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Space to Play I remember childhood as the slow advance of a great laboring Seriousness. When I was in middle school, an awareness began to settle on me that great beings known as “colleges” watched from afar; by high school I understood that I ought to order my life to be pleasing to them. Nobody was entirely sure what, specifically, we ought to be doing, so orthodoxy was the subject of considerable debate. When such things were discussed, Seriousness draped around our necks like lead aprons. We need Seriousness, sometimes. Seriousness is what sweeps in after tragedy, bringing rules and regulations, the eyes of good society bearing down upon you. When you’re having a good time and things start to get dangerous, Seriousness rips through the fun like a cold wind through a T-shirt. But we forget that Seriousness is a means of control, and not a very sophisticated one at that. Wonder and folly alike wither away beneath it. Seriousness is not the same thing as responsibility, though...
2 months ago

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More from Steven Scrawls

Care doesn't scale

Care Doesn’t Scale I met a social worker whose job was to look after four orphaned children. She’d alternate with her coworkers spending 24 hours at a time living with the kids, effectively acting as their parent. The children, unsurprisingly, had a lot of trauma and so her job was certainly not an easy one, but she found it deeply rewarding and she really cared about the kids, and this way the kids—who otherwise might not have had any consistent parental or sibling figures in their lives—grew up together as a family. I was struck by how reasonable the arrangement was. If you wanted to design a social system to care for children who have lost their parents, I don’t know if you could do much better. With four children, each kid can get individual care and attention, but there were four social workers each had three 24-hour blocks per week, so they had time to have their own lives with enough flexibility to take vacations and sometimes have two workers with the kids instead of one. To get that individualized care, though, they had four social workers and four children. One-to-one. Of course, you could probably add a few more children, or subtract a social worker, as a cost-saving measure. It’d be less sustainable, but it wouldn’t significantly change the experience. But you couldn’t stray that far from one-to-one without changing the nature of the experience, without industrializing it to the point that individual care is lost. With four kids, the kids can feel like kids; if there were forty kids, they’d probably feel like they were cattle. We’re pretty limited when it comes to care. In any given moment, you can only really care deeply and individually for one person. There was some pain in that realization. So many of my utopian dreams—what if we could live in a society where everyone can get the food, the housing, the healthcare, the opportunities for growth that they deserve—come from a place of wishing that we could live in a world where people are cared for. The enormity of the scale of human suffering makes individual effort feel futile, driving people towards solutions that scale—we should build more housing, reform healthcare, reform the financial system, have a different kind of government, change the incentives, etc. Adults often come to see small-scale solutions to major problems as childish. Yeah, you could make a couple of sandwiches for the hungry—but there are billions of people who need better access to food. Maybe your effort is better spent working on solutions that can scale. So it is that children who feel bad for the guy on the street grow into college students who have strong opinions about socialism or technological development. Then something shifts again when those students graduate and start working and have kids, and suddenly they’re thinking a lot more about bibs and bottles than economic models. Some people see the waning of fervor for grand causes as a sign that people are losing hope in a better world, becoming complacent. Others see it as a natural part of getting older, as a healthy way of focusing on what they can control, of not getting lost in self-righteous hypotheticals. There’s probably some truth on both sides. But I wonder if part of that smaller focus comes from a deep realization that care doesn’t scale. Unscalability is anathema to the engineering mind. It’s weirdly terrifying to consider that you could be the CEO of a company devoted to feeding the world, spend your life developing the Food-o-Matic which can feed everyone on the planet, but if you neglect to care for your kids, then your kids just have to live with your neglect. It’s been a good opportunity to re-examine my worldview. I’ve regarded low-scale activities with a kind of casual dismissal for much of my life—not that I don’t respect or value people with occupations operating at an individual level, but I was always skeptical about pursuing such things myself because some part of me thinks “we live in a massive world in a time of massive reach. A textbook could educate thousands of people, a speech could inspire millions, great software could touch the lives of billions. Why would you choose limited pursuits when you can do something limitless? Isn’t unbounded potential for scale better than the mere individual?” Software engineering as a field is made up of people who are very conscious of missed opportunities for scale (“why isn’t there an API for this so I don’t have to call in and wait on hold for an hour?”). And that’s not a bad thing! Software has added a ton of value to the world by making things accessible to everyone that used to be accessible to only a few. Scale isn’t bad, at least not necessarily. Industrial is perfectly capable of being better than custom. Sometimes the YouTube video is more helpful than the private tutor. But there’s some part of me that twinges with a sense of insufficiency when I think about doing something small-scale. I mean, this very second I’m writing a blog post—converting these thoughts into a format conducive for consumption at scale. It can be tempting to view individualized work as something paltry or unimportant. It doesn’t help that people whose work can scale get access to fame, wealth, and power that will rarely be available to people operating at an individual level. And yeah, sometimes small-scale work is just wasted effort, the result of being too proud to see that the same result could be achieved with less work. But sometimes things can’t scale without changing. Care doesn’t really scale without becoming something else. Thinking about this has helped me reframe how I feel about things like parents looking after their children, things like my friends taking time to chat with me. It’s not that I cynically didn’t think those things were important; it’s just difficult to shake the sense that people, that I, should be doing bigger, better things. For care, though, it doesn’t get bigger and better. If your goal is to educate the world, you can look for ways to educate thousands or millions. If you want to inspire the world, the billions await. But if your goal is to care for the world, and in a given moment you’re deeply caring for one person, you’re doing the best it’s possible to do. There’s something oddly comforting about that.

