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In Manuel’s series People and Blogs, he asked me: Given your experience, if you were to start a blog today, would you do anything differently? I gave my answer, but I wanted to expand on it. These kinds of questions are interesting to me. As readers, I think the answer we’re looking for in a question like this: “Here’s the few tips I wish I had known when I started blogging.” Why? Because we believe we can take these tips, use them, and revel in the thought that we saved ourselves some time and headache through someone else’s (hard-won) experience. However — and this is what I try to get across in my original answer — I think the truth is that you don’t get the same satisfaction saving yourself from pain you haven’t experienced. The best feeling is saving yourself from the pain you know. What my blog is now is a result of me wrestling with what it even means to blog. What I love about “blogging” is how personal it is. Even the word, “blog”, doesn’t give you any classifying genre of...
a year ago

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More from Jim Nielsen’s Blog

CSS Space Toggles

I’ve been working on a transition to using light-dark() function in CSS. What this boils down to is, rather than CSS that looks like this: :root { color-scheme: light; --text: #000; } @media (prefers-color-scheme: dark) { :root { color-scheme: dark; --text: #fff; } } I now have this: :root { color-scheme: light; --text: light-dark(#000, #fff); } @media (prefers-color-scheme: dark) { :root { color-scheme: dark; } } That probably doesn’t look that interesting. That’s what I thought when I first learned about light-dark() — “Oh hey, that’s cool, but it’s just different syntax. Six of one, half dozen of another kind of thing.” But it does unlock some interesting ways to handling themeing which I will have to cover in another post. Suffice it to say, I think I’m starting to drink the light-dark() koolaid. Anyhow, using the above pattern, I want to compose CSS variables to make a light/dark theme based on a configurable hue. Something like this: :root { color-scheme: light; /* configurable via JS */ --accent-hue: 56; /* which then cascades to other derivations */ --accent: light-dark( hsl(var(--accent-hue) 50% 100%), hsl(var(--accent-hue) 50% 0%), ); } @media (prefers-color-scheme: dark) { :root { color-scheme: dark; } } The problem is that --accent-hue value doesn’t quite look right in dark mode. It needs more contrast. I need a slightly different hue for dark mode. So my thought is: I’ll put that value in a light-dark() function. :root { --accent-hue: light-dark(56, 47); --my-color: light-dark( hsl(var(--accent-hue) 50% 100%), hsl(var(--accent-hue) 50% 0%), ); } Unfortunately, that doesn’t work. You can’t put arbitrary values in light-dark(). It only accepts color values. I asked what you could do instead and Roma Komarov told me about CSS “space toggles”. I’d never heard about these, so I looked them up. First I found Chris Coyier’s article which made me feel good because even Chris admits he didn’t fully understand them. Then Christopher Kirk-Nielsen linked me to his article which helped me understand this idea of “space toggles” even more. I ended up following the pattern Christopher mentions in his article and it works like a charm in my implementation! The gist of the code works like this: When the user hasn’t specified a theme, default to “system” which is light by default, or dark if they’re on a device that supports prefers-color-scheme. When a user explicitly sets the color theme, set an attribute on the root element to denote that. /* Default preferences when "unset" or "system" */ :root { --LIGHT: initial; --DARK: ; color-scheme: light; } @media (prefers-color-scheme: dark) { :root { --LIGHT: ; --DARK: initial; color-scheme: dark; } } /* Handle explicit user overrides */ :root[data-theme-appearance="light"] { --LIGHT: initial; --DARK: ; color-scheme: light; } :root[data-theme-appearance="dark"] { --LIGHT: ; --DARK: initial; color-scheme: dark; } /* Now set my variables */ :root { /* Set the “space toggles’ */ --accent-hue: var(--LIGHT, 56) var(--DARK, 47); /* Then use them */ --my-color: light-dark( hsl(var(--accent-hue) 50% 90%), hsl(var(--accent-hue) 50% 10%), ); } So what is the value of --accent-hue? That line sort of reads like this: If --LIGHT has a value, return 56 else if --DARK has a value, return 47 And it works like a charm! Now I can set arbitrary values for things like accent color hue, saturation, and lightness, then leverage them elsewhere. And when the color scheme or accent color change, all these values recalculate and cascade through the entire website — cool! A Note on Minification A quick tip: if you’re minifying your HTML and you’re using this space toggle trick, beware of minifying your CSS! Stuff like this: selector { --ON: ; --OFF: initial; } Could get minified to: selector{--OFF:initial} And this “space toggles trick” won’t work at all. Trust me, I learned from experience. Email · Mastodon · Bluesky

