We're changing the aesthetic from the bottom up.

The point, of course, is to make yourself alive — to feel the force of being in your sinew and your spirit, to tremble with the beauty and the terror of it all, to breathe lungfuls of life that gasp you awake from the trance of near-living induced by the system of waste and want we call civilization. Inside the system, these opportunities for raw aliveness are not easily found — they must be sought, seized, and then surrendered to. At four-thirty in the afternoon of June 17th, 1914, a month before the outbreak of WWI and five years before… read article

...

“I recall admiring the calmly expository flavor and simple, nonjudgemental humanity of profile stories Patrick Kurp contributed to the Gazette, years and years ago.”  After three decades, I’ve heard from a former newspaper colleague, a music writer, Mike Hochanadel. A retired photographer and newspaper alumnus, Marc Schultz, alerted me to Mike’s blog, “Hoke’s Jukebox” (“Quiet reflections on a loud life”) devoted to happenings in upstate New York, where I lived and worked for nineteen years.   Mike refers to the features I wrote for The Daily Gazette in Schenectady from 1994 to 1999. In particular, I wrote a weekly series about “hamlets,” mostly in Saratoga County. I use quotation marks because these are not places that officially exist, at least according to any government, including the post office. Often they were rural crossroads without signs, phantom places from the nineteenth century.   I would consult old maps, identify a promising defunct community, perhaps do a little research at the library and spend the day tramping around the hamlet. Usually, I would visit the cemetery, reading the stones that hadn’t been erased by acid rain, then knock on doors. Once I happened on a burial, in a grave dug by hand by the cemetery caretaker, a garrulous old man. Most people would talk to me, though often they were puzzled that anyone was curious about the place. Sometimes their families had lived there for generations. Other were newcomers. Slowly, over the course of the day, after many interviews, I formed an impression of the place. Then I drove back to the office and wrote my story. I remember Koons Corners and Porters Corners. All the stories are clipped and buried in a file cabinet. The novelist William Kennedy once asked if I was trying to be the Charles Kuralt of the Capital Region.   I used to tell journalism students that I worked in two media – words and people. I was seldom interested in most conventional journalistic beats – government, business, politics, courts – though I had to cover all those fields and I’m grateful for the experience. I just never had much interest in “news,” and still don’t. People interest me, as does the quality of the writing. Mike’s description of my prose above is pleasing to hear. I worked hard on my copy to avoid clichés but at the same time to avoid purple language. In other words, I tried to be concise and precise.     On this date, April 7, in 1891, Jules Renard wrote in his journal: “Style is the forgetting of all styles.”   [The quoted passage is from Renard’s Journal 1887-1910 (trans. Theo Cuffe, selected and introduced by Julian Barnes, riverrun, 2020).]