More from tonsky.me
A while ago I was reading about Wayland and this quote stuck with me: A stated goal of Wayland is “every frame is perfect”. And I think this is a goal we should all aspire to. Wayland is talking about the technical side of things (modern GPU stacks are very complex and Wayland is trying to take control back) but it could be applied to UI too. The rule of thumb is: If I take a screenshot of your app at any moment, it must make sense Why care about every frame? It builds trust. Users can’t see the code, so UI is the only way for them to judge the quality of the app. If UI looks good, that means developers had time to polish it, which means that they probably spent a comparable amount of time to iron out the code. It’s a heuristic, but a reasonable one. Now, what does it mean in practice? I can think of a few things: No white flashes between screens. No partially loaded content. No relayout while content loads. Internally consistent. If one part of the UI says “1 update available”, another part should not say “Checking for updates...” Precise animations. Animations often end up being forgotten. A UI might look great in both start and end states but very janky in between. Like this: If you feel like there are weird things going on there, there are! Look at slowed down version: Now let’s apply our rule and take screenshots in the middle of the animation. This doesn’t look right: Neither does this: Both of these frames are not perfect. Let’s look at another example. Safari: Placeholder text here moves from the center but cursor animates from the left position: Not the end of the world by any means, but it does create a feeling that these two components are not in sync with each other. Next thought: maybe they weren’t designed together? If so, then they might not work well together. That’s how trust is lost. This desynchronization can lead to a lot of confusion. For example, in Photos, when switching between Crop and Adjust mode, picture snaps into place immediately but the crop border is animated: This creates a false feeling that something subtly changes when you switch between modes. And you know what? I don’t want my UI to give me false feelings. I want it to be a precise instrument, not an animated toy. Sometimes animations are supposed to help you understand a transition, so it’s doubly sad when they make it harder. Follow the magnifying glass: Same with Youtube. They had the simplest task in the world: move a rectangle from one position to another! Yet they decided to do something very strange: Can you explain this? Does it make sense? Probably a technical limitation of the DOM architecture they decided earlier on. I call these situations “The technology has outsmarted the programmer”. But no matter the reason, the result is an imperfect frame. Sometimes animations are left out as an afterthought. Whatever happens, happens. Then we get this: The details are fascinating to watch: So yeah. Please pay attention not only to the start and end states, but also to everything in between. Every frame matters. I’ll leave you with this unprovoked zoom animation from Preview app. Take care!
In “Why is Claude an Electron App?” Drew Breunig wonders: Claude spent $20k on an agent swarm implementing (kinda) a C-compiler in Rust, but desktop Claude is an Electron app. If code is free, why aren’t all apps native? And then argues that the answer is that LLMs are not good enough yet. They can do 90% of the work, so there’s still a substantial amount of manual polish, and thus, increased costs. But I think that’s not the real reason. The real reason is: native has nothing to offer. API-wise, native apps lost to web apps a long time ago. Native APIs are terrible to use, and OS vendors use everything in their power to make you not want to develop native apps for their platform. That explains the rise of Electron before LLM times, but it’s also a problem that LLMs solve now: if that was a real barrier to developing native apps, it doesn’t exist anymore. Then there’re looks and consistency. Some time ago, maybe in the late 90s and 2000s, native was ahead. It used to look good, it was consistent, and it all actually worked: the more apps used native look and feel, the better user experience was across apps (which we used to call programs). These days, though, native is as bad as the web, if not worse. Consistency is basically out the window. Anything can look like anything, buttons have no borders, contrast doesn’t exist, and neither do conventions. Apple, for example, seems to place traffic lights and corner radius by vibes rather than by any measurable guidelines. Maybe the server should round the corners? Looks could be good, but they also can be bad, and then you are stuck with platform-consistent, but generally bad UI (Liquid Glass ahem). It changes too often, too: the app you made today will look out of place next year, when Apple decides to change look and feel yet again. There’s no native look anymore. Computer UIs also degrade over time Theoretically, native apps can integrate with OS on a deeper level. This sounds nice, but what does that mean in practice? There are almost no good interoperable file formats; everything is locked inside individual apps, most services moved to the web, and OSes dropped the ball for making a good shared baseline. You can integrate with OS-provided calendar, but you can’t do it with web calendar. Well, you can, of course, but it’s easier on the web; native doesn’t help with it at all. Web pages only lead to more web pages Finally, the last hope of people longing for native is performance. They feel that native apps will be faster. Well, they can, but it doesn’t mean they will. Web apps can be faster, too, but in practice, nobody cares. There’s no technical reason why Slack needs to load 80 MiB just to show 10 channel names and 3 messages on a screen. The web is not the problem here! It’s a choice to be bad. What makes you think it’ll be different once the company decides to move to native? Don’t get me wrong: writing this brings me no joy. I don’t think web is a solution either. I just remember good times when native did a better-than-average job, and we were all better for using it, and it saddens me that these times have passed. I just don’t think that kidding ourselves that the only problem with software is Electron and it all will be butterflies and unicorns once we rewrite Slack in SwiftUI is not productive. The real problem is a lack of care. And the slop; you can build it with any stack.