3 days ago 7 votes
Aspect Ratio Changes With CSS View Transitions

So here I am playing with CSS view transitions (again). I’ve got Dave Rupert’s post open in one tab, which serves as my recurring reference for the question, “How do you get these things to work again?” I’ve followed Dave’s instructions for transitioning the page generally and am now working on individual pieces of UI specifically. I feel like I’m 98% of the way there, I’ve just hit a small bug. It’s small. Many people might not even notice it. But I do and it’s bugging me. When I transition from one page to the next, I expect this “active page” outline to transition nicely from the old page to the new one. But it doesn’t. Not quite. Did you notice it? It’s subtle and fast, but it’s there. I have to slow my ::view-transition-old() animation timing waaaaay down to see catch it. The outline grows proportionally in width but not in height as it transitions from one element to the next. I kill myself on trying to figure out what this bug is. Dave mentions in his post how he had to use fit-content to fix some issues with container changes between pages. I don’t fully understand what he’s getting at, but I think maybe that’s where my issue is? I try sticking fit-content on different things but none of it works. I ask AI and it’s totally worthless, synthesizing disparate topics about CSS into a seemingly right on the surface but totally wrong answer. So I sit and think about it. What’s happening almost looks like some kind of screwy side effect of a transform: scale() operation. Perhaps it’s something about how default user agent styles for these things is animating the before/after state? No, that can’t be it… Honestly, I have no idea. I don’t know much about CSS view transitions, but I know enough to know that I don’t know enough to even formulate the right set of keywords for a decent question. I feel stuck. I consider reaching out on the socials for help, but at the last minute I somehow stumble on this perfectly wonderful blog post from Jake Archibald: “View transitions: Handling aspect ratio changes” and he’s got a one-line fix in my hands in seconds! The article is beautiful. It not only gives me an answer, but it provides really wonderful visuals that help describe why the problem I’m seeing is a problem in the first place. It really helps fill out my understanding of how this feature works. I absolutely love finding writing like this on the web. So now my problem is fixed — no more weirdness! If you’re playing with CSS view transitions these days, Jake’s article is a must read to help shape your understanding of how the feature works. Go give it a read. Email · Mastodon · Bluesky

