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There are several design apps available at a product designers disposal, and I’ve used several of them over the years. I think these days, most everyone is using Figma, but whatever app you’re using—most of them typically have some sort of prototyping feature. Typically they have required very little coding to get a prototype up and running. Despite the advances in the ability to prototype using design tools, I still prefer to use HTML, CSS, and JavaScript. Greater Flexibility I find myself needing much more flexibility than what prototyping in Figma offers. I think it’s cool that they’re regularly adding features to make prototyping more flexible, but it’s becoming so complicated and time consuming to figure out. A lot of the new features that Figma has been adding—like variables—is essentially coding! It doesn’t really simplify or speed things up for me. At some point there’s usually a moment where I think this would have been faster if I had just built this prototype in code. When...
a year ago

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More from Daniel Marino

Making an Escape Room with only HTML and CSS

Beware! This post includes spoilers! I recently built an escape room game called CSScape Room. This isn’t my first JavaScript-free web game, but HTML and CSS have evolved significantly since my previous attempts, with newer additions allowing for more complex selectors and native interactions. Rather than saving this idea for a game jam, I built it purely for fun, which freed me from theme constraints and time pressure. I’ve enjoyed escape room games since childhood, and it was nostalgic to recreate that experience myself. This project pushed my artistic limits while challenging me to design puzzles and translate them into complex HTML and CSS. The learning process was fun, challenging, and sometimes tedious—mostly through trial and error. Process My creative process isn’t linear—it’s a blend of designing, puzzle creation, and coding that constantly influences each other. I frequently had to redesign or recode elements as the project evolved. There was also that time I accidentally deleted half my CSS because I wasn’t backing up to GitHub... lesson learned! 😬 This might sound chaotic, and honestly, it was. If you’re wondering where to start with a project like this, I began by prototyping the room navigation system. I figured that was the minimum viable feature—if I couldn’t make that work, I’d abandon the project. The solution I eventually found seems simple in retrospect, but I went through several iterations to discover it. This flexible approach makes sense for my creative projects. As I build something, both the in-progress work and my growing skills inevitably influences the entire project. I’m comfortable with this non-linear process—it also suits my ADHD brain, where I tend to lose interest if I work on the same thing for too long. Artwork I’d wanted to design a pixel art-styled game for some time but never felt confident enough to attempt it during a game jam because of the learning curve. I watched tutorials from Adam Yunis and Mort to get a crash course in pixel art best practices. Initially, progress was slow. I had to figure out 2D perspective with vanishing points, determine a color palette, practice shading techniques, and decide how much detail to include. While I tried to adhere to pixel art “rules,” I definitely broke some along the way. One challenge I set for myself was using only 32 colors to capture the feeling of an older gaming console. Once I got comfortable with shading and dithering, working within this constraint became easier. An added benefit to using 32 colors was it resulted in smaller image sizes—the game’s 79 images account for only about 25% of the total payload. I attempted to design sprites using dimensions in multiples of eight, but I’ll admit I became less strict about this as the project progressed. At a certain point, I was struggling enough with the color and styling limitations that this guideline became more of a starting point than a rule. I considered creating my own font, but after exhausting myself with all the artwork, I opted for Google’s PixelifySans instead. Almost all animation frames were individually drawn (except for the “one” TV animation). This was tedious, but I was determined to stay true to old-school techniques! I did use CSS to streamline some animations—for instance, I used animation-direction: alternate on the poster page curl to create a palindrome effect, halving the number of required sprites. Mechanics Like my previous game Heiro, this project primarily uses checkbox and radio button mechanics. However, the addition of the :has() pseudo-selector opened up many more possibilities. I also utilized the popover API to create more detailed interactions. Checkbox and Radio Selection Triggering interactions by toggling checkboxes and radio buttons isn’t new, but the :has() selector is a game-changer! Before this existed, you had to structure your markup so interactive elements were siblings. The :has() selector makes this far more flexible because you no longer need to rely on a specific HTML structure. #element { display: none; } :has(#checkbox:checked) #element { display: block; } Using this pattern, :has() looks for #checkbox anywhere on the page, meaning you don’t have to rely on #checkbox, its corresponding <label>, or #element being siblings. The markup structure is no longer a constraint. Most of this game functions on toggling checkboxes and radios to unlock, collect, and use items. Navigation I almost gave up on the current implementation, and used basic compass notation to avoid visual transitions between directions. After several failed attempts, I found a solution. The tricky part was determining how to transition into a direction from either left or right, depending on which arrow was clicked. My solution is conceptually simple but difficult to explain! First, I used radio buttons to determine which direction you’re facing (since you can only face one direction at a time). Second, I needed a way to determine if you’re entering a direction from west or east. This required eight radio buttons—two for each direction. For example, if you’re facing east (having come from facing north), you have two possible directions to go: west (returning to face north) or east (to face south). I needed to make the radio buttons visible that would take you north from east, and south from west. The CSS looks something like this: :has(#east-from-west:checked) :is( [for="south-from-west"], [for="north-from-east"]) { display: block; } This pattern was implemented for each direction, along with animations to ensure each room view slid in and out correctly. Zooming In I initially focused so much on checkbox mechanics that I assumed I’d need the same approach for zooming in on specific areas. Then I had a "Duh!" moment and realized the popover API would be perfect. Here’s the basic markup for looking at an individual book: <button popovertarget="book">Zoom in</button> <div id="book" popover> <!-- Book content goes here --> <button popovertarget="book" popovertargetaction="hide">Close</button> </div> Turning the Lights Off I procrastinated on implementing this feature because I thought I’d need to create darkened variations of all artwork. I don’t recall what inspired me to try blend modes, but I’m glad I did—the solution was surprisingly simple. When the light switch checkbox is toggled, a <div> becomes visible with a dark background color and mix-blend-mode: multiply. This multiplies the colors of the blending and base layers, resulting in a darker appearance. Playing the Crossword This required surprisingly complex CSS. Each square has three letters plus a blank tile, meaning four radio buttons. The :checked letter has a z-index of 3 to display above other letters, but also has pointer-events: none so clicks pass through to the next letter underneath (with z-index: 2). The remaining tiles have a z-index of 1. The CSS becomes even trickier when the last tile is :checked, requiring some creative selector gymnastics to target the first radio button in the stack again. Tools I created all artwork using Aseprite, which is specifically designed for pixel art. I probably only used a fraction of its features, and I’m not sure it actually made my life easier—it might have made things more difficult at times. I’m not giving up on it yet, though. I suspect I’ll occasionally discover features that make me think, “Oh, that’s way easier than what I was doing!” I started coding with basic HTML and CSS but eventually found navigation difficult with such a long HTML file. It also became tedious writing the same attributes for every <img /> element. I migrated the project to Eleventy to improve organization and create custom shortcodes for simplifying component creation. I used the html-minifier-terser npm package, which integrates well with Eleventy. I chose native CSS over Sass for several reasons: CSS now has native nesting for better organization and leaner code CSS has built-in variables HTTP/2 handles asset loading efficiently, eliminating the major benefit of bundling CSS files The game uses 12 CSS files with 12 <link rel="stylesheet" /> tags. The only Sass feature I missed was the ability to loop through style patterns for easier maintenance, but this wasn’t a significant issue. The game is hosted on GitHub Pages. During deployment, it runs an npm command to minify CSS using Lightning CSS. I mentioned accidentally deleting half my CSS earlier—this happened because I initially used Eleventy’s recommended approach with the clean-css npm package. I strongly advise against using this! This package doesn’t work with native CSS nesting. While losing code was frustrating, I rewrote much of it more efficiently, so there was a silver lining. Nice to Haves I initially wanted to make this game fully accessible, but the navigation system doesn’t translate well for screen reader users. I tried implementing a more compass-like navigation approach for keyboard users, but it proved unreliable and conflicted with the side-to-side approach. Adding text labels for interactive elements was challenging because you can’t track the :focus state of a <label> element. While you can track the :focus of the corresponding <input />, it wasn’t consistently reliable. The main keyboard accessibility issue is that the game exists as one long HTML page. When you navigate to face a different direction, keyboard focus remains elsewhere on the page, requiring extensive tabbing to reach navigation elements or item selection. I ultimately decided to make the game deliberately inaccessible by adding tabindex="-1" to all keyboard-accessible elements. I’d rather users recognize immediately that they can’t play with assistive technology than become frustrated with a partially broken experience. Sound would have been a nice addition, but I encountered the same issues as with my previous game Heiro. You can toggle the visibility of an <embed> element, but once it’s visible, you can’t hide it again—meaning there’s no way to toggle sound on and off. Conclusion CSScape Room was a fun but exhausting four-month project. It began as an experiment to see if creating a JavaScript-free escape room was possible—and the answer is definitely yes. I’ve only touched on some aspects here, so if you’re interested in the technical details, check out the source code on GitHub. Finally, I’d like to thank all my playtesters for their valuable feedback!

