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Modern cities often feel soulless—a monotony of glass, steel, and concrete boxes. What happened to buildings that inspire awe? Architecture used to reflect identity, culture, and meaning. Today, it’s become a global uniform—a style that looks the same whether you’re in New York, Beijing, or Milan. But the tide is shifting, and the potential for... The post Why the World Needs Beautiful Architecture Again appeared first on The Architectural Uprising.
Dresden, a stunning city in Germany, was nearly wiped out during World War II when it was bombed, leaving only ruins behind. But its story didn’t end there—this is a tale of how Dresden came back to life, and rose from the ashes like a phoenix. Before the war, Dresden was known as the “Jewel... The post How Germany’s Most Beautiful City Was Destroyed… and Rebuilt appeared first on The Architectural Uprising.
The Classic Planning Herald International is a new quarterly magazine from the Classic Planning Institute. The project offers insights into what is happening in the New Traditional Architecture community and aims to challenge the modernist dogma. In this article, Michelle Sofge will tell us more about the Herald’s mission, its open approach to partnerships, and... The post The Classic Planning Herald International: A Window into the Global New Traditional Architecture Movement appeared first on The Architectural Uprising.
We invite all readers to contribute to an architectural competition to reimagine the façade of a significant building on Madrid’s famous Gran Vía. This competition focuses on number 19, the Court of Contentious-Administrative No. 10 headquarters, originally built in 1921 and renovated in the 1970s. Gran Vía, a vibrant commercial artery known for its early... The post Join the Architectural Competition to Reimagine Gran Vía’s Iconic Façade appeared first on The Architectural Uprising.
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Archinect's Fellow Fellows series showcases individuals who are currently in, or have recently finished, an architecture fellowship. During our conversations, we discuss their architectural journey, areas of research, and their overall experience as academic fellows. For our latest interview, we connected with Christina Chi Zhang, the 2023–24 Harry der Boghosian Fellow at Syracuse University School of Architecture. Zhang shares her experiences navigating the intersections of architecture, storytelling, and social justice, her approach to teaching and research, and the inspiration behind her fellowship exhibition, I found within me an invincible summer. Through her work, she explores how architecture can serve as a tool for healing and reclamation in post-traumatic cities, incorporating narratives from both human and non-human perspectives.
A few tips from the host of the popular YouTube channel "Stewart Hicks Takes on Buildings."
In 2021, a Canadian farmer named Chris Achter responded to a buyer’s grain contract with a simple 👍 emoji. What followed wasn’t just a misunderstanding—it was a legal showdown that captured global attention. Achter, based in Saskatchewan, had a long-standing business relationship with the buyer. They often finalized grain deals over text. That year, when
The Venice Architecture Biennale, arguably the most iconic event in the architectural calendar, opens its 2025 edition to the public this week on May 10th. As crowds begin to descend on the Italian city and organizers and participants finish their final preparations, Archinect's Niall Patrick Walsh spoke with the biennale's curator Carlo Ratti on what visitors can expect from the event. In our conversation, Ratti unpacks his vision for the biennale as a living laboratory from which ideas and research can emerge to guide the evolution of the built environment; all themed along the exhibition's pillars of Natural, Artificial, and Collective intelligence. In addition, Ratti offers his thoughts on the curatorial process, common topics explored by participants, the future of biennales, and some final advice for those making the trip to Venice to see the event in person. The conversation, edited lightly for length and clarity, is published below.
Rather than court “exercises in reconstruction,” a competition sought “acts of memory, creativity and hope.”
