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There'll always be more emails in need of reply, more meetings to attend, and more updates to read. A person can fill the entire workweek with these tasks over and over again. But to stay sane and sharp, you must pay yourself first by doing the work that actually means something to you. I feel this acutely as someone responsible to employees, customers, followers, and readers. I could do nothing all day but check up on projects, people, and posts, but my brain would quickly check out if it was just doing that. So quite frequently, I just don't. Don't check in, don't check up, and instead dive into the work that checks my own intellectual boxes. Programming for the love of it. Experimenting for the hell of it. Researching for the fun of it. In another age, I might have been tempted to apologize for such privilege, but screw that. Privilege is wonderful. You should do your best to earn more of it. Even if you have to carve it out of the bare rocks around you. Ironically, the best way to do that is also to choose to always pay yourself first, however little at first. By solving your own problems, tickling your own interests, chasing your own curiosity. That's where you'll find the motivation to elevate your talent. To turn interest into competency. And once you've developed some competency, you'll be rewarded with more privilege to build it further. This is the virtuous circle of merit. There'll always be an endless list of work that could be done. You'll never get through it all and onto your own priorities, if you continue to put them at the bottom.
The first Rails World in Amsterdam was a roaring success back in 2023. Tickets sold out in 45 minutes, the atmosphere was electric, and The Rails Foundation set a new standard for conference execution in the Ruby community. So when we decided to return to the Dutch Capital for the third edition of the conference this year, the expectations were towering. And yet, Amanda Perino, our executive director and event organizer extraordinaire, managed to outdo herself, and produced an even better show this year. The venue we returned to was already at capacity the first time around, but Amanda managed to fit a third more attendees by literally using slimmer chairs! And I didn't hear any complaints the folks who had to sit a little closer together in order for more people to enjoy the gathering. The increased capacity didn't come close to satisfy the increased demand, though. This year, tickets sold out in less than two minutes. Crazy. But for the 800+ people who managed to secure a pass, I'm sure it felt worth the refresh-the-website scramble to buy a ticket. And, as in years past, Amanda's recording crew managed to turn around post-production on my keynote in less than 24 hours, so anyone disappointed with missing out on a ticket could at least be in the loop on all the awesome new Rails stuff we were releasing up to and during the conference. Every other session was recorded too, and will soon be on the Rails YouTube channel. You can't stream the atmosphere, the enthusiasm, and the genuine love of Ruby on Rails, though. I was once again blown away by just how many incredible people and stories we have in this ecosystem. From entrepreneurs who've built million (or billion!) dollar businesses on Rails, to programmers who've been around the framework for decades, to people who just picked it up this year. It was a thrill to meet all of them, to take hundreds of selfies, and to talk about Ruby, Rails, and the Omarchy expansion pack for hours on the hallway track! I've basically stopped doing prepared presentations at conferences, but Rails World is the one exception. I really try my best to put on a good show, present the highlights of what we've been working on in the past year at 37signals, and transfer the never-ending enthusiasm I continue to feel for this framework, this programming language, and this ecosystem. True, I may occasionally curse that commitment in the weeks leading up to the conference, but the responsibility is always rewarded during and after the execution with a deep sense of satisfaction. Not everyone is so lucky as I've been to find their life's work early in their career, and see it continue to blossom over the decades. I'm eternally grateful that I have. Of course, there's been ups and downs over the years — nothing is ever just a straight line of excitement up and to the right! — but we're oh-so-clearly on the up-up-up part of that curve at the moment. I don't know whether it's just the wind or the whims, but Rails is enjoying an influx of a new generation of programmers at the moment. No doubt it helps when I get to wax poetically about Ruby for an hour with Lex Fridman in front of an audience of millions. No doubt Shopify's continued success eating the world of ecommerce helps. No doubt the stability, professionalism, and execution from The Rails Foundation is an aid. There are many auxiliary reasons why we're riding a wave at the moment, but key to it all is also that Ruby on Rails is simply really, really good! Next year, with RailsConf finished, it's time to return to the US. Amanda has picked a great spot in Austin, we're planning to dramatically expand the capacity, but I also fully expect that demand will continue to rise, especially in the most prosperous and successful market for Rails. Thanks again to all The Rails Foundation members who believed in the vision for a new institution back in 2022. It looks like a no-brainer to join such a venture now, given the success of Rails World and everything else, but it actually took guts to sign on back then. I approached quite a few companies at that time who could see the value, but couldn't find the courage to support our work, as our industry was still held hostage to a band of bad ideas and terrible ideologies. All that nonsense is thankfully now long gone in the Rails world. We're enjoying a period of peak unity, excitement, progress, and determination to continue to push for end-to-end problem solving, open source, and freedom. I can't tell you how happy it makes me feel when I hear from yet another programmer who credits Ruby on Rails with finding joy and beauty in the writing web applications because of what I started over 22 years ago. It may sound trite, but it's true: It's an honor and a privilege. I hope to carry this meaningful burden for as long as my intellectual legs still let me stand. See you next year in Austin? I hope so!
