the feature is set to go live the next day. <button> <i class="icon">📆</i> </button> The Problem You find some good resources explaining that there are people with disabilities who need to be considered in these cases. This is known as accessibility. For example, some individuals have motor impairments and cannot use a mouse. In this particular case, the user is visually impaired and relies on assistive technology like a screen reader, which reads aloud the content of the website or software. The button you implemented doesn’t have any descriptive text, so only the icon is read aloud. In your case, the screen reader says, “Tear-Off Calendar button”. While it describes the appearance of the icon, it doesn’t convey the purpose of the button. This information is meaningless to the user. A button should always describe what action it will trigger when activated. That’s why we need additional descriptive text. The Challenge Okay, you understand the problem now and agree that it should be fixed. However, you don’t want to add visible text to the button. For design and aesthetic reasons, sighted users should only see the icon. Is there a way to keep the button “icon-only” while still providing a meaningful, descriptive text for users who rely on assistive technologies like screen readers? The Solution First, you need to give the button a descriptive name so that a screen reader can announce it. <button> <span>Open Calendar</span> <i class="icon">📆</i> </button> The problem now is that the button’s name becomes visible, which goes against your design guidelines. To prevent this, additional CSS is required. .sr-only { position: absolute; width: 1px; height: 1px; padding: 0; margin: -1px; overflow: hidden; clip: rect(0, 0, 0, 0); white-space: nowrap; border-width: 0; } <button> <span class="sr-only">Open Calendar</span> <i class="icon">📆</i> </button> The CSS ensures that the text inside the span-element is hidden from sighted users but remains readable for screen readers. This approach is so common that well-known CSS libraries like TailwindCSS, Bootstrap, and Material-UI include such a class by default. Although the text of the buttons is not visible anymore, the entire content of the button will be read aloud, including the icon — something you want to avoid. In HTML you are allowed to use specific attributes for accessibility, and in this case, the attribute aria-hidden is what you need. ARIA stands for “Accessible Rich Internet Applications” and is an initiative to make websites and software more accessible to people with disabilities. The attribute aria-hidden hides elements from screen readers so that their content isn’t read. All you need to do is add the attribute aria-hidden with the value “true” to the icon element, which in this case is the “i”-element. <button> <span class="sr-only">Open Calendar</span> <i class="icon" aria-hidden="true">📆</i> </button> Alternative An alternative is the attribute aria-label, which you can assign a descriptive, accessible text to a button without it being visible to sighted users. The purpose of aria-label is to provide a description for interactive elements that lack a visible label or descriptive text. All you need to do is add the attribute aria-label to the button. The attribute aria-hidden and the span-Element can be deleted. <button aria-label="Open Calendar"> <i class="icon">📆</i> </button> With this adjustment, the screen reader will now announce “Open calendar,” completely ignoring the icon. This clearly communicates to the user what the button will do when clicked. Which Option Should You Use? At first glance, the aria-label approach might seem like the smarter choice. It requires less code, reducing the likelihood of errors, and looks cleaner overall, potentially improving code readability. However, the first option is actually the better choice. There are several reasons for this that may not be immediately obvious: Some browsers do not translate aria-label It is difficult to copy aria-label content or otherwise manipulated it as text aria-label content will not show up if styles fail to load These are just a few of the many reasons why you should be cautious when using the aria-label attribute. These points, along with others, are discussed in detail in the excellent article "aria-label is a Code Smell" by Eric Bailey. The First Rule of ARIA Use The “First Rule of ARIA Use” states: If you can use a native HTML element or attribute with the semantics and behavior you require already built in, instead of re-purposing an element and adding an ARIA role, state or property to make it accessible, then do so. Even though the first approach also uses an ARIA attribute, it is more acceptable because aria-hidden only hides an element from screen readers. In contrast, aria-label overrides the standard HTML behavior for handling descriptive names. For this reason, following this principle, aria-hidden is preferable to aria-label in this case. Browser compatibility Both aria-label and aria-hidden are supported by all modern browsers and can be used without concern. Conclusion Ensuring accessibility in web design is more than just a nice-to-have—it’s a necessity. By implementing simple solutions like combining CSS with aria-hidden, you can create a user experience that is both aesthetically pleasing and accessible for everyone, including those who rely on screen readers. While there may be different approaches to solving accessibility challenges, the key is to be mindful of all users' needs. A few small adjustments can make a world of difference, ensuring that your features are truly usable by everyone. Cheers Resources / Links Unicode Character “Tear-Off Calendar” comport Unicode Website mdn web docs aria-label mdn web docs aria-hidden WAI-ARIA Standard Guidlines Tailwind CSS Screen Readers (sr-only) aria-label is a Code Smell First Rule of ARIA Use
