More from Naz Hamid
Rest in peace little one. I never would have guessed that a 4-lb Chihuahua would come into our lives, let alone be the animal to steal my heart before Jen’s. Our previous animals — two cats and a Boxer dog — are a stark contrast to a tiny dog that we would carry around in a sling or a backpack and take practically everywhere. That was what was in store for us in May 2019 for Memorial Day weekend, when Muttville — where Jen volunteered at the time to help with the rapid succession of loss with our other animals — was encouraging employees and volunteers alike to help take an animal home for the long holiday weekend so all would have a home. There were two dogs in ISO (isolation) because of potential kennel cough. One was a miniature pinscher named Dolly Parton, and the other was a tiny white-and-tan Chihuahua named Barbara. Jen went in and scooped up a blanket that contained the Chi. I had to take a quick group selfie as we walked from Muttville to the car. We were to foster her through her initial intake: help with looking at her messed up eye, getting spayed, removing a cancerous mammary tumor, and then to bring her to adoption events. We fixed her eye with the help of the amazing Dr. Mughannum at Vet Vision, who had helped Shaun, our Boxer, with issues years prior. We got her spayed. We got her tumor removed. And then she stole our hearts. This lady cleaned up nicely. I fell in love quickly, while Jen held out a little longer. It’d only been four plus months since the last of our original trio, Loki the cat, had passed. We joined the foster fails club. Estimated at 12 years old, we had another animal living with us again. She was our first female, and true to her nature, was absolutely fierce, independent, and extremely loving. Over the next almost six years, she would fill our lives with joy, laughter, and showed us what life looked like when you could take an animal almost everywhere. One of our favorite camp spots in southwestern Utah, overlooking a valley. We're perched by this cliffside and enjoying some simple food I just cooked up. Barb went camping with us everywhere. People would take photos of her for their socials, swoon over her, give us free coffee, and even bypass hotel pet deposits, all because she was a tiny thing that fit in a sling. Sitting at Quarrelsome Coffee in St. Louis, Missouri, on our mega roadtrip to the Midwest. We were told because of her cancer and tougher life — she was a stray on the streets of Oakland — that we’d maybe have two or three years with her. With Jen making all of her food (Chihuahuas of this size do not have high caloric needs), and us taking her on adventures camping, hiking, and regularly exercising and socializing her with our friends, we believe we were able to extend her years and we hope she got to live out her retirement years with panache. After all, what 4-lb dog would go camping in a roof top tent at 11,000 feet in Colorado, but also slum it at the Four Seasons in Las Vegas? This Chihuahua. Camping in late December 2022 on a cool evening in Quartzsite, Arizona, and someone is enjoying the fancy bed at the hotel. We realized she was slowing down when we last went camping. A trip to the Sierra with Ryan, showed us that her tolerance for high altitudes and heat were becoming too much for her. August 2024 would be her last time out in the wild. 117 nights in a roof top tent. Her last phase of homebodiness began to show towards the end of last year, and in December, a rough few nights had us begin the discussion of the end. As 2025 rolled over, she began to lose her eyesight. It’d been declining due to cataracts for a while, so walks had stopped, and around February, we could no longer take her outside to potty. She couldn’t tolerate the time from our 2nd-floor apartment to the street, and we let her use the tiled floor in our bathroom. Her bowels needed frequent disposal, and pee pads in the apartment were normal in the past few months. She was still eating, she was still digging in her bed, and she was still enjoying the sun. Dementia had started and her bouts of confusion coupled with her blindness limited her autonomy. Her beds were her safe place, as well as our laps. Especially mine. We started to keep tally of the good and the bad days. For a while, the good days still outweighed the bad, and then they started to draw even. This past week, the days were all bad. And late on Thursday, May 1st, she started to wheeze and cough. “She’ll tell you when she’s ready,” was what our friend and neighbor told us a week prior. And he was right. She was telling us. We made a plan to call her vet this morning but if anything happened in the middle of the night, we’d head to the emergency vet. As we wound down for bed, she struggled with getting comfortable and ultimately snuggled up to me by my head. This was something she did regularly when she first came into our lives but hadn’t in past two years, and groggily, I took that as a further sign that she wanted to just be with us and know that we were there. Puffy face, red eyes, but cherishing this last night and then enjoying Jen's lap despite her tiredness. In the morning, Jen made the call and we made an appointment for 1:30pm. We wanted to have some time. Barb had other plans though and her weak body and labored breathing was a little worse. I canceled meetings and we left the house early. She seemed content in her blanket and Jen’s arms. We decided to drive to Bernal Heights to let her feel the sun on her skin, and the wind through her fur. We wanted to give her