Omarchy has been improving at a furious pace. Since it was first released on June 26, I've pushed out 18(!) new releases together with a rapidly growing community of collaborators, users, and new-to-Linux enthusiasts. We have about 3,500 early adopters on the Omarchy Discord, 250 pull requests processed, and one heck of an awesome Arch + Hyprland Linux environment to show for it! The latest release is 1.11.0, and it brings an entirely overhauled control menu to the experience. Now everything is controlled through a single, unified system that makes it super fast to operate Omarchy's settings and options through the keyboard. It's exactly the kind of hands-off-the-mouse operation that I've always wanted, and with Linux, I've been able to build it just to my tastes. It's a delight. There's really something special going on in Linux at the moment. Arch has been around for twenty years, but with Hyprland on top, it's been catapulted in front of an entirely new audience. Folks who'd never thought that open source could be able to deliver a desktop experience worth giving up Windows or macOS for. Of course, Linux isn't for everyone. It's still an adventure! An awesome, teach-you-about-computers adventure, but not everyone is into computer adventures. Plenty of people are content with a computer appliance where they never have to look under the hood. All good. Microsoft and Apple have those people covered. But the world is a big place! And in that big place, there are a growing number of computer enthusiasts who've grown very disillusioned with both Microsoft and Apple. Folks who could be enticed to give Linux a look, if the barrier was a little lower and the benefits a little clearer. Those are the folks I'm building Omarchy for.
I've never seen so many developers curious about leaving the Mac and giving Linux a go. Something has really changed in the last few years. Maybe Linux just got better? Maybe powerful mini PCs made it easier? Maybe Apple just fumbled their relationship with developers one too many times? Maybe it's all of it. But whatever the reason, the vibe shift is noticeable. This is why the future is so hard to predict! People have been joking about "The Year of Linux on the Desktop" since the late 90s. Just like self-driving cars were supposed to be a thing back in 2017. And now, in the year of our Lord 2025, it seems like we're getting both! I also wouldn't underestimate the cultural influence of a few key people. PewDiePie sharing his journey into Arch and Hyprland with his 110 million followers is important. ThePrimeagen moving to Arch and Hyprland is important. Typecraft teaching beginners how to build an Arch and Hyprland setup from scratch is important (and who I just spoke to about Omarchy). Gabe Newell's Steam Deck being built on Arch and pushing Proton to over 20,000 compatible Linux games is important. You'll notice a trend here, which is that Arch Linux, a notoriously "difficult" distribution, is at the center of much of this new engagement. Despite the fact that it's been around since 2003! There's nothing new about Arch, but there's something new about the circles of people it's engaging. I've put Arch at the center of Omarchy too. Originally just because that was what Hyprland recommended. Then, after living with the wonders of 90,000+ packages on the community-driven AUR package repository, for its own sake. It's really good! But while Arch (and Hyprland) are having a moment amongst a new crowd, it's also "just" Linux at its core. And Linux really is the star of the show. The perfect, free, and open alternative that was just sitting around waiting for developers to finally have had enough of the commercial offerings from Apple and Microsoft. Now obviously there's a taste of "new vegan sees vegans everywhere" here. You start talking about Linux, and you'll hear from folks already in the community or those considering the move too. It's easy to confuse what you'd like to be true with what is actually true. And it's definitely true that Linux is still a niche operating system on the desktop. Even among developers. Apple and Microsoft sit on the lion's share of the market share. But the mind share? They've been losing that fast. The window is open for a major shift to happen. First gradually, then suddenly. It feels like morning in Linux land!