5 days ago 10 votes
Search Results Without JavaScript

I’m currently looking to add a search feature to my blog. It’s a client-side approach, which means I was planning on using my favorite progressive-enhancement technique for client-side only search: you point a search form at Google, scope the results to your site, then use JavaScript to intercept the form submission and customize the experience on your site to your heart’s content. <form action="https://www.google.com/search"> <input type="text" name="q" placeholder="Search" /> <input type="hidden" name="as_sitesearch" value="blog.jim-nielsen.com" /> <button type="submit">Search</button> </form> <script> document.querySelector("form").addEventListener("submit", (e) => { e.preventDefault(); // Do my client-side search stuff here // and stay on the current page }); </script> However, then I remembered that Google Search no longer works without JavaScript which means this trick is no longer a trick. [1] But have no fear, other search engines to the rescue! DuckDuckGo, for example, supports this trick. Tweak some of the HTML from the Google example and it’ll work: <form action="https://duckduckgo.com"> <input type="text" name="q" placeholder="Search" /> <input type="hidden" name="sites" value="blog.jim-nielsen.com" /> <button type="submit">Search</button> </form> <script> document.querySelector("form").addEventListener("submit", (e) => { e.preventDefault(); // Do my client-side search stuff here // and stay on the current page }); </script> Yahoo also supports this trick, but not Bing. You can point people at Bing, but you can’t scope a query to your site only with an HTML form submission alone. Why? Because you need two search params: 1) a “query” param representing what the user typed into the search box, and 2) a “site search” param to denote which site you want to limit your results to (otherwise it’ll search the whole web). From a UI perspective, if a search box is on your site, user intent is to search the content on your site. You don’t want to require people to type “my keywords site:blog.jim-nielsen.com” when they’re using a search box on your site — that’s just silly! That’s why you need a second search parameter you can set yourself (a hidden input). You can’t concatenate something onto the end of a user’s HTML form submission. (What they type in the input box is what gets sent to the search engine as the ?q=... param.) To add to the q param, you would need JavaScript — but then that defeats the whole purpose of this exercise in the first place! Anyhow, here are the search parameters I found useful for search engines that will support this trick: DuckDuckGo: Query: q Site search param: sites Yahoo Query: p Site search param: vs I made myself a little test page for trying all these things. Check it out (and disable JS) if you want to try yourself! Not only that, but the as_sitesearch search param doesn’t seem to work anymore either. I can’t find any good documentation on what happened to as_sitesearch, but it seems like you’re supposed to use the “programmable search” now instead? Honestly I don’t know. And I don’t care enough to find out. ⏎ Email :: Mastodon :: Bluesky #progressiveEnhancement

a week ago 12 votes
The Art of Making Websites

Hidde de Vries gave a great talked titled “Creativity cannot be computed” (you can checkout the slides or watch the video). In his slides he has lots of bullet points that attempt to define what art is, and then in the talk he spends time covering each one. Here’s a sampling of the bullet points: Art isn't always easy to recognize Art has critics Art is fuzzy Art can make us think Art can make the artist think Art can make the audience think Art can show us a mirror to reflect Art can move us Art can take a stance Art can be used to show solidarity Art can help us capture what it's like to be another person I love all his bullet points. In fact, they got me thinking about websites. I think you could substitute “website” for “art” in many of his slides. For example: Art is repeated So are websites. Think of all those websites that follow the same template. Art may contain intentions Like the intent to purposely break best practices. Art can show us futures we should not want Or the present we currently have. Art doesn’t have to fit in You can make any kind of website. It gives you agency to respond to the world the way you want, not just by “liking” something on social media. Me personally, I’ve made little websites meant to convey my opinion on social share imagery or reinforce the opinion I share with others on the danger of normalizing breakage on the web. Each of those could’ve been me merely “liking” someone else’s opinion. Or I could’ve written a blog post. Or, as in those cases, I instead made a website. Art can insult the audience It doesn’t have to make you happy. Its purpose can be to offend you, or make you outraged and provoke a response. It can be a mother fucking website. Of course, as Hidde points out, a website doesn’t have to be all of these. It also doesn’t have to be any of these. Art — and a website — is as much about the artist and the audience as it is about the artifact. It’s a reflection of the person/people making it. Their intentions. Their purpose. How’d you make it? Why’d you make it? When’d you make it? Each of these threads run through your art (website). So when AI lets you make a website with the click of a button, it’s automating away a lot of the fun art stuff that goes into a website. The part where you have to wrestle with research, with your own intentions and motivations, with defining purpose, with (re)evaluating your world view. Ultimately, a website isn’t just what you ship. It’s about who you are — and who you become — on the way to shipping. So go explore who you are. Plumb the bottomless depths of self. Make art, a.k.a make a website. Email :: Mastodon :: Bluesky

