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I have been wondering if “intermittent fasting” as a concept can be applied to “information diet.” It’s an idea worth exploring, and this coming week is perfect to try it out. I’m traveling for a small photo adventure and will have spotty coverage. That means I can’t reach for the phone for anything other than listening to audiobooks or music. I don’t have any social apps on my phone. And I’m not traveling with my laptop — just my iPad, which will stay in the room. This should help me limit my use of the internet, social media and everything frivolous. — On Malik Visit original link → or View on nazhamid.com →
7 months ago

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More from Naz Hamid — Journal + Links

✏ Tag, you're it

Tagged by Scott and Luke and in thoughtful return, I’m answering the Blog Questions Challenge here. Some of these answers may overlap with the answers I gave Manu for his People & Blogs series, so I’ll do my best to do something a bit different. Please visit Manu’s P&B site though, and read through many of the excellent interviews there. Much credit to Bear Blog for these questions. Why did you start blogging in the first place? I noted how I appreciated the early bloggers, in particular from the Pyra Labs/Blogger crew, but to go back even further, I was fond of journaling early. Much of that was in the form of drawings as a child, then coupled with text. It wasn’t until I read about how musicians like Eddie Vedder of Pearl Jam would keep copious journals, and in particular, Henry Rollins’ Get In The Van, showed me that documenting your life was important as a record of a lived person. Rollins would later read from these journals early in his transition from full-time musician to spoken word artist, and the storytelling inspired me. Since I was online, and web design had captivated me, it all came together. What platform are you using to manage your blog and why did you choose it? I’m currently using the lovely static site generator, Eleventy (11ty). It pushes to a GitHub repository, which triggers a deploy to Netlify. After using so many different platforms over the decades, with my posts and data semi-locked in MySQL databases, the idea of a fast, file-first, SSG was the way I absolutely wanted to go when I started blogging at this domain. Steph Ango’s File Over App is a thoughtful read on data portability. Have you blogged on other platforms before? As mentioned just before this, yes. I started with Geocities, Livejournal, tried Greymatter, then Movable Type was the first to make it all click. I got really comfortable and pushed that system far — Gapers Block was the most involved version that I had done with multiple blogs running under one instance with different layouts and sections and includes all over the place. Dean Allen’s (RIP) Textpattern stole my heart away for many years after MT got acquired, and then I stopped blogging when Weightshift became my focus, and social media started to bloom. Weightshift used various CMSs for clients: MT, TXP, ExpressionEngine, CraftCMS, Wordpress, etc. I toyed with Tumblr, and other things, but eventually restarted with Jekyll, but quickly switched to 11ty. How do you write your posts? For example, in a local editing tool, or in a panel/dashboard that’s part of your blog? Most everything starts in Bear. I have a master note of ideas, that links out to other notes and I keep adding new ones, revisit others, and check off published ones. When do you feel most inspired to write? Whenever an idea strikes. This can happen at any time and drafts are started anywhere. I generally publish in the evening though. Do you publish immediately after writing, or do you let it simmer a bit as a draft? I used to be more immediate with my publishing decades ago, adhering to a near daily schedule. These days, some thought and care goes into each post, and if possible, I like to add a touch of flavor to a post, like the rotated album covers for the Music in 2024 post. What are you generally interested in writing about? How we as humans live in a world ever-changing because of technological influence and society’s adoption and adaptation to it. I love travel so posts about cultures and countries, as well as overlanding and camping domestically. And personal things that are more feeling the feels. Who are you writing for? Myself first, but through a lens of, “this information or thought could help someone else, and/or I’d love to share a different perspective that’s unique to me.” What’s your favorite post on your blog? 2023 in the Rearview is a big one, and I worked on that for a while. Taken for a Ride is a good one I think about taking a Waymo autonomous vehicle for the first time, but I like the sort of pieces that come from a more emotional and resilient place, like Let This Be a Moment, that allow me to work through things. Any future plans for your blog? Maybe a redesign, a move to another platform, or adding a new feature? I’m very content with 11ty. I’m constantly evolving and refactoring the design and code where I can see improvement. This is a lovely mode to be in: it’s iterative like software development than constantly new like marketing. As for features: a work section (underway), and better ways to showcase my photography, which is a longtime interest and activity for me. Tag ‘em. I’m going to tag Bix, Ethan, Gosha, Grant, Matt, Piper, Rachel, Simon, Susan, Thu, and Winnie. Read on nazhamid.com or Reply via email