Over the years, I've learned not to question inspiration. To simply let it drive when it shows up with a full tank. Quite often, I don't exactly know where we're going or even why we're going, but it's repeatedly taken me to just the right place at just the right time, so now I just hop in and say: Let's go! Case in point: Arch + Hyprland. It's been over a year since I created Omakub to smooth out my own exit path from macOS to Linux, and in the process, helped thousands of others enjoy a beautiful, preconfigured, and relatively familiar desktop experience with Ubuntu. And I continue to think this is an excellent choice for Linux, especially for first-time Mac and Windows defectors. But this weekend, I just happened to be home alone, and the hype around Arch + Hyprland got the better of me. While Ubuntu is all about being a friendly place for newcomers to Linux, Arch + Hyprland is the exact opposite: It's Linux on hard mode! At least that's the reputation, and there's certainly something to that. The Arch ISO literally just dumps you into a terminal with scarcely any direction. Just getting on the Wi-Fi requires learning the arcane command-line options for the iwctl terminal configurator. But besides iwctl, it's actually not that bad anymore. We now have a cheat code for installing Arch in the form of archinstall. It's a terminal interface for getting all the bits like picking a disk and creating the first user done in the correct order, without having to set aside an entire evening just to get the OS installed. So it didn't take long to get Arch up and running. That doesn't get you much further, though! By default, Arch is about as minimal as it gets. There's no default graphical interface. There are no niceties. Not even wget or curl by default! It really is just a bare-bones installation of Linux. But on the other hand, Arch is blessed with the AUR — a Wikipedia-style, community-maintained package management system that seems to have literally every piece of software ever released on Linux, and always in the latest version. A quarter of Omakub is trying to work around the fact that helpful tools like Alacritty or LazyGit or whatever rarely have official packages for Ubuntu, so you're left doing a lot of manual scripting to get everything a developer would want from a modern Linux setup. Not so with the AUR! So that's Arch. But Hyprland is even more hilarious. It's a tiling window manager with something as rare in the Linux world as a keen focus on aesthetics! It looks like it was written by visual artists rather than neckbeards. And it's at the core of the modern r/unixporn Linux ricing subculture. That's not the funny part, though. The funny part is how ridiculously atomized the entire thing is. Hyprland comes with absolutely nothing out of the box. No login screen, no menu bar, no notification system, no file manager, no visual settings application. Just a text-based configuration file, a wiki, and an outline on a map for how to design your own adventure. This means that if you're interested in running Hyprland, and you intend to set it all up from scratch, you're probably signing up for at least a good 10+ hours — just to install and configure everything! Now, there are some precompiled setup scripts out there already, but most of them still require you to do a ton of manual legwork before you reach that beautiful summit of a complete system. So while the downside of Arch + Hyprland is that literally every last detail requires you to make a choice and a config file to move on, it's also its upside: you can change EVERYTHING! And the core window tiling magic of Hyprland is one of the most intoxicating ways of using a computer that I've ever experienced. It looks amazing; it feels amazing (if you prefer using a keyboard instead of a mouse!). I've poured hours and hours into this quest over the weekend, and yet I'm still not even done with my first Arch + Hyprland build! My login screen looks like shit. I haven't decided on a final menu bar configuration. But what is working — the basic tiling flow and look — is so nice that the inspiration keeps driving the project forward. Which, of course, I've already decided to codify. I'm not going through all this work to set up a beautiful, preconfigured, fully-functional, out-of-the-box Arch + Hyprland combo and then not share it with anyone who's curious (and might not have 10–20 hours for this kind of side quest available in their schedule). So of course I registered a domain and found a way to draw some ASCII art: Omarchy is on the way!
