More from On Life and Lisp
In 2020, Apple released the M1 with a custom GPU. We got to work reverse-engineering the hardware and porting Linux. Today, you can run Linux on a range of M1 and M2 Macs, with almost all hardware working: wireless, audio, and full graphics acceleration. Our story begins in December 2020, when Hector Martin kicked off Asahi Linux. I was working for Collabora working on Panfrost, the open source Mesa3D driver for Arm Mali GPUs. Hector put out a public call for guidance from upstream open source maintainers, and I bit. I just intended to give some quick pointers. Instead, I bought myself a Christmas present and got to work. In between my university coursework and Collabora work, I poked at the shader instruction set. One thing led to another. Within a few weeks, I drew a triangle. In 3D graphics, once you can draw a triangle, you can do anything. Pretty soon, I started work on a shader compiler. After my final exams that semester, I took a few days off from Collabora to bring up an OpenGL driver capable of spinning gears with my new compiler. Over the next year, I kept reverse-engineering and improving the driver until it could run 3D games on macOS. Meanwhile, Asahi Lina wrote a kernel driver for the Apple GPU. My userspace OpenGL driver ran on macOS, leaving her kernel driver as the missing piece for an open source graphics stack. In December 2022, we shipped graphics acceleration in Asahi Linux. In January 2023, I started my final semester in my Computer Science program at the University of Toronto. For years I juggled my courses with my part-time job and my hobby driver. I faced the same question as my peers: what will I do after graduation? Maybe Panfrost? I started reverse-engineering of the Mali Midgard GPU back in 2017, when I was still in high school. That led to an internship at Collabora in 2019 once I graduated, turning into my job throughout four years of university. During that time, Panfrost grew from a kid’s pet project based on blackbox reverse-engineering, to a professional driver engineered by a team with Arm’s backing and hardware documentation. I did what I set out to do, and the project succeeded beyond my dreams. It was time to move on. What did I want to do next? Finish what I started with the M1. Ship a great driver. Bring full, conformant OpenGL drivers to the M1. Apple’s drivers are not conformant, but we should strive for the industry standard. Bring full, conformant Vulkan to Apple platforms, disproving the myth that Vulkan isn’t suitable for Apple hardware. Bring Proton gaming to Asahi Linux. Thanks to Valve’s work for the Steam Deck, Windows games can run better on Linux than even on Windows. Why not reap those benefits on the M1? Panfrost was my challenge until we “won”. My next challenge? Gaming on Linux on M1. Once I finished my coursework, I started full-time on gaming on Linux. Within a month, we shipped OpenGL 3.1 on Asahi Linux. A few weeks later, we passed official conformance for OpenGL ES 3.1. That put us at feature parity with Panfrost. I wanted to go further. OpenGL (ES) 3.2 requires geometry shaders, a legacy feature not supported by either Arm or Apple hardware. The proprietary OpenGL drivers emulate geometry shaders with compute, but there was no open source prior art to borrow. Even though multiple Mesa drivers need geometry/tessellation emulation, nobody did the work to get there. My early progress on OpenGL was fast thanks to the mature common code in Mesa. It was time to pay it forward. Over the rest of the year, I implemented geometry/tessellation shader emulation. And also the rest of the owl. In January 2024, I passed conformance for the full OpenGL 4.6 specification, finishing up OpenGL. Vulkan wasn’t too bad, either. I polished the OpenGL driver for a few months, but once I started typing a Vulkan driver, I passed 1.3 conformance in a few weeks. What remained was wiring up the geometry/tessellation emulation to my shiny new Vulkan driver, since those are required for Direct3D. Et voilà, Proton games. Along the way, Karol Herbst passed OpenCL 3.0 conformance on the M1, running my compiler atop his “rusticl” frontend. Meanwhile, when the Vulkan 1.4 specification was published, we were ready and shipped a conformant implementation on the same day. After that, I implemented sparse texture support, unlocking Direct3D 12 via Proton. …Now what? Ship a great driver? Check. Conformant OpenGL 4.6, OpenGL ES 3.2, and OpenCL 3.0? Check. Conformant Vulkan 1.4? Check. Proton gaming? Check. That’s a wrap. We’ve succeeded beyond my dreams. The challenges I chased, I have tackled. The drivers are fully upstream in Mesa. Performance isn’t too bad. With the Vulkan on Apple myth busted, conformant Vulkan is now coming to macOS via LunarG’s KosmicKrisp project building on my work. Satisfied, I am now stepping away from the Apple ecosystem. My friends in the Asahi Linux orbit will carry the torch from here. As for me? Onto the next challenge!