6 months ago 23 votes
Supposedly-Deceased Intellectuals Found Living at Resort

‘Small Village’ of Supposedly-Deceased Intellectuals Found Alive, Thriving at Caribbean Resort Gabriel Martinez, a 35-year-old confectioner living in the Cayman Islands, thought he was posting a simple promotional photo when he snapped a picture of his ‘cocoa-banana-surprise’ and posted it to Instagram last week. Instead, he ignited a scandal still blazing its way through the publishing world when his followers noticed a gathering of prominent intellectuals sitting at a table in the background. Such a gathering—including a bestselling novelist, two Nobel prize winners, and an acclaimed journalist—was already noteworthy, but it was particularly remarkable because everyone seated at that table was, supposedly, dead. A firestorm of confusion ripped its way across social media, prompting a curious group of well-connected locals to poke around a bit. Within hours, they discovered several hundred ‘deceased’ public intellectuals enjoying posthumous sunshine and martinis at the resort. A few hours later, when the gig was clearly up, the ‘deceased’ released a statement explaining their actions, including this illuminating paragraph: “For those of us who have reached a certain level of fame, there’s a moment after you die when the public comes together to remember the significance of your work, leading to one last big sales boost for your books. We call it the ‘bucket bump’. In the past, that payday went directly to your publisher, and hopefully your family, but eventually some economists got fed up with it and started faking their deaths once they were done writing and doing speaking tours. It worked well, so these days, it’s standard practice—you’ll work with your agent and financial planner to decide the timing, and then a specialized contractor will convincingly fabricate your demise. We found a resort owner who gives us massive discounts because he wants his kids to grow up surrounded by the major intellectuals of the day, and now we usually live out the last few years of our lives here. We hope the public can empathize with the challenging predicament we face, and we regret any pain or feelings of betrayal caused by our deception.” Many people seemed unimpressed with the statement, leading some people to denounce their former favorite writers, including this indictment from an East Coast senator: “Our intellectuals, lauded for their honesty and integrity, systematically lied to us for their own financial gain. Graveyardgate is NOT a victimless crime. We needed their knowledge, their wisdom, now more than ever, and we found them huddling under a blanket.” Several dormant social media accounts, many of which still claimed that the account holder was deceased in their bios, flared back to life to disparage the remark. “I spent my career BEGGING for funding. I dipped into my own savings, delayed my retirement, to fund my work, and then LITERALLY THE DAY I DIED everyone and their mother is singing my praises and whipping out a credit card. I don’t regret any of the ‘pain or feelings of betrayal’ I caused at all. You people deserve this.” “need us now more than ever?!? excuse me?!?!? i was retired seven years before i took my bucket bump. i answered e-mails. i took interviews. this is my life’s work, i’m happy to discuss it. sometimes people reached out but mostly it was crickets. then i ‘die’ and all of a sudden it’s ‘oh she had so much more to teach us’ as if you’d been banging down my door this whole time. um no? if you cared so much about my abilities maybe you would’ve asked me to use them sometime in the past 7 years?” “It IS a victimless crime, though. You’d be surprised how many household names, people who singlehandedly reshaped the public discourse on a major issue, have cash flow problems. For a while we had a brilliant solution—decouple the public’s flurry of mourning and spending with the actual day of death. The public still mourns, I still die, just not at the same time. All the money made from selling my book is money I earned—the fact that I had to fake my death to get it is incidental. Just because the public sucks at funding research and the arts doesn’t mean we’re not allowed find solutions. Honestly, bucket bumps were an elegant way to get around a well-known problem, and I certainly didn’t mind seeing everyone say something nice about me for a change. Oh, well, guess that’s ruined now, too.” One post in particular, hastily deleted, has led to rampant speculation: “it’s not like we just stopped working either. we’ve made some serious breakthroughs here and written plenty of books. often the insights are significant enough that they’re not plausible for existing thinkers so we have to find someone new to deliver the message. you ever seen someone have a book that’s absolutely brilliant and their subsequent work is hot garbage? yeah. odds are the first one was us.”