one last look at the city that was home for the past six years. Even if she couldn’t really see anymore. One last look at this city she's called home for almost six years. We arrived at the vet and they quickly arranged and sorted out a room for us. A new vet gently welcomed us. She wasn’t Barb’s regular vet, but was still kind and gracious as she told us the plan: a sedative, then a deeper one. They were busy, but they also wanted to give us a bit of time so we spent the twenty or so minutes snuggling her and recalling some of her best moments. She came into my arms so I could get some last snuggles in. She emitted a sleepy tiny bark and her little legs were moving. It reminded us of when she’d be dreaming and running in her sleep. She settled. Moments later, the vet walked in and asked if we’re ready. We started to adjust position a bit, and the vet asks, “Is she still with us?” We laid her down on the nearby table, and I knew. The vet confirmed it with a stethoscope, and she was gone. Barb crossed the rainbow bridge at around 10:45am, in my arms with the two people who loved her the most. We lingered saying our goodbyes, thankful that she stayed true to herself, and did it on her terms, in her way, in my arms. She is missed severely. Our little adventure buddy, and the joy of our lives will meet the rest of the gang. I hope they’re romping around together. RIP Barbara, c. 2007–May 2, 2025. See you at the rainbow bridge. Visit this post on the web or Reply via email
Bridging the design-development gap as AI rises. There’s a frustrating gap in how development projects present themselves. What looks straightforward on GitHub — ‘just run this command!’ — quickly spirals into an odyssey of sudo permissions, package managers, and missing dependencies. As someone comfortable with design tools but less versed in development environments, I find myself mashing through terminal commands, hunting through Stack Overflow threads, and piecing together solutions without understanding the underlying context. What I’m missing isn’t the how, but the why. I get it: developers and engineers speak their language and rarely cater to non-developers. Robust beginner-friendly documentation isn’t what engineers want to be doing. Could these projects see greater adoption if they provided better context and more accessible instructions for newcomers or non-engineers? This includes guidance for people who’ve never worked with an API, or even know which directory they should be in to make package installs, let alone what packages are. The asymmetry between designer and developers is an interesting one. In my experience, designers build more of a bridge to developers because of wanting to communicate better with them. Designers start to code (sometimes as a forcing function) because they want to prototype and bring their designs to life quicker — no longer static and in turn opening their design and development possibilities. Developers might not return this in kind as they can build functional products without deep design knowledge or interfaces can be constructed using UI frameworks and libraries. Engineers are less pressured to become designers. They are paid more to specialize. Their bridge is to collaborate closely with design rather than to become a designer. Let’s talk about the new thing that is aiming to… supplant the above: AI. I can feed Claude or ChatGPT my entire codebase, give it files, have it sit inside my IDE, or even ask for code that does x, y, or z, and it’ll work with me to get these projects running. I’m comfortable with Claude, and it will give me cursory information on how and why. Of course, I don’t even know if the code is valid! And sometimes it’s not, but we work through it, and I come to a result that works. The knowledge transfer becomes even greater to non-existent. As I mentioned previously, vibecoding and generative codebases will likely increase as these LLMs serve solutions to ideas and concepts from the new generation of startups. Depth and understanding will be lost. When developers don’t understand the underlying principles of their code, debugging becomes a struggle; they can’t optimize for performance; and security flaws may abound. Technical debt will accrue in systems that become increasingly unknown and unpredictable. Broader innovation stutters because you’re stuck with what AI can give you. Homogeny ensues. For providers, the goal regarding LLM dependency, viewed from an investment perspective, is to mitigate or reduce cost and risk. In the end, entire software businesses are created around abstracting, simplifying, and making technology easier to use. What I lament is the focus on business opportunity, versus taking a more inclusive approach to bridging the gap between design and development or any other discipline with engineering. How do we get to better knowledge transfer? A tiered or tracked approach. One documentation track that exists for experts, and another that’s more verbose: context and explanation of the basics. Can open source projects and the like benefit from templates that encourage documenting the why along with the how? More collaboration is always good. I’ve benefitted hugely from working with engineering-centric product thinkers. I come at it from design with the knowledge of development, while my collaborators deal in code but find design a skillset to complement their coding skills. We meet in a middle ground that’s fruitful because we understand concepts. I am never shy about asking why something is done a certain way. And yes, AI. Can we