Archinect's Fellow Fellows series showcases individuals who are currently in, or have recently finished, an architecture fellowship. During our conversations, we discuss their architectural journey, areas of research, and their overall experience as academic fellows. For our latest interview, we connected with Christina Chi Zhang, the 2023–24 Harry der Boghosian Fellow at Syracuse University School of Architecture. Zhang shares her experiences navigating the intersections of architecture, storytelling, and social justice, her approach to teaching and research, and the inspiration behind her fellowship exhibition, I found within me an invincible summer. Through her work, she explores how architecture can serve as a tool for healing and reclamation in post-traumatic cities, incorporating narratives from both human and non-human perspectives.

A few tips from the host of the popular YouTube channel "Stewart Hicks Takes on Buildings."

In 2021, a Canadian farmer named Chris Achter responded to a buyer’s grain contract with a simple 👍 emoji. What followed wasn’t just a misunderstanding—it was a legal showdown that captured global attention. Achter, based in Saskatchewan, had a long-standing business relationship with the buyer. They often finalized grain deals over text. That year, when

The Venice Architecture Biennale, arguably the most iconic event in the architectural calendar, opens its 2025 edition to the public this week on May 10th. As crowds begin to descend on the Italian city and organizers and participants finish their final preparations, Archinect's Niall Patrick Walsh spoke with the biennale's curator Carlo Ratti on what visitors can expect from the event. In our conversation, Ratti unpacks his vision for the biennale as a living laboratory from which ideas and research can emerge to guide the evolution of the built environment; all themed along the exhibition's pillars of Natural, Artificial, and Collective intelligence. In addition, Ratti offers his thoughts on the curatorial process, common topics explored by participants, the future of biennales, and some final advice for those making the trip to Venice to see the event in person. The conversation, edited lightly for length and clarity, is published below.