3 months ago 49 votes
Self-avoiding Walk

I’m a bit late to this, but back in summer 2024 I participated in the OST Composing Jam. The goal of this jam is to compose an original soundtrack (minimum of 3 minutes) of any style for an imaginary game. While I’ve composed a lot of video game music, I’ve never created an entire soundtrack around a single concept. Self Avoiding Walk by Daniel Marino To be honest, I wasn’t entirely sure where to start. I was torn between trying to come up with a story for a game to inspire the music, and just messing around with some synths and noodling on the keyboard. I did a little bit of both, but nothing really materialized. Synth + Metal ≈ Synthmetal Feeling a bit paralyzed, I fired up the ’ole RMG sequencer for inspiration. I saved a handful of randomized melodies and experimented with them in Reaper. After a day or two I landed on something I liked which was about the first 30 seconds or so of the second track: "Defrag." I love metal bands like Tesseract, Periphery, The Algorithm, Car Bomb, and Meshuggah. I tried experimenting with incorporating syncopated guttural guitar sounds with the synths. After several more days I finished "Defrag"—which also included "Kernel Panic" before splitting that into its own track. I didn’t have a clue what to do next, nor did I have a concept. Composing the rest of the music was a bit of a blur because I bounced around from song to song—iterating on the leitmotif over and over with different synths, envelopes, time signatures, rhythmic displacement, pitch shifting, and tweaking underlying chord structures. Production The guitars were recorded using DI with my Fender Squire and Behringer Interface. I’m primarily using the ML Sound Labs Amped Roots Free amp sim because the metal presets are fantastic and rarely need much fuss to get it sounding good. I also used Blue Cat Audio free amp sim for clean guitars. All the other instruments were MIDI tracks either programmed via piano roll or recorded with my Arturia MiniLab MKII. I used a variety of synth effects from my library of VSTs. I recorded this music before acquiring my Fender Squire Bass guitar, so bass was also programmed. Theme and Story At some point I had five songs that all sounded like they could be from the same game. The theme for this particular jam was "Inside my world." I had to figure out how I could write a story that corresponded with the theme and could align with the songs. I somehow landed on the idea of the main actor realizing his addiction to AI, embarking on a journey to "unplug." The music reflects his path to recovery, capturing the emotional and psychological evolution as he seeks to overcome his dependency. After figuring this out, I thought it would be cool to name all the songs using computer terms that could be metaphors for the different stages of recovery. Track listing Worm – In this dark and haunting opening track, the actor grapples with his addiction to AI, realizing he can no longer think independently. Defrag – This energetic track captures the physical and emotional struggles of the early stages of recovery. Kernel Panic – Menacing and eerie, this track portrays the actor’s anxiety and panic attacks as he teeters on the brink during the initial phases of recovery. Dæmons – With initial healing achieved, the real challenge begins. The ominous and chaotic melodies reflect the emotional turbulence the character endures. Time to Live – The actor, having come to terms with himself, experiences emotional growth. The heroic climax symbolizes the realization that recovery is a lifelong journey. Album art At the time I was messing around with Self-avoiding walks in generative artwork explorations. I felt like the whole concept of avoiding the self within the context of addiction and recovery metaphorically worked. So I tweaked some algorithms and generated the self-avoiding walk using JavaScript and the P5.js library. I then layered the self-avoiding walk over a photo I found visually interesting on Unsplash using a CSS blend mode. Jam results I placed around the top 50% out of over 600 entries. I would have liked to have placed higher, but despite my ranking, I thoroughly enjoyed composing the music! I’m very happy with the music, its production quality, and I also learned a lot. I would certainly participate in this style of composition jam again!