by David Luhr The Description List (<dl>) element is useful for many common visual design patterns, but is unfortunately underutilized. It was originally intended to group terms with their definitions, but it's also a great fit for other content that has a key/value structure, such as product attributes or cards that have several supporting details. Developers often mark up these patterns with overused heading or table semantics, or neglect semantics entirely. With the Description List (<dl>) element and its dedicated Description Term (<dt>) and Description Definition (<dd>) elements, we can improve the semantics and accessibility of these design patterns. The <dl> has a unique content model: A parent <dl> containing one or more groups of <dt> and <dd> elements Each term/definition group can have multiple <dt> (Description Term) elements per <dd> (Description Definition) element, or multiple definitions per term The <dl> can optionally accept a single layer of <div> to wrap the <dt> and <dd> elements, which can be useful for styling Examples An initial example would be a simple list of terms and definitions: <dl> <dt>Compression damping</dt> <dd>Controls the rate a spring compresses when it experiences a force</dd> <dt>Rebound damping</dt> <dd>Controls the rate a spring returns to it's extended length after compressing</dd> </dl> A common design pattern is "stat callouts", which feature mini cards of small label text above large numeric values. The <dl> is a great fit for this content: <dl> <div> <dt>Founded</dt> <dd>1988</dd> </div> <div> <dt>Frames built</dt> <dd>8,678</dd> </div> <div> <dt>Race podiums</dt> <dd>212</dd> </div> </dl> And, a final example of a product listing, which has a list of technical specs: <h2>Downhill MTB</h2> <dl> <div> <dt>Front travel:</dt> <dd>160mm</dd> </div> <div> <dt>Wheel size:</dt> <dd>27.5"</dd> </div> <div> <dt>Weight:</dt> <dd>15.2 kg</dd> </div> </dl> Accessibility With this markup in place, common screen readers will convey important semantic and navigational information. In my testing, NVDA on Windows and VoiceOver on MacOS conveyed a list role, the count of list items, your position in the list, and the boundaries of the list. TalkBack on Android only conveyed the term and definition roles of the <dt> and <dd> elements, respectively. If the design doesn't include visible labels, you can at least include them as visually hidden text for assistive technology users. But, I always advocate to visually display them if possible. Wrapping up The <dl> is a versatile element that unfortunately doesn't get much use. In over a decade of coding, I've almost never encountered it in existing codebases. It also doesn't appear anywhere in the top HTML elements lists in the Web Almanac 2024 or an Advanced Web Ranking study of over 11.3 million pages. The next time you're building out a design, look for opportunities where the underrated Description List is a good fit. To go deeper, be sure to check out this article by Ben Myers on the <dl> element.
by Alistair Shepherd Web performance is incredibly important. If you were here for the advent calendar last year you may have already read many of my thoughts on the subject. If not, read Getting started with Web Performance when you’re done here! This year I’m back for more web performance, this time focusing on my favourite HTML snippet for improving the loading performance of web fonts using preloads. This short HTML snippet added to the head of your page, can make a substantial improvement to both perceived and measured performance. <link rel="preload" href="/nova-sans.woff2" as="font" type="font/woff2" crossorigin="anonymous" > Above we have a link element that instructs the browser to preload the /nova-sans.woff2 font. By preloading your critical above-the-fold font we can make a huge impact by reducing potential flashes of unstyled or invisible text and layout shifts caused by font loading, like here in the following video: Recording of a page load illustrating how a font loading late can result in a jarring layout shift How web fonts are loaded To explain how preloading fonts can make such an impact, let’s go through the process of how web fonts are loaded. Font files are downloaded later than you may think, due to a combination of network requests and conservative browser behaviour. In a standard web page, there will be the main HTML document which will include a CSS file using a link element in the head. If you’re using self-hosted custom fonts you’ll have a @font-face rule within your CSS that specifies the font name, the src, and possibly some other font-related properties. In other CSS rules you specify a font-family so elements use your custom font. Once our browser encounters our page it: Starts streaming the HTML document, parsing it as it goes Encounters the link element pointing to our CSS file Starts downloading that CSS file, blocking the render of the page until it’s complete Parses and applies the contents of that file Finds the @font-face rule with our font URL Okay let’s pause here for a moment — It may make sense for step 6 to be “Starts downloading our font file”, however that’s not the case. You see, if a browser downloaded every font within a