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After a write-up in the New York Times, Mommy Bloggers had two options. Either lean in, or step back. Given how popular it became after that, it's not hard to guess which option they chose. The post Mommy bloggers react appeared first on The History of the Web.
I'm quite a bit late on this one, but Haunt version 0.4.0 was released released back in July. I haven't had much time for blogging, but I'm catching up now! This release contains a small set of improvements and bug fixes since the 0.3.0 release in 2024. About Haunt Haunt is a static site generator that uses the Guile Scheme as its configuration language. It aims to be simple, functional, and extensible. Features include: Easy blog and Atom/RSS feed generation Markdown post support Simple development server for viewing edits before publishing Purely functional build process User extensibility Notable changes Added support for HTML in Markdown documents. This was a long time coming because guile-markdown did not support it and the library was abandoned by the original maintainer. As part of my work at Spritely, we forked it, implemented the relevant portions of the CommonMark specification, and released it. Spritely's guile-commonmark fork is now considered to be the official upstream by Guix and others. A further consequence of this is that guile-lib is now a required dependency for building Haunt as we need the (htmlprag) module to parse Markdown documents with embedded HTML. html->shtml from guile-lib's (htmlprag) module is now used instead of xml->sxml in the HTML reader. It was silly of me to use xml->sxml for this purpose years ago, but at the time I wanted guile-lib to be an optional dependency. Added haunt new subcommand for creating a new site. Added default directory, template, and prefix arguments to flat-pages procedure. Added support for index metadata flag to flat pages for pretty URLs. Flat pages now receive all page metadata, not just the page title. This is a breaking change from 0.3.0. Added .scm as an additional extension for sxml-reader. make-file-extension-matcher now supports multiple extensions. Fixed emission of <script> and <style> elements. Fixed handling of no available reader in flat pages builder. Fixed unreachable error handling clause when a reader is not found for a post. Fixed default blog theme template missing an <html> tag. Fixed overloaded -h option in haunt serve. Deprecated post in Skribe reader in favor of document. Download Haunt 0.4.0 is already available in Guix: guix pull guix install haunt See the Haunt project page for information on how to build from source. Thank you to Camilo Rodrigues, Noé Lopez, jgart, Jakob L. Kreuze, and Daniel Meißner for their contributions to this release! Happy haunting!
This is a transcript from a talk I gave at the German Perl Workshop earlier this year. If you'd prefer to watch the video recording, you can find it here. I have lots of photographic projects on the go. Lots of these being on film, as some of these I started shooting a long time ago. I don’t have any particular loyalty or attraction to film, it’s just that I started shooting many of these projects before affordable medium format digital was available. Since I mostly shoot medium/large format film I never really jumped to digital until recently, so film has continued to feature heavily in my workflow. That said, it’s a pain in the arse to shoot film now given the spiraling costs, limited availability, and issues around traveling with it: modern airport CT scanners, being rolled out across many airports, are much more convenient but will fog film. Asking for a hand inspection often comes down to arbitrary timing - how busy the security is, how experienced the operator is, or if you’re lucky/unlucky. I’ve had film forced to be scanned (and fogged) and politely argued with security on more than one occasion. I don’t want to deal with that so don’t travel with film anymore, thus I am shooting less of it and have mostly moved to digital. I still have a tonne of film I need to scan and process however. Here’s just some of the binders and files of film. I don’t plan to scan all of this, but I do plan to scan the ones I need to. Probably in the region of a couple of thousand frames. I want to scan to the highest possible quality (within reason) for archiving, book projects, and large prints. If you’re wondering how large I print, it can be up to 160x60cm panoramics for selling. This is restricted by the size of my printer (that’s another story). Three Years Ago Three years ago I almost bought a scanner. I ended up blogging about it and the post got a bit of traction on Hacker News (HN). I’m never quite sure which posts I submit will pique the interest of the users. I’ll spend months chipping away at a draft and when I post it it tanks. Or I’ll cobble something together in twenty minutes, like the linked one above, and it gets 440 points