English version follows. Aujourd’hui, Khronos Group a sorti la spécification 1.4 de l’API graphique standard Vulkan. Le projet Asahi Linux est fier d’annoncer le premier pilote Vulkan 1.4 pour le matériel d’Apple. En effet, notre pilote graphique Honeykrisp est reconnu par Khronos comme conforme à cette nouvelle version dès aujourd’hui. Ce pilote est déjà disponible dans nos dépôts officiels. Après avoir installé Fedora Asahi Remix, executez dnf upgrade --refresh pour obtenir la dernière version du pilote. Vulkan 1.4 standardise plusieurs fonctionnalités importantes, y compris les horodatages et la lecture locale avec le rendu dynamique. L’industrie suppose que ces fonctionnalités devront être plus courantes, et nous y sommes préparés. Sortir un pilote conforme reflète notre engagement en faveur des standards graphiques et du logiciel libre. Asahi Linux est aussi compatible avec OpenGL 4.6, OpenGL ES 3.2, et OpenCL 3.0, tous conformes aux spécifications pertinentes. D’ailleurs, les nôtres sont les seuls pilotes conformes pour le materiel d’Apple de n’importe quel standard graphique. Même si le pilote est sorti, il faut encore compiler une version expérimentale de Vulkan-Loader pour utiliser la nouvelle version de Vulkan. Toutes les nouvelles fonctionnalités sont néanmoins disponibles comme extensions à notre pilote Vulkan 1.3 pour en profiter tout de suite. Pour plus d’informations, consultez l’article du blog de Khronos. Today, the Khronos Group released the 1.4 specification of Vulkan, the standard graphics API. The Asahi Linux project is proud to announce the first Vulkan 1.4 driver for Apple hardware. Our Honeykrisp driver is Khronos-recognized as conformant to the new version since day one. That driver is already available in our official repositories. After installing Fedora Asahi Remix, run dnf upgrade --refresh to get the latest drivers. Vulkan 1.4 standardizes several important features, including timestamps and dynamic rendering local read. The industry expects that these features will become more common, and we are prepared. Releasing a conformant driver reflects our commitment to graphics standards and software freedom. Asahi Linux is also compatible with OpenGL 4.6, OpenGL ES 3.2, and OpenCL 3.0, all conformant to the relevant specifications. For that matter, ours are the only conformant drivers on Apple hardware for any graphics standard. Although the driver is released, you still need to build an experimental version of Vulkan-Loader to access the new Vulkan version. Nevertheless, you can immediately use all the new features as extensions in our Vulkan 1.3 driver. For more information, see the Khronos blog post.
Gaming on Linux on M1 is here! We’re thrilled to release our Asahi game playing toolkit, which integrates our Vulkan 1.3 drivers with x86 emulation and Windows compatibility. Plus a bonus: conformant OpenCL 3.0. Asahi Linux now ships the only conformant OpenGL®, OpenCL™, and Vulkan® drivers for this hardware. As for gaming… while today’s release is an alpha, Control runs well! Installation First, install Fedora Asahi Remix. Once installed, get the latest drivers with dnf upgrade --refresh && reboot. Then just dnf install steam and play. While all M1/M2-series systems work, most games require 16GB of memory due to emulation overhead. The stack Games are typically x86 Windows binaries rendering with DirectX, while our target is Arm Linux with Vulkan. We need to handle each difference: FEX emulates x86 on Arm. Wine translates Windows to Linux. DXVK and vkd3d-proton translate DirectX to Vulkan. There’s one curveball: page size. Operating systems allocate memory in fixed size “pages”. If an application expects smaller pages than the system uses, they will break due to insufficient alignment of allocations. That’s a problem: x86 expects 4K pages but Apple systems use 16K pages. While Linux can’t mix page sizes between processes, it can virtualize another Arm Linux kernel with a different page size. So we run games inside a tiny virtual machine using muvm, passing through devices like the GPU and game controllers. The hardware is happy because the system is 16K, the game is happy because the virtual machine is 4K, and you’re happy because you can play Fallout 4. Vulkan The final piece is an adult-level Vulkan driver, since translating DirectX requires Vulkan 1.3 with many extensions. Back in April, I wrote Honeykrisp, the only Vulkan 1.3 driver for Apple hardware. I’ve since added DXVK support. Let’s look at some new features. Tessellation Tessellation enables games like The Witcher 3 to generate geometry. The M1 has hardware tessellation, but it is too limited for DirectX, Vulkan, or OpenGL. We must instead tessellate with arcane compute shaders, as detailed in today’s talk at XDC2024. Geometry shaders Geometry shaders are an older, cruder method to generate geometry. Like tessellation, the M1 lacks geometry shader hardware so we emulate with compute. Is that fast? No, but geometry shaders are slow even on desktop GPUs. They don’t need to be fast – just fast enough for games like Ghostrunner. Enhanced robustness “Robustness” permits an application’s shaders to access buffers out-of-bounds without crashing the hardware. In OpenGL and Vulkan, out-of-bounds loads may return arbitrary elements, and out-of-bounds stores may corrupt the buffer. Our OpenGL driver exploits this definition for efficient robustness on the M1. Some games require stronger guarantees. In DirectX, out-of-bounds loads return zero, and out-of-bounds stores are ignored. DXVK therefore requires VK_EXT_robustness2, a Vulkan extension strengthening robustness. Like before, we implement robustness with compare-and-select