CSS file when it first encountered them, we could end up loading much more than is needed. We could be specifying fonts for multiple different weights, italics, other character sets/languages, or even multiple different fonts. If we don’t need all these fonts immediately it would be wasteful to download them all, and doing so may slow down higher priority CSS or JS. Instead, the browser is more conservative and simply takes note of the font declaration until it’s explicitly needed. The browser next: Takes a note of our @font-face declarations and their URLs for later Finishes processing CSS and starts rendering the page Discovers a piece of text on the page that needs our font Finally starts downloading our font now it knows it’s needed! So as we can see there’s actually a lot that happens between our HTML file arriving in the browser and our font file being downloaded. This is ideal for lower priority fonts, but for the main or headline font this process can make our custom font appear surprisingly late in the page load. This is what causes the behaviour we saw in the video above, where the page starts rendering but it takes some time before our custom font appears. A waterfall graph showing how our custom ‘lobster.woff2’ font doesn’t start being downloaded until 2 seconds into the page load and isn’t available until after 3 seconds This is an intentional decision by browser makers and spec writers to ensure that pages with lots of fonts aren’t badly impacted by having to load many font files ahead of time. But that doesn’t mean it can’t be optimised! Preloading our font with a link <link rel="preload" href="/nova-sans.woff2" as="font" type="font/woff2" crossorigin="anonymous" > The purpose of my favourite HTML snippet is to inform the browser that this font file will be needed with high priority, before it even has knowledge of it. We’re building our page and know more about how our fonts are used — so we can provide hints to be less conservative! If we start downloading the font as soon as possible then it can be ready ahead of when the browser ‘realises’ it’s needed. Looking back at our list above, by adding a preload we move the start of the font download from step 9 to step 2! Starts streaming the HTML document, parsing it as it goes Encounters our preload and starts downloading our font file in the background Encounters the link element pointing to our CSS file Continues as above Taking a closer look at the snippet, we’re using a link element and rel="preload" to ask the browser to preload a file with the intention of using it early in the page load. Like a CSS file, we provide the URL with the href attribute. We use as="font" and type="font/woff2" to indicate this is a font file in woff2. For modern browsers woff2 is the only format you need as it’s universally supported. Finally there’s crossorigin="anonymous". This comes from the wonderfully transparent and clear world of Cross Origin Resource Sharing. I jest of course, CORS is anything but transparent and clear! For fonts you almost always want crossorigin="anonymous" on your link element, even when the request isn’t cross-origin. Omitting this attribute would mean our preload wouldn’t be used and the file would be requested again. But why? Browser requests can be sent either with or without credentials (cookies, etc), and requests to the same URL with and without credentials are fundamentally different. For a preload to be used by the browser, it needs to match the type of request that the browser would have made normally. By default fonts are always requested without credentials, so we need to add crossorigin="anonymous" to ensure our preload matches a normal font request. By omitting this attribute our preload would not be used and the browser would request the font again. If you’re ever unsure of how your preloads are working, check your browsers’ devtools. In Chrome the Network pane will show a duplicate request, and the Console will log a warning telling you a preload wasn’t used. Screenshot showing the Chrome devtools Console pane, with warnings for an incorrect font preload Result and conclusion By preloading our critical fonts we ensure our browser has the most important fonts available earlier in the page loading process. We can see this by comparing our recording and waterfall charts from earlier: Side-by-side recording of the same page loading in different ways. ‘no-preload’ shows a large layout shift caused by the font switching and finishes loading at 4.4s. ‘preload’ doesn’t have a shift and finishes loading at 3.1s. Side-by-side comparison of two waterfall charts of the same site with font file `lobster.woff2`. For the ‘no-preload’ document the font loads after all other assets and finishes at 3s. The ‘preload’ document shows the font loading much earlier, in parallel with other files and finishing at 2s. As I mentioned in Getting started with Web Performance, it’s best to use preloads sparingly so limit this to your most important font or two. Remember that it’s a balance. By preloading too many resources you run the risk of other high-priority resources such as CSS being slowed down and arriving late. I would recommend preloading just the heading font to start with. With some testing you can see if preloading your main body font is worth it also! With care, font preloads can be a simple and impactful optimisation opportunity and this is why it’s my favourite HTML snippet! This is a great step to improving font loading, and there are plenty of other web font optimisations to try also!