9 months ago 18 votes
The Controversial Aftermath of the 777Linguine Interview

The Controversial Aftermath of the 777Linguine Interview Longtime fans of popular EDM “angststep” artist 777Linguine are “shocked” and “betrayed” after his polarizing statements yesterday that his latest album, NOMORETEARS2CRY, was written and recorded in a time of “profound mental peace”. “My first two albums came from a really unhealthy place,” 777Linguine said in an interview with MetroKnowEm. “I was hurting and I turned to music to express that pain. But the past few years have been really good for me, and I’ve made a lot of progress, you know? I’ve been able to let go of the resentment that fueled those first albums without losing my love for the music itself. But that meant I needed a new approach for my newest album, so I started writing songs based on memories of the pain I used to feel. It was weirdly fun to express that anger through my vocals because it doesn’t feel real, it doesn’t hurt me anymore. I’m just so happy and grateful now, every day, to be alive.” His interview proved unpopular among many of his most dedicated fans. “It’s honestly disgusting,” one fan said. “If you’re going to make music, you should mean it, okay? You’re lying to, like, millions of people just for money. This is a disgrace.” Other fans took to X (formerly Twitter) to express their discontent. One such fan, whose username has been angststep is dead since the release of the interview, said “art is supposed to be about expressing urself. loved singing NOMORETEARS2CRY in the car. felt heard, understood. but it wasnt real. cant even listen to his early albums without remembering. #saveangststep #impasta” One of the other biggest creative voices in angststep, BEDTHEOFSIDEWRONG, called out 777Linguine directly in a jam session stream on Twitch. “If you want to make an album while you’re healing, I could understand that,” he said. “It’s raw, it’s ragged, it’s a story. It’s hopeful, sure, but that real underlying darkness is still there. But if you’re all happy and healed now, then frankly, this genre isn’t about you anymore. Go record some New Age whalesong meditation and play it for your yoga class. The rest of us are moving on.”