3 months ago 29 votes
What I’m Using in 2025

I’ve always been fascinated to see what other apps or workflows others are using in their day-to-day lives. Every now and then I learn about a new app or some cool trick I didn’t previously know. I doubt anyone seriously cares about what I’m using, but figured I’d list them out anyway—if for no other reason than to keep a historical record at this point in time. Applications Alfred — I have a lifelong license, and I like it. No point in fixing something that isn’t broken. I primarily use it for app switching, but also use it for math, and to search for gifs. Aseprite — Sometimes I do pixel art! Even if the UI is clunky, and some keyboard shortcuts aren’t always convenient, there are some unique features that help facilitate creating pixel art. Audacity — I rarely use it, but sometimes it’s easier to make some quick audio edits with Audacity than to use a full blown DAW. Bear — This is the note-taking, task-tacking app I’ve landed on. The UI is beautiful and it feels snappy. It syncs, so I can use it on my iPhone too. Chrome — I used Arc for the better part of 2024, but after they announced they were done working on it to focus on a new AI-powered browser, I peaced out. There are a couple of features I really missed, but was able to find some extensions to fill those gaps: Copy Current Tab URL, Meetings Page Auto Closer for Zoom, Open Figma app, and JSON Formatter. Figma — I use it because it’s what we use at work. I’m happy enough with Figma. iTerm2 — Has a few features that I like that makes me chose this over Mac’s native Terminal app. Pixelmator Pro — I haven’t paid the Adobe tax for a long time, and it feels good. I started using Pixelmator because at the time it was the best alternative available. I’m comfortable with Pixelmator at this point. I don’t really use image editors often these days, so I probably won’t switch anytime soon. Reaper — My DAW of choice when composing music. It’s very customizable, easyish enough to learn, and the price is right. It also has a die hard community, so I’m always able to find help when I need it. VS Code — I’ve tried a lot of code editors. I prefer Sublime’s UI over VS Code, but VS Code does a lot of things more easily than Sublime does, so I put up with the UI. YouTube Music — I still miss Rdio. YouTube Music works well enough I guess. Paying for YouTube Music has the benefit of not seeing ads on YouTube. Command-line Tools These aren’t apps per se, but these are some tools that I use to help manage packages or that I use regularly when developing. Deno Eleventy Homebrew pure statikk Vite Volta yt-dlp Equipment I have one computer and I use it for everything, and I’m okay with that. It’s more than powerful enough for work, composing music, making games, and occasionaly playing games. Although I have a dedicated home office, lately I tend to work more on the go, often with just my laptop—whether that’s at a cafe, a coworking space, or even just moving around the house. 2021 M1 MacBook Pro AKG K240 Studio Headphones Arturia MiniLab MKII Controller Behringer UMC202HD USB Audio Interface Fender Squire Strat Guitar Fender Squire Bass Guitar Shure SM57 Virtual Instruments This is quite specific for composing music, so if that does’t interest you, feel free to stop reading here. This list is not exhaustive as I’m regularly trying out new VSTs. These are some staples that I use: 🎹 Arturia Analog Lab V (Intro) — My Arturia controller came with this software. It has over 500 presets and I love exploring the variety of sounds. 🎸 Bass Grinder (Free) — I recently came across this VST, and it has a great crunchy overdrive sound for bass guitar. 🥁 Manda Audio Power Drum Kit — Even though you can use this for free, I paid the $9 because it is fantastic. The drums sound real and are great for all styles of music. 🎸 ML Amped Roots (Free) — What I like about this is that I get great metal guitar out of the bost without having to add pedals or chaining other effects. 🥁 ML Drums (Free) — I just started experimenting with this, and the drum tones are amazing. The free set up is pretty limited, but I like how I can add on to the base drum kit to meet my needs rather than having having to buy one big extensive drum VST. 🎹 Spitfire LABS — More variety of eclectic sounds. I also use several built-in VSTs made by Reaper for delay, EQ, reverb, pitch-shifting, and other effects. Reaper’s VSTs are insanely powerful enough for my needs and are much less CPU intensive.