use pattern recognition and matching to level up and progressively explain how and why things are built? There are many code-based helpers, but I’d love to look at how that a designer can utilize AI to pair program (something I do in trying to get to the why of it) — beyond working with an LLM. I’m imagining visual documentation or interactive tutorials that help guide you to various parts of a system. This knowledge gap has persisted for years, but AI is rapidly changing this landscape. While AI tools may bridge the divide between design and development by filling in missing context, I'm uncertain if this technological solution addresses the underlying communication problem — especially in an industry already stretched thin by time and resource constraints. This is an open dialogue for me at the moment, and I wanted to collect these thoughts at this time for later reflection. Visit this post on the web or Reply via email
Memories are an interesting beast. I have certain core memories that are embedded deep in my mind. The years I attended SXSW from 2007-2012 encompass some of those. In 2011, I shared a house with longtime partner-in-crime Scott Robbin, Jeff Skinner, and Sam Felder. We were off South Congress up at the top of the hill and tucked away close to Curra's Grill on Oltorf. We were in a neighborhood where all the streets were named after Robin Hood characters: Friar Tuck Lane, Little John Lane, Sherwood Lane, Long Bow Lane, and Nottingham Lane. Because we had this house, we ended up hosting two separate nights of hangs and invited a bunch of people we knew. I made a video of it using the Panasonic Lumix GF-1, the much-lauded camera that my friend Craig Mod made famous. The video isn't much — but watching it back now, some 14 years later, I'm so very glad I put it together. Many of these people are still friends to this day[1]. Perhaps, one of the most poignant memories I have is shown at the end of the video — when just us housemates went bowling during some downtime, and I put Spoon's “The Way We Get By” in the video because on the drive back from the bowling alley, that song came on the radio. I'd never heard it before, but Jeff, Sam, and Scott all sang along to it, belting out the lyrics, windows down, as we're cruising south on I-35. We lost Sam years later. Sam was a great guy, and he is missed by many. I'm very, very glad I made that video, and that I can look back on it. And remember everyone there, but especially recollect, see, and hear Sam in it. RIP Sam. SXSW brought many things, and in particular memories of some of the best people on the internet I got to know, and became friends with. Thank you, all. In order of appearance: Jeff Skinner, Scott Robbin, Dave Rupert, Nathan Peretic, Reagan Ray, Jay Fannelli, Luke Dorny, Trent Walton, Scott Boms, Sam Felder, Patrick DiMichele, Christopher Cashdollar, Kevin Hoffman, Jack Auses, Rob Weychert, Jonathan Bowden, Phil Coffman, Noah Stokes, Harold Emsheimer, Paul Armstrong, Wilson Miner, Andrew Huff. ↩︎ Visit this post on the web or Reply via email
A meditation on entering flow state. A snack beckons. I stand up and head a few feet away to the kitchen area. A hojicha latte is on my mind, and also a bite. My brain is at operational capacity, and I am in a flow state. The metabolic need feels high, and I need to keep my energy up. I make the latte, iced with almond milk. I devour an oat bar. It’s the time of year when projects are in full swing. The seasons also drive business. Today started with syncing on UK time, getting on a call with Simon and then Jeff joining. We reviewed work and made plans. I know what’s immediately ahead of me today, and I steel myself mentally. It’s funny how the pressure from a timeline and deadline can focus you. Because I am a shokunin, I have my design mise en place laid out both in the mind, and at the physical desk. The plan appears, as I percolated on it after the call. I am now executing it. Windows are open all over: a browser with a tab count I can't even see, a few design tools, two deck tools, communication tools, and note tools. I stop to consider that I'm working across multiple variants of the same core pieces of software but in different flavors and with different purposes or are inputs from others collaborating. The mise en place is multi-modal. I am traversing them, wielding a strange authority over them all. After all afternoon and as the evening beckons, I share the file, toggling on collaboration. A message goes out to all parties. Flow state will come for us all. This is just the beginning. Visit this post on the web or Reply via email
More in literature
My summer plan was to read, short, easy books, and I almost succeeded. I read short, difficult books in French, and accidentally read several grim, sad, violent books, alongside some playful nonsense. FICTION The Field of Life and Death (1935), Xiao Hong – For example. Ninety pages of classic Chinese peasant misery. Plague, starvation, abuse, and then the Japanese invade, with a Cormac McCarthy-like level of violence in a number of places. I had planned to breeze through this on the way to Xiao Hong’s more famous Tales of Hulan River (1942) but that will have to wait. “For Mother Wang, her day of agony was all for naught. A life of agony was all for naught” (p. 29 of the Howard Greenblatt translation). The Witch in the Wood (1939), T. H. White – By contrast, a marvelous piece of nonsense, a much sillier book than the preceding The Sword in the Stone. Monty Python and the Holy Grail now seems somewhat less original. The