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Pageboy is a tiny app that lives in your Mac’s menu bar and helps you make static websites a bit more easily. Use the good ol’ HTML, CSS, and JS you already know to build your headers, footers, and partials — then bring it together with a simple tag and instantly see the output. Neat! Visit original link → or View on nazhamid.com →
4 months ago

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More from Naz Hamid — Journal + Links

✏️ Tag, you're it

Tagged by Scott and Luke and in thoughtful return, I’m answering the Blog Questions Challenge here. Some of these answers may overlap with the answers I gave Manu for his People & Blogs series, so I’ll do my best to do something a bit different. Please visit Manu’s P&B site though, and read through many of the excellent interviews there. Much credit to Bear Blog for these questions. Why did you start blogging in the first place? I noted how I appreciated the early bloggers, in particular from the Pyra Labs/Blogger crew, but to go back even further, I was fond of journaling early. Much of that was in the form of drawings as a child, then coupled with text. It wasn’t until I read about how musicians like Eddie Vedder of Pearl Jam would keep copious journals, and in particular, Henry Rollins’ Get In The Van, showed me that documenting your life was important as a record of a lived person. Rollins would later read from these journals early in his transition from full-time musician to spoken word artist, and the storytelling inspired me. Since I was online, and web design had captivated me, it all came together. What platform are you using to manage your blog and why did you choose it? I’m currently using the lovely static site generator, Eleventy (11ty). It pushes to a GitHub repository, which triggers a deploy to Netlify. After using so many different platforms over the decades, with my posts and data semi-locked in MySQL databases, the idea of a fast, file-first, SSG was the way I absolutely wanted to go when I started blogging at this domain. Steph Ango’s File Over App is a thoughtful read on data portability. Have you blogged on other platforms before? As mentioned just before this, yes. I started with Geocities, Livejournal, tried Greymatter, then Movable Type was the first to make it all click. I got really comfortable and pushed that system far — Gapers Block was the most involved version that I had done with multiple blogs running under one instance with different layouts and sections and includes all over the place. Dean Allen’s (RIP) Textpattern stole my heart away for many years after MT got acquired, and then I stopped blogging when Weightshift became my focus, and social media started to bloom. Weightshift used various CMSs for clients: MT, TXP, ExpressionEngine, CraftCMS, Wordpress, etc. I toyed with Tumblr, and other things, but eventually restarted with Jekyll, but quickly switched to 11ty. How do you write your posts? For example, in a local editing tool, or in a panel/dashboard that’s part of your blog? Most everything starts in Bear. I have a master note of ideas, that links out to other notes and I keep adding new ones, revisit others, and check off published ones. When do you feel most inspired to write? Whenever an idea strikes. This can happen at any time and drafts are started anywhere. I generally publish in the evening though. Do you publish immediately after writing, or do you let it simmer a bit as a draft? I used to be more immediate with my publishing decades ago, adhering to a near daily schedule. These days, some thought and care goes into each post, and if possible, I like to add a touch of flavor to a post, like the rotated album covers for the Music in 2024 post. What are you generally interested in writing about? How we as humans live in a world ever-changing because of technological influence and society’s adoption and adaptation to it. I love travel so posts about cultures and countries, as well as overlanding and camping domestically. And personal things that are more feeling the feels. Who are you writing for? Myself first, but through a lens of, “this information or thought could help someone else, and/or I’d love to share a different perspective that’s unique to me.” What’s your favorite post on your blog? 2023 in the Rearview is a big one, and I worked on that for a while. Taken for a Ride is a good one I think about taking a Waymo autonomous vehicle for the first time, but I like the sort of pieces that come from a more emotional and resilient place, like Let This Be a Moment, that allow me to work through things. Any future plans for your blog? Maybe a redesign, a move to another platform, or adding a new feature? I’m very content with 11ty. I’m constantly evolving and refactoring the design and code where I can see improvement. This is a lovely mode to be in: it’s iterative like software development than constantly new like marketing. As for features: a work section (underway), and better ways to showcase my photography, which is a longtime interest and activity for me. Tag ‘em. I’m going to tag Bix, Ethan, Gosha, Grant, Matt, Piper, Rachel, Simon, Susan, Thu, and Winnie. Read on nazhamid.com or Reply via email

3 months ago • 37 votes
🔗 Be A Property Owner And Not A Renter On The Internet

We are tenants with landlords who want to make sure that we can’t leave the building or go hang out with friends elsewhere, all while showing us how happy we should be with the limitations imposed on us. — Den Delimarsky A long, weighty one, but very worth the read. Visit original link → or View on nazhamid.com →