5 months ago 64 votes
Daily Inspirational Word

Over the past couple of years I’ve gotten into journaling. Recently I’ve been using a method where you’re given a single inspirational word as a prompt, and go from there. Unfortunately, the process of finding, saving, and accessing inspirational words was a bit of a chore: Google a list of “366 inspirational words”. Get taken to a blog bloated with ads and useless content all in an effort to generate SEO cred. Copy/paste the words into Notion. Fix how the words get formatted becasue Notion is weird, and I have OCD about formatting text. While this gets the job done, I felt like there was room to make this a more pleasant experience. All I really wanted was a small website that serves a single inspirational word on a daily basis without cruft or ads. This would allow me to get the content I want without having to scroll through a long list. I also don't want to manage or store the list of words. Once I've curated a list of words, I want to be done with it. Creating a microsite I love a good microsite, and so I decided to create one that takes all the chore out of obtaining a daily inspirational word. The website is built with all vanilla tech, and doesn’t use any frameworks! It’s nice and lean, and it’s footprint is only 6.5kb. Inspirational words While I’m not a huge fan of AI, I did leverage ChatGPT on obtaining 366 inspirational words. The benefit to ChatGPT was being able to get it to return the words as an array—cutting down on the tedium of having to convert the words I already had into an array. The words are stored in it’s own JSON file, and I use an async/await function to pull in the words, and then process the data upon return. Worth the effort I find these little projects fun and exciting because the scope is super tight, and makes for a great opportunity to learn new things. It’s definitely an overengineered solution to my problem, but it is a much more pleasant experience. And perhaps it will serve other people as well.

a year ago 103 votes
Daily Inspirational Word

Over the past couple of years I’ve gotten into journaling. Recently I’ve been using a method where you’re given a single inspirational word as a prompt, and go from there. Unfortunately, the process of finding, saving, and accessing inspirational words was a bit of a chore: 1. Google a list of “366 inspirational words”. 2. Get taken to a blog bloated with ads and useless content all in an effort to generate SEO cred. 3. Copy/paste the words into Notion. 4. Fix how the words get formatted becasue Notion is weird, and I have OCD about formatting text. While this gets the job done, I felt like there was room to make this a more pleasant experience. All I really wanted was a small website that serves a single inspirational word on a daily basis without cruft or ads. This would allow me to get the content I want without having to scroll through a long list. I also don't want to manage or store the list of words. Once I've curated a list of words, I want to be done with it. ## Creating a microsite I love a good microsite, and so I decided to create one that takes all the chore out of obtaining a [daily inspirational word](https://starzonmyarmz.github.io/daily-inspirational-word/). ![Daily Inspirational Word screenshot](/images/posts/daily_inspirational_word.jpeg) The website is built with all vanilla tech, and doesn’t use any frameworks! It’s nice and lean, and it’s footprint is only 6.5kb. ### Inspirational words While I’m not a huge fan of AI, I did leverage ChatGPT on obtaining 366 inspirational words. The benefit to ChatGPT was being able to get it to return the words as an array—cutting down on the tedium of having to convert the words I already had into an array. The words are stored in it’s own JSON file, and I use an async/await function to pull in the words, and then process the data upon return. ## Worth the effort I find these little projects fun and exciting because the scope is super tight, and makes for a great opportunity to learn new things. It’s definitely an overengineered solution to my problem, but it is a much more pleasant experience. And perhaps it will serve other people as well.