I was reading Macintosh Human Interface Guidelines from 1992 and found this nice illustration: accompanied by explanation: Fast forward to 2025. Apple releases macOS Tahoe. Main attraction? Adding unpleasant, distracting, illegible, messy, cluttered, confusing, frustrating icons (their words, not mine!) to every menu item: Sequoia → Tahoe It’s bad. But why exactly is it bad? Let’s delve into it! Disclaimer: screenshots are a mix from macOS 26.1 and 26.2, taken from stock Apple apps only that come pre-installed with the system. No system settings were modified. Icons should differentiate The main function of an icon is to help you find what you are looking for faster. Perhaps counter-intuitively, adding an icon to everything is exactly the wrong thing to do. To stand out, things need to be different. But if everything has an icon, nothing stands out. The same applies to color: black-and-white icons look clean, but they don’t help you find things faster! Microsoft used to know this: Look how much faster you can find Save or Share in the right variant: It also looks cleaner. Less cluttered. A colored version would be even better (clearer separation of text from icon, faster to find): I know you won’t like how it looks. I don’t like it either. These icons are hard to work with. You’ll have to actually design for color to look nice. But the principle stands: it is way easier to use. Consistency between apps If you want icons to work, they need to be consistent. I need to be able to learn what to look for. For example, I see a “Cut” command and next to it. Okay, I think. Next time I’m looking for “Cut,” I might save some time and start looking for instead. How is Tahoe doing on that front? I present to you: Fifty Shades of “New”: I even collected them all together, so the absurdity of the situation is more obvious. Granted, some of them are different operations, so they have different icons. I guess creating a smart folder is different from creating a journal entry. But this? Or this: Or this: There is no excuse. Same deal with open: Save: Yes. One of them is a checkmark. And they can’t even agree on the direction of an arrow! Close: Find (which is sometimes called Search, and sometimes Filter): Delete (from Cut-Copy-Paste-Delete fame): Minimize window. These are not some obscure, unique operations. These are OS basics, these are foundational. Every app has them, and they are always in the same place. They shouldn’t look different! Consistency inside the same app Icons are also used in toolbars. Conceptually, operations in a toolbar are identical to operations called through the menu, and thus should use the same icons. That’s the simplest case to implement: inside the same app, often on the same screen. How hard can it be to stay consistent? Preview: Photos: same and mismatch, but reversed ¯\_(ツ)_/¯ Maps and others often use different symbols for zoom: Icon reuse Another cardinal sin is to use the same icon for different actions. Imagine: I have learned that means “New”: Then I open an app and see. “Cool”, I think, “I already know what it means”: Gotcha! You’d think: okay, means quick look: Sometimes, sure. Some other times, means “Show completed”: Sometimes is “Import”: Sometimes is “Updates”: Same as with consistency, icon reuse doesn’t only happen between apps. Sometimes you see in a toolbar: Then go to the menu in the same app and see means something else: Sometimes identical icons meet in the same menu. Sometimes next to each other. Sometimes they put an entire barrage of identical icons in a row: This doesn’t help anyone. No user will find a menu item faster or will understand the function better if all icons are the same. The worst case of icon reuse so far has been the Photos app: It feels like the person tasked with choosing a unique icon for every menu item just ran out of ideas. Understandable. Too much nuance When looking at icons, we usually allow for slight differences in execution. That lets us, for example, understand that these technically different road signs mean the same thing: Same applies for icons: if you draw an arrow going out of the box in one place and also an arrow and the box but at a slightly different angle, or with different stroke width, or make one filled, we will understand them as meaning the same thing. Like, is supposed to mean something else from ? Come on! Or two-letter As that only slightly differ in the font size: A pencil is “Rename” but a slightly thicker pencil is “Highlight”? Arrows that use different diagonals? Three dots occupying ⅔ of space vs three dots occupying everything. Seriously? Slightly darker dots? The sheet of paper that changes meaning depending on if its corner is folded or if there are lines inside? But the final boss are arrows. They are all different: Supposedly, a user must become an expert at noticing how squished the circle is, if it starts top to right or bottom to right, and how far the arrow’s end goes. Do I care? Honestly, no. I could’ve given it a shot, maybe, if Apple applied these consistently. But Apple considers and to mean the same thing in one place, and expects me to notice minute details like this in another? Sorry, I can’t trust you. Not after everything I’ve seen. Detalization Icons are supposed to be easily recognizable from a distance. Every icon designer knows: small details are no-go. You can have them sometimes, maybe, for aesthetic purposes, but you can’t rely on them. And icons in Tahoe menus are tiny. Most of them fit in a 12×12 pixel square (actual resolution is 24×24 because of Retina), and because many of them are not square, one dimension is usually even less than 12. It’s not a lot of space to work with! Even Windows 95 had 16×16 icons. If we take the typical DPI of that era at 72 dots per inch, we get a physical icon size of 0.22 inches (5.6 mm). On a modern MacBook Pro with 254 DPI, Tahoe’s 24×24 icons are 0.09 inches (2.4 mm). Sure, 24 is bigger than 16, but in reality, these icons’ area is 4 times as small! Simulated physical size comparison between 16×16 at 72 DPI (left) and 24×24 at 254 DPI (right) So