and over 300 comments… The thread had some useful suggestions and some not so useful ones, the not so useful ones being effectively “buy an Epson”: I’ve had one for fifteen years and it’s not good enough for large prints or archiving. It’s passable for web stuff and smaller prints, but for my recent use cases? Not even close. Ten years ago I had negatives scanned with a high resolution scanner for the first time and recently, wanting to scan my archives for various projects, I decided I should invest in one of those scanners. The Original Plan The plan, back in 2023, was simple: Buy scanner (at significantly reduced rate) Scan all my film Sell scanner Profit! And I mean profit - the scanner that I almost bought was being offered to me at about 2/3rd of the price they usually sell. And they’re becoming harder to find in working order so the prices are going up. Or profit in not having to pay > 25.- CHF per frame to have someone else do this. You can see the pricing from The Film Lab. You can read the original blog post to find out more about the scanner in question, so I won’t repeat it here. Other than the parts being relevant to the rest of this post, namely that the scanner was showing hard and soft problems. The software that drives the scanner was last updated in 2012, it’s proprietary and closed source, requiring 32bit architecture and no third party drivers or software exist. So you are stuck using old software/computers to run it. Or maybe you could use emulation / virtualisation? The problem there is that the interface is firewire, or SCSI on the even older models, and firewire is known to be problematic on these scanners as the controllers start to go bad after a decade of continued use. That’s a risk, and the scanner was very much EOL as the firewire controller was dying: both ports were bad that suggests controller, not ports. The scanner would have been €5,000 to purchase and then €3,000 (ish) to repair. Or, as HN suggested - just open it up and use a soldering iron. I’m not going to drop 5k on something and then start poking it with a soldering iron. I’ll pass on that thanks. Camera Scanning In the meantime I’ve been camera scanning, which you can read about in another blog post. But how does that compare cost wise? It’s expensive because you’ll need a high resolution camera, a macro lens, copy stand, negative carrier/holder, and quality light source. You’ll look to spend anything from three to five thousand Euros on everything. Camera scanning does actually work well, in that it’s close to a high resolution dedicated scanner. But you have to setup the entire thing every time you want to use it, including ensuring everything is straight and parallel. It also suffers from the same weakness as most other scanning methods. What do you think that is? Film Flatness Or lack thereof: Film is rarely flat, especially so with 35mm. These are pretty mild examples of curl. It tends to be flatter in the larger formats but then you get into flatness issues due to it sagging. The smallest difference in the film plane can cause major issues in sharpness due to focus fall off (film scanning is essentially macro photography). Any workflow or solution that does not take this into account is significantly compromised. And the workflow is only as good as its weakest part. This is the biggest problem in scanning film - all other considerations are more than adequate these days: resolution, dynamic range, etc. However, most negative carriers don’t keep the film perfectly flat. This has always been a problem - this is from a book called “Edge of Darkness” which is about traditional analog photography and printing, and summarises the problems of negative carriers thusly: “if you use a glassless negative carrier, you might as well just buy the cheapest enlarging lens you can find. You are simply throwing away the money and sharpness you paid for it in your enlarging lens, and also in your fine camera and the expensive lenses you bought for it… No film will lie flat in a glassless carrier. That’s right, none… There is no avoiding this issue. Use glass.” So you have to use (anti-newton ring) glass, which introduces other issues - you’ve now got extra glass in the transmission path, and dust (which isn’t a massive problem, but a pain nonetheless). You could use drum scanning, which is absurdly impractical from a cost and operating point of view. Or you could use a Flextight, the scanner I almost bought three years ago. Interim Solution I stuck with camera scanning, but wasn’t happy though, because of film flatness and the setup faff. So of course I started looking for another scanner. I was idly browsing near the end of 2025 and came across this one. It’s exactly the same spec as the one I tried three years ago, except SCSI not Firewire so less prone to failure. It just predates Hasselblad buying Imacon (so is pre the rebranding, etc). It was in Switzerland so I could inspect and pick it