instructions. A naïve implementation would compare a loaded index with the buffer size and select a zero result if out-of-bounds. However, our GPU loads are vector while arithmetic is scalar. Even if we disabled page faults, we would need up to four compare-and-selects per load. load R, buffer, index * 16 ulesel R[0], index, size, R[0], 0 ulesel R[1], index, size, R[1], 0 ulesel R[2], index, size, R[2], 0 ulesel R[3], index, size, R[3], 0 There’s a trick: reserve 64 gigabytes of zeroes using virtual memory voodoo. Since every 32-bit index multiplied by 16 fits in 64 gigabytes, any index into this region loads zeroes. For out-of-bounds loads, we simply replace the buffer address with the reserved address while preserving the index. Replacing a 64-bit address costs just two 32-bit compare-and-selects. ulesel buffer.lo, index, size, buffer.lo, RESERVED.lo ulesel buffer.hi, index, size, buffer.hi, RESERVED.hi load R, buffer, index * 16 Two instructions, not four. Next steps Sparse texturing is next for Honeykrisp, which will unlock more DX12 games. The alpha already runs DX12 games that don’t require sparse, like Cyberpunk 2077. While many games are playable, newer AAA titles don’t hit 60fps yet. Correctness comes first. Performance improves next. Indie games like Hollow Knight do run full speed. Beyond gaming, we’re adding general purpose x86 emulation based on this stack. For more information, see the FAQ. Today’s alpha is a taste of what’s to come. Not the final form, but enough to enjoy Portal 2 while we work towards “1.0”. Acknowledgements This work has been years in the making with major contributions from… Alyssa Rosenzweig Asahi Lina chaos_princess Davide Cavalca Dougall Johnson Ella Stanforth Faith Ekstrand Janne Grunau Karol Herbst marcan Mary Guillemard Neal Gompa Sergio López TellowKrinkle Teoh Han Hui Rob Clark Ryan Houdek … Plus hundreds of developers whose work we build upon, spanning the Linux, Mesa, Wine, and FEX projects. Today’s release is thanks to the magic of open source. We hope you enjoy the magic. Happy gaming.
u{text-decoration-thickness:0.09em;text-decoration-color:skyblue} Finally, conformant Vulkan for the M1! The new “Honeykrisp” driver is the first conformant Vulkan® for Apple hardware on any operating system, implementing the full 1.3 spec without “portability” waivers. Honeykrisp is not yet released for end users. We’re continuing to add features, improve performance, and port to more hardware. Source code is available for developers. HoloCure running on Honeykrisp ft. DXVK, FEX, and Proton. Honeykrisp is not based on prior M1 Vulkan efforts, but rather Faith Ekstrand’s open source NVK driver for NVIDIA GPUs. In her words: All Vulkan drivers in Mesa trace their lineage to the Intel Vulkan driver and started by copying+pasting from it. My hope is that NVK will eventually become the driver that everyone copies and pastes from. To that end, I’m building NVK with all the best practices we’ve developed for Vulkan drivers over the last 7.5 years and trying to keep the code-base clean and well-organized. Why spend years implementing features from scratch when we can reuse NVK? There will be friction starting out, given NVIDIA’s desktop architecture differs from the M1’s mobile roots. In exchange, we get a modern driver designed for desktop games. We’ll need to pass a half-million tests ensuring correctness, submit the results, and then we’ll become conformant after 30 days of industry review. Starting from NVK and our OpenGL 4.6 driver… can we write a driver passing the Vulkan 1.3 conformance test suite faster than the 30 day review period? It’s unprecedented… Challenge accepted. April 2 It begins with a text. Faith… I think I want to write a Vulkan driver. Her advice? Just start typing. There’s no copy-pasting yet – we just add M1 code to NVK and remove NVIDIA as we go. Since the kernel mediates our access to the hardware, we begin connecting “NVK” to Asahi Lina’s kernel driver using code shared with OpenGL. Then we plug in our shader compiler and hit the hay. April 3 To access resources, GPUs use “descriptors” containing the address, format, and size of a resource. Vulkan bundles descriptors into “sets” per the application’s “descriptor set layout”. When compiling shaders, the driver lowers descriptor accesses to marry the set layout with the hardware’s data structures. As our descriptors differ from NVIDIA’s, our next task is adapting NVK’s descriptor set lowering. We start with a simple but correct approach, deleting far more code than we add. April 4 With working descriptors, we can compile compute shaders. Now we program the fixed-function hardware to dispatch compute. We first add bookkeeping to map Vulkan command buffers to lists of M1 “control streams”, then we generate a compute control stream. We copy that code from our OpenGL driver, translate the GL into Vulkan, and compute works. That’s enough to move on to “copies” of buffers and images. We implement Vulkan’s copies with compute shaders, internally dispatched with Vulkan commands as if we were the application. The first copy test passes. April 5 Fleshing out yesterday’s code, all copy tests pass. April 6 We’re ready to tackle graphics. The novelty is handling graphics state like depth/stencil. That’s straightforward, but there’s a lot of state to handle. Faith’s code collects all “dynamic state” into a single structure, which we translate into hardware control words. As usual, we grab that translation from our OpenGL driver, blend with NVK, and move on. April 7 What makes state “dynamic”? Dynamic state can change without recompiling shaders. By contrast, static state is baked into shader binaries called “pipelines”. If