a month ago ‱ 23 votes
🔗 Be A Property Owner And Not A Renter On The Internet

We are tenants with landlords who want to make sure that we can’t leave the building or go hang out with friends elsewhere, all while showing us how happy we should be with the limitations imposed on us. — Den Delimarsky A long, weighty one, but very worth the read. Visit original link → or View on nazhamid.com →

2 months ago ‱ 15 votes
🔗 SEEN, READ 2024

01/05 PREDATORS, AMERICAN GREED — Steven Soderbergh Director Steven Soderbergh's media recap of 2024. It's fascinating to see how many movies he watched multiple times, and the reverse watch of the original Star Wars trilogy. Phantom of the Menace twice too? Visit original link → or View on nazhamid.com →

2 months ago ‱ 16 votes
🔗 Media Recap 2024

I’m including the most memorable, impactful, or beloved works of—creative genius, or something, that I’ve encountered this year. I’m not a critic; I am mostly just talking about things I liked. These are tremendous to me. I hope they can be tremendous to you, too. — Anh The list is great, but this one is also visually gorgeous. Best experienced in a browser near you. Visit original link → or View on nazhamid.com →

2 months ago ‱ 14 votes
🔗 Future Web

It’s idealistic and very millennial of me to reminiscence the early days of Web innocence, unbound creativity it hosted and wonderful lack of monetisation of virtually every aspect of being online. We can’t turn back time. But, individually and collectively, we can strive for better as the Web evolves as a home for work, knowledge, community, and love. We can resist the ongoing enshittification and corporate capitalism. So I jotted down an non-exhaustive list of what I’d love the future Web to be. — Karolina Szczur A great list. Visit original link → or View on nazhamid.com →

2 months ago ‱ 15 votes

More in literature

'Better Bread Than Is Made of Wheat'

Sometimes disparate things almost announce their covert similarities and linkages, in a way Aristotle would have understood, and it makes good sense to combine them. I was looking for something in The Poet’s Tongue, the anthology compiled by W.H. Auden and the schoolmaster John Garrett, published in 1935. It’s a little eccentric. The poems are printed anonymously (until the index) and arranged alphabetically. My first thought was that the book is designed for young, inexperienced readers, not yet deeply read in the English poetic tradition, who can encounter the poems without the prejudice of chronology or name recognition. The focus is on the text. Now I think the anthologists’ arrangement is likewise a gift to veteran readers who can read Marvell or Tennyson outside the classroom and shed long-held biases. It recalls Downbeat magazine’s long-running feature, “Blindfold Test.”  Next, I got curious about the anthology’s critical reception ninety years ago and discovered it had been reviewed by one of my favorite critics, the poet Louise Bogan, in the April 1936 issue of Poetry. In “Poetry’s Genuine Fare,” Bogan begins by comparing the Auden/Garrett collection with Francis Palgrave’s famous Golden Treasury (1875):   “Where Palgrave was able to present selected poems in a straightforward chronological manner, as though the last thing to consider was the idea that readers might or might not be prepared for it, Auden and Garrett’s task involves devices: the ground must be cleared and then, as it were, disguised, in order that, in our day, poetry may be  approached, by youth, without scorn or fear.”   Bogan applauds the inclusion of “songs fresh from the tongue of simple people, songs which first saw light printed on broadsheets, songs from the primer and the nursery, from the music-hall, from the hymnal and the psalter.” She applauds the adjoining of, say, a ballad preceding Dryden’s Song for St. Cecilia's Day and followed by a nursery rhyme. By reading the poems-as-poems, students can develop their taste and critical sense. That leaves plenty of room for future literary history and scholarship. Late in her review Bogan cites a passage identified only as having been written by George Saintsbury (1845-1933):   “It would be a very great pity if there were ever wanting critical appreciation which, while relishing things more exquisite, and understanding things more esoteric, can still taste and savor the simple genuine fare of poetry. . . . There are few wiser proverbs than that which cautions us against demanding ‘better bread than is made of wheat.’”   The quotation was new to me.A little hunting showed Bogan had drawn it from Saintsbury’s A History of Nineteenth Century Literature 1780-1895 (1896). “This is Saintsbury speaking in an eminently sane manner,” she writes, “words which should be taken to heart in this era of fashions, proselytizing and fear, when poetry might well bloat in the mephitic vapors bred from dismal insistence on ‘revolutions of the word,’ or wither into the disguised hymnals of propaganda.” His thoughts remain pertinent. They are drawn from the section in his book Saintsbury devotes to the historian and poet Thomas Babington Macaulay (1800-59). He describes Macaulay’s Lays of Ancient Rome (1842) as “an honest household loaf that no healthy palate with reject.” Bogan concludes her review: “Auden and Garrett have endeavored to show that poetry would exist if not only the linotype, but also the pen, had never been invented, and that it rises from the throat of whatever class, in whatever century. They have brought our attention back to the voice speaking in a landscape where trees bear laurel at the same time that fields grow bread.”