a week ago 12 votes
Software Pliability

Quoting myself from former days on Twitter: Businesses have a mental model of what they do. Businesses build software to help them do it—a concrete manifestation of their mental model. A gap always exists between these two. What makes a great software business is their ability to keep that gap very small. I think this holds up. And I still think about this idea (hence this post). Software is an implementation of human understanding — people need X, so we made Y. But people change. Businesses change. So software must also change. One of your greatest strengths will be your ability to adapt and evolve your understanding of people’s needs and implement it in your software. In a sense, technical debt is the other side of this coin of change: an inability to keep up with your own metamorphosis and understanding. In a way, you could analogize this to the conundrum of rocket science: you need fuel to get to space, but the more fuel you add, the more weight you add, and the more weight you add, the more fuel you need. Ad nauseam. It’s akin to making software. You want to make great software for people’s needs today. It takes people, processes, and tools to make software, but the more people, processes, and tools you add to the machine of making software, the less agile you become. So to gain velocity you add more people, processes, and tools, which…you get the idea. Being able to build and maintain pliable software that can change and evolve at the same speed as your mental model is a superpower. Quality in code means the flexibility to change. Email :: Mastodon :: Bluesky

2 weeks ago 17 votes

More in programming

Diagnosis in engineering strategy.

Once you’ve written your strategy’s exploration, the next step is working on its diagnosis. Diagnosis is understanding the constraints and challenges your strategy needs to address. In particular, it’s about doing that understanding while slowing yourself down from deciding how to solve the problem at hand before you know the problem’s nuances and constraints. If you ever find yourself wanting to skip the diagnosis phase–let’s get to the solution already!–then maybe it’s worth acknowledging that every strategy that I’ve seen fail, did so due to a lazy or inaccurate diagnosis. It’s very challenging to fail with a proper diagnosis, and almost impossible to succeed without one. The topics this chapter will cover are: Why diagnosis is the foundation of effective strategy, on which effective policy depends. Conversely, how skipping the diagnosis phase consistently ruins strategies A step-by-step approach to diagnosing your strategy’s circumstances How to incorporate data into your diagnosis effectively, and where to focus on adding data Dealing with controversial elements of your diagnosis, such as pointing out that your own executive is one of the challenges to solve Why it’s more effective to view difficulties as part of the problem to be solved, rather than a blocking issue that prevents making forward progress The near impossibility of an effective diagnosis if you don’t bring humility and self-awareness to the process Into the details we go! This is an exploratory, draft chapter for a book on engineering strategy that I’m brainstorming in #eng-strategy-book. As such, some of the links go to other draft chapters, both published drafts and very early, unpublished drafts. Diagnosis is strategy’s foundation One of the challenges in evaluating strategy is that, after the fact, many effective strategies are so obvious that they’re pretty boring. Similarly, most ineffective strategies are so clearly flawed that their authors look lazy. That’s because, as a strategy is operated, the reality around it becomes clear. When you’re writing your strategy, you don’t know if you can convince your colleagues to adopt a new approach to specifying APIs, but a year later you know very definitively whether it’s possible. Building your strategy’s diagnosis is your attempt to correctly recognize the context that the strategy needs to solve before deciding on the policies to address that context. Done well, the subsequent steps of writing strategy often feel like an afterthought, which is why I think of diagnosis as strategy’s foundation. Where exploration was an evaluation-free activity, diagnosis is all about evaluation. How do teams feel today? Why did that project fail? Why did the last strategy go poorly? What will be the distractions to overcome to make this new strategy successful? That said, not all evaluation is equal. If you state your judgment directly, it’s easy to dispute. An effective diagnosis is hard to argue against, because it’s a web of interconnected observations, facts, and data. Even for folks who dislike your conclusions, the weight of evidence should be hard to shift. Strategy testing, explored in the Refinement section, takes advantage of the reality that it’s easier to diagnose by doing than by speculating. It proposes a recursive diagnosis process until you have real-world evidence that the strategy is working. How to develop your diagnosis Your strategy is almost certain to fail unless you start from an effective diagnosis, but how to build a diagnosis is often left unspecified. That’s because, for most folks, building the diagnosis is indeed a dark art: unspecified, undiscussion, and uncontrollable. I’ve been guilty of this as well, with The Engineering Executive’s Primer’s chapter on strategy staying silent on the details of how to diagnose for your strategy. So, yes, there is some truth to the idea that forming your diagnosis is an emergent, organic process rather than a structured, mechanical one. However, over time I’ve come to adopt a fairly structured approach: Braindump, starting from a blank sheet of paper, write down your best understanding of the circumstances that inform your current strategy. Then set that piece of paper aside for the moment. Summarize exploration on a new piece