games create all their pipelines during a loading screen, there is no compiler “stutter” during gameplay. The idea hasn’t quite panned out: many game developers don’t know their state ahead-of-time so cannot create pipelines early. In response, Vulkan has made ever more state dynamic, punctuated with the EXT_shader_object extension that makes pipelines optional. We want full dynamic state and shader objects. Unfortunately, the M1 bakes random state into shaders: vertex attributes, fragment outputs, blending, even linked interpolation qualifiers. Like most of the industry in the 2010s, the M1’s designers bet on pipelines. Faced with this hardware, a reasonable driver developer would double-down on pipelines. DXVK would stutter, but we’d pass conformance. I am not reasonable. To eliminate stuttering in OpenGL, we make state dynamic with four strategies: Conditional code. Precompiled variants. Indirection. Prologs and epilogs. Wait, what-a-logs? AMD also bakes state into shaders… with a twist. They divide the hardware binary into three parts: a prolog, the shader, and an epilog. Confining dynamic state to the periphery eliminates shader variants. They compile prologs and epilogs on the fly, but that’s fast and doesn’t stutter. Linking shader parts is a quick concatenation, or long jumps avoid linking altogether. This strategy works for the M1, too. For Honeykrisp, let’s follow NVK’s lead and treat all state as dynamic. No other Vulkan driver has implemented full dynamic state and shader objects this early on, but it avoids refactoring later. Today we add the code to build, compile, and cache prologs and epilogs. Putting it together, we get a (dynamic) triangle: April 8 Guided by the list of failing tests, we wire up the little bits missed along the way, like translating border colours. /* Translate an American VkBorderColor into a Canadian agx_border_colour */ enum agx_border_colour translate_border_color(VkBorderColor color) { switch (color) { case VK_BORDER_COLOR_INT_TRANSPARENT_BLACK: return AGX_BORDER_COLOUR_TRANSPARENT_BLACK; ... } } Test results are getting there. Pass: 149770, Fail: 7741, Crash: 2396 That’s good enough for vkQuake. April 9 Lots of little fixes bring us to a 99.6% pass rate… for Vulkan 1.1. Why stop there? NVK is 1.3 conformant, so let’s claim 1.3 and skip to the finish line. Pass: 255209, Fail: 3818, Crash: 599 98.3% pass rate for 1.3 on our 1 week anniversary. Not bad. April 10 SuperTuxKart has a Vulkan renderer. April 11 Zink works too. April 12 I tracked down some fails to a test bug, where an arbitrary verification threshold was too strict to pass on some devices. I filed a bug report, and it’s resolved within a few weeks. April 16 The tests for “descriptor indexing” revealed a compiler bug affecting subgroup shuffles in non-uniform control flow. The M1’s shuffle instruction is quirky, but it’s easy to workaround. Fixing that fixes the descriptor indexing tests. April 17 A few tests crash inside our register allocator. Their shaders contain a peculiar construction: if (condition) { while (true) { } } condition is always false, but the compiler doesn’t know that. Infinite loops are nominally invalid since shaders must terminate in finite time, but this shader is syntactically valid. “All loops contain a break” seems obvious for a shader, but it’s false. It’s straightforward to fix register allocation, but what a doozy. April 18 Remember copies? They’re slow, and every frame currently requires a copy to get on screen. For “zero copy” rendering, we need enough Linux window system integration to negotiate an efficient surface layout across process boundaries. Linux uses “modifiers” for this purpose, so we implement the EXT_image_drm_format_modifier extension. And by implement, I mean copy. Copies to avoid copies. April 20 “I’d like a 4K x86 Windows Direct3D PC game on a 16K arm64 Linux Vulkan Mac.” … “Ma’am, this is a Wendy’s.” April 22 As bug fixing slows down, we step back and check our driver architecture. Since we treat all state as dynamic, we don’t pre-pack control words during pipeline creation. That adds theoretical CPU overhead. Is that a problem? After some optimization, vkoverhead says we’re pushing 100 million draws per second. I think we’re okay. April 24 Time to light up YCbCr. If we don’t use special YCbCr hardware, this feature is “software-only”. However, it touches a lot of code. It touches so much code that Mohamed Ahmed spent an entire summer adding it to NVK. Which means he spent a summer adding it to Honeykrisp. Thanks, Mohamed ;-) April 25 Query copies are next. In Vulkan, the application can query the number of samples rendered, writing the result into an opaque “query pool”. The result can be copied from the query pool on the CPU or GPU. For the CPU, the driver maps the pool’s internal data structure and copies the result. This may require nontrivial repacking. For the GPU, we need to repack in a compute shader. That’s harder, because we can’t just run C code on the GPU, right? …Actually, we can. A little witchcraft makes GPU query copies as easy as C. void copy_query(struct params *p, int i) { uintptr_t dst = p->dest + i * p->stride; int query = p->first + i; if (p->available[query] || p->partial) { int q = p->index[query]; write_result(dst, p->_64, p->results[q]); } ... } April 26 The final boss: border colours, hard mode. Direct3D lets the application choose an arbitrary border colour when creating a sampler. By contrast, Vulkan only requires three border colours: (0, 0, 0, 0) – transparent black (0, 0, 0, 1) – opaque black (1, 1, 1, 1) – opaque white We handled these on April 8. Unfortunately, there are two problems. First, we need custom border