10 months ago 21 votes
Not As Giants Love

Not As Giants Love Short story, ~2000 words A week ago, when I asked you if you still loved me, I thought the most painful thing you could’ve said was no. I don’t know if you remember, but when you said “Of course I still love you” and asked if I still loved you, I started to step forward as I said that I did. I thought it was the moment of reunion. I thought I was about to hold you again. I don’t think I can express how I felt when you said “I don’t believe you.” Well, you know what came next. I tried a torrent of words to convince you of my feelings, all of them useless. I didn’t reach you. You said you needed to sleep. I stayed up another three hours after you went to sleep. That night was the worst one. I couldn’t have imagined how quickly my resentment would grow. You wanted too much, I thought. You wanted a love more steady, more sure, than I could ever provide. This is real life, and people are imperfect, and I was trying, after all, and it’s not like you never hurt me. By the time I finally accepted that I needed to rest, I was furious. It’s for the best you pretended to be asleep when I went to bed. I calmed down a bit after that, but for days all I could think of was how I could prove it to you. I dreamed up exotic vacations, perused expensive gifts, tried to think of a promise I could make to you that would convince you of my conviction. Every idea felt somehow both too grandiose and not good enough. The promises felt melodramatic, because both of us have learned through bitter experience that my words don’t always survive being put to the test. I was afraid nothing I could say would give you solace. I thought you were demanding perfection, and I knew myself better than to believe I wouldn’t fail again. You started going to bed early, and I started staying up late, writing the first two iterations of what would become this letter. The first was angry, and the second was a plea, begging you to please, please just accept me, flawed as I am. I told myself that Lucille wouldn’t notice anything out of the ordinary, that she was just a teenager, but the way she forced conversations at dinner and started making a point to go out with her friends in the evenings left me with little doubt that she could see more than we’d wanted her to. I can’t fault her for trying to spend time away from home. She was terrified and didn’t know what to do. I felt the same way. It hurt, though, that she retreated. It hurt that she found solace with her friends and not her father. It hurt that she talked to you about it and not me—I know she did, and I’m glad one of us could support her, because I’m sure she needed it, but it still hurt. It’s pathetic, but I found myself wishing for a catastrophe, some great threat, some common enemy. I played out elaborate fantasies of what we’d do if we found out Lucille secretly had an abusive boyfriend or something, or if there were some kind of natural disaster. Suddenly, everything would become clear. You wouldn’t doubt my love then, if I just had the chance to show it. For days, I couldn’t stop thinking about scenarios like that, where you’d need a husband and Lucille would need a father. So many stories about fathers place their families in danger—now I understand why. Those stories are outlets for the desperate care that thrashes within us. In that moment, I felt I could not express that extraordinary care without correspondingly extraordinary circumstances. I begged for a storm so I could protect you from its winds. Love, I called it. Love, that surge of yearning fondness that I choke on when I think of you, when I think of the life we have built together, when I think of Lucille growing up and us growing old together. I spent days in a tumble-dryer of self-righteousness. If only she knew, I thought, then she wouldn’t be so dismissive. If she knew the fervor with which I burned, the overwhelming self-sacrifice of my imagination, she would never doubt. I wanted that fervor to be love. I wanted it to be enough. Then, two evenings ago, in the midst of these heroic fantasies, I walked past the dishwasher—clean and ready to be emptied—and I barely even noticed. Some part of me knew you’d take care of it in the morning. I was dimly aware that something was strange about that sequence of events, something was wrong, and then a little thought scurried through my mind, the kind of thought that seems insignificant until you pick it up to examine it and suddenly you can’t think of anything else: who was I kidding? Who was I kidding—I’d take a bullet for you? I wouldn’t even take out the trash for you. What kind of love was I offering, where in my mind I crossed oceans to remain by your side, but here you were, right next to me, and I was letting you slip away? I could imagine myself facing down torture and death for you, but the story always ended with you apologizing to me. I told myself stories where I was larger than life so I wouldn’t have to face my feelings of being weak, mistrusted, and insufficient. I could not bear to see myself as the flimsy thing I am. Gradually, painfully, I came to see what I’d been doing. I tried to tell myself that I hadn’t changed, that I was still just as committed to our relationship as ever, but it was only half true. I hadn’t changed, not exactly. I had…eroded. How? When people ask me when I knew that I was in love with you, I never know what to tell them, so I tell them when the first domino fell and set in motion all that followed. On our fourth date, there was this moment when you’d rushed ahead to beat me to the glade, and you turned to look back at me, excited and a little