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I started writing this early last week but Real Life Stuff happened and now you're getting the first-draft late this week. Warning, unedited thoughts ahead! New Logic for Programmers release! v0.9 is out! This is a big release, with a new cover design, several rewritten chapters, online code samples and much more. See the full release notes at the changelog page, and get the book here! Write the cleverest code you possibly can There are millions of articles online about how programmers should not write "clever" code, and instead write simple, maintainable code that everybody understands. Sometimes the example of "clever" code looks like this (src): # Python p=n=1 exec("p*=n*n;n+=1;"*~-int(input())) print(p%n) This is code-golfing, the sport of writing the most concise code possible. Obviously you shouldn't run this in production for the same reason you shouldn't eat dinner off a Rembrandt. Other times the example looks like this: def is_prime(x): if x == 1: return True return all([x%n != 0 for n in range(2, x)] This is "clever" because it uses a single list comprehension, as opposed to a "simple" for loop. Yes, "list comprehensions are too clever" is something I've read in one of these articles. I've also talked to people who think that datatypes besides lists and hashmaps are too clever to use, that most optimizations are too clever to bother with, and even that functions and classes are too clever and code should be a linear script.1. Clever code is anything using features or domain concepts we don't understand. Something that seems unbearably clever to me might be utterly mundane for you, and vice versa. How do we make something utterly mundane? By using it and working at the boundaries of our skills. Almost everything I'm "good at" comes from banging my head against it more than is healthy. That suggests a really good reason to write clever code: it's an excellent form of purposeful practice. Writing clever code forces us to code outside of our comfort zone, developing our skills as software engineers. Debugging is twice as hard as writing the code in the first place. Therefore, if you write the code as cleverly as possible, you [will get excellent debugging practice at exactly the right level required to push your skills as a software engineer] — Brian Kernighan, probably There are other benefits, too, but first let's kill the elephant in the room:2 Don't commit clever code I am proposing writing clever code as a means of practice. Being at work is a job with coworkers who will not appreciate if your code is too clever. Similarly, don't use too many innovative technologies. Don't put anything in production you are uncomfortable with. We can still responsibly write clever code at work, though: Solve a problem in both a simple and a clever way, and then only commit the simple way. This works well for small scale problems where trying the "clever way" only takes a few minutes. Write our personal tools cleverly. I'm a big believer of the idea that most programmers would benefit from writing more scripts and support code customized to their particular work environment. This is a great place to practice new techniques, languages, etc. If clever code is absolutely the best way to solve a problem, then commit it with extensive documentation explaining how it works and why it's preferable to simpler solutions. Bonus: this potentially helps the whole team upskill. Writing clever code... ...teaches simple solutions Usually, code that's called too clever composes several powerful features together — the "not a single list comprehension or function" people are the exception. Josh Comeau's "don't write clever code" article gives this example of "too clever": const extractDataFromResponse = (response) => { const [Component, props] = response; const resultsEntries = Object.entries({ Component, props }); const assignIfValueTruthy = (o, [k, v]) => (v ? { ...o, [k]: v } : o ); return resultsEntries.reduce(assignIfValueTruthy, {}); } What makes this "clever"? I count eight language features composed together: entries, argument unpacking, implicit objects, splats, ternaries, higher-order functions, and reductions. Would code that used only one or two of these features still be "clever"? I don't think so. These features exist for a reason, and oftentimes they make code simpler than not using them. We can, of course, learn these features one at a time. Writing the clever version (but not committing it) gives us practice with all eight at once and also with how they compose together. That knowledge comes in handy when we want to apply a single one of the ideas. I've recently had to do a bit of pandas for a project. Whenever I have to do a new analysis, I try to write it as a single chain of transformations, and then as a more balanced set of updates. ...helps us master concepts Even if the composite parts of a "clever" solution aren't by themselves useful, it still makes us better at the overall language, and that's inherently valuable. A few years ago I wrote Crimes with Python's Pattern Matching. It involves writing horrible code like this: from abc import ABC class NotIterable(ABC): @classmethod def __subclasshook__(cls, C): return not hasattr(C, "__iter__") def f(x): match x: case NotIterable(): print(f"{x} is not iterable") case _: print(f"{x} is iterable") if __name__ == "__main__": f(10) f("string") f([1, 2, 3]) This composes Python match statements, which are broadly