Full Width 
Shortcuts 
Sign Up 
Log In 
Articles 
Reading List More from The Marginalian
Few things in life are more devastating than to give something your all and still fail. Not the “fail better” of startup culture, not the “fail forward” of self-help, not the failure that is childhood’s fulcrum of learning, not the inspired mistakes that propel creative risk, but simply that helpless and harrowing moment when you face the abyss between your will and your powers, your values and your choices, your ideal self and your real self. It is without redemption, such failure. But it need not be without reward. Admitting failure, especially moral failure, is hard enough — to others,… read article
“To be an artist is a guarantee to your fellow humans that the wear and tear of living will not let you become a murderer,” Louise Bourgeois wrote in her diary as a young artist. “The poets (by which I mean all artists),” James Baldwin wrote in his late thirties, “are finally the only people who know the truth about us. Soldiers don’t. Statesmen don’t… Only poets.” And the truth about us, as I know it, is that how we love, how we give, and how we suffer is just about the sum of who we are. The transmutation of… read article
This essay is adapted from the nineteenth chapter of my book Figuring. In the first autumn of her thirties, Emily Dickinson wrote to her confidante and eventual editor Thomas Wentworth Higginson: I had a terror — since September — I could tell to none, and so I sing, as the Boy does by the Burying Ground — because I am afraid. Not a “fright,” not a “shock,” but a terror. What lay behind this enormity implied by a woman who measured her words so meticulously? Generations of biographers have filled pages with conjectures of varying persuasiveness — a death, some… read article
We are always either drawing closer or drifting apart — there is no stasis in relationships. The direction of movement may change over the course of a relationship, but there is no stasis. Despite our culture’s bias for the drama of cataclysm — the violent heartbreaks, the very notion of falling in love, implying a sudden tripping along the path of life — the most profound of these motions of the soul are the work of gradualism, their pace geologic, their velocity that of continents, so incremental as to be imperceptible, until one day two people find themselves a sum… read article
There are things in life that come over you sudden as a flash flood, total as an eclipse — the great loves, the great creative passions, the great urges to conquer a mountain or a theorem. They can feel like an alien invasion, like the immense hand of some imperative has seized your soul from the outside. But when you look back on them once they have had their way with you, if you are awake enough to your own life and conscious enough of your unconscious, you come to realize that they were not a possession by some external… read article
More in literature
Poems read aloud, beautifully The post “That Day” by Nikki Giovanni appeared first on The American Scholar.
“. . . I pounce on quiet when I find it.” Do you hear that sound? A low vibrato in the distance? Sometimes it swells and the windows seem to rattle. It’s a pedal point reminiscent of hornets in a jar, but less reassuring. It’s the collective drone of chatter, of casually improvident talk. Some are blessed with the absence of the gift of gab. We try to speak only when we have something worthwhile to say, which we know is seldom. This means speech, of course, spoken language, but also applies to written words spewed out as Tweets, etc. Thriftiness in money and words seems no longer fashionable. I encountered the phrase above in Jane Greer’s poem “Motherhood on the One Quiet Night,” reread on Mother’s Day. She first published it in Plough in 2022 and collected it in The World as We Know it is Falling Away (Lambing Press, 2022). I try to weigh the worth of what I have to say before I say it. Not every provocation calls for a response. You’d almost think people were afraid of silence. As Montaigne recounts in his essay “Apology for Raymond Sebond”: “An ambassador of the city of Abdera, after speaking at length to King Agis of Sparta, asked him: ‘Well, Sire, what answer do you wish me to take back to our citizens?’ ‘That I allowed you to say all you wanted, and as much as you wanted, without ever saying a word.’ Wasn’t that an eloquent and thoroughly intelligible silence?” How elegant and rare: “an eloquent and thoroughly intelligible silence.” [The Montaigne passage can be found in The Complete Essays of Montaigne (trans. Donald Frame, Stanford University Press, 1957).]
We have a moonshot opportunity to make the bottom half way richer. Here’s how we take it.
How to filter problems worth solving from problems worth quitting?
“History is not some past from which we are cut off. We are merely at its forward edge as it unrolls. And only if one is without historical feeling at all can one think of the intellectual fads and fashions of one’s own time as a ‘habitation everlasting.’ We may feel that at last, unlike all previous generations, we have found certitude. They thought so too.” I heard it expressed by commencement speakers and others in more casual conversation that ours is an unprecedented age of uncertainty and worry. “We have never seen anything like what we’re experiencing now,” said an articulate and highly educated woman. I wanted to remind her of, say, April 1861 in the U.S. and September 1939 everywhere. The phenomenon of presentism is like a disease that causes blindness. We attribute a sort of proud uniqueness to ourselves and our era, an understanding fostered by narcissism and historical ignorance. The speaker quoted at the top is Robert Conquest in “History, Humanity, and Truth,” the 1993 Jefferson Lecture in the Humanities delivered at Stanford University. Conquest is the historian who gave us, among other revelatory works, The Great Terror: Stalin’s Purge of the Thirties (1968) and The Harvest of Sorrow: Soviet Collectivization and the Terror-Famine (1986). He was not the first to note the moral parity of Hitler and Stalin, but, even before Solzhenitsyn, he documented it and published the results. Denying history and privileging oneself is a form of reality denial. In John Dryden’s “Secular Masque,” Janus says, “Tis well an old age is out, / And time to begin a new,” though the new is merely the old repackaged. Conquest says in his lecture: “We spoke of fads and fashions. Fanaticisms and factiousnesses too, unfortunately. The Soviet experience was, of course, a terrible example of what can happen when an idea gets out of hand.” Conquest was doubly blessed with gifts, being a poet as well as a historian. In 2009, already in his nineties, Conquest published Penultimata, a collection of new poems. Among them is “Last Hours,” nine stanzas of three lines each, including this: “Dead in the water, the day is done There’s nothing new under the sun, Still less when it’s gone down.” Presentism is more than a misguided focus. It is a prescription for disaster. “Without truth in history,” Conquest says in his lecture, “humanity is no longer humanity. It becomes prey to the mental distortions which have, in this century, already caused so many millions of deaths, and brought the world to the verge of ruin.” [John Dryden died on this date, May 12, in 1700 at age sixty-eight.]