when I see this: I struggle. I can tell they are different. But I definitely struggle to tell what’s being drawn. Even zoomed in 20×, it’s still a mess: Or here. These are three different icons: Am I supposed to tell plus sign from sparkle here? Some of these lines are half the pixel thicker than the other lines, and that’s supposed to be the main point: Is this supposed to be an arrow? A paintbrush? Look, a tiny camera. It even got an even tinier viewfinder, which you can almost see if you zoom in 20×: Or here. There is a box, inside that box is a circle, and inside it is a tiny letter. i with a total height of 2 pixels: Don’t see it? I don’t. But it’s there... And this is a window! It even has traffic lights! How adorable: Remember: these are retina pixels, ¼ of a real pixel. Steve Jobs himself claimed they were invisible. It turns out there’s a magic number right around 300 pixels per inch, that when you hold something around to 10 to 12 inches away from your eyes, is the limit of the human retina to differentiate the pixels. And yet, Tahoe icons rely on you being able to see them. Pixel grid When you have so little space to work with, every pixel matters. You can make a good icon, but you have to choose your pixels very carefully. For Tahoe icons, Apple decided to use vector fonts instead of good old-fashioned bitmaps. It saves Apple resources—draw once, use everywhere. Any size, any display resolution, any font width. But there’re downsides: fonts are hard to position vertically, their size doesn’t map directly to pixels, stroke width doesn’t map 1-to-1 to pixel grid, etc. So, they work everywhere, but they also look blurry and mediocre everywhere: Tahoe icon (left) and its pixel-aligned version (right). They certainly start to work better once you give them more pixels. iPad OS 26 vs macOS 26 or make graphics simpler. But the combination of small details and tiny icon size is deadly. So, until Apple releases MacBooks with 380+ DPI, unfortunately, we still have to care about the pixel grid. Confusing metaphors Icons might serve another function: to help users understand the meaning of the command. For example, once you know the context (move window), these icons explain what’s going on faster than words: But for this to work, the user must understand what’s drawn on the icon. It must be a familiar object with a clear translation to computer action (like Trash can → Delete), a widely used symbol, or an easy-to-understand diagram. HIG: A rookie mistake would be to misrepresent the object. For example, this is how selection looks like: But its icon looks like this: Honestly, I’ve been writing this essay for a week, and I still have zero ideas why it looks like that. There’s an object that looks like this, but it’s a text block in Freeform/Preview: It’s called character.textbox in SF Symbols: Why did it become a metaphor for “Select all”? My best guess is it’s a mistake. Another place uses text selection from iOS as a metaphor. On a Mac! Some concepts have obvious or well-established metaphors. In that case, it’s a mistake not to use them. For example, bookmarks: . Apple, for some reason, went with a book: Sometimes you already have an interface element and can use it for an icon. However, try not to confuse your users. Dots in a rectangle look like password input, not permissions: Icon here says “Check” but the action is “Uncheck”. Terrible mistake: icon doesn’t help, it actively confuses the user. It’s also tempting to construct a two-level icon: an object and some sort of indicator. Like, a checkbox and a cross, meaning “Delete checkbox”: Or a user and a checkmark, like “Check the user”: Unfortunately, constructs like this rarely work. Users don’t build sentences from building blocks you provide; they have no desire to solve these puzzles. Finding metaphors is hard. Nouns are easier than verbs, and menu items are mostly verbs. How does open look? Like an arrow pointing to the top right? Why? I’m not saying there’s an obvious metaphor for “Open” Apple missed. There isn’t. But that’s the point: if you can’t find a good metaphor, using no icon is better than using a bad, confusing, or nonsensical icon. There’s a game I like to play to test the quality of the metaphor. Remove the labels and try to guess the meaning. Give it a try: It’s delusional to think that there’s a good icon for every action if you think hard enough. There isn’t. It’s a lost battle from the start. No amount of money or “management decisions” is going to change that. The problems are 100% self-inflicted. All this being said, I gotta give Apple credit where credit is due. When they are good at choosing metaphors, they are good: Symmetrical actions A special case of a confusing metaphor is using different metaphors for actions that are direct opposites of one another. Like Undo/Redo, Open/Close, Left/Right. It’s good when their icons use the same metaphor: Because it saves you time and cognitive resources. Learn one, get another one for free. Because of that, it’s a mistake not to use common metaphors for related actions: Or here: Another mistake is to create symmetry where there is none. “Back” and “See all”? Some menus in Tahoe make both mistakes. E.g. lack of symmetry between Show/Hide and false symmetry between completed/subtasks: Import not mirrored by Export but by Share: Text in icons HIG again: Authors of HIG are arguing against including text as a part of an icon. So something like this: or this: would not fly in 1992. I agree, but Tahoe has more serious problems: icons consisting only of text. Like this: It’s unclear where “metaphorical, abstract icon text that is not supposed to be read literally” ends and actual text starts. They use the same font, the same color, so how am I supposed to differentiate? Icons just get in a way: A...Complete? AaFont? What does it mean? I can maybe understand and . Dots are supposed to represent something. I can imagine thinking that led to . But ? No decorations. No effects. Just plain Abc. Really? Text transformations One might think that using icons to illustrate text transformations