of paper, review the contents of your exploration. Pull in every piece of diagnosis from similar situations that resonates with you. This is true for both internal and external works! For each diagnosis, tag whether it fits perfectly, or needs to be adjusted for your current circumstances. Then, once again, set the piece of paper aside. Mine for distinct perspectives on yet another blank page, talking to different stakeholders and colleagues who you know are likely to disagree with your early thinking. Your goal is not to agree with this feedback. Instead, it’s to understand their view. The Crux by Richard Rumelt anchors diagnosis in this approach, emphasizing the importance of “testing, adjusting, and changing the frame, or point of view.” Synthesize views into one internally consistent perspective. Sometimes the different perspectives you’ve gathered don’t mesh well. They might well explicitly differ in what they believe the underlying problem is, as is typical in tension between platform and product engineering teams. The goal is to competently represent each of these perspectives in the diagnosis, even the ones you disagree with, so that later on you can evaluate your proposed approach against each of them. When synthesizing feedback goes poorly, it tends to fail in one of two ways. First, the author’s opinion shines through so strongly that it renders the author suspect. Your goal is never to agree with every team’s perspective, just as your diagnosis should typically avoid crowning any perspective as correct: a reader should generally be appraised of the details and unaware of the author. The second common issue is when a group tries to jointly own the synthesis, but create a fractured perspective rather than a unified one. I generally find that having one author who is accountable for representing all views works best to address both of these issues. Test drafts across perspectives. Once you’ve written your initial diagnosis, you want to sit down with the people who you expect to disagree most fervently. Iterate with them until they agree that you’ve accurately captured their perspective. It might be that they disagree with some other view points, but they should be able to agree that others hold those views. They might argue that the data you’ve included doesn’t capture their full reality, in which case you can caveat the data by saying that their team disagrees that it’s a comprehensive lens. Don’t worry about getting the details perfectly right in your initial diagnosis. You’re trying to get the right crumbs to feed into the next phase, strategy refinement. Allowing yourself to be directionally correct, rather than perfectly correct, makes it possible to cover a broad territory quickly. Getting caught up in perfecting details is an easy way to anchor yourself into one perspective prematurely. At this point, I hope you’re starting to predict how I’ll conclude any recipe for strategy creation: if these steps feel overly mechanical to you, adjust them to something that feels more natural and authentic. There’s no perfect way to understand complex problems. That said, if you feel uncertain, or are skeptical of your own track record, I do encourage you to start with the above approach as a launching point. Incorporating data into your diagnosis The strategy for Navigating Private Equity ownership’s diagnosis includes a number of details to help readers understand the status quo. For example the section on headcount growth explains headcount growth, how it compares to the prior year, and providing a mental model for readers to translate engineering headcount into engineering headcount costs: Our Engineering headcount costs have grown by 15% YoY this year, and 18% YoY the prior year. Headcount grew 7% and 9% respectively, with the difference between headcount and headcount costs explained by salary band adjustments (4%), a focus on hiring senior roles (3%), and increased hiring in higher cost geographic regions (1%). If everyone evaluating a strategy shares the same foundational data, then evaluating the strategy becomes vastly simpler. Data is also your mechanism for supporting or critiquing the various views that you’ve gathered when drafting your diagnosis; to an impartial reader, data will speak louder than passion. If you’re confident that a perspective is true, then include a data narrative that supports it. If you believe another perspective is overstated, then include data that the reader will require to come to the same conclusion. Do your best to include data analysis with a link out to the full data, rather than requiring readers to interpret the data themselves while they are reading. As your strategy document travels further, there will be inevitable requests for different cuts of data to help readers understand your thinking, and this is somewhat preventable by linking to your original sources. If much of the data you want doesn’t exist today, that’s a fairly common scenario for strategy work: if the data to make the decision easy already existed, you probably would have already made a decision rather than needing to run a structured thinking process. The next chapter on refining strategy covers a number of tools that are useful for building confidence in low-data environments. Whisper the controversial parts At one time, the company I worked at rolled out a bar raiser program styled after Amazon’s, where there was an interviewer from outside the team that had to approve every hire. I spent some time arguing against adding this additional step as I didn’t understand what we were solving for, and I was surprised at how disinterested management was about knowing if the new process actually improved outcomes. What I didn’t realize until much later was that most of the senior leadership distrusted one of their peers, and had rolled out the bar raiser program solely to create a mechanism to control that manager’s hiring bar when the CTO was disinterested holding