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The hero of the modern myth is the victim, the emblem of the modern self the pronoun. We seem to have forgotten that we are survivors of innumerable spasms of space and time, creatures who never would have given up the gills for lungs if we attached identity to gillness. Not so with lichens. When I was a child, lichen meant to me the magical green garlands draping from the pine trees, which I made into wreaths and mustaches to roam the mountains of Bulgaria as a miniature Orlando. I had no idea that Usnea longissima is just one of… read article
You wouldn’t know it, looking at the tiny elderly woman in the white lab coat bent over a table in a halogen-lit government office, you wouldn’t know she had spent her youth doing science with her whole body: extracting herself from a deadly mudflat with stubbornness and applied physics; narrowly escaping permanent tendon damage after severe sunburn on the tops of her feet during a daylong barefoot tide pool expedition; managing to return ashore by manually rigging a rudder after her boat’s steering apparatus had broken and left her stranded in the open ocean; surviving blood poisoning in the pre-penicillin… read article
“The tree which moves some to tears of joy is in the eyes of others only a green thing which stands in the way,” William Blake wrote in his most spirited letter. “As a man is, so he sees.” Because how we look at the world shapes the world we see, every act of noticing is an act of worlding. The Latin root of notice is to begin knowing, to have an instrument of recognition, and yet human consciousness is a prediction machine that recognizes only what it already knows, sees what it expects to see, lensed through its anticipations… read article
Growing up in Bulgaria, in a city teeming in stray dogs and cars, I was deeply distressed by the sight of each dead animal in the streets between home and school — deaths I could not prevent and could not bear. To cope with the aching helplessness, I developed a private superstition: If I touched each of the vertical bars on every fence along my walk, no dog would die. Sometimes I ran to touch as many bars as possible in as little time as possible, the impact bruising and callusing my fingers. Dogs continued dying. I continued doing it.… read article
“One must be a seer, make oneself a seer,” Arthur Rimbaud wrote, “by a long, gigantic and rational derangement of all the senses.” As more and more of our senses are being amputated by the blade of our image-centric culture, reducing the vast and delicate sensorium of human experience — moss on a rock, a salty summer evening at the ocean’s edge, a lover’s kiss — to a purely visual representation on a two-dimensional screen, it matters all the more that we train our vision to see beyond the veneer of the visible. It is hardly surprising, given the co-evolution… read article
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The golden window of tech may have expired. In 2010, I came across a video of Mick Jagger being interviewed (text version here). It was for a re-release of Exile on Main Street with 10 new tracks. During the interview he says this: But I have a take on that — people only made money out of records for a very, very small time. When The Rolling Stones started out, we didn’t make any money out of records because record companies wouldn’t pay you! They didn’t pay anyone! Then, there was a small period from 1970 to 1997, where people did get paid, and they got paid very handsomely and everyone made money. But now that period has gone. So if you look at the history of recorded music from 1900 to now, there was a 25-year period where artists did very well, but the rest of the time they didn’t. In 2009, I had just started to recover or find my footing from the dot-com bust and the 2008 recession. I wondered about the tech industry’s longevity and resilience then, having experienced my first taste of startup life from 2000-2002. After which, I did my best to navigate what it meant to be a maker on the internet, before it figured out how to make money. I certainly didn’t make any for a number of years. What Jagger said has stuck with me ever since. I often come back to this when I think about any industry or vocation — how long do people really make money doing a thing? Tech feels that way now, again — that for a decade or more, coming out of 2008, people started to make money hand over fist, and tech was rosy, optimistic and all blue skies. We believed we could shape a utopian future, but eventually extracting value came calling, and has always been at the core of capitalism. And tech is a capitalist endeavor. Today, streaming has lobotomized all earnings for musical artists, which has led to heavy touring schedules and lucrative reunions capitalizing on fanbases that have only become even more endeared to the artists of their youth or formative years. Audiences are willing to dole out hundreds of dollars to see their favorite artists perform for hours in an arena or venue. We’re at an inflection point again, facing a different kind of existential threat. The younger generation will chalk this up to how tech is today, while those of us with decades in this industry and the long view of experience have either accepted it, made good money from it and retired, or are fighting the good fight. Is that period gone for tech too? And if so, what’s the equivalent of touring? → This looks better on the web → Reply via email Thanks for reading and using RSS!
it’s been going well for me.
Carl Elliott on the ethical implications of going beyond organ transplantation The post Dawn of the Brain-Dead appeared first on The American Scholar.