is a better idea. Like, you look at this: or this: or this: and just from the icon alone understand what will happen with the text. Icon illustrates the action. Also, BIU are well-established in word processing, so all upside? Not exactly. The problem is the same—text icon looks like text, not icon. Plus, these icons are excessive. What’s the point of taking the first letter and repeating it? The word “Bold” already starts with a letter “B”, it reads just as easily, so why double it? Look at it again: It’s also repeated once more as a shortcut... There is a better way to design this menu: And it was known to Apple for at least 33 years. System elements in icons Operating system, of course, uses some visual elements for its own purposes. Like window controls, resize handles, cursors, shortcuts, etc. It would be a mistake to use those in icons. Unfortunately, Apple fell into this trap, too. They reused arrows. Key shortcuts: HIG has an entire section on ellipsis specifically and how dangerous it is to use it anywhere else in the menu. And this exact problem is in Tahoe, too. Icons break scanning Without icons, you can just scan the menu from top to bottom, reading only the first letters. Because they all align: macOS Sequoia In Tahoe, though, some menu items have icons, some don’t, and they are aligned differently: Some items can have both checkmarks and icons, or have only one of them, or have neither, so we get situations like this: Ugh. Special mention This menu deserves its own category: Same icon for different actions. Missing the obvious metaphor. Somehow making the first one slightly smaller than the second and third. Congratulations! It got it all. Is HIG still relevant? I’ve been mentioning HIG a lot, and you might be wondering: is an interface manual from 1992 still relevant today? Haven’t computers changed so much that entirely new principles, designs, and idioms apply? Yes and no. Of course, advice on how to adapt your icons to black-and-white displays is obsolete. But the principles—as long as they are good principles—still apply, because they are based on how humans work, not how computers work. Humans don’t get a new release every year. Our memory doesn’t double. Our eyesight doesn’t become sharper. Attention works the same way it always has. Visual recognition, motor skills—all of this is exactly as it was in 1992. So yeah, until we get a direct chip-to-brain interface, HIG will stay relevant. Conclusion In my opinion, Apple took on an impossible task: to add an icon to every menu item. There are just not enough good metaphors to do something like that. But even if there were, the premise itself is questionable: if everything has an icon, it doesn’t mean users will find what they are looking for faster. And even if the premise was solid, I still wish I could say: they did the best they could, given the goal. But that’s not true either: they did a poor job consistently applying the metaphors and designing the icons themselves. I hope this article would be helpful in avoiding common mistakes in icon design, which Apple managed to collect all in one OS release. I love computers, I love interfaces, I love visual communication. It makes me sad seeing perfectly good knowledge already accessible 30 years ago being completely ignored or thrown away today. On the upside: it’s not that hard anymore to design better than Apple! Let’s drink to that. Happy New year! From SF Symbols: a smiley face calling somebody on the phone Notes During review of this post I was made familiar with Jim Nielsen’s article, which hits a lot of the same points as I do. I take that as a sign there’s some common truth behind our reasoning. Also note: Safari → File menu got worse since 26.0. Used to have only 4 icons, now it’s 18! Thanks Kevin, Ryan, and Nicki for reading drafts of this post.
I have a weird relationship with statistics: on one hand, I try not to look at it too often. Maybe once or twice a year. It’s because analytics is not actionable: what difference does it make if a thousand people saw my article or ten thousand? I mean, sure, you might try to guess people’s tastes and only write about what’s popular, but that will destroy your soul pretty quickly. On the other hand, I feel nervous when something is not accounted for, recorded, or saved for future reference. I might not need it now, but what if ten years later I change my mind? Seeing your readers also helps to know you are not writing into the void. So I really don’t need much, something very basic: the number of readers per day/per article, maybe, would be enough. Final piece of the puzzle: I self-host my web projects, and I use an old-fashioned web server instead of delegating that task to Nginx. Static sites are popular and for a good reason: they are fast, lightweight, and fulfil their function. I, on the other hand, might have an unfinished gestalt or two: I want to feel the full power of the computer when serving my web pages, to be able to do fun stuff that is beyond static pages. I need that freedom that comes with a full programming language at your disposal. I want to program my own web server (in Clojure, sorry everybody else). Existing options All this led me on a quest for a statistics solution that would uniquely fit my needs. Google Analytics was out: bloated, not privacy-friendly, terrible UX, Google is evil, etc. What is going on? Some other JS solution might’ve been possible, but still questionable: SaaS? Paid? Will they be around in 10 years? Self-host? Are their cookies GDPR-compliant? How to count RSS feeds? Nginx has access logs, so I tried server-side statistics that feed off those (namely, Goatcounter). Easy to set up, but then I needed to create domains for them, manage accounts, monitor the process, and it wasn’t even performant enough on my server/request volume! My solution So I ended up building my own. You are welcome to join, if your constraints are similar to mine. This is how it looks: It’s pretty basic, but does a few things that were important to me. Setup Extremely easy to set up. And I mean it as a