colours for Direct3D compatibility. Both DXVK and vkd3d-proton require the EXT_custom_border_color extension. Second, there’s a subtle problem with our hardware, causing dozens of fails even without custom border colours. To understand the issue, let’s revisit texture descriptors, which contain a pixel format and a component reordering swizzle. Some formats are implicitly reordered. Common “BGRA” formats swap red and blue for historical reasons. The M1 does not directly support these formats. Instead, the driver composes the swizzle with the format’s reordering. If the application uses a BARB swizzle with a BGRA format, the driver uses an RABR swizzle with an RGBA format. There’s a catch: swizzles apply to the border colour, but formats do not. We need to undo the format reordering when programming the border colour for correct results after the hardware applies the composed swizzle. Our OpenGL driver implements border colours this way, because it knows the texture format when creating the sampler. Unfortunately, Vulkan doesn’t give us that information. Without custom border colour support, we “should” be okay. Swapping red and blue doesn’t change anything if the colour is white or black. There’s an even subtler catch. Vulkan mandates support for a packed 16-bit format with 4-bit components. The M1 supports a similar format… but with reversed “endianness”, swapping red and alpha. That still seems okay. For transparent black (all zero) and opaque white (all one), swapping components doesn’t change the result. The problem is opaque black: (0, 0, 0, 1). Swapping red and alpha gives (1, 0, 0, 0). Transparent red? Uh-oh. We’re stuck. No known hardware configuration implements correct Vulkan semantics. Is hope lost? Do we give up? A reasonable person would. I am not reasonable. Let’s jump into the deep end. If we implement custom border colours, opaque black becomes a special case. But how? The M1’s custom border colours entangle the texture format with the sampler. A reasonable person would skip Direct3D support. As you know, I am not reasonable. Although the hardware is unsuitable, we control software. Whenever a shader samples a texture, we’ll inject code to fix up the border colour. This emulation is simple, correct, and slow. We’ll use dirty driver tricks to speed it up later. For now, we eat the cost, advertise full custom border colours, and pass the opaque black tests. April 27 All that’s left is some last minute bug fixing, and… Pass: 686930, Fail: 0 Success. The future The next task is implementing everything that DXVK and vkd3d-proton require to layer Direct3D. That includes esoteric extensions like transform feedback. Then Wine and an open source x86 emulator will run Windows games on Asahi Linux. That’s getting ahead of ourselves. In the mean time, enjoy Linux games with our conformant OpenGL 4.6 drivers… and stay tuned. Baby Storm running on Honeykrisp ft. DXVK, FEX, and Proton.
More in programming
After a write-up in the New York Times, Mommy Bloggers had two options. Either lean in, or step back. Given how popular it became after that, it's not hard to guess which option they chose. The post Mommy bloggers react appeared first on The History of the Web.
I'm quite a bit late on this one, but Haunt version 0.4.0 was released released back in July. I haven't had much time for blogging, but I'm catching up now! This release contains a small set of improvements and bug fixes since the 0.3.0 release in 2024. About Haunt Haunt is a static site generator that uses the Guile Scheme as its configuration language. It aims to be simple, functional, and extensible. Features include: Easy blog and Atom/RSS feed generation Markdown post support Simple development server for viewing edits before publishing Purely functional build process User extensibility Notable changes Added support for HTML in Markdown documents. This was a long time coming because guile-markdown did not support it and the library was abandoned by the original maintainer. As part of my work at Spritely, we forked it, implemented the relevant portions of the CommonMark specification, and released it. Spritely's guile-commonmark fork is now considered to be the official upstream by Guix and others. A further consequence of this is that guile-lib is now a required dependency for building Haunt as we need the (htmlprag) module to parse Markdown documents with embedded HTML. html->shtml from guile-lib's (htmlprag) module is now used instead of xml->sxml in the HTML reader. It was silly of me to use xml->sxml for this purpose years ago, but at the time I wanted guile-lib to be an optional dependency. Added haunt new subcommand for creating a new site. Added default directory, template, and prefix arguments to flat-pages procedure. Added support for index metadata flag to flat pages for pretty URLs. Flat pages now receive all page metadata, not just the page title. This is a breaking change from 0.3.0. Added .scm as an additional extension for sxml-reader. make-file-extension-matcher now supports multiple extensions. Fixed emission of <script> and <style> elements. Fixed handling of no available reader in flat pages builder. Fixed unreachable error handling clause when a reader is not found for a post. Fixed default blog theme template missing an <html> tag. Fixed overloaded -h option in haunt serve. Deprecated post in Skribe reader in favor of document. Download Haunt 0.4.0 is already available in Guix: guix pull guix install haunt See the Haunt project page for information on how to build from source. Thank you to Camilo Rodrigues, Noé Lopez, jgart, Jakob L. Kreuze, and Daniel Meißner for their contributions to this release! Happy haunting!
