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Bringing dwm Shortcuts to GNOME 2023-11-02 The dwm window manager is my standard "go-to" for most of my personal laptop environments. For desktops with larger, higher resolution monitors I tend to lean towards using GNOME. The GNOME DE is fairly solid for my own purposes. This article isn't going to deep dive into GNOME itself, but instead highlight some minor configuration changes I make to mimic a few dwm shortcuts. For reference, I'm running GNOME 45.0 on Ubuntu 23.10 Setting Up Fixed Workspaces When I use dwm I tend to have a hard-set amount of tags to cycle through (normally 4-5). Unfortunately, dynamic rendering is the default for workspaces (ie. tags) in GNOME. For my personal preference I set this setting to fixed. We can achieve this by opening Settings > Multitasking and selecting "Fixed number of workspaces". Screenshot of GNOME's Multitasking Settings GUI Setting Our Keybindings Now all that is left is to mimic dwm keyboard shortcuts, in this case: ALT + $num for switching between workspaces and ALT + SHIFT + $num for moving windows across workspaces. These keyboard shortcuts can be altered under Settings > Keyboard > View and Customize Shortcuts > Navigation. You'll want to make edits to both the "Switch to workspace n" and "Move window to workspace n". Screenshot of GNOME's keyboard shortcut GUI: switch to workspace Screenshot of GNOME's keyboard shortcut GUI: move window to workspace That's it. You're free to include even more custom keyboard shortcuts (open web browser, lock screen, hibernate, etc.) but this is a solid starting point. Enjoy tweaking GNOME!
The X220 ThinkPad is the Best Laptop in the World 2023-09-26 The X220 ThinkPad is the greatest laptop ever made and you're wrong if you think otherwise. No laptop hardware has since surpassed the nearly perfect build of the X220. New devices continue to get thinner and more fragile. Useful ports are constantly discarded for the sake of "design". Functionality is no longer important to manufacturers. Repairability is purposefully removed to prevent users from truly "owing" their hardware. It's a mess out there. But thank goodness I still have my older, second-hand X220. Specs Before I get into the details explaining why this laptop is the very best of its kind, let's first take a look at my machine's basic specifications: CPU: Intel i7-2640M (4) @ 3.500GHz GPU: Intel 2nd Generation Core Processor Memory: 16GB DDR3 OS: Arch Linux / OpenBSD Resolution: 1366x768 With that out of the way, I will break down my thoughts on the X220 into five major sections: Build quality, available ports, the keyboard, battery life, and repairability. Build Quality The X220 (like most of Lenovo's older X/T models) is built like a tank. Although sourced from mostly plastic, the device is still better equipped to handle drops and mishandling compared to that of more fragile devices (such as the MacBook Air or Framework). This is made further impressive since the X220 is actually composed of many smaller interconnected pieces (more on this later). A good litmus test I perform on most laptops is the "corner test". You grab the base corner of a laptop in its open state. The goal is to see if the device displays any noticeable give or flex. In the X220's case: it feels rock solid. The base remains stiff and bobbing the device causes no movement on the opened screen. I'm aware that holding a laptop in this position is certainly not a normal use case, but knowing it is built well enough to do so speaks volumes of its construction. The X220 is also not a lightweight laptop. This might be viewed as a negative for most users, but I actually prefer it. I often become too cautious and end up "babying" thinner laptops out of fear of breakage. A minor drop from even the smallest height will severely damage these lighter devices. I have no such worries with my X220. As for the laptop's screen and resolution: your mileage may vary. I have zero issues with the default display or the smaller aspect ratio. I wrote about how I stopped using an external monitor, so I might be a little biased. Overall, this laptop is a device you can snatch up off your desk, whip into your travel bag and be on your way. The rugged design and bulkier weight help put my mind at ease - which is something I can't say for newer laptop builds. Ports Ports. Ports Everywhere. I don't think I need to explain how valuable it is to have functional ports on a laptop. Needing to carrying around a bunch of dongles for ports that should already be on the device just seems silly. The X220 comes equipped with: 3 USB ports (one of those being USB3 on the i7 model) DisplayPort VGA Ethernet SD Card Reader 3.5mm Jack Ultrabay (SATA) Wi-Fi hardware kill-switch Incredibly versatile and ready for anything I throw at it! Keyboard The classic ThinkPad keyboards are simply that: classic. I don't think anyone could argue against these keyboards being the golden standard for