useful, and abstract base classes, which are incredibly niche. But even if I never use ABCs in real production code, it helped me understand Python's match semantics and Method Resolution Order better. ...prepares us for necessity Sometimes the clever way is the only way. Maybe we need something faster than the simplest solution. Maybe we are working with constrained tools or frameworks that demand cleverness. Peter Norvig argued that design patterns compensate for missing language features. I'd argue that cleverness is another means of compensating: if our tools don't have an easy way to do something, we need to find a clever way. You see this a lot in formal methods like TLA+. Need to check a hyperproperty? Cast your state space to a directed graph. Need to compose ten specifications together? Combine refinements with state machines. Most difficult problems have a "clever" solution. The real problem is that clever solutions have a skill floor. If normal use of the tool is at difficult 3 out of 10, then basic clever solutions are at 5 out of 10, and it's hard to jump those two steps in the moment you need the cleverness. But if you've practiced with writing overly clever code, you're used to working at a 7 out of 10 level in short bursts, and then you can "drop down" to 5/10. I don't know if that makes too much sense, but I see it happen a lot in practice. ...builds comradery On a few occasions, after getting a pull request merged, I pulled the reviewer over and said "check out this horrible way of doing the same thing". I find that as long as people know they're not going to be subjected to a clever solution in production, they enjoy seeing it! Next week's newsletter will probably also be late, after that we should be back to a regular schedule for the rest of the summer. Mostly grad students outside of CS who have to write scripts to do research. And in more than one data scientist. I think it's correlated with using Jupyter. ↩ If I don't put this at the beginning, I'll get a bajillion responses like "your team will hate you" ↩
Whether we like it or not, email is widely used to identify a person. Code sent to email is used as authentication and sometimes as authorisation for certain actions. I’m not comfortable with Google having such power over me, especially given the fact that they practically don’t have any support you can appeal to. If your Google account is blocked, that’s it. Maybe you know someone from Google and they can help you, but for most of us mortals that’s not an option.
In his book “The Order of Time” Carlo Rovelli notes how we often asks ourselves questions about the fundamental nature of reality such as “What is real?” and “What exists?” But those are bad questions he says. Why? the adjective “real” is ambiguous; it has a thousand meanings. The verb “to exist” has even more. To the question “Does a puppet whose nose grows when he lies exist?” it is possible to reply: “Of course he exists! It’s Pinocchio!”; or: “No, it doesn’t, he’s only part of a fantasy dreamed up by Collodi.” Both answers are correct, because they are using different meanings of the verb “to exist.” He notes how Pinocchio “exists” and is “real” in terms of a literary character, but not so far as any official Italian registry office is concerned. To ask oneself in general “what exists” or “what is real” means only to ask how you would like to use a verb and an adjective. It’s a grammatical question, not a question about nature. The point he goes on to make is that our language has to evolve and adapt with our knowledge. Our grammar developed from our limited experience, before we know what we know now and before we became aware of how imprecise it was in describing the richness of the natural world. Rovelli gives an example of this from a text of antiquity which uses confusing grammar to get at the idea of the Earth having a spherical shape: For those standing below, things above are below, while things below are above, and this is the case around the entire earth. On its face, that is a very confusing sentence full of contradictions. But the idea in there is profound: the Earth is round and direction is relative to the observer. Here’s Rovelli: How is it possible that “things above are below, while things below are above"? It makes no sense…But if we reread it bearing in mind the shape and the physics of the Earth, the phrase becomes clear: its author is saying that for those who live at the Antipodes (in Australia), the direction “upward” is the same as “downward” for those who are in Europe. He is saying, that is, that the direction “above” changes from one place to another on the Earth. He means that what is above with respect to Sydney is below with respect to us. The author of this text, written two thousand years ago, is struggling to adapt his language and his intuition to a new discovery: the fact that the Earth is a sphere, and that “up” and “down” have a meaning that changes between here and there. The terms do not have, as previously thought, a single and universal meaning. So language needs innovation as much as any technological or scientific achievement. Otherwise we find ourselves arguing over questions of deep import in a way that ultimately amounts to merely a question of grammar. Email · Mastodon · Bluesky