This is a transcript from a talk I gave at the German Perl Workshop earlier this year. If you'd prefer to watch the video recording, you can find it here. I have lots of photographic projects on the go. Lots of these being on film, as some of these I started shooting a long time ago. I don’t have any particular loyalty or attraction to film, it’s just that I started shooting many of these projects before affordable medium format digital was available. Since I mostly shoot medium/large format film I never really jumped to digital until recently, so film has continued to feature heavily in my workflow. That said, it’s a pain in the arse to shoot film now given the spiraling costs, limited availability, and issues around traveling with it: modern airport CT scanners, being rolled out across many airports, are much more convenient but will fog film. Asking for a hand inspection often comes down to arbitrary timing - how busy the security is, how experienced the operator is, or if you’re lucky/unlucky. I’ve had film forced to be scanned (and fogged) and politely argued with security on more than one occasion. I don’t want to deal with that so don’t travel with film anymore, thus I am shooting less of it and have mostly moved to digital. I still have a tonne of film I need to scan and process however. Here’s just some of the binders and files of film. I don’t plan to scan all of this, but I do plan to scan the ones I need to. Probably in the region of a couple of thousand frames. I want to scan to the highest possible quality (within reason) for archiving, book projects, and large prints. If you’re wondering how large I print, it can be up to 160x60cm panoramics for selling. This is restricted by the size of my printer (that’s another story). Three Years Ago Three years ago I almost bought a scanner. I ended up blogging about it and the post got a bit of traction on Hacker News (HN). I’m never quite sure which posts I submit will pique the interest of the users. I’ll spend months chipping away at a draft and when I post it it tanks. Or I’ll cobble something together in twenty minutes, like the linked one above, and it gets 440 points and over 300 comments… The thread had some useful suggestions and some not so useful ones, the not so useful ones being effectively “buy an Epson”: I’ve had one for fifteen years and it’s not good enough for large prints or archiving. It’s passable for web stuff and smaller prints, but for my recent use cases? Not even close. Ten years ago I had negatives scanned with a high resolution scanner for the first time and recently, wanting to scan my archives for various projects, I decided I should invest in one of those scanners. The Original Plan The plan, back in 2023, was simple: Buy scanner (at significantly reduced rate) Scan all my film Sell scanner Profit! And I mean profit - the scanner that I almost bought was being offered to me at about 2/3rd of the price they usually sell. And they’re becoming harder to find in working order so the prices are going up. Or profit in not having to pay > 25.- CHF per frame to have someone else do this. You can see the pricing from The Film Lab. You can read the original blog post to find out more about the scanner in question, so I won’t repeat it here. Other than the parts being relevant to the rest of this post, namely that the scanner was showing hard and soft problems. The software that drives the scanner was last updated in 2012, it’s proprietary and closed source, requiring 32bit architecture and no third party drivers or software exist. So you are stuck using old software/computers to run it. Or maybe you could use emulation / virtualisation? The problem there is that the interface is firewire, or SCSI on the even older models, and firewire is known to be problematic on these scanners as the controllers start to go bad after a decade of continued use. That’s a risk, and the scanner was very much EOL as the firewire controller was dying: both ports were bad that suggests controller, not ports. The scanner would have been €5,000 to purchase and then €3,000 (ish) to repair. Or, as HN suggested - just open it up and use a soldering iron. I’m not going to drop 5k on something and then start poking it with a soldering iron. I’ll pass on that thanks. Camera Scanning In the meantime I’ve been camera scanning, which you can read about in another blog post. But how does that compare cost wise? It’s expensive because you’ll need a high resolution camera, a macro lens, copy stand, negative carrier/holder, and quality light source. You’ll look to spend anything from three to five thousand Euros on everything. Camera scanning does actually work well, in that it’s close to a high resolution dedicated scanner. But you have to setup the entire thing every time you want to use it, including ensuring everything is straight and parallel. It also suffers from the same weakness as most other scanning methods. What do you think that is? Film Flatness Or lack thereof: Film is rarely flat, especially so with 35mm. These are pretty mild examples of curl. It tends to be flatter in the larger formats but then you get into flatness issues due to it sagging. The smallest difference in the film plane can cause major issues in sharpness due to focus fall off (film scanning is essentially macro photography). Any workflow or solution that does not take this into account is significantly compromised. And the workflow is only as good as its weakest part. This is the biggest problem in scanning film - all other considerations are more than adequate these days: resolution, dynamic range, etc. However, most negative carriers don’t keep the film perfectly flat. This has always been a problem - this is from a book called “Edge of Darkness” which is about traditional analog photography and printing, and summarises the problems of negative carriers thusly: “if you use a glassless negative carrier, you might as well just buy the cheapest enlarging lens you can find. You are simply throwing away the money and sharpness you paid for it in your enlarging lens, and also in your fine camera and the expensive lenses you bought for it… No film will lie flat in a glassless carrier. That’s right, none… There is no avoiding this issue. Use glass.” So you have to use (anti-newton ring) glass, which introduces other issues - you’ve now got extra glass in the transmission path, and dust (which isn’t a massive problem, but a pain nonetheless). You could use drum scanning, which is absurdly impractical from a cost and operating point of view. Or you could use a Flextight, the scanner I almost bought three years ago. Interim Solution I stuck with camera scanning, but wasn’t happy though, because of film flatness and the setup