laptops. It's commendable how Lenovo managed to package so much functionality into such a small amount of real estate. Most modern laptops lack helpful keys such as Print Screen, Home, End, and Screen Lock. They're also an absolute joy to type on. The fact that so many people go out of their way to mod X230 ThinkPad models with X220 keyboards should tell you something... Why Lenovo moved away from these keyboards will always baffle me. (I know why they did it - I just think it's stupid). Did I mention these classic keyboards come with the extremely useful Trackpoint as well? Battery Life Author's Note: This section is very subjective. The age, quality, and size of the X220's battery can have a massive impact on benchmarks. I should also mention that I run very lightweight operating systems and use DWM as opposed to a heavier desktop environment. Just something to keep in mind. The battery life on my own X220 is fantastic. I have a brand-new 9-cell that lasts for roughly 5-6 hours of daily work. Obviously these numbers don't come close to the incredible battery life of Apple's M1/M2 chip devices, but it's still quite competitive against other "newer" laptops on the market. Although, even if the uptime was lower than 5-6 hours, you have the ability to carry extra batteries with you. The beauty of swapping out your laptop's battery without needing to open up the device itself is fantastic. Others might whine about the annoyance of carrying an extra battery in their travel bag, but doing so is completely optional. A core part of what makes the X220 so wonderful is user control and choice. The X220's battery is another great example of that. Repairability The ability to completely disassemble and replace almost everything on the X220 has to be one of its biggest advantages over newer laptops. No glue to rip apart. No special proprietary tools required. Just some screws and plastic snaps. If someone as monkey-brained as me can completely strip down this laptop and put it back together again without issue, then the hardware designers have done something right! Best of all, Lenovo provides a very detailed hardware maintenance manual to help guide you through the entire process. My disassembled X220 when I was reapplying the CPU thermal paste. Bonus Round: Price I didn't list this in my initial section "breakdown" but it's something to consider. I purchased my X220 off eBay for $175 Canadian. While this machine came with a HDD instead of an SSD and only 8GB of total memory, that was still an incredible deal. I simply swapped out the hard-drive with an SSD I had on hand, along with upgrading the DDR3 memory to its max of 16. Even if you needed to buy those components separately you would be hard-pressed to find such a good deal for a decent machine. Not to mention you would be helping to prevent more e-waste! What More Can I Say? Obviously the title and tone of this article is all in good fun. Try not to take things so seriously! But, I still personally believe the X220 is one of, if not the best laptop in the world.
Installing Older Versions of MongoDB on Arch Linux 2023-09-11 I've recently been using Arch Linux for my main work environment on my ThinkPad X260. It's been great. As someone who is constantly drawn to minimalist operating systems such as Alpine or OpenBSD, it's nice to use something like Arch that boasts that same minimalist approach but with greater documentation/support. Another major reason for the switch was the need to run older versions of "services" locally. Most people would simply suggest using Docker or vmm, but I personally run projects in self-contained, personalized directories on my system itself. I am aware of the irony in that statement... but that's just my personal preference. So I thought I would share my process of setting up an older version of MongoDB (3.4 to be precise) on Arch Linux. AUR to the Rescue You will need to target the specific version of MongoDB using the very awesome AUR packages: yay -S mongodb34-bin Follow the instructions and you'll be good to go. Don't forget to create the /data/db directory and give it proper permissions: mkdir -p /data/db/ chmod -R 777 /date/db What About My "Tools"? If you plan to use MongoDB, then you most likely want to utilize the core database tools (restore, dump, etc). The problem is you can't use the default mongodb-tools package when trying to work with older versions of MongoDB itself. The package will complain about conflicts and ask you to override your existing version. This is not what we want. So, you'll have to build from source locally: git clone https://github.com/mongodb/mongo-tools cd mongodb-tools ./make build Then you'll need to copy the built executables into the proper directory in order to use them from the terminal: cp bin/* /usr/local/bin/ And that's it! Now you can run mongod directly or use systemctl to enable it by default. Hopefully this helps anyone else curious about running older (or even outdated!) versions of MongoDB.
