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Tagged by Scott and Luke and in thoughtful return, Iâm answering the Blog Questions Challenge here. Some of these answers may overlap with the answers I gave Manu for his People & Blogs series, so Iâll do my best to do something a bit different. Please visit Manuâs P&B site though, and read through many of the excellent interviews there. Much credit to Bear Blog for these questions. Why did you start blogging in the first place? I noted how I appreciated the early bloggers, in particular from the Pyra Labs/Blogger crew, but to go back even further, I was fond of journaling early. Much of that was in the form of drawings as a child, then coupled with text. It wasnât until I read about how musicians like Eddie Vedder of Pearl Jam would keep copious journals, and in particular, Henry Rollinsâ Get In The Van, showed me that documenting your life was important as a record of a lived person. Rollins would later read from these journals early in his transition from full-time musician to spoken word artist, and the storytelling inspired me. Since I was online, and web design had captivated me, it all came together. What platform are you using to manage your blog and why did you choose it? Iâm currently using the lovely static site generator, Eleventy (11ty). It pushes to a GitHub repository, which triggers a deploy to Netlify. After using so many different platforms over the decades, with my posts and data semi-locked in MySQL databases, the idea of a fast, file-first, SSG was the way I absolutely wanted to go when I started blogging at this domain. Steph Angoâs File Over App is a thoughtful read on data portability. Have you blogged on other platforms before? As mentioned just before this, yes. I started with Geocities, Livejournal, tried Greymatter, then Movable Type was the first to make it all click. I got really comfortable and pushed that system far â Gapers Block was the most involved version that I had done with multiple blogs running under one instance with different layouts and sections and includes all over the place. Dean Allenâs (RIP) Textpattern stole my heart away for many years after MT got acquired, and then I stopped blogging when Weightshift became my focus, and social media started to bloom. Weightshift used various CMSs for clients: MT, TXP, ExpressionEngine, CraftCMS, Wordpress, etc. I toyed with Tumblr, and other things, but eventually restarted with Jekyll, but quickly switched to 11ty. How do you write your posts? For example, in a local editing tool, or in a panel/dashboard thatâs part of your blog? Most everything starts in Bear. I have a master note of ideas, that links out to other notes and I keep adding new ones, revisit others, and check off published ones. When do you feel most inspired to write? Whenever an idea strikes. This can happen at any time and drafts are started anywhere. I generally publish in the evening though. Do you publish immediately after writing, or do you let it simmer a bit as a draft? I used to be more immediate with my publishing decades ago, adhering to a near daily schedule. These days, some thought and care goes into each post, and if possible, I like to add a touch of flavor to a post, like the rotated album covers for the Music in 2024 post. What are you generally interested in writing about? How we as humans live in a world ever-changing because of technological influence and societyâs adoption and adaptation to it. I love travel so posts about cultures and countries, as well as overlanding and camping domestically. And personal things that are more feeling the feels. Who are you writing for? Myself first, but through a lens of, âthis information or thought could help someone else, and/or Iâd love to share a different perspective thatâs unique to me.â Whatâs your favorite post on your blog? 2023 in the Rearview is a big one, and I worked on that for a while. Taken for a Ride is a good one I think about taking a Waymo autonomous vehicle for the first time, but I like the sort of pieces that come from a more emotional and resilient place, like Let This Be a Moment, that allow me to work through things. Any future plans for your blog? Maybe a redesign, a move to another platform, or adding a new feature? Iâm very content with 11ty. Iâm constantly evolving and refactoring the design and code where I can see improvement. This is a lovely mode to be in: itâs iterative like software development than constantly new like marketing. As for features: a work section (underway), and better ways to showcase my photography, which is a longtime interest and activity for me. Tag âem. Iâm going to tag Bix, Ethan, Gosha, Grant, Matt, Piper, Rachel, Simon, Susan, Thu, and Winnie. Read on nazhamid.com or Reply via email