23 hours ago ‱ 3 votes
Consolidated Ruin

The post Consolidated Ruin appeared first on The American Scholar.

44 minutes ago ‱ 1 votes
The Ozempocalypse Is Nigh

Sorry, you can only get drugs when there's a drug shortage.

an hour ago ‱ 1 votes
“After Great Pain, a Formal Feeling Comes” by Emily Dickinson

Poems read aloud, beautifully The post “After Great Pain, a Formal Feeling Comes” by Emily Dickinson appeared first on The American Scholar.

yesterday ‱ 2 votes
N’attendez pas, changez vos paradigmes !

N’attendez pas, changez vos paradigmes ! Il faut se passer de voiture pendant un certain temps pour rĂ©ellement comprendre au plus profond de soi que la solution Ă  beaucoup de nos problĂšmes sociĂ©taux n’est pas une voiture Ă©lectrique, mais une ville cyclable. Nous ne devons pas chercher des « alternatives Ă©quivalentes » Ă  ce que nous offre le marchĂ©, nous devons changer les paradigmes, les fondements. Si on ne change pas le problĂšme, si on ne revoit pas en profondeur nos attentes et nos besoins, on obtiendra toujours la mĂȘme solution. Migrer ses contacts vers Signal Je reçois beaucoup de messages qui me demandent comment j’ai fait pour migrer vers Mastodon et vers Signal. Et comment j’ai migrĂ© mes contacts vers Signal. Il n’y a pas de secret. Une seule stratĂ©gie est vraiment efficace pour que vos contacts s’intĂ©ressent aux alternatives Ă©thiques : ne plus ĂȘtre sur les rĂ©seaux propriĂ©taires. Je sais que c’est difficile, qu’on a l’impression de se couper du monde. Mais il n’y a pas d’autre solution. Le premier qui part s’exclut, c’est vrai. Mais le second qui, inspirĂ©, ose suivre le premier entraine un mouvement inexorable. Car si une personne qui s’exclut est une « originale » ou une « marginale », deux personnes forment un groupe. Soudainement, les suiveurs ont peur de rater le coche. Il faut donc s’armer de courage, communiquer son retrait et ĂȘtre ferme. Les gens ont besoin de vous comme vous avez besoin d’eux. Ils finiront par vouloir vous contacter. Oui, vous allez rater des informations le temps que les gens comprennent que vous n’ĂȘtes plus lĂ . Oui, certaines personnes qui sont sur les deux rĂ©seaux vont devoir faire la passerelle durant un certain temps. Vous devez Ă©galement accepter de faire face au dur constat que certains de vos contacts ne le sont que par facilitĂ©, non par envie profonde. TrĂšs peu de gens tiennent vĂ©ritablement Ă  vous. C’est le lot de l’humanitĂ©. MĂȘme une star qui quitte un rĂ©seau social n’entraine avec elle qu’une fraction de ses followers. Et encore, pas de maniĂšre durable. Personne n’est indispensable. Ne pas vouloir quitter un rĂ©seau tant que « tout le monde » n’est pas sur l’alternative implique le constat effrayant que le plus rĂ©actionnaire, le plus conservateur du groupe dicte ses choix. Son refus de bouger lui donne un pouvoir hors norme sur vous et sur tous les autres. Il reprĂ©sente « la majorité » simplement parce que vous, qui souhaitez bouger, tolĂ©rez son cĂŽtĂ© rĂ©actionnaire. Mais si vous dĂźtes vouloir bouger, mais que vous ne