feature. Just add our middleware to your Ring stack and get everything automatically: collecting and reporting. (def app (-> routes ... (ring.middleware.params/wrap-params) (ring.middleware.cookies/wrap-cookies) ... (clj-simple-stats.core/wrap-stats))) ;; <-- just add this It’s zero setup in the best sense: nothing to configure, nothing to monitor, minimal dependency. It starts to work immediately and doesn’t ask anything from you, ever. See, you already have your web server, why not reuse all the setup you did for it anyway? Request types We distinguish between request types. In my case, I am only interested in live people, so I count them separately from RSS feed requests, favicon requests, redirects, wrong URLs, and bots. Bots are particularly active these days. Gotta get that AI training data from somewhere. RSS feeds are live people in a sense, so extra work was done to count them properly. Same reader requesting feed.xml 100 times in a day will only count as one request. Hosted RSS readers often report user count in User-Agent, like this: Feedly/1.0 (+http://www.feedly.com/fetcher.html; 457 subscribers; like FeedFetcher-Google) Mozilla/5.0 (compatible; BazQux/2.4; +https://bazqux.com/fetcher; 6 subscribers) Feedbin feed-id:1373711 - 142 subscribers My personal respect and thank you to everybody on this list. I see you. Graphs Visualization is important, and so is choosing the correct graph type. This is wrong: Continuous line suggests interpolation. It reads like between 1 visit at 5am and 11 visits at 6am there were points with 2, 3, 5, 9 visits in between. Maybe 5.5 visits even! That is not the case. This is how a semantically correct version of that graph should look: Some attention was also paid to having reasonable labels on axes. You won’t see something like 117, 234, 10875. We always choose round numbers appropriate to the scale: 100, 200, 500, 1K etc. Goes without saying that all graphs have the same vertical scale and syncrhonized horizontal scroll. Insights We don’t offer much (as I don’t need much), but you can narrow reports down by page, query, referrer, user agent, and any date slice. Not implemented (yet) It would be nice to have some insights into “What was this spike caused by?” Some basic breakdown by country would be nice. I do have IP addresses (for what they are worth), but I need a way to package GeoIP into some reasonable size (under 1 Mb, preferably; some loss of resolution is okay). Finally, one thing I am really interested in is “Who wrote about me?” I do have referrers, only question is how to separate signal from noise. Performance. DuckDB is a sport: it compresses data and runs column queries, so storing extra columns per row doesn’t affect query performance. Still, each dashboard hit is a query across the entire database, which at this moment (~3 years of data) sits around 600 MiB. I definitely need to look into building some pre-calculated aggregates. One day. How to get Head to github.com/tonsky/clj-simple-stats and follow the instructions: Let me know what you think! Is it usable to you? What could be improved? P.S. You can try the live example at tonsky.me/stats. The data was imported from Nginx access logs, which I turned on and off on a few occasions, so it’s a bit spotty. Still, it should give you a general idea.
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After a write-up in the New York Times, Mommy Bloggers had two options. Either lean in, or step back. Given how popular it became after that, it's not hard to guess which option they chose. The post Mommy bloggers react appeared first on The History of the Web.
I'm quite a bit late on this one, but Haunt version 0.4.0 was released released back in July. I haven't had much time for blogging, but I'm catching up now! This release contains a small set of improvements and bug fixes since the 0.3.0 release in 2024. About Haunt Haunt is a static site generator that uses the Guile Scheme as its configuration language. It aims to be simple, functional, and extensible. Features include: Easy blog and Atom/RSS feed generation Markdown post support Simple development server for viewing edits before publishing Purely functional build process User extensibility Notable changes Added support for HTML in Markdown documents. This was a long time coming because guile-markdown did not support it and the library was abandoned by the original maintainer. As part of my work at Spritely, we forked it, implemented the relevant portions of the CommonMark specification, and released it. Spritely's guile-commonmark fork is now considered to be the official upstream by Guix and others. A further consequence of this is that guile-lib is now a required dependency for building Haunt as we need the (htmlprag) module to parse Markdown documents with embedded HTML. html->shtml from guile-lib's (htmlprag) module is now used instead of xml->sxml in the HTML reader. It was silly of me to use xml->sxml for this purpose years ago, but at the time I wanted guile-lib to be an optional dependency. Added haunt new subcommand for creating a new site. Added default directory, template, and prefix arguments to flat-pages procedure. Added support for index metadata flag to flat pages for pretty URLs. Flat pages now receive all page metadata, not just the page title. This is a breaking change from 0.3.0. Added .scm as an additional extension for sxml-reader. make-file-extension-matcher now supports multiple extensions. Fixed emission of <script> and <style> elements. Fixed handling of no available reader in flat pages builder. Fixed unreachable error handling clause when a reader is not found for a post. Fixed default blog theme template missing an <html> tag. Fixed overloaded -h option in haunt serve. Deprecated post in Skribe reader in favor of document. Download Haunt 0.4.0 is already available in Guix: guix pull guix install haunt See the Haunt project page for information on how to build from source. Thank you to Camilo Rodrigues, Noé Lopez, jgart, Jakob L. Kreuze, and Daniel Meißner for their contributions to this release! Happy haunting!