a year ago 36 votes

More in programming

That boolean should probably be something else

One of the first types we learn about is the boolean. It's pretty natural to use, because boolean logic underpins much of modern computing. And yet, it's one of the types we should probably be using a lot less of. In almost every single instance when you use a boolean, it should be something else. The trick is figuring out what "something else" is. Doing this is worth the effort. It tells you a lot about your system, and it will improve your design (even if you end up using a boolean). There are a few possible types that come up often, hiding as booleans. Let's take a look at each of these, as well as the case where using a boolean does make sense. This isn't exhaustive—[1]there are surely other types that can make sense, too. Datetimes A lot of boolean data is representing a temporal event having happened. For example, websites often have you confirm your email. This may be stored as a boolean column, is_confirmed, in the database. It makes a lot of sense. But, you're throwing away data: when the confirmation happened. You can instead store when the user confirmed their email in a nullable column. You can still get the same information by checking whether the column is null. But you also get richer data for other purposes. Maybe you find out down the road that there was a bug in your confirmation process. You can use these timestamps to check which users would be affected by that, based on when their confirmation was stored. This is the one I've seen discussed the most of all these. We run into it with almost every database we design, after all. You can detect it by asking if an action has to occur for the boolean to change values, and if values can only change one time. If you have both of these, then it really looks like it is a datetime being transformed into a boolean. Store the datetime! Enums Much of the remaining boolean data indicates either what type something is, or its status. Is a user an admin or not? Check the is_admin column! Did that job fail? Check the failed column! Is the user allowed to take this action? Return a boolean for that, yes or no! These usually make more sense as an enum. Consider the admin case: this is really a user role, and you should have an enum for it. If it's a boolean, you're going to eventually need more columns, and you'll keep adding on other statuses. Oh, we had users and admins, but now we also need guest users and we need super-admins. With an enum, you can add those easily. enum UserRole { User, Admin, Guest, SuperAdmin, } And then you can usually use your tooling to make sure that all the new cases are covered in your code. With a boolean, you have to add more booleans, and then you have to make sure you find all the places where the old booleans were used and make sure they handle these new cases, too. Enums help you avoid these bugs. Job status is one that's pretty clearly an enum as well. If you use booleans, you'll have is_failed, is_started, is_queued, and on and on. Or you could just have one single field, status, which is an enum with the various statuses. (Note, though, that you probably do want timestamp fields for each of these events—but you're still best having the status stored explicitly as well.) This begins to resemble a state machine once you store the status, and it means that you can make much cleaner code and analyze things along state transition lines. And it's not just for storing in a database, either. If you're checking a user's permissions, you often return a boolean for that. fn check_permissions(user: User) -> bool { false // no one is allowed to do anything i guess } In this case, true means the user can do it and false means they can't. Usually. I think. But you can really start to have doubts here, and with any boolean, because the application logic meaning of the value cannot be inferred from the type. Instead, this can be represented as an enum, even when there are just two choices. enum PermissionCheck { Allowed, NotPermitted(reason: String), } As a bonus, though, if you use an enum? You can end up with richer information, like returning a reason for a permission check failing. And you are safe for future expansions of the enum, just like with roles. You can detect when something should be an enum a proliferation of booleans which are mutually exclusive or depend on one another. You'll see multiple columns which are all changed at the same time. Or you'll see a boolean which is returned and used for a long time. It's important to use enums here to keep your program maintainable and understandable. Conditionals But when should we use a boolean? I've mainly run into one case where it makes sense: when you're (temporarily) storing the result of a conditional expression for evaluation. This is in some ways an optimization, either for the computer (reuse a variable[2]) or for the programmer (make it more comprehensible by giving a name to a big conditional) by storing an intermediate value. Here's a contrived example where using a boolean as an intermediate value. fn calculate_user_data(user: User, records: RecordStore) { // this would be some nice long conditional, // but I don't have one. So variables it is! let user_can_do_this: bool = (a && b) && (c || !d); if user_can_do_this && records.ready() { // do the thing } else if user_can_do_this && records.in_progress() { // do another thing } else { // and something else! } } But even here in this contrived example, some enums would make more sense. I'd keep the boolean, probably, simply to give a name to what we're calculating. But the rest of it should be a match on an enum! * * * Sure, not every boolean should go away. There's probably no single rule in software design that is always true. But, we should be paying a lot more attention to booleans. They're sneaky. They feel like they make sense for our data, but they make sense for our logic. The data is usually something different underneath. By storing a boolean as our data, we're coupling that data tightly to our application logic. Instead, we should remain critical and ask what data the boolean depends on, and should we maybe store that instead? It comes easier with practice. Really, all good design does. A little thinking up front saves you a lot of time in the long run. I know that using an em-dash is treated as a sign of using LLMs. LLMs are never used for my writing. I just really like em-dashes and have a dedicated key for them on one of my keyboard layers. ↩ This one is probably best left to the compiler. ↩

22 hours ago 3 votes
AmigaGuide Reference Library

As I slowly but surely work towards the next release of my setcmd project for the Amiga (see the 68k branch for the gory details and my total noob-like C flailing around), I’ve made heavy use of documentation in the AmigaGuide format. Despite it’s age, it’s a great Amiga-native format and there’s a wealth of great information out there for things like the C API, as well as language guides and tutorials for tools like the Installer utility - and the AmigaGuide markup syntax itself. The only snag is, I had to have access to an Amiga (real or emulated), or install one of the various viewer programs on my laptops. Because like many, I spend a lot of time in a web browser and occasionally want to check something on my mobile phone, this is less than convenient. Fortunately, there’s a great AmigaGuideJS online viewer which renders AmigaGuide format documents using Javascript. I’ve started building up a collection of useful developer guides and other files in my own reference library so that I can access this documentation whenever I’m not at my Amiga or am coding in my “modern” dev environment. It’s really just for my own personal use, but I’ll be adding to it whenever I come across a useful piece of documentation so I hope it’s of some use to others as well! And on a related note, I now have a “unified” code-base so that SetCmd now builds and runs on 68k-based OS 3.x systems as well as OS 4.x PPC systems like my X5000. I need to: Tidy up my code and fix all the “TODO” stuff Update the Installer to run on OS 3.x systems Update the documentation Build a new package and upload to Aminet/OS4Depot Hopefully I’ll get that done in the next month or so. With the pressures of work and family life (and my other hobbies), progress has been a lot slower these last few years but I’m still really enjoying working on Amiga code and it’s great to have a fun personal project that’s there for me whenever I want to hack away at something for the sheer hell of it. I’ve learned a lot along the way and the AmigaOS is still an absolute joy to develop for. I even brought my X5000 to the most recent Kickstart Amiga User Group BBQ/meetup and had a fun day working on the code with fellow Amigans and enjoying some classic gaming & demos - there was also a MorphOS machine there, which I think will be my next target as the codebase is slowly becoming more portable. Just got to find some room in the “retro cave” now… This stuff is addictive :)