We are tenants with landlords who want to make sure that we canât leave the building or go hang out with friends elsewhere, all while showing us how happy we should be with the limitations imposed on us. â Den Delimarsky A long, weighty one, but very worth the read. Visit original link â or View on nazhamid.com â
01/05 PREDATORS, AMERICAN GREED â Steven Soderbergh Director Steven Soderbergh's media recap of 2024. It's fascinating to see how many movies he watched multiple times, and the reverse watch of the original Star Wars trilogy. Phantom of the Menace twice too? Visit original link â or View on nazhamid.com â
Iâm including the most memorable, impactful, or beloved works ofâcreative genius, or something, that Iâve encountered this year. Iâm not a critic; I am mostly just talking about things I liked. These are tremendous to me. I hope they can be tremendous to you, too. â Anh The list is great, but this one is also visually gorgeous. Best experienced in a browser near you. Visit original link â or View on nazhamid.com â
Itâs idealistic and very millennial of me to reminiscence the early days of Web innocence, unbound creativity it hosted and wonderful lack of monetisation of virtually every aspect of being online. We canât turn back time. But, individually and collectively, we can strive for better as the Web evolves as a home for work, knowledge, community, and love. We can resist the ongoing enshittification and corporate capitalism. So I jotted down an non-exhaustive list of what Iâd love the future Web to be. â Karolina Szczur A great list. Visit original link â or View on nazhamid.com â
More in literature
A common phenomenon in the history of literature is couples writing together.
âThe book of love is full of music,â sings Peter Gabriel. âIn fact, thatâs where music comes from.â The book of love is written in the language of wonder â our best means of loving life more deeply. To love anything â a person, a pond, the world â is to see the wonder in it, to hear the music in it. Both love and wonder are in mysterious conversation with the deepest substrate of us, the complete message of which is unintelligible to the analytical mind, inaccessible by any explanatory model. Both require a surrender to the musicality ofâŚÂ read article
In his critical works, Samuel Johnson respected tradition if not reputation or even physical appearance. He could be eloquently brutish and write of Jonathan Swift:Â âThe person of Swift had not many recommendations. He had a kind of muddy complexion, which, though he washed himself with Oriental scrupulosity, did not look clear. He had a countenance sour and severe, which he seldom softened by any appearance of gaiety. He stubbornly resisted any tendency to laughter.â Â Today we would frown on mocking a writerâs looks. It would be judged âinsensitive.â I associate Johnsonâs description of Swift with one of the late John Simonâs more amusing assaults on Barbra Streisand: âMiss Streisand looks like a cross between an aardvark and an albino rat surmounted by a platinum-coated horse bun. Though she has good eyes and a nice complexion, the rest of her is a veritable anthology of disaster areas. Her speaking voice seems to have graduated with top honors from the Brooklyn Conservatory of Yentaism.â That Streisand is a mediocre singer/actress endowed with a surfeit of self-esteem eases potential offense. The difference between Johsonâs judgment and Simonâs being that the former mingles admiration with distaste: Â âIt was from the time when [Swift] first began to patronise the Irish, that they may date their riches and prosperity. He taught them first to know their own interest, their weight, and their strength, and gave them spirit to assert that equality with their fellow-subjects to which they have ever since been making vigorous advances, and to claim those rights which they have at last established.â Â R.L. Barth has translated Martialâs epigram XI.99. As a satirist, Martial was no respecter of persons: Â âWhenever you stand up, I see your gown Treat you indecently, flat let you down. You pluck it with your left hand then your rightâ Youâre positively groaning!âitâs held tight In the Cyanean straits of your huge butt. Whatâs my advice? Donât sit. Donât stand. Thatâs what.â Â Bob wrote to me on his approach to translation: âTranslation can be a vexing problem if you let it be--or even if you donât. For me, all that matters is that the translated poem makes a good English poem (or why bother) and that it stays as close to the original as this or that translator is able to keep it. However, I'm willing to vary, add, substitute, if it works for the poem and doesnât violate the spirit of the original. I may not be as good a poet as Martial, but Iâm pretty much his equal as a smart-ass, which helps my translations.â
Poems read aloud, beautifully The post âOde on the Death of a Favorite Cat Drowned in a Tub of Goldfishesâ by Thomas Gray appeared first on The American Scholar.