This is a transcript from a talk I gave at the German Perl Workshop earlier this year. If you'd prefer to watch the video recording, you can find it here. I have lots of photographic projects on the go. Lots of these being on film, as some of these I started shooting a long time ago. I don’t have any particular loyalty or attraction to film, it’s just that I started shooting many of these projects before affordable medium format digital was available. Since I mostly shoot medium/large format film I never really jumped to digital until recently, so film has continued to feature heavily in my workflow. That said, it’s a pain in the arse to shoot film now given the spiraling costs, limited availability, and issues around traveling with it: modern airport CT scanners, being rolled out across many airports, are much more convenient but will fog film. Asking for a hand inspection often comes down to arbitrary timing - how busy the security is, how experienced the operator is, or if you’re lucky/unlucky. I’ve had film forced to be scanned (and fogged) and politely argued with security on more than one occasion. I don’t want to deal with that so don’t travel with film anymore, thus I am shooting less of it and have mostly moved to digital. I still have a tonne of film I need to scan and process however. Here’s just some of the binders and files of film. I don’t plan to scan all of this, but I do plan to scan the ones I need to. Probably in the region of a couple of thousand frames. I want to scan to the highest possible quality (within reason) for archiving, book projects, and large prints. If you’re wondering how large I print, it can be up to 160x60cm panoramics for selling. This is restricted by the size of my printer (that’s another story). Three Years Ago Three years ago I almost bought a scanner. I ended up blogging about it and the post got a bit of traction on Hacker News (HN). I’m never quite sure which posts I submit will pique the interest of the users. I’ll spend months chipping away at a draft and when I post it it tanks. Or I’ll cobble something together in twenty minutes, like the linked one above, and it gets 440 points and over 300 comments… The thread had some useful suggestions and some not so useful ones, the not so useful ones being effectively “buy an Epson”: I’ve had one for fifteen years and it’s not good enough for large prints or archiving. It’s passable for web stuff and smaller prints, but for my recent use cases? Not even close. Ten years ago I had negatives scanned with a high resolution scanner for the first time and recently, wanting to scan my archives for various projects, I decided I should invest in one of those scanners. The Original Plan The plan, back in 2023, was simple: Buy scanner (at significantly reduced rate) Scan all my film Sell scanner Profit! And I mean profit - the scanner that I almost bought was being offered to me at about 2/3rd of the price they usually sell. And they’re becoming harder to find in working order so the prices are going up. Or profit in not having to pay > 25.- CHF per frame to have someone else do this. You can see the pricing from The Film Lab. You can read the original blog post to find out more about the scanner in question, so I won’t repeat it here. Other than the parts being relevant to the rest of this post, namely that the scanner was showing hard and soft problems. The software that drives the scanner was last updated in 2012, it’s proprietary and closed source, requiring 32bit architecture and no third party drivers or software exist. So you are stuck using old software/computers to run it. Or maybe you could use emulation / virtualisation? The problem there is that the interface is firewire, or SCSI on the even older models, and firewire is known to be problematic on these scanners as the controllers start to go bad after a decade of continued use. That’s a risk, and the scanner was very much EOL as the firewire controller was dying: both ports were bad that suggests controller, not ports. The scanner would have been €5,000 to purchase and then €3,000 (ish) to repair. Or, as HN suggested - just open it up and use a soldering iron. I’m not going to drop 5k on something and then start poking it with a soldering iron. I’ll pass on that thanks. Camera Scanning In the meantime I’ve been camera scanning, which you can read about in another blog post. But how does that compare cost wise? It’s expensive because you’ll need a high resolution camera, a macro lens, copy stand, negative carrier/holder, and quality light source. You’ll look to spend anything from three to five thousand Euros on everything. Camera scanning does actually work well, in that it’s close to a high resolution dedicated scanner. But you have to setup the entire thing every time you want to use it, including ensuring everything is straight and parallel. It also suffers from the same weakness as most other scanning methods. What do you think that is? Film Flatness Or lack thereof: Film is rarely flat, especially so with 35mm. These are pretty mild examples of curl. It tends to be flatter in the larger formats but then you get into flatness issues due to it sagging. The smallest difference in the film plane can cause major issues in sharpness due to focus fall off (film scanning is essentially macro photography). Any workflow or solution that does not take this into account is significantly compromised. And the workflow is only as good as its weakest part. This is the biggest problem in scanning film - all other considerations are more than adequate these days: resolution, dynamic range, etc. However, most negative carriers don’t keep the film perfectly flat. This has always been a problem - this is from a book called “Edge of Darkness” which is about traditional analog photography and printing, and summarises the problems of negative carriers thusly: “if you use a glassless negative carrier, you might as well just buy the cheapest enlarging lens you can find. You are simply throwing away the money and sharpness you paid for it in your enlarging lens, and also in your fine camera and the expensive lenses you bought for it… No film will lie flat in a glassless carrier. That’s right, none… There is no avoiding this issue. Use glass.” So you have to use (anti-newton ring) glass, which introduces other issues - you’ve now got extra glass in the transmission path, and dust (which isn’t a massive problem, but a pain nonetheless). You could use drum scanning, which is absurdly impractical from a cost and operating point of view. Or you could use a Flextight, the scanner I almost bought three years ago. Interim Solution I stuck with camera scanning, but wasn’t happy though, because of film flatness and the setup