Converting HEIF Images with macOS Automator 2023-07-21 Often times when you save or export photos from iOS to iCloud they often render themselves into heif or heic formats. Both macOS and iOS have no problem working with these formats, but a lot of software programs will not even recognize these filetypes. The obvious step would just be to convert them via an application or online service, right? Not so fast! Wouldn't it be much cleaner if we could simply right-click our heif or heic files and convert them directly in Finder? Well, I've got some good news for you... Basic Requirements You will need to have Homebrew installed You will need to install the libheif package through Homebrew: brew install libheif Creating our custom Automator script For this example script we are going to convert the image to JPG format. You can freely change this to whatever format you wish (PNG, TIFF, etc.). We're just keeping things basic for this tutorial. Don't worry if you've never worked with Automator before because setting things up is incredibly simple. Open the macOS Automator from the Applications folder Select Quick Option from the first prompt Set "Workflow receives current" to image files Set the label "in" to Finder From the left pane, select "Library > Utilities" From the presented choices in the next pane, drag and drop Run Shell Script into the far right pane Set the area "Pass input" to as arguments Enter the following code below as your script and type ⌘-S to save (name it something like "Convert HEIC/HEIF to JPG") for f in "$@" do /opt/homebrew/bin/heif-convert "$f" "${f%.*}.jpg" done Making Edits If you ever have the need to edit this script (for example, changing the default format to png), you will need to navigate to your ~/Library/Services folder and open your custom heif Quick Action in the Automator application. Simple as that. Happy converting! If you're interested, I also have some other Automator scripts available: Batch Converting Images to webp with macOS Automator Convert Files to HTML with macOS Automator Quick Actions
Blogging for 7 Years 2023-06-24 My first public article was posted on June 28th 2016. That was seven years ago. In that time, quite a lot has changed in my life both personally and professionally. So, I figured it would be interesting to reflect on these years and document it for my own personal records. My hope is that this is something I could start doing every 5 or 10 years (if I can keep going that long!). This way, my blog also serves as a "time capsule" or museum of the past... Fun Facts This Blog: I originally started blogging on bradleytaunt.com using WordPress, but since then I have changed both my main domain and blog infrastructure multiple times. At a glance I have used: Jekyll Hugo Blot Static HTML/CSS PHPetite Shinobi pblog barf Currently using! Personal: As with anyone over time, the personal side of my life has seen the biggest updates: Married the love of my life (after knowing each other for ~14 years!) Moved out into rural Ontario for some peace and quiet Had three wonderful kids with said wife (two boys and a girl) Started noticing grey sprinkles in my stubble (I guess I can officially call myself a "grey beard"?) Professionally: Pivoted heavily into UX research and design for a handful of years (after working mostly with web front-ends) Recently switched back into a more fullstack development role to challenge myself and learn more Nothing Special This post isn't anything ground-breaking but for me it's nice to reflect on the time passed and remember how much can change in such little time. Hopefully I'll be right back here in another 7 years and maybe you'll still be reading along with me!
