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In the closing chapter of Archinect In-Depth: Visualization, we return to one Renaissance painting referenced in an earlier article from the series. What does this painting, and our wider series, teach us about the relationship between technology and visualization? What do they tell us about the potential for visualization to open new worlds not beholden to the natural laws of space and time?
Until last week, my wife Tomo and I had the great pleasure of being stewards of Whitney Smith's Holmes House. It was built by Jackson and Evelyn Holmes in 1941. In 2021, it became LA County Historic Landmark #8. What made this house so special was not that it was gigantic, ostentatious, or glamorous, but that it was built for a middle-class family interested in the power of good design.
As wildfires continue to devastate Los Angeles, with thousands of residents displaced and entire communities struggling to recover, the urgency of addressing fire resilience in urban landscapes has never been greater. In light of the ongoing crisis, we are republishing our 2021 interview with UCLA’s Hitoshi Abe and Jeffrey Inaba about their collaborative research studios, FireCity and FireLAnd. This exploration into designing adaptive, fire-resilient environments feels more relevant than ever today. Inaba and Abe discuss critical topics such as the Wildland Urban Interface (WUI), strategies for balancing human activity with ecological systems, and rethinking urban regeneration in the face of climate change. Their approach to fostering a “new ecology of coexistence” between wilderness and city offers insights that could inspire architects, planners, and policymakers as they navigate the challenges of rebuilding and creating more sustainable communities. This republication also serves...
Through storytelling and cutting-edge technology, the creative company Squint/Opera (formally a Journey studio since 2022) envisions a world where media architecture enriches urban life and reshapes how we interact with the built environment. From immersive experiences at the Empire State Building in New York or Sphere in Las Vegas to future-facing projects in augmented reality, the work of the London-based studio opens new gateways not only for our perception and experience of physical reality but for the mission and composition of contemporary design practices. In the latest edition of Archinect In-Depth: Visualization, Archinect's Niall Patrick Walsh spoke with Managing Director Matt Quinn about the studio's work and what it says about the future of physical and digital space.
More in architecture
In the closing chapter of Archinect In-Depth: Visualization, we return to one Renaissance painting referenced in an earlier article from the series. What does this painting, and our wider series, teach us about the relationship between technology and visualization? What do they tell us about the potential for visualization to open new worlds not beholden to the natural laws of space and time?
Brengues Le Pavec architectes has shared photos of a home they completed in Herault, France, that overlooks the valley.
In response to a recent executive order about architectural design, the Father of Modernism speaks from beyond the grave.
The Power Broker Breakdown may have concluded, but if you’re just tuning in (or if you just want a quick refresher), this episode is a compilation of the summary portions of the The Power Broker Breakdown series. You can find the entire series in the 99% Invisible feed, wherever you get your podcasts. The 99%
As we are well aware, a modern house has multiple meanings and can span as far back as the early 20th century. This week however, we’ve decided to look to the more recent past and marvel at how architects and developers are translating the requirements […]