3 months ago • 25 votes
🔗 SEEN, READ 2024

01/05 PREDATORS, AMERICAN GREED — Steven Soderbergh Director Steven Soderbergh's media recap of 2024. It's fascinating to see how many movies he watched multiple times, and the reverse watch of the original Star Wars trilogy. Phantom of the Menace twice too? Visit original link → or View on nazhamid.com →

3 months ago • 25 votes
🔗 Media Recap 2024

I’m including the most memorable, impactful, or beloved works of—creative genius, or something, that I’ve encountered this year. I’m not a critic; I am mostly just talking about things I liked. These are tremendous to me. I hope they can be tremendous to you, too. — Anh The list is great, but this one is also visually gorgeous. Best experienced in a browser near you. Visit original link → or View on nazhamid.com →

3 months ago • 21 votes
🔗 Future Web

It’s idealistic and very millennial of me to reminiscence the early days of Web innocence, unbound creativity it hosted and wonderful lack of monetisation of virtually every aspect of being online. We can’t turn back time. But, individually and collectively, we can strive for better as the Web evolves as a home for work, knowledge, community, and love. We can resist the ongoing enshittification and corporate capitalism. So I jotted down an non-exhaustive list of what I’d love the future Web to be. — Karolina Szczur A great list. Visit original link → or View on nazhamid.com →

3 months ago • 24 votes

More in literature

What I Read in April 2025 – Have we cherished expectations?

I should make that the new official slogan of the blog.  It is from p. 614 of Finnegans Wake, one of the books I recently read. FICTION The Sword in the Stone (1938), T. H. White – I for some reason did not read this as a youth.  It is wonderful, full of anachronism and parody and outstanding British nature writing in the tradition of Gilber White (mentioned in the novel) and Richard Jefferies.  It turns out that the most important thing in the education of a king is to know what it is like to be a fish. Finnegans Wake (1939), James Joyce – begin Here and Continue to the End. The Big Clock (1946), Kenneth Fearing – A jittery Whitmanian poet of the 1920s and 1930s finally cashes in with a jittery multi-voiced semi-mystery.  The “detective” is the staff of the equivalent of Time Inc., making the killer Henry Luce.  The detective is deliberately not trying to solve the mystery.  The single best part is narrated by a cranky painter.  Odd, odd book, but I see why it survives. The Mountain Lion (1947), Jean Stafford – A Boston writer, but this sad descendent of What Maise Knew is set in California and on a Colorado cattle ranch. The Jewels of Aptor (1962), Samuel R. Delaney – His first novel, clumsily constructed but stuffed with imaginative conceits.  I’d never read Delaney. God's Country (1994), Percival Everett – Almost every Everett novel and short story I have read has a similar voice and narrator, a PhD with a savior complex.  James in James does not have a PhD, but might as well.  In this Western, however, Everett’s narrator is an idiot and another, non-narrating character fills the usual role, which is a lot of fun.  Thirty years older, God’s Country is a companion novel to James (2024).  I urge anyone interested to read them together.  It is time to get the James backlash going.  I have seen a couple of interviews where Everett himself seems to be trying to get the backlash going, but it has not worked yet.  I have read eleven of Everett’s books now and hope to read many more.  James is the worst one! POETRY Blues in Stereo (1921-7), Langston Hughes – It is like a gift book, a pointlessly tiny volume that could and should be expanded to include all of The Weary Blues (1926) and Fine Clothes to the Jew (1927), both of which are in public domain, which seems to be the limiting concept.  But for some reason this book does include the pieces of a never-realized collaboration with Duke Ellington that is a fantasy refraction of The Big Sea (1940), Hughes’s first memoir.  I do not think the theater piece has been published before.  Worth seeing. Collected Poems (1940), Kenneth Fearing – High-energy Whitman mixed with advertising=speak and business lingo and gangsters.  So sometimes it’s kitsch. Ten Burnt Offerings (1952) & Autumn Sequel (1953) & Visitations (1957), Louis MacNeice Chord of Light (1956) & Hermes, Dog and Star (1957), Zbigniew Herbert What Rough Beasts (2021), Leslie Moore – An earlier book by a Maine poet and artist I read a year ago.  She specializes in prints, and poems, about birds and other animals.  About an hour after reading her poem about grackles invading her yard and establishing a grackledom the grackles invaded my yard and ruled for several days.  That was enjoyable. MISCELLANEOUS Lexington and Concord: The Battle Heard Round the World (2018), George C. Daughan – Preparation for the 250th anniversary of Paul Revere’s ride and the Battle of Lexington and Concord, which is another thing I did in April.  Here I am at the Concord parade, the library in the background. Sound May Be Seen (2025), Margaret Watts Hughes Lecture on Radium (2025), Loie Fuller No Title (2025), Richard Foreman – Three little collectible conceptual art books.  I will just point you to the website.   IN FRENCH & PORTUGUESE Peregrinação de Fernão Mendes Pinto: Aventuras extraordinárias dum português no Oriente (The Pilgrimage of Fernão Mendes Pinto: Extraordinary Adventures of a Portuguese Man in the Orient, 1614), Fernão Mendes Pinto – The real book is a 900-page semi-true account of a Portuguese wanderer in the 16th century Far East who, in the most famous episode, joins up with a patriotic privateer, or a bloodthirsty pirate.  The book I read is a rewritten abridgement for Portuguese 9th graders.  How I wish I knew how it was taught.  La femme partagée (The Shared Woman, 1929), Franz Hellens La Cité de l'indicible peur (The City of Unspeakable Fear, 1943), Jean Ray – I plan to write a bit about these two novels, my excursion to Belgium. Navegações (1983), Sophia de Mello Breyner Andresen