that leader accountable. (I also learned that these leaders didn’t care much about implementing this policy, resulting in bar raiser rejections being frequently ignored, but that’s a discussion for the Operations for strategy chapter.) This is a good example of a strategy that does make sense with the full diagnosis, but makes little sense without it, and where stating part of the diagnosis out loud is nearly impossible. Even senior leaders are not generally allowed to write a document that says, “The Director of Product Engineering is a bad hiring manager.” When you’re writing a strategy, you’ll often find yourself trying to choose between two awkward options: Say something awkward or uncomfortable about your company or someone working within it Omit a critical piece of your diagnosis that’s necessary to understand the wider thinking Whenever you encounter this sort of debate, my advice is to find a way to include the diagnosis, but to reframe it into a palatable statement that avoids casting blame too narrowly. I think it’s helpful to discuss a few concrete examples of this, starting with the strategy for navigating private equity, whose diagnosis includes: Based on general practice, it seems likely that our new Private Equity ownership will expect us to reduce R&D headcount costs through a reduction. However, we don’t have any concrete details to make a structured decision on this, and our approach would vary significantly depending on the size of the reduction. There are many things the authors of this strategy likely feel about their state of reality. First, they are probably upset about the fact that their new private equity ownership is likely to eliminate colleagues. Second, they are likely upset that there is no clear plan around what they need to do, so they are stuck preparing for a wide range of potential outcomes. However they feel, they don’t say any of that, they stick to precise, factual statements. For a second example, we can look to the Uber service migration strategy: Within infrastructure engineering, there is a team of four engineers responsible for service provisioning today. While our organization is growing at a similar rate as product engineering, none of that additional headcount is being allocated directly to the team working on service provisioning. We do not anticipate this changing. The team didn’t agree that their headcount should not be growing, but it was the reality they were operating in. They acknowledged their reality as a factual statement, without any additional commentary about that statement. In both of these examples, they found a professional, non-judgmental way to acknowledge the circumstances they were solving. The authors would have preferred that the leaders behind those decisions take explicit accountability for them, but it would have undermined the strategy work had they attempted to do it within their strategy writeup. Excluding critical parts of your diagnosis makes your strategies particularly hard to evaluate, copy or recreate. Find a way to say things politely to make the strategy effective. As always, strategies are much more about realities than ideals. Reframe blockers as part of diagnosis When I work on strategy with early-career leaders, an idea that comes up a lot is that an identified problem means that strategy is not possible. For example, they might argue that doing strategy work is impossible at their current company because the executive team changes their mind too often. That core insight is almost certainly true, but it’s much more powerful to reframe that as a diagnosis: if we don’t find a way to show concrete progress quickly, and use that to excite the executive team, our strategy is likely to fail. This transforms the thing preventing your strategy into a condition your strategy needs to address. Whenever you run into a reason why your strategy seems unlikely to work, or why strategy overall seems difficult, you’ve found an important piece of your diagnosis to include. There are never reasons why strategy simply cannot succeed, only diagnoses you’ve failed to recognize. For example, we knew in our work on Uber’s service provisioning strategy that we weren’t getting more headcount for the team, the product engineering team was going to continue growing rapidly, and that engineering leadership was unwilling to constrain how product engineering worked. Rather than preventing us from implementing a strategy, those components clarified what sort of approach could actually succeed. The role of self-awareness Every problem of today is partially rooted in the decisions of yesterday. If you’ve been with your organization for any duration at all, this means that you are directly or indirectly responsible for a portion of the problems that your diagnosis ought to recognize. This means that recognizing the impact of your prior actions in your diagnosis is a powerful demonstration of self-awareness. It also suggests that your next strategy’s success is rooted in your self-awareness about your prior choices. Don’t be afraid to recognize the failures in your past work. While changing your mind without new data is a sign of chaotic leadership, changing your mind with new data is a sign of thoughtful leadership. Summary Because diagnosis is the foundation of effective strategy, I’ve always found it the most intimidating phase of strategy work. While I think that’s a somewhat unavoidable reality, my hope is that this chapter has somewhat prepared you for that challenge. The four most important things to remember are simply: form your diagnosis before deciding how to solve it, try especially hard to capture perspectives you initially disagree with, supplement intuition with data where you can, and accept that sometimes you’re missing the data you need to fully understand. The last piece in particular, is why many good strategies never get shared, and the topic we’ll address in the next chapter on strategy refinement.