faff. So of course I started looking for another scanner. I was idly browsing near the end of 2025 and came across this one. It’s exactly the same spec as the one I tried three years ago, except SCSI not Firewire so less prone to failure. It just predates Hasselblad buying Imacon (so is pre the rebranding, etc). It was in Switzerland so I could inspect and pick it up. It was also significantly cheaper than the previous one I had looked at, so worth a punt even if I needed to take a soldering iron to it. We went to St Gallen for a weekend and I picked it up. Here’s the software interface back in my studio. Look at that marvelous interface! None of that liquid glass bollocks. The first scans were promising, but I had the sense things needed some TLC. The first thing was calibrating the focus, which the software can do in combination with a focus slide. I was lucky that the focus slide was included with the scanner and I’m not sure what I would have done otherwise. Probably paid a fortune for a replacement? Possibly a lot of manual trial and error with the software? After doing that I scanned images of the 1951 USAF resolution test chart (taken on ultra high resolution 35mm film): That’s what the resulting scan looked like. Notice that it’s sharp from edge to edge, corner to corner. At 100% crop we can resolve around 110 to 123 line pairs per mm, which equates to about 5,600 to 6,300 DPI. This is beyond the limit of most 35mm lenses, but importantly - exactly to spec for this scanner. So I was happy the focus was calibrated. If you’re curious this is the same target with the camera scanning setup. It’s close, but we’ve got another variable in the workflow, several even, and that impacts the results. It’s not as sharp, and the extra glass in the transmission path causes aberrations. Another thing that needed attention was the power supply. The seller mentioned that “sometimes it takes five minutes to warm up”. Sometimes it was more than five minutes, and the power supply would click click click away. So that needed fixing and it was easy enough to find a compatible new replacement, however it cost 200 Euros. Expensive! The third problem I noticed was that some of the scans were coming out stretched. Often about 10% too wide/long, sometimes more than that. My panoramics looked panoooooooramic. I did some research and someone suggested this might be a “buffering issue”, which I thought was nonsense. Doing some testing I heard slipping sounds when the scanner was pulling the film into the body. After more research I stumbled on a post that suggested the belts need replacing. I opened the scanner up, and sure enough: A ha! You can’t quite see that the one on the back is even worse. I replaced those with compatible belts: 535 synchroflex t 2.5/245. Problem solved. The fourth problem was that the film holders were old and/or had been mishandled. They were falling apart and held together with electrical tape or glue, which didn’t seem optimal. Replacements cost 350 Euros in total for the four I needed. They’re now available cheaper from China, since the patents have expired. Or, you know, China. They used to cost about 200 Euros each from Hasselblad. The fifth problem, which is a potential one and hasn’t manifested yet, is that the lamps may eventually need replacing. I picked up a couple for 25 Euros. That seemed like a reasonable thing to do while they’re still available. Success? Let’s add up the costs of acquiring this scanner and renovating it: Scanner: 1,750.- CHF Power Supply: 175.- CHF Belts: 25.- CHF Film Holders: 350.- CHF Lamps: 25.- CHF Total: 2,325.- CHF (c. 2,500 EUR) In the last year (since acquiring the scanner) I have scanned: c. 250 panoramics frames (~ 6,000 CHF) c. 2,500 medium format frames (~ 80,000 CHF) c. 200 large format frames (~ 9,000 CHF) The figures in parentheses are what it would have cost me to have that number of frames scanned by a third party. That is, er, quite a saving. Also quite a lucrative business model perhaps? I think I can argue the cost of the scanner was a very good investment, and I haven’t finished using it yet. Even if it were to stop working tomorrow, it has already paid for itself many times over. Could it stop working tomorrow? Yes, because of other issues that will be harder to solve. The Bigger Issue(s)? A Power Mac G4 (discontinued in 2004). This came with the scanner, the necessary hardware and software to drive it, and is almost certainly living on borrowed time. Spinning metal is never good in the long-term. I’ll maybe purchase a backup soon, as these can still be found for a couple of hundred Euros. The key thing though, is that this very expensive, very high quality scanner, will at some point be rendered useless by the upgrade treadmill because the software required to run it will be increasingly difficult to run. A scanner that is still used by businesses, educational institutions, and individuals like me. A scanner that originally cost tens of thousands of Euros less than a decade ago. The upgrade treadmill is constantly whirring away. This is from the top of the Seattle Space Needle. “Do not upgrade anything on computer”. Clearly that notice speaks of someone being bitten by an upgrade at some point. I wonder is anyone else feeling the fatigue? Security updates, sure I can understand. But feature creep and trivialities? No! What tangible benefits have the last ten, fifteen, or even twenty years of OS updates brought? Other than security, and compatibility with newer hardware? New hardware is great, really, but by association forced deprecation of older hardware. No! It feels like the upgrade treadmill gets faster and steeper every year. Add to that subscription lock-in and dead endpoints: “I couldn’t vacuum my house because an SSL cert had expired” is what someone told me earlier this year. Fortunately this person is a software engineer so ended up man-in-the-middling the network traffic to get the vacuum cleaner to work again (no SSL-pinning it seems). “GoPro is announcing the end of life of the GoPro Quik app for macOS, effective at the end of 2024”. They discontinued the former in favour of their mobile app, which requires an account, login, subscription, and so on. I just want to transfer the videos from the hardware, I don’t need any of this crap (I don’t need any of that crap, it turns out GoPro haven’t locked the device down enough to prevent using third party apps to access the files. Yet). And, of course, software has to be in everything. These days the scanner would/could have an embedded Raspberry PI? Just a keyboard and mouse input, monitor and USB output would reduce the surface area, connectivity issues, and software dependency. Or software is never done? Because: externalities. I