faff. So of course I started looking for another scanner. I was idly browsing near the end of 2025 and came across this one. It’s exactly the same spec as the one I tried three years ago, except SCSI not Firewire so less prone to failure. It just predates Hasselblad buying Imacon (so is pre the rebranding, etc). It was in Switzerland so I could inspect and pick it up. It was also significantly cheaper than the previous one I had looked at, so worth a punt even if I needed to take a soldering iron to it. We went to St Gallen for a weekend and I picked it up. Here’s the software interface back in my studio. Look at that marvelous interface! None of that liquid glass bollocks. The first scans were promising, but I had the sense things needed some TLC. The first thing was calibrating the focus, which the software can do in combination with a focus slide. I was lucky that the focus slide was included with the scanner and I’m not sure what I would have done otherwise. Probably paid a fortune for a replacement? Possibly a lot of manual trial and error with the software? After doing that I scanned images of the 1951 USAF resolution test chart (taken on ultra high resolution 35mm film): That’s what the resulting scan looked like. Notice that it’s sharp from edge to edge, corner to corner. At 100% crop we can resolve around 110 to 123 line pairs per mm, which equates to about 5,600 to 6,300 DPI. This is beyond the limit of most 35mm lenses, but importantly - exactly to spec for this scanner. So I was happy the focus was calibrated. If you’re curious this is the same target with the camera scanning setup. It’s close, but we’ve got another variable in the workflow, several even, and that impacts the results. It’s not as sharp, and the extra glass in the transmission path causes aberrations. Another thing that needed attention was the power supply. The seller mentioned that “sometimes it takes five minutes to warm up”. Sometimes it was more than five minutes, and the power supply would click click click away. So that needed fixing and it was easy enough to find a compatible new replacement, however it cost 200 Euros. Expensive! The third problem I noticed was that some of the scans were coming out stretched. Often about 10% too wide/long, sometimes more than that. My panoramics looked panoooooooramic. I did some research and someone suggested this might be a “buffering issue”, which I thought was nonsense. Doing some testing I heard slipping sounds when the scanner was pulling the film into the body. After more research I stumbled on a post that suggested the belts need replacing. I opened the scanner up, and sure enough: A ha! You can’t quite see that the one on the back is even worse. I replaced those with compatible belts: 535 synchroflex t 2.5/245. Problem solved. The fourth problem was that the film holders were old and/or had been mishandled. They were falling apart and held together with electrical tape or glue, which didn’t seem optimal. Replacements cost 350 Euros in total for the four I needed. They’re now available cheaper from China, since the patents have expired. Or, you know, China. They used to cost about 200 Euros each from Hasselblad. The fifth problem, which is a potential one and hasn’t manifested yet, is that the lamps may eventually need replacing. I picked up a couple for 25 Euros. That seemed like a reasonable thing to do while they’re still available. Success? Let’s add up the costs of acquiring this scanner and renovating it: Scanner: 1,750.- CHF Power Supply: 175.- CHF Belts: 25.- CHF Film Holders: 350.- CHF Lamps: 25.- CHF Total: 2,325.- CHF (c. 2,500 EUR) In the last year (since acquiring the scanner) I have scanned: c. 250 panoramics frames (~ 6,000 CHF) c. 2,500 medium format frames (~ 80,000 CHF) c. 200 large format frames (~ 9,000 CHF) The figures in parentheses are what it would have cost me to have that number of frames scanned by a third party. That is, er, quite a saving. Also quite a lucrative business model perhaps? I think I can argue the cost of the scanner was a very good investment, and I haven’t finished using it yet. Even if it were to stop working tomorrow, it has already paid for itself many times over. Could it stop working tomorrow? Yes, because of other issues that will be harder to solve. The Bigger Issue(s)? A Power Mac G4 (discontinued in 2004). This came with the scanner, the necessary hardware and software to drive it, and is almost certainly living on borrowed time. Spinning metal is never good in the long-term. I’ll maybe purchase a backup soon, as these can still be found for a couple of hundred Euros. The key thing though, is that this very expensive, very high quality scanner, will at some point be rendered useless by the upgrade treadmill because the software required to run it will be increasingly difficult to run. A scanner that is still used by businesses, educational institutions, and individuals like me. A scanner that originally cost tens of thousands of Euros less than a decade ago. The upgrade treadmill is constantly whirring away. This is from the top of the Seattle Space Needle. “Do not upgrade anything on computer”. Clearly that notice speaks of someone being bitten by an upgrade at some point. I wonder is anyone else feeling the fatigue? Security updates, sure I can understand. But feature creep and trivialities? No! What tangible benefits have the last ten, fifteen, or even twenty years of OS updates brought? Other than security, and compatibility with newer hardware? New hardware is great, really, but by association forced deprecation of older hardware. No! It feels like the upgrade treadmill gets faster and steeper every year. Add to that subscription lock-in and dead endpoints: “I couldn’t vacuum my house because an SSL cert had expired” is what someone told me earlier this year. Fortunately this person is a software engineer so ended up man-in-the-middling the network traffic to get the vacuum cleaner to work again (no SSL-pinning it seems). “GoPro is announcing the end of life of the GoPro Quik app for macOS, effective at the end of 2024”. They discontinued the former in favour of their mobile app, which requires an account, login, subscription, and so on. I just want to transfer the videos from the hardware, I don’t need any of this crap (I don’t need any of that crap, it turns out GoPro haven’t locked the device down enough to prevent using third party apps to access the files. Yet). And, of course, software has to be in everything. These days the scanner would/could have an embedded Raspberry PI? Just a keyboard and mouse input, monitor and USB output would reduce the surface area, connectivity issues, and software dependency. Or software is never done? Because: externalities. I