11 hours ago 3 votes
My friend, JT

I’ve had a cat for almost a third of my life.

2 hours ago 3 votes
[Course Launch] Hands-on Introduction to X86 Assembly

A Live, Interactive Course for Systems Engineers

5 hours ago 2 votes
It’s cool to care

I’m sitting in a small coffee shop in Brooklyn. I have a warm drink, and it’s just started to snow outside. I’m visiting New York to see Operation Mincemeat on Broadway – I was at the dress rehearsal yesterday, and I’ll be at the opening preview tonight. I’ve seen this show more times than I care to count, and I hope US theater-goers love it as much as Brits. The people who make the show will tell you that it’s about a bunch of misfits who thought they could do something ridiculous, who had the audacity to believe in something unlikely. That’s certainly one way to see it. The musical tells the true story of a group of British spies who tried to fool Hitler with a dead body, fake papers, and an outrageous plan that could easily have failed. Decades later, the show’s creators would mirror that same spirit of unlikely ambition. Four friends, armed with their creativity, determination, and a wardrobe full of hats, created a new musical in a small London theatre. And after a series of transfers, they’re about to open the show under the bright lights of Broadway. But when I watch the show, I see a story about friendship. It’s about how we need our friends to help us, to inspire us, to push us to be the best versions of ourselves. I see the swaggering leader who needs a team to help him truly achieve. The nervous scientist who stands up for himself with the support of his friends. The enthusiastic secretary who learns wisdom and resilience from her elder. And so, I suppose, it’s fitting that I’m not in New York on my own. I’m here with friends – dozens of wonderful people who I met through this ridiculous show. At first, I was just an audience member. I sat in my seat, I watched the show, and I laughed and cried with equal measure. After the show, I waited at stage door to thank the cast. Then I came to see the show a second time. And a third. And a fourth. After a few trips, I started to see familiar faces waiting with me at stage door. So before the cast came out, we started chatting. Those conversations became a Twitter community, then a Discord, then a WhatsApp. We swapped fan art, merch, and stories of our favourite moments. We went to other shows together, and we hung out outside the theatre. I spent New Year’s Eve with a few of these friends, sitting on somebody’s floor and laughing about a bowl of limes like it was the funniest thing in the world. And now we’re together in New York. Meeting this kind, funny, and creative group of people might seem as unlikely as the premise of Mincemeat itself. But I believed it was possible, and here we are. I feel so lucky to have met these people, to take this ridiculous trip, to share these precious days with them. I know what a privilege this is – the time, the money, the ability to say let’s do this and make it happen. How many people can gather a dozen friends for even a single evening, let alone a trip halfway round the world? You might think it’s silly to travel this far for a theatre show, especially one we’ve seen plenty of times in London. Some people would never see the same show twice, and most of us are comfortably into double or triple-figures. Whenever somebody asks why, I don’t have a good answer. Because it’s fun? Because it’s moving? Because I enjoy it? I feel the need to justify it, as if there’s some logical reason that will make all of this okay. But maybe I don’t have to. Maybe joy doesn’t need justification. A theatre show doesn’t happen without people who care. Neither does a friendship. So much of our culture tells us that it’s not cool to care. It’s better to be detached, dismissive, disinterested. Enthusiasm is cringe. Sincerity is weakness. I’ve certainly felt that pressure – the urge to play it cool, to pretend I’m above it all. To act as if I only enjoy something a “normal” amount. Well, fuck that. I don’t know where the drive to be detached comes from. Maybe it’s to protect ourselves, a way to guard against disappointment. Maybe it’s to seem sophisticated, as if having passions makes us childish or less mature. Or perhaps it’s about control – if we stay detached, we never have to depend on others, we never have to trust in something bigger than ourselves. Being detached means you can’t get hurt – but you’ll also miss out on so much joy. I’m a big fan of being a big fan of things. So many of the best things in my life have come from caring, from letting myself be involved, from finding people who are a big fan of the same things as me. If I pretended not to care, I wouldn’t have any of that. Caring – deeply, foolishly, vulnerably – is how I connect with people. My friends and I care about this show, we care about each other, and we care about our joy. That care and love for each other is what brought us together, and without it we wouldn’t be here in this city. I know this is a once-in-a-lifetime trip. So many stars had to align – for us to meet, for the show we love to be successful, for us to be able to travel together. But if we didn’t care, none of those stars would have aligned. I know so many other friends who would have loved to be here but can’t be, for all kinds of reasons. Their absence isn’t for lack of caring, and they want the show to do well whether or not they’re here. I know they care, and that’s the important thing. To butcher Tennyson: I think it’s better to care about something you cannot affect, than to care about nothing at all. In a world that’s full of cynicism and spite and hatred, I feel that now more than ever. I’d recommend you go to the show if you haven’t already, but that’s not really the point of this post. Maybe you’ve already seen Operation Mincemeat, and it wasn’t for you. Maybe you’re not a theatre kid. Maybe you aren’t into musicals, or history, or war stories. That’s okay. I don’t mind if you care about different things to me. (Imagine how boring the world would be if we all cared about the same things!) But I want you to care about something. I want you to find it, find people who care about it too, and hold on to them. Because right now, in this city, with these people, at this show? I’m so glad I did. And I hope you find that sort of happiness too. Some of the people who made this trip special. Photo by Chloe, and taken from her Twitter. Timing note: I wrote this on February 15th, but I delayed posting it because I didn’t want to highlight the fact I was away from home. [If the formatting of this post looks odd in your feed reader, visit the original article]