up. It was also significantly cheaper than the previous one I had looked at, so worth a punt even if I needed to take a soldering iron to it. We went to St Gallen for a weekend and I picked it up. Here’s the software interface back in my studio. Look at that marvelous interface! None of that liquid glass bollocks. The first scans were promising, but I had the sense things needed some TLC. The first thing was calibrating the focus, which the software can do in combination with a focus slide. I was lucky that the focus slide was included with the scanner and I’m not sure what I would have done otherwise. Probably paid a fortune for a replacement? Possibly a lot of manual trial and error with the software? After doing that I scanned images of the 1951 USAF resolution test chart (taken on ultra high resolution 35mm film): That’s what the resulting scan looked like. Notice that it’s sharp from edge to edge, corner to corner. At 100% crop we can resolve around 110 to 123 line pairs per mm, which equates to about 5,600 to 6,300 DPI. This is beyond the limit of most 35mm lenses, but importantly - exactly to spec for this scanner. So I was happy the focus was calibrated. If you’re curious this is the same target with the camera scanning setup. It’s close, but we’ve got another variable in the workflow, several even, and that impacts the results. It’s not as sharp, and the extra glass in the transmission path causes aberrations. Another thing that needed attention was the power supply. The seller mentioned that “sometimes it takes five minutes to warm up”. Sometimes it was more than five minutes, and the power supply would click click click away. So that needed fixing and it was easy enough to find a compatible new replacement, however it cost 200 Euros. Expensive! The third problem I noticed was that some of the scans were coming out stretched. Often about 10% too wide/long, sometimes more than that. My panoramics looked panoooooooramic. I did some research and someone suggested this might be a “buffering issue”, which I thought was nonsense. Doing some testing I heard slipping sounds when the scanner was pulling the film into the body. After more research I stumbled on a post that suggested the belts need replacing. I opened the scanner up, and sure enough: A ha! You can’t quite see that the one on the back is even worse. I replaced those with compatible belts: 535 synchroflex t 2.5/245. Problem solved. The fourth problem was that the film holders were old and/or had been mishandled. They were falling apart and held together with electrical tape or glue, which didn’t seem optimal. Replacements cost 350 Euros in total for the four I needed. They’re now available cheaper from China, since the patents have expired. Or, you know, China. They used to cost about 200 Euros each from Hasselblad. The fifth problem, which is a potential one and hasn’t manifested yet, is that the lamps may eventually need replacing. I picked up a couple for 25 Euros. That seemed like a reasonable thing to do while they’re still available. Success? Let’s add up the costs of acquiring this scanner and renovating it: Scanner: 1,750.- CHF Power Supply: 175.- CHF Belts: 25.- CHF Film Holders: 350.- CHF Lamps: 25.- CHF Total: 2,325.- CHF (c. 2,500 EUR) In the last year (since acquiring the scanner) I have scanned: c. 250 panoramics frames (~ 6,000 CHF) c. 2,500 medium format frames (~ 80,000 CHF) c. 200 large format frames (~ 9,000 CHF) The figures in parentheses are what it would have cost me to have that number of frames scanned by a third party. That is, er, quite a saving. Also quite a lucrative business model perhaps? I think I can argue the cost of the scanner was a very good investment, and I haven’t finished using it yet. Even if it were to stop working tomorrow, it has already paid for itself many times over. Could it stop working tomorrow? Yes, because of other issues that will be harder to solve. The Bigger Issue(s)? A Power Mac G4 (discontinued in 2004). This came with the scanner, the necessary hardware and software to drive it, and is almost certainly living on borrowed time. Spinning metal is never good in the long-term. I’ll maybe purchase a backup soon, as these can still be found for a couple of hundred Euros. The key thing though, is that this very expensive, very high quality scanner, will at some point be rendered useless by the upgrade treadmill because the software required to run it will be increasingly difficult to run. A scanner that is still used by businesses, educational institutions, and individuals like me. A scanner that originally cost tens of thousands of Euros less than a decade ago. The upgrade treadmill is constantly whirring away. This is from the top of the Seattle Space Needle. “Do not upgrade anything on computer”. Clearly that notice speaks of someone being bitten by an upgrade at some point. I wonder is anyone else feeling the fatigue? Security updates, sure I can understand. But