le faites pas, n’ĂȘtes-vous pas vous-mĂȘme conservateur ? Vous voulez vraiment vous passer de Whatsapp et de Messenger ? N’attendez pas, faites-le ! Supprimez votre compte pendant un mois pour voir l’impact sur votre vie. Laissez-vous la latitude de recrĂ©er le compte s’il s’avĂšre que cette suppression n’est pas possible pour vous sur le long terme. Mais, au moins, vous aurez testĂ© le nouveau paradigme, vous aurez pris conscience de vos besoins rĂ©els. Adopter le Fediverse Joan Westenberg le dit trĂšs bien Ă  propos du Fediverse : le Fediverse n’est pas le futur, c’est le prĂ©sent. Son problĂšme n’est pas que c’est compliquĂ© ou qu’il n’y a personne : c’est simplement que le marketing de Google/Facebook/Apple nous a formatĂ© le cerveau pour nous faire croire que les alternatives ne sont pas viables. Le Fediverse regorge d’humains et de crĂ©ativitĂ©, mais il n’y a pas plus aveugle que celui qui ne veut pas voir. The Fediverse Isn’t the Future. It’s the Present We’ve Been Denied. (www.joanwestenberg.com) AprĂšs avoir rechignĂ© pendant des annĂ©es Ă  s’y consacrer pleinement, Thierry Crouzet arrive Ă  la mĂȘme conclusion : d’un point de vue rĂ©seau social, le Fediverse est la seule solution viable. Utiliser un rĂ©seau propriĂ©taire est une compromission et une collaboration avec l’idĂ©ologie de ce rĂ©seau. Il encourage les acteurs du livre francophone Ă  rejoindre le Fediverse. InquiĂ©tude : l’édition francophone trop peu sur Mastodon (tcrouzet.com) Je maintiens moi-mĂȘme une liste d’écrivain·e·s de l’imaginaire en activitĂ© sur le Fediverse. Il y en a encore trop peu. Écrivain·e·s de l’imaginaire - Mastodon Starter Pack (fedidevs.com) Votre influenceur prĂ©fĂ©rĂ© n’est pas sur le Fediverse ? Mais est-il indispensable de suivre votre influenceur prĂ©fĂ©rĂ© sur un rĂ©seau social ? Vous n’ĂȘtes pas sur X parce que vous voulez suivre cet influenceur. Vous suivez cet influenceur parce que X vous fait croire que c’est indispensable pour ĂȘtre un vĂ©ritable fan ! L’outil ne rĂ©pond pas Ă  un besoin, il le crĂ©e de toutes piĂšces. Le paradoxe de la tolĂ©rance Vous tolĂ©rez de rester sur Facebook/Messenger/Whatsapp par « respect pour ceux qui n’y sont pas » ? Vous tolĂ©rez en fermant votre gueule que votre tonton Albert raciste et homophobe balance des horreurs au repas de famille pour « ne pas envenimer la situation » ? D’ailleurs, votre Tata vous a dit que « ça n’en valait pas la peine, que vous valiez mieux que ça ». Vous tolĂ©rez sans rien dire que les fumeurs vous empestent sur les quais de gare et les terrasses par « respect pour leur liberté » ? À un moment, il faut choisir : soit on prĂ©fĂšre ne pas faire de vagues, soit on veut du progrĂšs. Mais les deux sont souvent incompatibles. Vous voulez vous passer de Facebook/Instagram/X ? Encore une fois, faites-le ! La plupart de ces rĂ©seaux permettent de restaurer un compte supprimĂ© dans les 15 jours qui suivent sa suppression. Alors, testez ! Deux semaines sans comptes pour voir si vous avez vraiment envie de le restaurer. C’est Ă  vous de changer votre