7 hours ago • 2 votes
Barbara “Nuggie” Schuetz-Hamid

Rest in peace little one. I never would have guessed that a 4-lb Chihuahua would come into our lives, let alone be the animal to steal my heart before Jen’s. Our previous animals — two cats and a Boxer dog — are a stark contrast to a tiny dog that we would carry around in a sling or a backpack and take practically everywhere. That was what was in store for us in May 2019 for Memorial Day weekend, when Muttville — where Jen volunteered at the time to help with the rapid succession of loss with our other animals — was encouraging employees and volunteers alike to help take an animal home for the long holiday weekend so all would have a home. There were two dogs in ISO (isolation) because of potential kennel cough. One was a miniature pinscher named Dolly Parton, and the other was a tiny white-and-tan Chihuahua named Barbara. Jen went in and scooped up a blanket that contained the Chi. I had to take a quick group selfie as we walked from Muttville to the car. We were to foster her through her initial intake: help with looking at her messed up eye, getting spayed, removing a cancerous mammary tumor, and then to bring her to adoption events. We fixed her eye with the help of the amazing Dr. Mughannum at Vet Vision, who had helped Shaun, our Boxer, with issues years prior. We got her spayed. We got her tumor removed. And then she stole our hearts. This lady cleaned up nicely. I fell in love quickly, while Jen held out a little longer. It’d only been four plus months since the last of our original trio, Loki the cat, had passed. We joined the foster fails club. Estimated at 12 years old, we had another animal living with us again. She was our first female, and true to her nature, was absolutely fierce, independent, and extremely loving. Over the next almost six years, she would fill our lives with joy, laughter, and showed us what life looked like when you could take an animal almost everywhere. One of our favorite camp spots in southwestern Utah, overlooking a valley. We're perched by this cliffside and enjoying some simple food I just cooked up. Barb went camping with us everywhere. People would take photos of her for their socials, swoon over her, give us free coffee, and even bypass hotel pet deposits, all because she was a tiny thing that fit in a sling. Sitting at Quarrelsome Coffee in St. Louis, Missouri, on our mega roadtrip to the Midwest. We were told because of her cancer and tougher life — she was a stray on the streets of Oakland — that we’d maybe have two or three years with her. With Jen making all of her food (Chihuahuas of this size do not have high caloric needs), and us taking her on adventures camping, hiking, and regularly exercising and socializing her with our friends, we believe we were able to extend her years and we hope she got to live out her retirement years with panache. After all, what 4-lb dog would go camping in a roof top tent at 11,000 feet in Colorado, but also slum it at the Four Seasons in Las Vegas? This Chihuahua. Camping in late December 2022 on a cool evening in Quartzsite, Arizona, and someone is enjoying the fancy bed at the hotel. We realized she was slowing down when we last went camping. A trip to the Sierra with Ryan, showed us that her tolerance for high altitudes and heat were becoming too much for her. August 2024 would be her last time out in the wild. 117 nights in a roof top tent. Her last phase of homebodiness began to show towards the end of last year, and in December, a rough few nights had us begin the discussion of the end. As 2025 rolled over, she began to lose her eyesight. It’d been declining due to cataracts for a while, so walks had stopped, and around February, we could no longer take her outside to potty. She couldn’t tolerate the time from our 2nd-floor apartment to the street, and we let her use the tiled floor in our bathroom. Her bowels needed frequent disposal, and pee pads in the apartment were normal in the past few months. She was still eating, she was still digging in her bed, and she was still enjoying the sun. Dementia had started and her bouts of confusion coupled with her blindness limited her autonomy. Her beds were her safe place, as well as our laps. Especially mine. We started to keep tally of the good and the bad days. For a while, the good days still outweighed the bad, and then they started to draw even. This past week, the days were all bad. And late on Thursday, May 1st, she started to wheeze and cough. “She’ll tell you when she’s ready,” was what our friend and neighbor told us a week prior. And he was right. She was telling us. We made a plan to call her vet this morning but if anything happened in the middle of the night, we’d head to the emergency vet. As we wound down for bed, she struggled with getting comfortable and ultimately snuggled up to me by my head. This was something she did regularly when she first came into our lives but hadn’t in past two years, and groggily, I took that as a further sign that she wanted to just be with us and know that we were there. Puffy face, red eyes, but cherishing this last night and then enjoying Jen's lap despite her tiredness. In the morning, Jen made the call and we made an appointment for 1:30pm. We wanted to have some time. Barb had other plans though and her weak body and labored breathing was a little worse. I canceled meetings and we left the house early. She seemed content in her blanket and Jen’s arms. We decided to drive to Bernal Heights to let her feel the sun on her skin, and the wind through her fur. We wanted to give her one last look at the city that was home for the past six years. Even if she couldn’t really see anymore. One last look at this city she's called home for almost six years. We arrived at the vet and they quickly arranged and sorted out a room for us. A new vet gently welcomed us. She wasn’t Barb’s regular vet, but was still kind and gracious as she told us the plan: a sedative, then a deeper one. They were busy, but they also wanted to give us a bit of time so we spent the twenty or so minutes snuggling her and recalling some of her best moments. She came into my arms so I could get some last snuggles in. She emitted a sleepy tiny bark and her little legs were moving. It reminded us of when she’d be dreaming and running in her sleep. She settled. Moments later, the vet walked in and asked if we’re ready. We started to adjust position a bit, and the vet asks, “Is she still with us?” We laid her down on the nearby table, and I knew. The vet confirmed it with a stethoscope, and she was gone. Barb crossed the rainbow bridge at around 10:45am, in my arms with the two people who loved her the most. We lingered saying our goodbyes, thankful that she stayed true to herself, and did it on her terms, in her way, in my arms. She is missed severely. Our little adventure buddy, and the joy of our lives will meet the rest of the gang. I hope they’re romping around together. RIP Barbara, c. 2007–May 2, 2025. See you at the rainbow bridge. Visit this post on the web or Reply via email

