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Charlie Chaplin and Buster Keaton were the two biggest comedy stars of the silent era, but as it happened, they never shared the screen until well into the reign of sound. In fact, their collaboration didn’t come about until 1952, the same year that Singin’ in the Rain dramatized the already distant-feeling advent of talking […]
One often hears that there’s no money to be made in music anymore. But then, there was no money to be made in music when Bob Dylan started his career either—at least according to Bob Dylan. “If you could just support yourself, you were doin’ good,” he says in an interview clip included in the […]
This piece picks up where Part 1 of Peter Kaufman’s article left off yesterday… The epistemological nightmare we seem to be in, bombarded over our screens and speakers with so many moving-image messages per day, false and true, is at least in part due to the paralysis that we – scholars, journalists, and regulators, but […]
Charlie Chaplin came up in vaudeville, but it was silent film that made him the most famous man in the world. His mastery of that form primed him to feel a degree of skepticism about sound when it came along: in 1931, he called the silent picture “a universal means of expression,” whereas the talkies, […]
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The Year of the Plague #5
The collection of 19th-century three-dimensional models of algebraic and differential equations at the Institut Henri Poincaré in Paris made a great impression on Surrealist artists. When German artist Max Ernst (2 April 1891 – 1 April 1976) saw a series of 19th Century wood, metal, wire, and plaster forms at the Institut Henri … Continue reading "Man Ray’s Mathematics Objects (1934-36)" The post Man Ray’s Mathematics Objects (1934-36) appeared first on Flashbak.