14 hours ago 2 votes
An Analysis of Links From The White House’s “Wire” Website

A little while back I heard about the White House launching their version of a Drudge Report style website called White House Wire. According to Axios, a White House official said the site’s purpose was to serve as “a place for supporters of the president’s agenda to get the real news all in one place”. So a link blog, if you will. As a self-professed connoisseur of websites and link blogs, this got me thinking: “I wonder what kind of links they’re considering as ‘real news’ and what they’re linking to?” So I decided to do quick analysis using Quadratic, a programmable spreadsheet where you can write code and return values to a 2d interface of rows and columns. I wrote some JavaScript to: Fetch the HTML page at whitehouse.gov/wire Parse it with cheerio Select all the external links on the page Return a list of links and their headline text In a few minutes I had a quick analysis of what kind of links were on the page: This immediately sparked my curiosity to know more about the meta information around the links, like: If you grouped all the links together, which sites get linked to the most? What kind of interesting data could you pull from the headlines they’re writing, like the most frequently used words? What if you did this analysis, but with snapshots of the website over time (rather than just the current moment)? So I got to building. Quadratic today doesn’t yet have the ability for your spreadsheet to run in the background on a schedule and append data. So I had to look elsewhere for a little extra functionality. My mind went to val.town which lets you write little scripts that can 1) run on a schedule (cron), 2) store information (blobs), and 3) retrieve stored information via their API. After a quick read of their docs, I figured out how to write a little script that’ll run once a day, scrape the site, and save the resulting HTML page in their key/value storage. From there, I was back to Quadratic writing code to talk to val.town’s API and retrieve my HTML, parse it, and turn it into good, structured data. There were some things I had to do, like: Fine-tune how I select all the editorial links on the page from the source HTML (I didn’t want, for example, to include external links to the White House’s social pages which appear on every page). This required a little finessing, but I eventually got a collection of links that corresponded to what I was seeing on the page. Parse the links and pull out the top-level domains so I could group links by domain occurrence. Create charts and graphs to visualize the structured data I had created. Selfish plug: Quadratic made this all super easy, as I could program in JavaScript and use third-party tools like tldts to do the analysis, all while visualizing my output on a 2d grid in real-time which made for a super fast feedback loop! Once I got all that done, I just had to sit back and wait for the HTML snapshots to begin accumulating! It’s been about a month and a half since I started this and I have about fifty days worth of data. The results? Here’s the top 10 domains that the White House Wire links to (by occurrence), from May 8 to June 24, 2025: youtube.com (133) foxnews.com (72) thepostmillennial.com (67) foxbusiness.com (66) breitbart.com (64) x.com (63) reuters.com (51) truthsocial.com (48) nypost.com (47) dailywire.com (36) From the links, here’s a word cloud of the most commonly recurring words in the link headlines: “trump” (343) “president” (145) “us” (134) “big” (131) “bill” (127) “beautiful” (113) “trumps” (92) “one” (72) “million” (57) “house” (56) The data and these graphs are all in my spreadsheet, so I can open it up whenever I want to see the latest data and re-run my script to pull the latest from val.town. In response to the new data that comes in, the spreadsheet automatically parses it, turn it into links, and updates the graphs. Cool! If you want to check out the spreadsheet — sorry! My API key for val.town is in it (“secrets management” is on the roadmap). But I created a duplicate where I inlined the data from the API (rather than the code which dynamically pulls it) which you can check out here at your convenience. Email · Mastodon · Bluesky

3 hours ago 2 votes
Implementation of optimized vector of strings in C++ in SumatraPDF