9 hours ago • 1 votes
Let's read Moral Ambition together

Rutger Bregman's new book is the subject of our next literary salon.

10 hours ago • 1 votes
'The Bolt of Inspiration Strikes Invariably'

“Inspiration is perhaps merely the joy of writing: it does not precede writing.” A student and aspiring fiction writer wonders why I seldom refer to “inspiration.” What is it? Do I deny its existence? Have certain writers successfully relied on it? Can he? My answer is yes and no, which betrays my background as a newspaper reporter. Telling an editor I hadn’t completed a story because I wasn’t “inspired” would be grounds, at minimum, for mockery if not dismissal. All those years of writing for a daily deadline resulted in a work ethic that now is second nature. You learn to budget your time appropriately, make telephone calls in a timely fashion and write even when the Muse is nonresponsive.   Writing can jump-start inspiration. Just plow ahead, get something on the page or screen, and you’ve created the conditions necessary for inspiration to bloom. Shortly after publishing his penultimate novel, Transparent Things (1972), Nabokov published a teasing essay titled “Inspiration” in the January 6, 1973, issue of The Saturday Review. Listen to the voice of a man who had published his first novel almost half a century earlier. He describes his experience with inspiration in detail:   “The bolt of inspiration strikes invariably: you observe the flash in this or that piece of great writing, be it a stretch of fine verse, or a passage in Joyce or Tolstoy, or a phrase in a short story, or a spurt of genius in the paper of a naturalist, of a scholar, or even in a book reviewer’s article. I have in view, naturally, not the hopeless hacks we all know—but people who are creative artists in their own right . . .”   [The sentence at the top is Jules Renard’s entry for May 9, 1898, in his Journal 1887-1910 (trans. Theo Cuffe, selected and introduced by Julian Barnes, riverrun, 2020).]

3 hours ago • 1 votes
The Shipping News

Ian Kumekawa tells the story of the global economy in one barge The post The Shipping News appeared first on The American Scholar.

4 hours ago • 1 votes