nervous, like you weren’t completely sure that I was coming. A little piece of my chest lurched towards you, and it never fell back into place. I knew I never wanted you to look behind you and not see me following. From then on, that was what I thought of when I thought of you. You were that golden girl, framed by sunlight and joy, with your nervous smile and the slight bounce in your step and the lurch in my chest. And even now, sometimes, you’ll make that nervous smile, and it all comes flooding back—the feelings, the vows, and I’m reminded of why I chose this in the first place. But sometimes, you’re not smiling like that. Sometimes you’re forgetting to clean your shoes when you come back in from the garden, or you’re trying too hard to be upbeat when I’m down, or you’re going all quiet, shutting me out when I’m trying to talk. And it’s not just you. I would’ve said I loved Lucille as soon as we found out you were pregnant, but it was all so academic at that point. I didn’t really get it until she was two weeks old and you were asleep and I was holding her, and I looked at her and she just stared at me and I couldn’t look away. Your eyes. My little golden girl, who needed me to look after her, clothe her in diapers until she could clothe herself in sunlight and joy like you. And a minute later, she was screaming bloody murder and a month later I was cleaning up a blown-out diaper and a decade and a half later she was giving me one of her lectures about what would be fair and I was about ready to throttle her— and when I was tired or annoyed or just sad, I started to play this horrible little eroding game. In the game, I’m a giant. In the game, I’m married to another giant, the golden girl, and we have a giant child, Lucille, the baby staring at me with the golden girl’s eyes. You and Lucille aren’t giants. You’re life-sized, and I didn’t say my vows to you, I said them to a giant clothed in sunlight. In the game, my daughter is a giant with piercing eyes, not a sarcastic teenager who speaks with certainty about societal systems she has not even experienced, let alone understood. Every once in a while, something happens—maybe Lucille is curled up reading comics on the couch with the blanket wrapped around her and her nose is all scrunched up from laughter and suddenly she’s that child again, the magic of the moment grows her to colossal proportions and she’s my beloved baby girl. Sometimes you say just the right thing or the light catches you just right and you are the golden giant once more, and I love you, and everything is as it should be. In the game, I’m the perfect husband, because whenever I am with my rightful giant family, I treat them with all the tender love they deserve. As for you and Lucille as you really are, human-sized, well, that’s not really my responsibility. The rules of my game say I don’t have to love you until I catch another glimpse of the best of you. It hurt to come to those conclusions. It hurt to accept what I had been doing, and when I saw how I’d been treating you, I felt pathetic. I shrank back into myself, and everything I did became this tragic demonstration of just how horribly unworthy of you I was. It took a while to recognize that my whole self-loathing performance was simply a dark reflection of the same problem. If I am perfect, I am not required to change; if I am worthless, fundamentally flawed beyond salvage, then I am not capable of change. The darkest depths of self-hatred, miserable as they were, were little more than an avoidance pattern. I only hated myself and deemed myself unworthy because it was easier than the terrifying alternative—that I had always been capable of loving you, but I just hadn’t. I’m afraid that it’ll be too hard to love you like you deserve. That I’ll struggle and fall short and there will be nothing left for us. But I’m even more afraid that it’ll be easy, and that you’ll have suffered for years because I let myself pretend that love was nothing more than holding a ball of longing in my chest. I’m sorry. I emptied the dishwasher. I cleaned up the office like I said I would, and mopped the floor for good measure. I paid some bills, did some laundry. I bought you flowers. Small things, I know. But perhaps that’s for the best. Small things are beneath the attention of giants. Giants love in grand gestures, in scenes from my martyr fantasies: they rescue their daughters from madmen while the cameras roll, they carry their loved ones across war zones. But giants aren’t real. Even the greatest among us live human lives, and are made gargantuan later by history and narrative. We are not giants, we only pretend to be. We ‘love’ by trying to wave away the clouds, imagining they will disperse, imagining we have saved our loved ones from the rain. We ‘love’ by wasting our lives away, awaiting a suitably giant moment. In the unlikely event that such a moment arrives, we are humbled, not vindicated. So I was wrong when I said that chores were small things. I thought emptying the dishwasher was a small way to express my love, but I was the perfect size for it—small enough to handle the utensils, big enough to reach the cupboards—so it wasn’t small at all. They say that life is about the little things, but I don’t believe that anymore. Quiet moments of joy and beauty aren’t small, either, they’re human-sized. Maybe the things that matter only seem little because we’ve convinced ourselves that we are titans. After I bought the flowers, I talked with Lucille about her difficulties at school. It went much better than usual. I want to believe that means something. If you’re willing, I’d like to talk with you, too.