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Denmark has been reaping lots of delayed accolades from its relatively strict immigration policy lately. The Swedes and the Germans in particular are now eager to take inspiration from The Danish Model, given their predicaments. The very same countries that until recently condemned the lack of open-arms/open-border policies they would champion as Moral Superpowers. But even in Denmark, thirty years after the public opposition to mass immigration started getting real political representation, the consequences of culturally-incompatible descendants from MENAPT continue to stress the high-trust societal model. Here are just three major cases that's been covered in the Danish media in 2025 alone: Danish public schools are increasingly struggling with violence and threats against students and teachers, primarily from descendants of MENAPT immigrants. In schools with 30% or more immigrants, violence is twice as prevalent. This is causing a flight to private schools from parents who can afford it (including some Syrians!). Some teachers are quitting the profession as a result, saying "the Quran run the class room". Danish women are increasingly feeling unsafe in the nightlife. The mayor of the country's third largest city, Odense, says he knows why: "It's groups of young men with an immigrant background that's causing it. We might as well be honest about that." But unfortunately, the only suggestion he had to deal with the problem was that "when [the women] meet these groups... they should take a big detour around them". A soccer club from the infamous ghetto area of Vollsmose got national attention because every other team in their league refused to play them. Due to the team's long history of violent assaults and death threats against opposing teams and referees. Bizarrely leading to the situation were the team got to the top of its division because they'd "win" every forfeited match. Problems of this sort have existed in Denmark for well over thirty years. So in a way, none of this should be surprising. But it actually is. Because it shows that long-term assimilation just isn't happening at a scale to tackle these problems. In fact, data shows the opposite: Descendants of MENAPT immigrants are more likely to be violent and troublesome than their parents. That's an explosive point because it blows up the thesis that time will solve these problems. Showing instead that it actually just makes it worse. And then what? This is particularly pertinent in the analysis of Sweden. After the "far right" party of the Swedish Democrats got into government, the new immigrant arrivals have plummeted. But unfortunately, the net share of immigrants is still increasing, in part because of family reunifications, and thus the problems continue. Meaning even if European countries "close the borders", they're still condemned to deal with the damning effects of maladjusted MENAPT immigrant descendants for decades to come. If the intervention stops there. There are no easy answers here. Obviously, if you're in a hole, you should stop digging. And Sweden has done just that. But just because you aren't compounding the problem doesn't mean you've found a way out. Denmark proves to be both a positive example of minimizing the digging while also a cautionary tale that the hole is still there.
One rabbit hole I can never resist going down is finding the original creator of a piece of art. This sounds simple, but it’s often quite difficult. The Internet is a maze of social media accounts that only exist to repost other people’s art, usually with minimal or non-existent attribution. A popular image spawns a thousand copies, each a little further from the original. Signatures get cropped, creators’ names vanish, and we’re left with meaningless phrases like “no copyright intended”, as if that magically absolves someone of artistic theft. Why do I do this? I’ve always been a bit obsessive, a bit completionist. I’ve worked in cultural heritage for eight years, which has made me more aware of copyright and more curious about provenance. And it’s satisfying to know I’ve found the original source, that I can’t dig any further. This takes time. It’s digital detective work, using tools like Google Lens and TinEye, and it’s not always easy or possible. Sometimes the original pops straight to the top, but other times it takes a lot of digging to find the source of an image. So many of us have become accustomed to art as an endless, anonymous stream of “content”. A beautiful image appears in our feed, we give it a quick heart, and scroll on, with no thought for the human who sweated blood and tears to create it. That original artist feels distant, disconected. Whatever benefit they might get from the “exposure” of your work going viral, they don’t get any if their name has been removed first. I came across two examples recently that remind me it’s not just artists who miss out – it’s everyone who enjoys art. I saw a photo of some traffic lights on Tumblr. I love their misty, nighttime aesthetic, the way the bright colours of the lights cut through the fog, the totality of the surrounding darkness. But there was no name – somebody had just uploaded the image to their Tumblr page, it was reblogged a bunch of times, and then it appeared on my dashboard. Who took it? I used Google Lens to find the