guess software is “done” when it’s no longer supported? Marciano Planque has a good piece on this: When hardware products reach end-of-life (EOL), companies should be forced to open-source the software. I think that’s a fair thing to say. I suspect Hasselblad/Imacon never open-sourced the software due to licensing issues. Or they just lost the source. Or they just don’t care, I don’t know. Maybe some combination of the three. And, inevitably, discontinued hardware like this scanner. Or, that is to say, discontinued parts? What about regulation changes? The panoramics I shoot are with a camera that was discontinued in 2004 because EU regulation banned lead solder in circuit boards. The company decided redesigning the parts wasn’t worth it. Old hardware has new exciting ways to fail. As time goes on components will fail or loosen - components that were expected to last decades. Then that results in tribal knowledge, or worse link rot and QR code rot. A lot of this stuff is hidden in walled gardens. There’s a Facebook Imacon group, for example. Why in the ever-loving fuck is a group for technical people, by technical people, on Facebook? Then there’s misleading AI. “My flextight scans are coming out stretched, what might the problem be?” LLM’s have gobbled up all the right information, and all the wrong information. Or information that is massively out of date. Nowhere in the suggestions here does it mention the belts might need replacing, which, according to my own research, is the most common reason these days. Legacy Software A decade ago I wrote an essay that also hit the front page of HN: All Software is Legacy. I think it is still relevant today, some parts not so much given we are now in The Age of Prompt, but mostly it’s still true. Nicholas always said “legacy software is the ugly stuff that makes you money”, which I think is true. But now it’s the stuff that surrounds us, like when I want to withdraw cash (guess what software most cash machines are still running?). Or when I want to take a train - when I gave this talk in Germany I had to get from the airport to the city centre. The ticket machines were disabled with a sign saying “no longer in use, download the app”. Then register. Then buy the ticket. I just want to give you money. Or when I wanted to pay for parking while stopping off at some random town in the UK - the same situation as with the ticket machines. “Download the app, register, pay”. Fuck that, I went and parked somewhere else. I just want to park, I don’t want to fight with software. Or if I want to hire a bike (not pictured: the half dozen apps on my phone to hire a bike). And when I want to buy stuff from a shop… One of the self-checkouts crashed recently in the coop, rebooting into a version of SUSE Linux from well over a decade ago. We’re collectively creating more and more of this everyday, letting it out into the world where it becomes a future liability for someone or the death knell for something. A pile of bikes, an unplugged ticket machine, a top of the line but no longer driveable scanner. References Imacon Users Group (the non-Facebook group) The state of Hasselblad Flextight scanners (2019) 1951 USAF resolution test chart Vlads Test Target Printer Story Original Scanner Blog Responses to HN Camera Scanning All Software is Legacy Repair Cafe
The Tetris effect is one of psychology’s most easy to reproduce experiments. Simply spend a bit of time playing the eponymous game every day for a few weeks. After a little while, you’ll start recognizing familiar Tetromino shapes in clouds, buildings, and everyday objects. You might even see them appear before your eyes when you start falling asleep. Tom Tang Attention hijacking There’s one lesson the Tetris effect teaches us: whatever you focus on long enough will end up shaping your thoughts. This can be a good thing since it’s how we learn new skills and discover new ideas. Sadly, less and less of our attention is focused intentionally. Instead of picking what we want to see we let other people decide what is supposed to be good for us. Do you want to watch a video? YouTube knows you like cooking and art streams. But why not also recommend a few clips about the stock market bubble, global warming, and the war in Iran. Doomscrolling will make you stay longer and click on a few more ads. Do you want to listen to music? Just open a Spotify playlist and let the algorithm figure out what you like. Please ignore the AI slop they will insert in between real songs to avoid paying royalties to real artists. Do you want to know how your colleagues are doing? Too bad, LinkedIn will bury any relevant career news between the opinion of complete strangers. It is surely just a coincidence that those strangers happen to be shilling whatever Microsoft is invested in at the moment. Do you want the opinion of strangers on a product? Well those Redditors you wanted to ask are probably just a bunch of LLMs talking to a bunch of Russian trolls now. I hope you didn’t value their opinion too much. If, like me and most people, you spend the major part of your day focused on your device, there’s no doubt it’s affecting you. And when you let someone else dictate what appears on your screen, it’s the same as giving them the key to your brain. New York Said Back to an intentional internet The internet wasn’t always like that. Before recommendation algorithms where a thing, you had to decide what you would be doing on the computer. You didn’t really have one big app that you could open and order it to entertain you. Instead, you had a few dozen of bookmarks to websites, each with a specific idea in mind. A site for video game news, that one website with lots of tutorials, a blog about anime that didn’t update often enough, a wiki about a TV show from the 90s… Of course awful things existed on the web. We had Encyclopedia Dramatica and Rotten.com, but you actually had to put the effort to go there if you wanted. Nobody was going to put pictures of dead kids and far-right propaganda as a suggestion after a pancake recipe or a cat video. The good thing is that this intentional internet is still around. It has just been a bit buried below the corporate web, but it’s not very hard to find. After all you’re on this blog, so you probably already have a good idea about it. The main difference between this time and now is you. When you want to get back to reading blogs, RSS feeds, and finish that tutorial instead of doomscrolling shorts, you have to get used to a slower internet. One where content is not infinite and doesn’t get updated every click. But like every habit, the only thing you have to do is to keep at it. And if you pay enough attention to it, something will click in your brain.