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Where we go when we go to sleep and why we go there is one of the great mysteries of the mind. Why the mind at times refuses to go there, despite the pleading and bargaining of its conscious owner, is a greater mystery still. We know that ever since REM evolved in the bird brain, the third of our lives we spend sleeping and dreaming has been a crucible of our capacity for learning, emotional regulation, and creativity. But the price we have paid for these crowning curios of consciousness has been savage self-consciousness, thought turned in on itself,… read article
“They do not sweat and whine about their condition,” Walt Whitman wrote of the other animals, “they do not lie awake in the dark and weep for their sins, they do not make me sick discussing their duty to God, not one is dissatisfied, not one is demented with the mania of owning things.” Here was “the poet of the body and the poet of the soul” holding up a mirror to us creatures inhabiting an animal body complicated by a soul — that organ of want and worry which we ourselves invented to explain why we make art, why… read article
One of the most discomposing things about the sense of individuality is the knowledge that although there are infinitely many kinds of beautiful lives, there is but one way to come alive — through the bloody, sweaty flesh of another; the knowledge that your own flesh is made of someone else’s cells and genes, the fact of you a fractal. While mothering can take many forms and can be done by many different kinds of people, the process of one organism generating another from the raw materials of its own being — a process known as matrescence — is as… read article
It is tempting, because we make everything we make with everything we are, to take our creative potency for a personal merit. It is also tempting when we find ourselves suddenly impotent, as all artists regularly do, to blame the block on a fickle muse and rue ourselves abandoned by the gods of inspiration. The truth is somewhere in the middle: We are a channel and it does get blocked — it is not an accident that the psychological hallmark of creativity is the “flow state” — but while it matters how wide and long the channel is, how much… read article
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The short version is that my friend, in my opinion, thinks about what he wants in a too constrained way.
Bertie Wooster has asked if he can purchase a gift for Jeeves while he is out, and the valet replies: “‘Well, sir, there has recently been published a new and authoritatively annotated edition of the works of the philosopher Spinoza. Since you are so generous, I would appreciate that very much.” This comes in the first chapter of Joy in the Morning, published by P.G. Wodehouse in 1947. I was reading it late the other night, alone in the front room, and I started giggling and my eyes watered. The dog looked concerned. Ever since my nephew told me he had discovered Wodehouse and was going through his novels and stories like a guest at a party with an open bar, I’ve been reading Plum between more imposing volumes – including Spinoza, a thinker I discovered as a teenager thanks to a story by Isaac Bashevis Singer. (In another B&J confection, Carry On, Jeeves, Wodehouse has Jeeves say: “You would not enjoy Nietzsche, sir. He is fundamentally unsound.”) A reader tells me in a comment on Tuesday’s post that he is reading Wodehouse’s Something Fresh (1915): “Every silly yet perfectly crafted page," he writes, "was a declaration of allegiance to something more enduring than even the greatest historical catastrophe -- the unexpected pleasure potential of just being alive. God bless the man – it’s a reminder I needed right now.” An amusing scene with a clerk in a bookshop follows Jeeves’ request. While there, Bertie runs into Florence Craye, an intellectual woman to whom he was once engaged. “‘Bertie!’ she says, ‘This is amazing! Do you really read Spinoza?’” Bertie, our narrator, thinks: “‘It’s extraordinary how one yields to that fatal temptation to swank. It undoes the best of us. Nothing, I mean, would have been simpler than to reply that she had got the data twisted and that the authoritatively annotated edition was a present for Jeeves. But, instead of doing the simple, manly, straightforward thing, I had to go and put on dog.” Bertie tells Florence: “‘Oh, rather,’ I said, with an intellectual flick of the umbrella. ‘When I have a leisure moment, you will generally find me curled up with Spinoza’s latest.’” Is there a moral component here, a lesson for all good readers? I suppose so. Don’t lie. Admit your shortcomings. But all of that is irrelevant. We laugh because all of us, at least on occasion, are tempted to put on airs so we appear smarter or better educated than we are. In effect, to lie. I’m reminded of something Nabokov told an interviewer: “All writers that are worth anything are humorists.” This seems obvious to some of us. Much of the best humor implies a nuanced understanding of the world, the ability to see comedy in tragedy and vice versa – the essence of literary accomplishment. The humorless are earnest and dull and leave little room for a good laugh or an insight into human nature. “I’m not P.G. Wodehouse,” Nabokov continues. “I’m not a funny man, but give me an example of a great writer who is not a humorist. “ [Nabokov’s 1962 interview with Phyllis Meras for the Providence Sunday Journal is collected in Think, Write, Speak: Uncollected Essays, Reviews, Interviews and Letters to the Editor (eds. Brian Boyd and Anastasia Tolstoy, 2019).]
A Guest Lecture with Salim Ismail, author of Exponential Organizations