paradigme ! LinkedIn, le rĂ©seau bullshit par excellence On parle beaucoup de X parce que la plateforme devient un acteur majeur de promotion du fascisme. Mais chaque plateforme porte des valeurs qu’il est important de cerner pour savoir si elles nous conviennent ou pas. LinkedIn, par exemple. Qui est indistinguable de la parodie qu’en fait Babeleur (qui vient justement de quitter ce rĂ©seau). J’ai Ă©clatĂ© de rire plusieurs fois tellement c’est bon. Je me demande si certains auront la luciditĂ© de s’y reconnaĂźtre. Je suis fier de vous annoncer que je suis fier de vous annoncer (babeleur.be) Encore une fois, si LinkedIn vous ennuie, si vous dĂ©testez ce rĂ©seau. Mais qu’il vous semble indispensable pour ne pas « rater » certaines opportunitĂ©s professionnelles. Et bien, testez ! Supprimez-le pendant deux semaines. Restaurez-le puis resupprimez-le. Juste pour voir ce que ça fait de ne plus ĂȘtre sur ce rĂ©seau. Ce que ça fait de rater ce gros tas de merde malodorant que vous vous forcez Ă  fouiller journaliĂšrement pour le cas oĂč il contiendrait une pĂ©pite d’or. Peut-ĂȘtre que ce rĂ©seau vous est indispensable, mais la seule maniĂšre de le savoir est de tenter de vous en passer pour de bon. Peut-ĂȘtre que vous raterez certaines opportunitĂ©s. Mais je suis certain : en n’étant pas sur ce rĂ©seau, vous en dĂ©couvrirez d’autres. De la poĂ©sie, de la fiction
 La rĂ©sistance n’est pas que technique. Elle doit ĂȘtre Ă©galement poĂ©tique ! Et pour que la poĂ©sie opĂšre, il est nĂ©cessaire que la technologie s’efface, se fasse minimaliste et utile au lieu d’ĂȘtre le centre de l’attention. Note #1 : un texte brut (notes.brunoleyval.fr) On ne peut pas changer le monde. On ne peut que changer ses comportements. Le monde est façonnĂ© par ceux qui changent leurs comportements. Alors, essayez de changer. Essayez de changer de paradigme. Pendant une semaine, un mois, une annĂ©e. AprĂšs, je ne vous cache pas qu’il y a un risque : c’est souvent difficile de revenir en arriĂšre. Une fois qu’on a lĂąchĂ© la voiture pour le vĂ©lo, impossible de ne pas rĂȘver. On se met Ă  imaginer des mondes oĂč la voiture aurait totalement disparu pour laisser la place au vĂ©lo
 Plongez dans un univers oĂč le vĂ©lo a remplacĂ© la voiture ! DĂ©dicaces D’ailleurs, je dĂ©dicacerai Bikepunk (et mes autres livres) Ă  la Foire du livre de Bruxelles ce samedi 15 mars Ă  partir de 16h30 sur le stand de la province du Brabant-Wallon. Le Brabant wallon s’invite Ă  la foire du livre (www.brabantwallon.be) calendrier des dĂ©dicaces de Ploum On se retrouve lĂ -bas pour discuter vĂ©lo et changement de paradigme ? Photo par Avishek Pradhan Je suis Ploum et je viens de publier Bikepunk, une fable Ă©colo-cycliste entiĂšrement tapĂ©e sur une machine Ă  Ă©crire mĂ©canique. Pour me soutenir, achetez mes livres (si possible chez votre libraire) ! Recevez directement par mail mes Ă©crits en français et en anglais. Votre adresse ne sera jamais partagĂ©e. Vous pouvez Ă©galement utiliser mon flux RSS francophone ou le flux RSS complet.

yesterday ‱ 2 votes