original photographer: Lucas Zimmerman. Then I discovered it was part of a series. And there was a sequel. I found interviews. Context. Related work. I found all this cool stuff, but only because I knew Lucas’s name. Traffic Lights, by Lucas Zimmerman. Published on Behance.net under a CC BY‑NC 4.0 license, and reposted here in accordance with that license. The second example was a silent video of somebody making tiny chess pieces, just captioned “wow”. It was clearly an edit of another video, with fast-paced cuts to make it accommodate a short attention span – and again with no attribution. This was a little harder to find – I had to search several frames in Google Lens before I found a summary on a Russian website, which had a link to a YouTube video by metalworker and woodworker Левша (Levsha). This video is four times longer than the cut-up version I found, in higher resolution, and with commentary from the original creator. I don’t speak Russian, but YouTube has auto-translated subtitles. Now I know how this amazing set was made, and I have a much better understanding of the materials and techniques involved. (This includes the delightful name Wenge wood, which I’d never heard before.) https://youtube.com/watch?v=QoKdDK3y-mQ A piece of art is more than just a single image or video. It’s a process, a human story. When art is detached from its context and creator, we lose something fundamental. Creators lose the chance to benefit from their work, and we lose the opportunity to engage with it in a deeper way. We can’t learn how it was made, find their other work, or discover how to make similar art for ourselves. The Internet has done many wonderful things for art, but it’s also a machine for endless copyright infringement. It’s not just about generative AI and content scraping – those are serious issues, but this problem existed long before any of us had heard of ChatGPT. It’s a thousand tiny paper cuts. How many of us have used an image from the Internet because it showed up in a search, without a second thought for its creator? When Google Images says “images may be subject to copyright”, how many of us have really thought about what that means? Next time you want to use an image from the web, look to see if it’s shared under a license that allows reuse, and make sure you include the appropriate attribution – and if not, look for a different image. Finding the original creator is hard, sometimes impossible. The Internet is full of shadows: copies of things that went offline years ago. But when I succeed, it feels worth the effort – both for the original artist and myself. When I read a book or watch a TV show, the credits guide me to the artists, and I can appreciate both them and the rest of their work. I wish the Internet was more like that. I wish the platforms we rely on put more emphasis on credit and attribution, and the people behind art. The next time an image catches your eye, take a moment. Who made this? What does it mean? What’s their story? [If the formatting of this post looks odd in your feed reader, visit the original article]
When the iPhone first appeared in 2007, Microsoft was sitting pretty with their mobile strategy. They'd been early to the market with Windows CE, they were fast-following the iPod with their Zune. They also had the dominant operating system, the dominant office package, and control of the enterprise. The future on mobile must have looked so bright! But of course now, we know it wasn't. Steve Ballmer infamously dismissed the iPhone with a chuckle, as he believed all of Microsoft's past glory would guarantee them mobile victory. He wasn't worried at all. He clearly should have been! After reliving that Ballmer moment, it's uncanny to watch this CNBC interview from one year ago with Johny Srouji and John Ternus from Apple on their AI strategy. Ternus even repeats the chuckle!! Exuding the same delusional confidence that lost Ballmer's Microsoft any serious part in the mobile game. But somehow, Apple's problems with AI seem even more dire. Because there's apparently no one steering the ship. Apple has been promising customers a bag of vaporware since last fall, and they're nowhere close to being able to deliver on the shiny concept demos. The ones that were going to make Apple Intelligence worthy of its name, and not just terrible image generation that is years behind the state of the art. Nobody at Apple seems able or courageous enough to face the music: Apple Intelligence sucks. Siri sucks. None of the vaporware is anywhere close to happening. Yet as late as last week, you have Cook promoting the new MacBook Air with "Apple Intelligence". Yikes. This is partly down to the org chart. John Giannandrea is Apple's VP of ML/AI, and he reports directly to Tim Cook. He's been in the seat since 2018. But Cook evidently does not have the product savvy to be able to tell bullshit from benefit, so he keeps giving Giannandrea more rope. Now the fella has hung Apple's reputation on vaporware, promised all iPhone 16 customers something magical that just won't happen, and even spec-bumped all their devices with more RAM for nothing but diminished margins. Ouch. This is what regression to the mean looks like. This is what fiefdom management looks like. This is what having a company run by a logistics guy looks like. Apple needs a leadership reboot, stat. That asterisk is a stain.
