Hieronymus Bosch’s masterpiece of grotesquerie, The Garden of Earthly Delights, contains a young God, Adam and Eve, oversized fruits and musical instruments, owls, tortured sinners, something called a “tree man” whose body contains an entire tavern, a defecating avian devil eating a human being, and “frolicking, oblivious figures engaged in all sorts of carnal pleasures,” […]

From WIRED comes this: NYU professor and “authoritarianism scholar Ruth Ben-Ghiat joins WIRED to answer the internet’s burning questions about dictators and fascism. Why do people support dictators? How do dictators come to power? What’s the difference between a dictatorship, an autocracy, and authoritarianism? What are the most common personality traits found in tyrants and […]

The early trailer for Alfred Hitchcock’s Psycho above describes the film as “the picture you MUST see from the beginning… or not at all!” That’s good advice, given how early in the film its first big twist arrives. But it was also a policy: “Every theatre manager, everywhere, has been instructed to admit no one […]

Writing in his 1995 diary about his seminal ambient album Music for Airports, Eno remembered his initial thoughts going into it: “I want to make a kind of music that prepares you for dying–that doesn’t get all bright and cheerful and pretend you’re not a little apprehensive, but which makes you say to yourself, ‘Actually, […]

Apart from the likes of bravo and pizza, graffiti must be one of the first Italian words that English-speakers learn in everyday life. As for why the English word comes directly from the Italian, perhaps it has something to do with the history of writing on the walls — a history that, in Western civilization, […]