Sheltering Sky (1949), Paul Bowles – An American couple tourist around Morocco after the war. The husband seeks the sublime; the wife does not. The husband is also a sociopath, and I at one point wondered how long I could stand his company, but after a crisis hits I was fine. Existentialism can seem awfully adolescent when the only problem is ennui, but in the face of a real problem working through the ideas become interesting. All this before the last section, the last 40 pages, as bleak a blast of despair as I have encountered in an American novel. “She felt like saying: ‘Well, you’re crazy,’ but she confined herself to: ‘How strange.’” (Ch. XV, p. 91) That’s how I felt! I, Robot (1950), Isaac Asimov – I have picked up the idea that people working or theorizing on computer programs that are for some reason called “artificial intelligence” take this collection of stories form the 1940s seriously. See for example Cal Newport, a Georgetown University professor of computer science (do not look at his list of publications!) who writes in or on the New Yorker that he was “struck by its [the book’s] new relevance.” I was struck by how irrelevant the book was, or I guess how it was exactly as relevant as it has always been. The first story is a little chemistry problem written by a 21-year-old working on an MA in chemistry, but Asimov soon switches to philosophy. What I think is the most famous story, “Liar!” (1941) is a simple puzzle in Kantian ethics. In the next story, “Little Lost Robot” (1947), the characters solve problems by pushing fat robots in front of trains. I had not realized how young Asimov was when he wrote the first Robot and Foundation stories. If they sometimes seem a little undergraduate, well. The Talented Mr. Ripley (1955), Patricia Highsmith – A regular old murderous psychopath story, good fun compared to some of these other books. Casanova's Chinese Restaurant (1960), Anthony Powell – Another installment of the higher gossip. The narrator has gotten married and spends the book writing around his new wife, so that by the end I know as little about her as at the beginning, although I learn a lot about everyone else. ’I suppose she lives now on what her first husband, Lord Warrington, left in trust. I don’t think Charles’s father – “Boffles”, as he used to be called – had a halfpenny to bless himself with. He used to be very handsome, and so amusing. He looked wonderful on a horse. He is married now to a Frenchwoman he met at a tennis tournament in Cannes, and he farms in Kenya. Poor Amy, she has some rather odd friends.’ (Ch. 2, 89) Neither Boffles, Amy, the Frenchwoman, or the horse are ever mentioned again in the novel. The Pagan Rabbi and Other Stories (1971), Cynthia Ozick Suzanne and Gertrude (2019), Jeb Loy Nichols – A short, sad novel about an introverted English woman who adopts a stray donkey. Expect more donkey content here over the next few months. When These Mountains Burn (2020), David Joy – A final miserable novel, compassionate this time, but unflinching in its look at the ongoing American narcotics epidemic, this time in the North Carolina Smoky Mountains, so painful in places. Joy has recently discovered that where he is lucky to get seven people to attend a free reading in North Carolina he can get seventy people to buy tickets to one in France. He is joining a sadly well established American literary tradition. HISTORY 1177 B.C.: The Year Civilization Collapsed (2014), Eric H. Cline – In a sense more misery, but at some distance. POETRY The Far Field (1964) & Straw for the Fire (1943-63), Theodore Roethke Sunbelly (1973), Kenneth Fields Collected Poems, 1930-1986 (1954-60), Richard Eberhart – the poems of the 1950s, really, not the whole thing. Foxglovewise (2025), Ange Mlinko – Possibly a major work. I think I will revisit it next year when the paperback is published. Recommended to fans of Marly Youmans. IN FRENCH & PORTUGUESE Só (Alone, 1892), António Nobre – Since Portuguese literature is often imitative, I could call Nobre a Symbolist, and he sometimes sounds like the missing link between Romanticism and Pessoa, but I thought his voice was individual. A long poem about a stay in a sanitarium (Nobre died young of tuberculosis) should be translated; it all should be translated. I read a school edition that says the book is recommended to 8th graders. I have no idea how, or how often, this book is actually taught, but I would be shocked if one percent of American 8th graders are assigned such a complex book of poems. Pierrot mon ami (My Pal Pierrot, 1942), Raymond Queneau – Pure jolly fun, but between the slang and wordplay and sudden shifts in register, hard as the devil. Sometimes it felt like I was reading a Godard film. Roberte ce soir (1954) & La Révocation de l'Édict de Nantes (1959), Pierre Klossowski – Two odd novellas. The wife sleeps with the houseguests and the husband theorizes about why this is a good idea. Each novella has one long scene that might be pornographic if not written in such a comically formal register. The second book turns the first inside out, which is interesting. Perhaps those ridiculous sex scenes, for example, are just the art-loving husband’s painting-inspired fantasies. One curious scene describes a painting that could easily be by Pierre’s older brother Balthus. Utterly different style than Queneau but just as difficult. I need to find an easy French book, a Simenon novel, something like that. Contos Exemplares (1962), Sophia de Mello Breyner Andresen – Not as intricate, but often a bit like Isak Dinesen.