10 months ago 20 votes

More in literature

What I Read in April 2025 – Have we cherished expectations?

I should make that the new official slogan of the blog.  It is from p. 614 of Finnegans Wake, one of the books I recently read. FICTION The Sword in the Stone (1938), T. H. White – I for some reason did not read this as a youth.  It is wonderful, full of anachronism and parody and outstanding British nature writing in the tradition of Gilber White (mentioned in the novel) and Richard Jefferies.  It turns out that the most important thing in the education of a king is to know what it is like to be a fish. Finnegans Wake (1939), James Joyce – begin Here and Continue to the End. The Big Clock (1946), Kenneth Fearing – A jittery Whitmanian poet of the 1920s and 1930s finally cashes in with a jittery multi-voiced semi-mystery.  The “detective” is the staff of the equivalent of Time Inc., making the killer Henry Luce.  The detective is deliberately not trying to solve the mystery.  The single best part is narrated by a cranky painter.  Odd, odd book, but I see why it survives. The Mountain Lion (1947), Jean Stafford – A Boston writer, but this sad descendent of What Maise Knew is set in California and on a Colorado cattle ranch. The Jewels of Aptor (1962), Samuel R. Delaney – His first novel, clumsily constructed but stuffed with imaginative conceits.  I’d never read Delaney. God's Country (1994), Percival Everett – Almost every Everett novel and short story I have read has a similar voice and narrator, a PhD with a savior complex.  James in James does not have a PhD, but might as well.  In this Western, however, Everett’s narrator is an idiot and another, non-narrating character fills the usual role, which is a lot of fun.  Thirty years older, God’s Country is a companion novel to James (2024).  I urge anyone interested to read them together.  It is time to get the James backlash going.  I have seen a couple of interviews where Everett himself seems to be trying to get the backlash going, but it has not worked yet.  I have read eleven of Everett’s books now and hope to read many more.  James is the worst one! POETRY Blues in Stereo (1921-7), Langston Hughes – It is like a gift book, a pointlessly tiny volume that could and should be expanded to include all of The Weary Blues (1926) and Fine Clothes to the Jew (1927), both of which are in public domain, which seems to be the limiting concept.  But for some reason this book does include the pieces of a never-realized collaboration with Duke Ellington that is a fantasy refraction of The Big Sea (1940), Hughes’s first memoir.  I do not think the theater piece has been published before.  Worth seeing. Collected Poems (1940), Kenneth Fearing – High-energy Whitman mixed with advertising=speak and business lingo and gangsters.  So sometimes it’s kitsch. Ten Burnt Offerings (1952) & Autumn Sequel (1953) & Visitations (1957), Louis MacNeice Chord of Light (1956) & Hermes, Dog and Star (1957), Zbigniew Herbert What Rough Beasts (2021), Leslie Moore – An earlier book by a Maine poet and artist I read a year ago.  She specializes in prints, and poems, about birds and other animals.  About an hour after reading her poem about grackles invading her yard and establishing a grackledom the grackles invaded my yard and ruled for several days.  That was enjoyable. MISCELLANEOUS Lexington and Concord: The Battle Heard Round the World (2018), George C. Daughan – Preparation for the 250th anniversary of Paul Revere’s ride and the Battle of Lexington and Concord, which is another thing I did in April.  Here I am at the Concord parade, the library in the background. Sound May Be Seen (2025), Margaret Watts Hughes Lecture on Radium (2025), Loie Fuller No Title (2025), Richard Foreman – Three little collectible conceptual art books.  I will just point you to the website.   IN FRENCH & PORTUGUESE Peregrinação de Fernão Mendes Pinto: Aventuras extraordinárias dum português no Oriente (The Pilgrimage of Fernão Mendes Pinto: Extraordinary Adventures of a Portuguese Man in the Orient, 1614), Fernão Mendes Pinto – The real book is a 900-page semi-true account of a Portuguese wanderer in the 16th century Far East who, in the most famous episode, joins up with a patriotic privateer, or a bloodthirsty pirate.  The book I read is a rewritten abridgement for Portuguese 9th graders.  How I wish I knew how it was taught.  La femme partagée (The Shared Woman, 1929), Franz Hellens La Cité de l'indicible peur (The City of Unspeakable Fear, 1943), Jean Ray – I plan to write a bit about these two novels, my excursion to Belgium. Navegações (1983), Sophia de Mello Breyner Andresen