yesterday 4 votes
Stick with the customer

One of the biggest mistakes that new startup founders make is trying to get away from the customer-facing roles too early. Whether it's customer support or it's sales, it's an incredible advantage to have the founders doing that work directly, and for much longer than they find comfortable. The absolute worst thing you can do is hire a sales person or a customer service agent too early. You'll miss all the golden nuggets that customers throw at you for free when they're rejecting your pitch or complaining about the product. Seeing these reasons paraphrased or summarized destroy all the nutrients in their insights. You want that whole-grain feedback straight from the customers' mouth!  When we launched Basecamp in 2004, Jason was doing all the customer service himself. And he kept doing it like that for three years!! By the time we hired our first customer service agent, Jason was doing 150 emails/day. The business was doing millions of dollars in ARR. And Basecamp got infinitely, better both as a market proposition and as a product, because Jason could funnel all that feedback into decisions and positioning. For a long time after that, we did "Everyone on Support". Frequently rotating programmers, designers, and founders through a day of answering emails directly to customers. The dividends of doing this were almost as high as having Jason run it all in the early years. We fixed an incredible number of minor niggles and annoying bugs because programmers found it easier to solve the problem than to apologize for why it was there. It's not easy doing this! Customers often offer their valuable insights wrapped in rude language, unreasonable demands, and bad suggestions. That's why many founders quit the business of dealing with them at the first opportunity. That's why few companies ever do "Everyone On Support". That's why there's such eagerness to reduce support to an AI-only interaction. But quitting dealing with customers early, not just in support but also in sales, is an incredible handicap for any startup. You don't have to do everything that every customer demands of you, but you should certainly listen to them. And you can't listen well if the sound is being muffled by early layers of indirection.

yesterday 4 votes