In mid-March we released a big bug fix update—elementary OS 8.0.1—and since then we’ve been hard at work on even more bug fixes and some new exciting features that I’m excited to share with you today! Read ahead to find out what we’ve released recently and what you can help us test in Early Access. Quick Settings Quick Settings has a new “Prevent Sleep” toggle Leo added a new “Prevent Sleep” toggle. This is useful when you’re giving a presentation or have a long-running background task where you want to temporarily avoid letting the computer go to sleep on its normal schedule. We also fixed a bug where the “Dark Mode” toggle would cancel the dark mode schedule when used. We now have proper schedule snoozing, so when you manually toggle Dark Mode on or off while using a timed or sunset-to-sunrise schedule, your schedule will resume on the next schedule change instead of being canceled completely. Vishal also fixed an issue that caused some apps to report being improperly closed on system shutdown or restart and on the lock screen we now show the “Suspend” button rather than the “Lock” button. System Settings Locale settings has a fresh layout thanks to Alain with its options aligned more cleanly and improved links to additional settings. Locale Settings has a more responsive design We’ve also added the phrase “about this device” as a search term for the System page and improved interface copy when a restart is required to finish installing updates based on your feedback. Plus, Stanisław improved stylus detection in Wacom settings preventing a crash when no stylus is found. AppCenter We now show a small label next to the download button for apps which contain in-app purchases. This is especially useful for easily identifying free-to-play games or alt stores like Steam or Heroic Games Launcher. AppCenter now shows when apps have in-app purchases Plus, we now reload app icons on-the-fly as their data is processed, thanks to Italo. That means you’ll no longer get occasionally stuck with an AppCenter which shows missing images for app’s who have taken a bit longer than usual to load. Get These Updates As always, pop open System Settings → System on elementary OS 8 and hit “Update All” to get these updates plus your regular security, bug fix, and translation updates. Or set up automatic updates and get a notification when updates are ready to install! Early Access Our development focus recently has been on some of the bigger features that will likely land for either elementary OS 8.1 or 9. We’ve got a new app, big changes to the design of our desktop itself, a whole lot of under-the-hood cleanup, and the return of some key system services thanks to a new open source project. Monitor We’re now shipping a System Monitor app by default By popular demand—and thanks to the hard work of Stanisław—we have a new system monitor app called “Monitor” shipping in Early Access. Monitor provides usage information for your processor, GPU, memory, storage, network, and currently running processes. You can optionally see system information in the panel with Monitor You can also optionally get a ton of glanceable information shown in the panel. There’s currently a lot of work happening to port Monitor to GTK4 and improve its functionality under the Secure Session, so make sure to report any issues you find! Multitasking The Dock is getting a workspace switcher Probably the biggest change to the Pantheon shell since its early inception, the Dock is getting a new workspace switcher! The workspace switcher works in a familiar way to the one you may have seen in the Multitasking View: Your currently open workspaces are represented as tiles with the icons of apps running on them; You can select a workspace to switch to it; You can drag-and-drop workspaces to rearrange them; And you can use the “+” button to create a new blank workspace. One new trick however is that selecting the workspace you’re already on will launch Multitasking View. The new workspace switcher makes it so much more accessible to multitask with just the mouse and get an overview of your workflows without having to first enter the Multitasking View. We’re really excited to hear what people think about it! You can close apps from Multitasking View by swiping up Another very satisfying feature for folks using touch input, you can now swipe up windows in the Multitasking View to close them. This is a really familiar gesture for those of us with Android and iOS devices and feels really natural for managing a big stack of windows without having to aim for a small “x” button. GTK4 Porting We’ve recently landed the port of Tasks to GTK4. So far that comes with a few fixes to tighten up its design, with much more possible in the future. Please make sure to help us test it thoroughly for any regressions! Tasks has a slightly tightened up design We’re also making great progress on porting the panel to GTK4. So far we have branches in review for Nightlight, Bluetooth, Datetime, and Network indicators. Power, Keyboard, and Quick Settings indicators all have in-progress branches. That leaves just Applications, Sound, and Notifications. So far these ports don’t come with major feature changes, but they do involve lots of cleaning up and modernizing of these code bases and in some cases fixing bugs! When the port is finished, we should see immediate performance gains and we’ll have a much better foundation for future releases. You can follow along with our progress porting everything to GTK4 in this GitHub Project. And More When you take a screenshot using keyboard shortcuts or by secondary-clicking an app’s window handle, we now send a notification letting you know that it was succesful