feature creep and trivialities? No! What tangible benefits have the last ten, fifteen, or even twenty years of OS updates brought? Other than security, and compatibility with newer hardware? New hardware is great, really, but by association forced deprecation of older hardware. No! It feels like the upgrade treadmill gets faster and steeper every year. Add to that subscription lock-in and dead endpoints: “I couldn’t vacuum my house because an SSL cert had expired” is what someone told me earlier this year. Fortunately this person is a software engineer so ended up man-in-the-middling the network traffic to get the vacuum cleaner to work again (no SSL-pinning it seems). “GoPro is announcing the end of life of the GoPro Quik app for macOS, effective at the end of 2024”. They discontinued the former in favour of their mobile app, which requires an account, login, subscription, and so on. I just want to transfer the videos from the hardware, I don’t need any of this crap (I don’t need any of that crap, it turns out GoPro haven’t locked the device down enough to prevent using third party apps to access the files. Yet). And, of course, software has to be in everything. These days the scanner would/could have an embedded Raspberry PI? Just a keyboard and mouse input, monitor and USB output would reduce the surface area, connectivity issues, and software dependency. Or software is never done? Because: externalities. I guess software is “done” when it’s no longer supported? Marciano Planque has a good piece on this: When hardware products reach end-of-life (EOL), companies should be forced to open-source the software. I think that’s a fair thing to say. I suspect Hasselblad/Imacon never open-sourced the software due to licensing issues. Or they just lost the source. Or they just don’t care, I don’t know. Maybe some combination of the three. And, inevitably, discontinued hardware like this scanner. Or, that is to say, discontinued parts? What about regulation changes? The panoramics I shoot are with a camera that was discontinued in 2004 because EU regulation banned lead solder in circuit boards. The company decided redesigning the parts wasn’t worth it. Old hardware has new exciting ways to fail. As time goes on components will fail or loosen - components that were expected to last decades. Then that results in tribal knowledge, or worse link rot and QR code rot. A lot of this stuff is hidden in walled gardens. There’s a Facebook Imacon group, for example. Why in the ever-loving fuck is a group for technical people, by technical people, on Facebook? Then there’s misleading AI. “My flextight scans are coming out stretched, what might the problem be?” LLM’s have gobbled up all the right information, and all the wrong information. Or information that is massively out of date. Nowhere in the suggestions here does it mention the belts might need replacing, which, according to my own research, is the most common reason these days. Legacy Software A decade ago I wrote an essay that also hit the front page of HN: All Software is Legacy. I think it is still relevant today, some parts not so much given we are now in The Age of Prompt, but mostly it’s still true. Nicholas always said “legacy software is the ugly stuff that makes you money”, which I think is true. But now it’s the stuff that surrounds us, like when I want to withdraw cash (guess what software most cash machines are still running?). Or when I want to take a train - when I gave this talk in Germany I had to get from the airport to the city centre. The ticket machines were disabled with a sign saying “no longer in use, download the app”. Then register. Then buy the ticket. I just want to give you money. Or when I wanted to pay for parking while stopping off at some random town in the UK - the same situation as with the ticket machines. “Download the app, register, pay”. Fuck that, I went and parked somewhere else. I just want to park, I don’t want to fight with software. Or if I want to hire a bike (not pictured: the half dozen apps on my phone to hire a bike). And when I want to buy stuff from a shop… One of the self-checkouts crashed recently in the coop, rebooting into a version of SUSE Linux from well over a decade ago. We’re collectively creating more and more of this everyday, letting it out into the world where it becomes a future liability for someone or the death knell for something. A pile of bikes, an unplugged ticket machine, a top of the line but no longer driveable scanner. References Imacon Users Group (the non-Facebook group) The state of Hasselblad Flextight scanners (2019) 1951 USAF resolution test chart Vlads Test Target Printer Story Original Scanner Blog Responses to HN Camera Scanning All Software is Legacy Repair Cafe
How do you tell friend from foe in a split second? These beautifully designed WWII guides used silhouettes and vehicle details into a system for recognizing tanks, planes, and ships on sight.