SumatraPDF is a fast, small, open-source PDF reader for Windows, written in C++. This article describes how I implemented StrVec class for efficiently storing multiple strings. Much ado about the strings Strings are among the most used types in most programs. Arrays of strings are also used often. I count ~80 uses of StrVec in SumatraPDF code. This article describes how I implemented an optimized array of strings in SumatraPDF C++ code . No STL for you Why not use std::vector<std::string>? In SumatraPDF I don’t use STL. I don’t use std::string, I don’t use std::vector. For me it’s a symbol of my individuality, and my belief in personal freedom. As described here, minimum size of std::string on 64-bit machines is 32 bytes for msvc / gcc and 24 bytes for short strings (15 chars for msvc / gcc, 22 chars for clang). For longer strings we have more overhead: 32⁄24 bytes for the header memory allocator overhead allocator metadata padding due to rounding allocations to at least 16 bytes There’s also std::vector overhead: for fast appends (push()) std::vectorimplementations over-allocated space Longer strings are allocated at random addresses so they can be spread out in memory. That is bad for cache locality and that often cause more slowness than executing lots of instructions. Design and implementation of StrVec StrVec (vector of strings) solves all of the above: per-string overhead of only 8 bytes strings are laid out next to each other in memory StrVec High level design of StrVec: backing memory is allocated in singly-linked pages similar to std::vector, we start with small page and increase the size of the page. This strikes a balance between speed of accessing a string at random index and wasted space unlike std::vector we don’t reallocate memory (most of the time). That saves memory copy when re-allocating backing space Here’s all there is to StrVec: struct StrVec { StrVecPage* first = nullptr; int nextPageSize = 256; int size = 0; } size is a cached number of strings. It could be calculated by summing the size in all StrVecPages. nextPageSize is the size of the next StrVecPage. Most array implementation increase the size of next allocation by 1.4x - 2x. I went with the following progression: 256 bytes, 1k, 4k, 16k, 32k and I cap it at 64k. I don’t have data behind those numbers, they feel right. Bigger page wastes more space. Smaller page makes random access slower because to find N-th string we need to traverse linked list of StrVecPage. nextPageSize is exposed to allow the caller to optimize use. E.g. if it expects lots of strings, it could set nextPageSize to a large number. StrVecPage Most of the implementation is in StrVecPage. The big idea here is: we allocate a block of memory strings are allocated from the end of memory block at the beginning of the memory block we build and index of strings. For each string we have: u32 size u32 offset of the string within memory block, counting from the beginning of the block The layout of memory block is: StrVecPage struct { size u32; offset u32 } [] … not yet used space strings This is StrVecPage: struct StrVecPage { struct StrVecPage* next; int pageSize; int nStrings; char* currEnd; } next is for linked list of pages. Since pages can have various sizes we need to record pageSize. nStrings is number of strings in the page and currEnd points to the end of free space within page. Implementing operations Appending a string Appending a string at the end is most common operation. To append a string: we calculate how much memory inside a page it’ll need: str::Len(string) + 1 + sizeof(u32) + sizeof(u32). +1 is for 0-termination for compatibility with C APIs that take char*, and 2xu32 for size and offset. If we have enough space in last page, we add size and offset at the end of index and append a string from the end i.e. `currEnd - (str::Len(string) + 1). If there is not enough space in last page, we allocate new page We can calculate how much space we have left with: int indexEntrySize = sizeof(u32) + sizeof(u32); // size + offset char* indexEnd = (char*)pageStart + sizeof(StrVecPage) + nStrings*indexEntrySize int nBytesFree = (int)(currEnd - indexEnd) Removing a string Removing a string is easy because it doesn’t require moving memory inside StrVecPage. We do nStrings-- and move index values of strings after the removed string. I don’t bother freeing the string memory within a page. It’s possible but complicated enough I decided to skip it. You can compact StrVec to remove all overhead. If you do not care about preserving order of strings after removal, I haveRemoveAtFast() which uses a trick: instead of copying memory of all index values after removed string, I copy a single index from the end into a slot of the string being removed. Replacing a string or inserting in the middle Replacing a string or inserting a string in the middle is more complicated because there might not be enough space in the page for the string. When there is enough space, it’s as simple as append. When there is not enough space, I re-use the compacting capability: I compact all existing pages into a single page with extra space for the string and some extra space as an optimization for multiple inserts. Iteration A random access requires traversing a linked list. I think it’s still fast because typically there aren’t many pages and we only need to look at a single nStrings value. After compaction to a single page, random access is as fast as it could ever be. C++ iterator is optimized for sequential access: struct iterator { const StrVec* v; int idx; // perf: cache page, idxInPage from prev iteration int idxInPage; StrVecPage* page; } We cache the current state of iteration as page and idxInPage. To advance to next string we advance idxInPage. If it exceeds nStrings, we advance to page->next. Optimized search Finding a string is as optimized as it could be without a hash table. Typically to compare char* strings you need to call str::Eq(s, s2) for every string you compare it to. That is a function call and it has to touch s2 memory. That is bad for performance because it blows the cache. In StrVec I calculate length of the string to find once and then traverse the size / offset index. Only when size is different I have to compare the strings. Most of the time we just look at offset / size in L1 cache, which is very fast. Compacting If you know that you’ll not be adding more strings to StrVec you can compact all pages into a single page with no overhead of empty space. It also speeds up random access because we don’t have multiple pages to traverse to find the item and a given index. Representing a nullptr char* Even though I have a string class, I mostly use char* in SumatraPDF code. In that world empty string and nullptr are 2 different things. To allow storing nullptr strings in StrVec (and not turning them into empty strings on the way out) I use a trick: a special u32 value kNullOffset represents nullptr. StrVec is a string pool allocator In C++ you have to track the lifetime of each object: you allocate with malloc() or new when you no longer need to object, you call free() or delete However, the lifetime of allocations is often tied together. For example in SumatraPDF an opened document is represented by a class. Many allocations done to construct that object last exactly as long as the object. The idea of a pool allocator is that instead of tracking the lifetime of each allocation, you have a single allocator. You allocate objects with the same lifetime from that allocator and you free them with a single call. StrVec is a string pool allocator: all strings stored in StrVec have the same lifetime. Testing In general I don’t advocate writing a lot of tests. However, low-level, tricky functionality like StrVec deserves decent test coverage to ensure basic functionality works and to exercise code for corner cases. I have 360 lines of tests for ~700 lines of of implementation. Potential tweaks and optimization When designing and implementing data structures, tradeoffs are aplenty. Interleaving index and strings I’m not sure if it would be faster but instead of storing size and offset at the beginning of the page and strings at the end, we could store size / string sequentially from the beginning. It would remove the need for u32 of offset but would make random access slower. Varint encoding of size and offset Most strings are short, under 127 chars. Most offsets are under 16k. If we stored size and offset as variable length integers, we would probably bring down average per-string overhead from 8 bytes to ~4 bytes. Implicit size When strings are stored sequentially size is implicit as difference between offset of the string and offset of next string. Not storing size would make insert and set operations more complicated and costly: we would have to compact and arrange strings in order every time. Storing index separately We could store index of size / offset in a separate vector and use pages to only allocate string data. This would simplify insert and set operations. With current design if we run out of space inside a page, we have to re-arrange memory. When offset is stored outside of the page, it can refer to any page so insert and set could be as simple as append. The evolution of StrVec The design described here is a second implementation of StrVec. The one before was simply a combination of str::Str (my std::string) for allocating all strings and Vec<u32> (my std::vector) for storing offset index. It had some flaws: appending a string could re-allocate memory within str::Str. The caller couldn’t store returned char* pointer because it could be invalidated. As a result the API was akward and potentially confusing: I was returning offset of the string so the string was str::Str.Data() + offset. The new StrVec doesn’t re-allocate on Append, only (potentially) on InsertAt and SetAt. The most common case is append-only which allows the caller to store the returned char* pointers. Before implementing StrVec I used Vec<char*>. Vec is my version of std::vector and Vec<char*> would just store pointer to individually allocated strings. Cost vs. benefit I’m a pragmatist: I want to achieve the most with the least amount of code, the least amount of time and effort. While it might seem that I’m re-implementing things willy-nilly, I’m actually very mindful of the cost of writing code. Writing software is a balance between effort and resulting quality. One of the biggest reasons SumatraPDF so popular is that it’s fast and small. That’s an important aspect of software quality. When you double click on a PDF file in an explorer, SumatraPDF starts instantly. You can’t say that about many similar programs and about other software in general. Keeping SumatraPDF small and fast is an ongoing focus and it does take effort. StrVec.cpp is only 705 lines of code. It took me several days to complete. Maybe 2 days to write the code and then some time here and there to fix the bugs. That being said, I didn’t start with this StrVec. For many years I used obvious Vec<char*>. Then I implemented somewhat optimized StrVec. And a few years after that I implemented this ultra-optimized version. References SumatraPDF is a small, fast, multi-format (PDF/eBook/Comic Book and more), open-source reader for Windows. The implementation described here: StrVec.cpp, StrVec.h, StrVec_ut.cpp By the time you read this, the implementation could have been improved.