and where to find the resulting image. Plus there’s a handy button that opens Files with your screenshot pre-selected. We’re also testing beaconDB as a replacement for Mozilla Location Services (MLS). If you’re not aware, we relied on MLS in previous versions of elementary OS to provide location information for devices that don’t have a GPS radio. Unfortunately Mozilla discontinued the service last June and we’ve been left without a replacement until now. Without these services, not only did maps and weather apps cease to function, but system features like automatic timezone detection and features that rely on sunset and sunrise times no longer work properly. beaconDB offers a drop-in replacement for MLS that uses Wireless networks, bluetooth devices, and cell towers to provide location data when requested. All of its data is crowd-sourced and opt-in and several distributions are now defaulting to using it as their location services data provider. I’ve set up a small sponsorship from elementary on Liberapay to support the project. If you can help support beaconDB either by sponsoring or providing stumbler data, I’d highly encourage you to do so! Sponsors At the moment we’re at 23% of our monthly funding goal and 336 Sponsors on GitHub! Shoutouts to everyone helping us reach our goals here. Your monthly sponsorship funds development and makes sure we have the resources we need to give you the best version of elementary OS we can! Monthly release candidate builds and daily Early Access builds are available to GitHub Sponsors from any tier! Beware that Early Access builds are not considered stable and you will encounter fresh issues when you run them. We’d really appreciate reporting any problems you encounter with the Feedback app or directly on GitHub.
Via Jeremy Keith’s link blog I found this article: Elizabeth Goodspeed on why graphic designers can’t stop joking about hating their jobs. It’s about the disillusionment of designers since the ~2010s. Having ridden that wave myself, there’s a lot of very relatable stuff in there about how design has evolved as a profession. But before we get into the meat of the article, there’s some bangers worth acknowledging, like this: Amazon – the most used website in the world – looks like a bunch of pop-up ads stitched together. lol, burn. Haven’t heard Amazon described this way, but it’s spot on. The hard truth, as pointed out in the article, is this: bad design doesn’t hurt profit margins. Or at least there’s no immediately-obvious, concrete data or correlation that proves this. So most decision makers don’t care. You know what does help profit margins? Spending less money. Cost-savings initiatives. Those always provide a direct, immediate, seemingly-obvious correlation. So those initiatives get prioritized. Fuzzy human-centered initiatives (humanities-adjacent stuff), are difficult to quantitatively (and monetarily) measure. “Let’s stop printing paper and sending people stuff in the mail. It’s expensive. Send them emails instead.” Boom! Money saved for everyone. That’s easier to prioritize than asking, “How do people want us to communicate with them — if at all?” Nobody ever asks that last part. Designers quickly realized that in most settings they serve the business first, customers second — or third, or fourth, or... Shar Biggers [says] designers are “realising that much of their work is being used to push for profit rather than change..” Meet the new boss. Same as the old boss. As students, designers are encouraged to make expressive, nuanced work, and rewarded for experimentation and personal voice. The implication, of course, is that this is what a design career will look like: meaningful, impactful, self-directed. But then graduation hits, and many land their first jobs building out endless Google Slides templates or resizing banner ads...no one prepared them for how constrained and compromised most design jobs actually are. Reality hits hard. And here’s the part Jeremy quotes: We trained people to care deeply and then funnelled them into environments that reward detachment. And the longer you stick around, the more disorienting the gap becomes – especially as you rise in seniority. You start doing less actual design and more yapping: pitching to stakeholders, writing brand strategy decks, performing taste. Less craft, more optics; less idealism, more cynicism. Less work advocating for your customers, more work for advocating for yourself and your team within the organization itself. Then the cynicism sets in. We’re not making software for others. We’re making company numbers go up, so our numbers ($$$) will go up. Which reminds me: Stephanie Stimac wrote about reaching 1 year at Igalia and what stood out to me in her post was that she didn’t feel a pressing requirement to create visibility into her work and measure (i.e. prove) its impact. I’ve never been good at that. I’ve seen its necessity, but am just not good at doing it. Being good at building is great. But being good at the optics of building is often better — for you, your career, and your standing in many orgs. Anyway, back to Elizabeth’s article. She notes you’ll burn out trying to monetize something you love — especially when it’s in pursuit of maintaining a cost of living. Once your identity is tied up in the performance, it’s hard to admit when it stops feeling good. It’s a great article and if you’ve been in the design profession of building software, it’s worth your time. Email · Mastodon · Bluesky