Full Width [alt+shift+f] FOCUS MODE Shortcuts [alt+shift+k]
Sign Up [alt+shift+s] Log In [alt+shift+l]
26
Finding an authentic connection based on who you are now, not who you were in the past
a year ago

Comments

Improve your reading experience

Logged in users get linked directly to articles resulting in a better reading experience. Please login for free, it takes less than 1 minute.

More from Escaping Flatland

A constellation of lookers

Fragments, vol. 5

3 weeks ago 24 votes
I went looking for friends, see what I found

Of all the ways this blog have changed my life, the most exciting was in December 2021 when I wrote a post about Ivan Illich that ended up, to my utter astonishment, to get read by almost a hundred people.

a month ago 25 votes
On agency

Or, how to handle being sentenced to freedom, and handle it effectively, and authentically, and responsibly

a month ago 30 votes
The hare

vaguely impressionistic reflections about what I've been up to + links to stuff I've enjoyed recently

2 months ago 41 votes

More in literature

Are we living in heaven or hell?

It's a showdown between Elysium and Tartarus.

16 hours ago 3 votes
“Ode on the Death of a Favorite Cat Drowned in a Tub of Goldfishes” by Thomas Gray

Poems read aloud, beautifully The post “Ode on the Death of a Favorite Cat Drowned in a Tub of Goldfishes” by Thomas Gray appeared first on The American Scholar.

3 hours ago 2 votes
'And Aesthetics My Primary Value'

The Louisiana poet Gail White published three poems in Peacock Journal, all freighted with serious thought and all skirting the charms of light verse. White avoids the failings of pretentiousness and mere silliness. Consider “Resemblances”:  “Somewhere along the primrose path That led to my seventies, I lost the blithe agility Of the young springbok’s knees,   “The swift gait of the wildebeest Running with its herd, And the keen eye of the crouching cat Under the nesting bird,   “Retaining only the stoic love Of the elephant for its kin And the fierce desire of the salmon For the stream it was nurtured in.”   Chronicling the losses and infirmities of aging can turn readily into a wallow in self-pity, which is ridiculous if you consider the alternative. Unspoiled youth is incompatible with longevity, and adults accept those inevitabilities with dignity and “stoic love.” White’s twelve-line, one-sentence poem reminds us that mortality is universal, what we share with the rest of the Earth’s fauna. We’re in the same boat (Noah’s ark) as nematodes and capybaras. White adds a prose statement to her poems:   “Aquinas, who had a gift for concise definition, once said that ‘We call that beautiful which pleases the eye.’ It’s hard to improve on the simplicity of that. Pleasing the eye, which includes reading, has always been my goal, and aesthetics my primary value. From this comes a love of art museums, travel, living next to running water, poetry, the Victorian novel, and cats. (Few things please the eye as much as a good cat). It might have been more noble if my highest value had been unconditional love, but if I’m honest, I admit I’m stuck with beauty.”   Not a bad place to be stuck. Beauty is one of the things that makes life worth enduring. In the final chapter of The Pleasure of Ruins (1953) – one of my favorite books -- Rose Macaulay reminds us to look at new buildings geologically, beyond the scale of a single human lifetime: “Very soon trees will be thrusting through the empty window sockets, the rose-bay and fennel blossoming within the broken walls, the brambles tangling outside them. Very soon the ruin will be enjungled, engulfed, and the appropriate creatures will revel.” It’s a chastening thought (and goes on for another half-page), like the Time Traveller’s view of the dress shop across the street from his lab in George Pal’s film of The Time Machine (1960). Macaulay gets even more apocalyptically inspired in her final sentences:   “Ruin must be a fantasy, veiled by the mind’s dark imaginings: in the objects that we see before us, we get to agree with St Thomas Aquinas, that qua enim diminutae sunt, hoc ipso turpia sunt, and to feel that, in beauty, wholeness is all. But such wholesome hankerings are, it seems likely, merely a phase of our fearful and fragmented age.”   Macaulay takes her Latin phrase from this passage in Summa Theologica (trans. T.C. O’Brien): “Beauty must include three qualities: integrity, or completeness--since things that lack something are thereby ugly; right proportion or harmony; and brightness—we call things bright in colour beautiful.”

2 hours ago 2 votes
Cici Osias

Sewing cultures together The post Cici Osias appeared first on The American Scholar.

yesterday 4 votes
'We Talked About Philip Larkin'

Two of the three copies of Boswell’s Life of Johnson I own were gifts from my brother. He loved garage sales and thrift shops and had no shame about looking for second-hand bargains. He liked the English expression “jumble sale.” Ken wasn’t cheap but never seemed to have enough money. My final loan to him he never repaid before his death on August 24, 2024. I’m not bitter about that. In fact, I now find it endearing. It is quintessential Ken, one more confirmation of his personality. I’m glad he felt he could ask.  There was a lengthy spell when we stopped talking. Friends tell me this is hardly unusual between siblings, though it never felt comfortable. His daughter Hannah in 2005 (she was then about ten) wrote me a letter saying that both of us ought to grow up. Besides, she wanted to meet her uncle. Ken didn’t fly so I made an annual trip to Cleveland to visit him and his family. A family friend, Rumanian-born Giorgiana Lascu, always known as "George," posted a nice remembrance of my brother:   “Dinner always at 5:30, which nobody ever missed for the good conversation, we never talked about our feelings, but we talked about Philip Larkin or smack to each-other or about the news, or whatever people were reading. Everyone was always reading something. Sometimes dinner was followed by a lively drum circle, conducted on the table top. We were always welcome, though feeding two extra girls during a recession must have been hard.”   The first Boswell Ken gave me was the boxed, three-volume Heritage Press edition from 1963. I remember lugging it through the airport in my suitcase along with other books I had purchased in Cleveland. The other copy is a heavy, one-volume, leather-bound brick of a book. It’s an American reprint of the English edition edited by John Croker in 1831, the one Macaulay famously savaged. It’s an extravagantly ugly book, printed in blindness-inducing small print, and if anyone other than my brother had given it to me, I would have unloaded it long ago. Ken also gave me two hardcover volumes of Boswell’s journals -- yard-sale treasures.   Sadness mingles with a diffuse sense of guilt and the pleasures of memory. Every day I think of something I what to tell Ken that would make him laugh or at least snort. Death resolves little or nothing. Johnson writes in his Rambler essay on September 22, 1750:   "When a friend is carried to his grave, we at once find excuses for every weakness, and palliations of every fault; we recollect a thousand endearments which before glided off our minds without impression, a thousand favors unrepaid, a thousand duties unperformed, and wish, vainly wish for his return, not so much that we may receive, as that we may bestow happiness, and recompense that kindness which before we never understood."

2 days ago 5 votes