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“In spite of the Deconstructionists who say that communication is not really possible, we most of us manage to honor stop signs, and we all honor the dollar sign, whether or not we are willing to admit it.” In 1995, R.L. Barth published The Golden Calf: Poems of Money, edited by the poet Turner Cassity and Mary Ellen Templeton, a fellow librarian of Cassity’s in the Robert W. Woodruff Library at Emory University in Atlanta. The subject is a rare one among poets – so crass, after all, and so bourgeois. Contrast that absence with the ubiquity of the quest for wealth in the novels of the nineteenth century, from Balzac to Henry James and beyond. Even crime novels, whether pulpy or sophisticated, are frequently driven by the desire for loot. The editors have found moolah poems by thirty-three American and English poets writing between the sixteenth and twentieth centuries, without including Ezra Pound’s crackpot ravings in the Cantos. The statement at the top is drawn from Cassity’s introduction. As ever, his tone is arch, erudite, almost campy and very amusing. “[W]hile it has been easy to find poems about begging, borrowing, and stealing, as well as gambling and privateering,” he writes, “it has been very difficult to find poems about simply earning or making money.” Many of us spend half our lives earning money, and yet few poets show much interest in the subject. “Human envy being what it is,” Cassity writes, “Erato and Mammon will probably never lie down together in any degree of comfort, but no topics as central as avarice and ambition can fail to engage a really serious writer, as the Renaissance, the 17th, and the 18th centuries were well aware.” Several of the poets and poems in C&T’s anthology are new to this reader. Take “Worldly Wealth” by the Welsh poet Rowland Watkyns (1616?-64), with the subtitle “Natura paucis contenta” (“Nature is satisfied with little”): “Wealth unto every man, I see, Is like the bark unto the tree: Take from the tree the bark away, The naked tree will soon decay. Lord, make me not too rich. Nor make me poor, To wait at rich mens’ tables, or their door.” Given that money is often a pretext for comedy, some of the collected poems qualify as light verse. Take Ebenezer Elliott’s (1781-1849) “On Communists,” written while Karl Marx, who never held down a regular job and lived off the largesse of Friedrich Engels, was still alive: “What is a Communist? One who has yearnings For equal division of unequal earnings; Idler or bungler, or both, he is willing To fork out his penny and pocket your shilling.” Here you’ll find well-known names too: George Herbert, Jonathan Swift, Herman Melville, Rudyard Kipling and E.A. Robinson. Here is another poem by yet another non-job-holder, though not a sponger like Marx, Emily Dickinson: “Because ’twas Riches I could own, Myself had earned it -- Me, I knew the Dollars by their names -- It feels like Poverty “An Earldom out of sight to hold, An Income in the Air, Possession -- has a sweeter chink Unto a Miser's Ear.” Cassity provides an “Afterword,” his poem “A Dance Part Way Around the Veau d’Or, or, Rich Within the Dreams of Avarice.” It appears not to be available online but you can find it in Hurricane Lamp (1986) and The Destructive Element: New and Selected Poems (1998).
“One must be a seer, make oneself a seer,” Arthur Rimbaud wrote, “by a long, gigantic and rational derangement of all the senses.” As more and more of our senses are being amputated by the blade of our image-centric culture, reducing the vast and delicate sensorium of human experience — moss on a rock, a salty summer evening at the ocean’s edge, a lover’s kiss — to a purely visual representation on a two-dimensional screen, it matters all the more that we train our vision to see beyond the veneer of the visible. It is hardly surprising, given the co-evolution… read article
The Pod Generation’s near-future satire pits nature against technology. Which is the better curator?