7 hours ago 2 votes
Barbara “Nuggie” Schuetz-Hamid

Rest in peace little one. I never would have guessed that a 4-lb Chihuahua would come into our lives, let alone be the animal to steal my heart before Jen’s. Our previous animals — two cats and a Boxer dog — are a stark contrast to a tiny dog that we would carry around in a sling or a backpack and take practically everywhere. That was what was in store for us in May 2019 for Memorial Day weekend, when Muttville — where Jen volunteered at the time to help with the rapid succession of loss with our other animals — was encouraging employees and volunteers alike to help take an animal home for the long holiday weekend so all would have a home. There were two dogs in ISO (isolation) because of potential kennel cough. One was a miniature pinscher named Dolly Parton, and the other was a tiny white-and-tan Chihuahua named Barbara. Jen went in and scooped up a blanket that contained the Chi. I had to take a quick group selfie as we walked from Muttville to the car. We were to foster her through her initial intake: help with looking at her messed up eye, getting spayed, removing a cancerous mammary tumor, and then to bring her to adoption events. We fixed her eye with the help of the amazing Dr. Mughannum at Vet Vision, who had helped Shaun, our Boxer, with issues years prior. We got her spayed. We got her tumor removed. And then she stole our hearts. This lady cleaned up nicely. I fell in love quickly, while Jen held out a little longer. It’d only been four plus months since the last of our original trio, Loki the cat, had passed. We joined the foster fails club. Estimated at 12 years old, we had another animal living with us again. She was our first female, and true to her nature, was absolutely fierce, independent, and extremely loving. Over the next almost six years, she would fill our lives with joy, laughter, and showed us what life looked like when you could take an animal almost everywhere. One of our favorite camp spots in southwestern Utah, overlooking a valley. We're perched by this cliffside and enjoying some simple food I just cooked up. Barb went camping with us everywhere. People would take photos of her for their socials, swoon over her, give us free coffee, and even bypass hotel pet deposits, all because she was a tiny thing that fit in a sling. Sitting at Quarrelsome Coffee in St. Louis, Missouri, on our mega roadtrip to the Midwest. We were told because of her cancer and tougher life — she was a stray on the streets of Oakland — that we’d maybe have two or three years with her. With Jen making all of her food (Chihuahuas of this size do not have high caloric needs), and us taking her on adventures camping, hiking, and regularly exercising and socializing her with our friends, we believe we were able to extend her years and we hope she got to live out her retirement years with panache. After all, what 4-lb dog would go camping in a roof top tent at 11,000 feet in Colorado, but also slum it at the Four Seasons in Las Vegas? This Chihuahua. Camping in late December 2022 on a cool evening in Quartzsite, Arizona, and someone is enjoying the fancy bed at the hotel. We realized she was slowing down when we last went camping. A trip to the Sierra with Ryan, showed us that her tolerance for high altitudes and heat were becoming too much for her. August 2024 would be her last time out in the wild. 117 nights in a roof top tent. Her last phase of homebodiness began to show towards the end of last year, and in December, a rough few nights had us begin the discussion of the end. As 2025 rolled over, she began to lose her eyesight. It’d been declining due to cataracts for a while, so walks had stopped, and around February, we could no longer take her outside to potty. She couldn’t tolerate the time from our 2nd-floor apartment to the street, and we let her use the tiled floor in our bathroom. Her bowels needed frequent disposal, and pee pads in the apartment were normal in the past few months. She was still eating, she was still digging in her bed, and she was still enjoying the sun. Dementia had started and her bouts of confusion coupled with her blindness limited her autonomy. Her beds were her safe place, as well as our laps. Especially mine. We started to keep tally of the good and the bad days. For a while, the good days still outweighed the bad, and then they started to draw even. This past week, the days were all bad. And late on Thursday, May 1st, she started to wheeze and cough. “She’ll tell you when she’s ready,” was what our friend and neighbor told us a week prior. And he was right. She was telling us. We made a plan to call her vet this morning but if anything happened in the middle of the night, we’d head to the emergency vet. As we wound down for bed, she struggled with getting comfortable and ultimately snuggled up to me by my head. This was something she did regularly when she first came into our lives but hadn’t in past two years, and groggily, I took that as a further sign that she wanted to just be with us and know that we were there. Puffy face, red eyes, but cherishing this last night and then enjoying Jen's lap despite her tiredness. In the morning, Jen made the call and we made an appointment for 1:30pm. We wanted to have some time. Barb had other plans though and her weak body and labored breathing was a little worse. I canceled meetings and we left the house early. She seemed content in her blanket and Jen’s arms. We decided to drive to Bernal Heights to let her feel the sun on her skin, and the wind through her fur. We wanted to give her one last look at the city that was home for the past six years. Even if she couldn’t really see anymore. One last look at this city she's called home for almost six years. We arrived at the vet and they quickly arranged and sorted out a room for us. A new vet gently welcomed us. She wasn’t Barb’s regular vet, but was still kind and gracious as she told us the plan: a sedative, then a deeper one. They were busy, but they also wanted to give us a bit of time so we spent the twenty or so minutes snuggling her and recalling some of her best moments. She came into my arms so I could get some last snuggles in. She emitted a sleepy tiny bark and her little legs were moving. It reminded us of when she’d be dreaming and running in her sleep. She settled. Moments later, the vet walked in and asked if we’re ready. We started to adjust position a bit, and the vet asks, “Is she still with us?” We laid her down on the nearby table, and I knew. The vet confirmed it with a stethoscope, and she was gone. Barb crossed the rainbow bridge at around 10:45am, in my arms with the two people who loved her the most. We lingered saying our goodbyes, thankful that she stayed true to herself, and did it on her terms, in her way, in my arms. She is missed severely. Our little adventure buddy, and the joy of our lives will meet the rest of the gang. I hope they’re romping around together. RIP Barbara, c. 2007–May 2, 2025. See you at the rainbow bridge. Visit this post on the web or Reply via email