22 hours ago 1 votes
The parental dead end of consent morality

Consent morality is the idea that there are no higher values or virtues than allowing consenting adults to do whatever they please. As long as they're not hurting anyone, it's all good, and whoever might have a problem with that is by definition a bigot.  This was the overriding morality I picked up as a child of the 90s. From TV, movies, music, and popular culture. Fly your freak! Whatever feels right is right! It doesn't seem like much has changed since then. What a moral dead end. I first heard the term consent morality as part of Louise Perry's critique of the sexual revolution. That in the context of hook-up culture, situationships, and falling birthrates, we have to wrestle with the fact that the sexual revolution — and it's insistence that, say, a sky-high body count mustn't be taboo — has led society to screwy dating market in the internet age that few people are actually happy with. But the application of consent morality that I actually find even more troubling is towards parenthood. As is widely acknowledged now, we're in a bit of a birthrate crisis all over the world. And I think consent morality can help explain part of it. I was reminded of this when I posted a cute video of a young girl so over-the-moon excited for her dad getting off work to argue that you'd be crazy to trade that for some nebulous concept of "personal freedom". Predictably, consent morality immediately appeared in the comments: Some people just don't want children and that's TOTALLY OKAY and you're actually bad for suggesting they should! No. It's the role of a well-functioning culture to guide people towards The Good Life. Not force, but guide. Nobody wants to be convinced by the morality police at the pointy end of a bayonet, but giving up on the whole idea of objective higher values and virtues is a nihilistic and cowardly alternative. Humans are deeply mimetic creatures. It's imperative that we celebrate what's good, true, and beautiful, such that these ideals become collective markers for morality. Such that they guide behavior. I don't think we've done a good job at doing that with parenthood in the last thirty-plus years. In fact, I'd argue we've done just about everything to undermine the cultural appeal of the simple yet divine satisfaction of child rearing (and by extension maligned the square family unit with mom, dad, and a few kids). Partly out of a coordinated campaign against the family unit as some sort of trad (possibly fascist!) identity marker in a long-waged culture war, but perhaps just as much out of the banal denigration of how boring and limiting it must be to carry such simple burdens as being a father or a mother in modern society. It's no wonder that if you incessantly focus on how expensive it is, how little sleep you get, how terrifying the responsibility is, and how much stress is involved with parenthood that it doesn't seem all that appealing! This is where Jordan Peterson does his best work. In advocating for the deeper meaning of embracing burden and responsibility. In diagnosing that much of our modern malaise does not come from carrying too much, but from carrying too little. That a myopic focus on personal freedom — the nights out, the "me time", the money saved — is a spiritual mirage: You think you want the paradise of nothing ever being asked of you, but it turns out to be the hell of nobody ever needing you. Whatever the cause, I think part of the cure is for our culture to reembrace the virtue and the value of parenthood without reservation. To stop centering the margins and their pathologies. To start centering the overwhelming middle where most people make for good parents, and will come to see that role as the most meaningful part they've played in their time on this planet. But this requires giving up on consent morality as the only way to find our path to The Good Life. It involves taking a moral stance that some ways of living are better than other ways of living for the broad many. That parenthood is good, that we need more children both for the literal survival of civilization, but also for the collective motivation to guard against the bad, the false, and the ugly. There's more to life than what you feel like doing in the moment. The worst thing in the world is not to have others ask more of you. Giving up on the total freedom of the unmoored life is a small price to pay for finding the deeper meaning in a tethered relationship with continuing a bloodline that's been drawn for hundreds of thousands of years before it came to you. You're never going to be "ready" before you take the leap. If you keep waiting, you'll wait until the window has closed, and all you see is regret. Summon a bit of bravery, don't overthink it, and do your part for the future of the world. It's 2.1 or bust, baby!

yesterday 2 votes