guess software is “done” when it’s no longer supported? Marciano Planque has a good piece on this: When hardware products reach end-of-life (EOL), companies should be forced to open-source the software. I think that’s a fair thing to say. I suspect Hasselblad/Imacon never open-sourced the software due to licensing issues. Or they just lost the source. Or they just don’t care, I don’t know. Maybe some combination of the three. And, inevitably, discontinued hardware like this scanner. Or, that is to say, discontinued parts? What about regulation changes? The panoramics I shoot are with a camera that was discontinued in 2004 because EU regulation banned lead solder in circuit boards. The company decided redesigning the parts wasn’t worth it. Old hardware has new exciting ways to fail. As time goes on components will fail or loosen - components that were expected to last decades. Then that results in tribal knowledge, or worse link rot and QR code rot. A lot of this stuff is hidden in walled gardens. There’s a Facebook Imacon group, for example. Why in the ever-loving fuck is a group for technical people, by technical people, on Facebook? Then there’s misleading AI. “My flextight scans are coming out stretched, what might the problem be?” LLM’s have gobbled up all the right information, and all the wrong information. Or information that is massively out of date. Nowhere in the suggestions here does it mention the belts might need replacing, which, according to my own research, is the most common reason these days. Legacy Software A decade ago I wrote an essay that also hit the front page of HN: All Software is Legacy. I think it is still relevant today, some parts not so much given we are now in The Age of Prompt, but mostly it’s still true. Nicholas always said “legacy software is the ugly stuff that makes you money”, which I think is true. But now it’s the stuff that surrounds us, like when I want to withdraw cash (guess what software most cash machines are still running?). Or when I want to take a train - when I gave this talk in Germany I had to get from the airport to the city centre. The ticket machines were disabled with a sign saying “no longer in use, download the app”. Then register. Then buy the ticket. I just want to give you money. Or when I wanted to pay for parking while stopping off at some random town in the UK - the same situation as with the ticket machines. “Download the app, register, pay”. Fuck that, I went and parked somewhere else. I just want to park, I don’t want to fight with software. Or if I want to hire a bike (not pictured: the half dozen apps on my phone to hire a bike). And when I want to buy stuff from a shop… One of the self-checkouts crashed recently in the coop, rebooting into a version of SUSE Linux from well over a decade ago. We’re collectively creating more and more of this everyday, letting it out into the world where it becomes a future liability for someone or the death knell for something. A pile of bikes, an unplugged ticket machine, a top of the line but no longer driveable scanner. References Imacon Users Group (the non-Facebook group) The state of Hasselblad Flextight scanners (2019) 1951 USAF resolution test chart Vlads Test Target Printer Story Original Scanner Blog Responses to HN Camera Scanning All Software is Legacy Repair Cafe
The Tetris effect is one of psychology’s most easy to reproduce experiments. Simply spend a bit of time playing the eponymous game every day for a few weeks. After a little while, you’ll start recognizing familiar Tetromino shapes in clouds, buildings, and everyday objects. You might even see them appear before your eyes when you start falling asleep. Tom Tang Attention hijacking There’s one lesson the Tetris effect teaches us: whatever you focus on long enough will end up shaping your thoughts. This can be a good thing since it’s how we learn new skills and discover new ideas. Sadly, less and less of our attention is focused intentionally. Instead of picking what we want to see we let other people decide what is supposed to be good for us. Do you want to watch a video? YouTube knows you like cooking and art streams. But why not also recommend a few clips about the stock market bubble, global warming, and the war in Iran. Doomscrolling will make you stay longer and click on a few more ads. Do you want to listen to music? Just open a Spotify playlist and let the algorithm figure out what you like. Please ignore the AI slop they will insert in between real songs to avoid paying royalties to real artists. Do you want to know how your colleagues are doing? Too bad, LinkedIn will bury any relevant career news between the opinion of complete strangers. It is surely just a coincidence that those strangers happen to be shilling whatever Microsoft is invested in at the moment. Do you want the opinion of strangers on a product? Well those Redditors you wanted to ask are probably just a bunch of LLMs talking to a bunch of Russian trolls now. I hope you didn’t value their opinion too much. If, like me and most people, you spend the major part of your day focused on your device, there’s no doubt it’s affecting you. And when you let someone else dictate what appears on your screen, it’s the same as giving them the key to your brain. New York Said Back to an intentional internet The internet wasn’t always like that. Before recommendation algorithms where a thing, you had to decide what you would be doing on the computer. You didn’t really have one big app that you could open and order it to entertain you. Instead, you had a few dozen of bookmarks to websites, each with a specific idea in mind. A site for video game news, that one website with lots of tutorials, a blog about anime that didn’t update often enough, a wiki about a TV show from the 90s… Of course awful things existed on the web. We had Encyclopedia Dramatica and Rotten.com, but you actually had to put the effort to go there if you wanted. Nobody was going to put pictures of dead kids and far-right propaganda as a suggestion after a pancake recipe or a cat video. The good thing is that this intentional internet is still around. It has just been a bit buried below the corporate web, but it’s not very hard to find. After all you’re on this blog, so you probably already have a good idea about it. The main difference between this time and now is you. When you want to get back to reading blogs, RSS feeds, and finish that tutorial instead of doomscrolling shorts, you have to get used to a slower internet. One where content is not infinite and doesn’t get updated every click. But like every habit, the only thing you have to do is to keep at it. And if you pay enough attention to it, something will click in your brain.