9 hours ago 1 votes
Let's read Moral Ambition together

Rutger Bregman's new book is the subject of our next literary salon.

10 hours ago 1 votes
'The Bolt of Inspiration Strikes Invariably'

“Inspiration is perhaps merely the joy of writing: it does not precede writing.” A student and aspiring fiction writer wonders why I seldom refer to “inspiration.” What is it? Do I deny its existence? Have certain writers successfully relied on it? Can he? My answer is yes and no, which betrays my background as a newspaper reporter. Telling an editor I hadn’t completed a story because I wasn’t “inspired” would be grounds, at minimum, for mockery if not dismissal. All those years of writing for a daily deadline resulted in a work ethic that now is second nature. You learn to budget your time appropriately, make telephone calls in a timely fashion and write even when the Muse is nonresponsive.   Writing can jump-start inspiration. Just plow ahead, get something on the page or screen, and you’ve created the conditions necessary for inspiration to bloom. Shortly after publishing his penultimate novel, Transparent Things (1972), Nabokov published a teasing essay titled “Inspiration” in the January 6, 1973, issue of The Saturday Review. Listen to the voice of a man who had published his first novel almost half a century earlier. He describes his experience with inspiration in detail:   “The bolt of inspiration strikes invariably: you observe the flash in this or that piece of great writing, be it a stretch of fine verse, or a passage in Joyce or Tolstoy, or a phrase in a short story, or a spurt of genius in the paper of a naturalist, of a scholar, or even in a book reviewer’s article. I have in view, naturally, not the hopeless hacks we all know—but people who are creative artists in their own right . . .”   [The sentence at the top is Jules Renard’s entry for May 9, 1898, in his Journal 1887-1910 (trans. Theo Cuffe, selected and introduced by Julian Barnes, riverrun, 2020).]

3 hours ago 1 votes
The Shipping News

Ian Kumekawa tells the story of the global economy in one barge The post The Shipping News appeared first on The American Scholar.

4 hours ago 1 votes