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There is a lovely liminality to autumn — this threshold time between the centripetal exuberance of summer and the season for tending to the inner garden, as Rilke wrote of winter. Autumn is a living metaphor for the necessary losses that shape our human lives: What falls away reveals the imperative beneath the superfluous, making what remains all the more precious — the fleeting colors, the fading light, the embering warmth. Hardly anyone has captured the singular, unphotographable magic of autumn more vividly than Richard Adams (May 10, 1920–December 24, 2016) in this passage from his 1973 classic Watership Down… read article
6 months ago

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More from The Marginalian

How Two Souls Can Interact with One Another: Simone de Beauvoir on Love and Friendship

It is in relationships that we discover both our depths and our limits, there that we anneal ourselves and transcend ourselves, there that we are hurt the most and there that we find the most healing. But despite what a crucible of our emotional and spiritual lives relationships are — or perhaps precisely because of it — they can be riddling and nebulous, destabilizing in their fluidity and ambiguity, leaving us grasping for the comforting solidity of categories and labels. The ancient Greeks, in their pioneering effort to order the chaos of the cosmos, neatly taxonomized them into filial love… read article

9 hours ago 1 votes
Carl Jung on Creativity

The question of what it takes to create — to make something of beauty and substance that touches other lives across space and time — is one of the deepest, oldest questions, perhaps because the answer to it is so unbearably simple: everything. We bring everything we are and everything we have lived to every smallest creative act — every experience, every dream, every memory, every unremembered impression, every unconsciously absorbed influence. The great bewilderment is that we can only access a fraction of our own everythingness — most of it dwells in the recesses of the mind and the… read article

3 days ago 2 votes
How to Be More Alive: Artist and Philosopher Rockwell Kent on Breaking the Trance of Near-living

The point, of course, is to make yourself alive — to feel the force of being in your sinew and your spirit, to tremble with the beauty and the terror of it all, to breathe lungfuls of life that gasp you awake from the trance of near-living induced by the system of waste and want we call civilization. Inside the system, these opportunities for raw aliveness are not easily found — they must be sought, seized, and then surrendered to. At four-thirty in the afternoon of June 17th, 1914, a month before the outbreak of WWI and five years before… read article

6 days ago 6 votes
Lights On: Consciousness, the Mystery of Felt Experience, and the Fundamental Music of Reality

When I was five, not long after the night I sat on my father’s shoulders among the thousands of people on the yellow brick plaza in front of the Bulgarian Parliament singing protest songs to take down the Communist dictatorship, my parents got us a hamster. I would say got me a hamster, but they were still in their twenties and delighted in him just as much — a handsome caramel fellow with a confident curiosity about his tiny world. Resentful that I had to answer to a name I had not chosen, I refused to perpetrate the same injustice… read article

a week ago 6 votes
Carl Linnaeus’s Flower Clock

“The eternal problem of the human being is how to structure his waking hours,” the Canadian psychiatrist Eric Berne observed in his 1964 classic Games People Play. Four centuries earlier, Galileo had both combated and complicated the problem by inventing timekeeping and with it, in a deep sense, the modern world. The first clocks were a revolution, a revelation, a civilizing force. The young saw them as a form of rebellion against their provincial, blinkered elders. One teenager wrote: When mankind invented how to measure time, they invented a notion of prodigious utility for the commons; although time in itself… read article

a week ago 11 votes

More in literature

'Nobody to Witness Its Effects Upon Me'

Johnson, Boswell and friends met for dinner at the Crown and Anchor on April 12, 1776. Among the topics of conversation was the evergreen favorite “whether drinking improved conversation and benevolence.” Sir Joshua Reynolds maintained it did. Johnson replies:   “‘No, Sir: before dinner men meet with great inequality of understanding; and those who are conscious of their inferiority, have the modesty not to talk. When they have drunk wine, every man feels himself happy, and loses that modesty, and grows impudent and vociferous: but he is not improved; he is only not sensible of his defects.’”   My experience confirms this. In conversation, the only thing more insufferable than a know-it-all is a drunken know-it-all. Alcohol creates experts. Otherwise modest fellows suddenly start thinking they know what they’re talking about. When one or more meet, arguments ensue, fistfights, bail bondsmen. Reynolds disagrees and Johnson replies:      “‘No, Sir; wine gives not light, gay, ideal hilarity; but tumultuous, noisy, clamorous merriment. I have heard none of those drunken,—nay, drunken is a coarse word,—none of those VINOUS flights.’”   And Reynolds responds more personally: “‘Because you have sat by, quite sober, and felt an envy of the happiness of those who were drinking.’”   It was the late novelist Donald Newlove who first suggested to me that Johnson may have been in his earlier years an alcoholic or at least a “problem drinker” (that anxiety-easing euphemism). In Those Drinking Days: Myself and Other Writers (1981), a meditation on the writing/alcohol connection, Newlove writes:   “Great writing about alcohol is an ocean without shoreline and I have a thick notebook of excerpts from world literature to attest to it, a sheaf of quotations to help me keep sober. One of the most stirring recoveries from excessive drinking was made by Dr. Samuel Johnson two centuries ago.”   To clarify that he is not issuing a blanket condemnation of alcohol or its effects – basically, not wishing to sound like a moralistic wet blanket -- Johnson says:   “Sir, it is not necessary to be drunk one’s self, to relish the wit of drunkenness. Do we not judge of the drunken wit, of the dialogue between Iago and Cassio, the most excellent in its kind, when we are quite sober? Wit is wit, by whatever means it is produced; and, if good, will appear so at all times. I admit that the spirits are raised by drinking, as by the common participation of any pleasure: cock-fighting, or bear-baiting, will raise the spirits of a company, as drinking does, though surely they will not improve conversation. I also admit, that there are some sluggish men who are improved by drinking; as there are fruits which are not good till they are rotten.”   I knew guys who were diffident dullards when sober and sparkling entertainers when drunk, at least for a short time, until the demons took over. Some recognized their transformation, drank greater quantities and more often,  and turned into bums or wet brains. Fellow drinkers deemed them weaklings, failed drinkers. Alcoholics are hard on their own kind. Johnson describes my style of drinking: “‘Sir, I do not say it is wrong to produce self complacency by drinking; I only deny that it improves the mind. When I drank wine, I scorned to drink it when in company. I have drunk many a bottle by myself; in the first place, because I had need of it to raise my spirits; in the second place, because I would have nobody to witness its effects upon me.’”   I’m reminded of a wisecrack attributed to Dylan Thomas: “An alcoholic is someone who drinks as much as I do whom I don’t like.”

4 hours ago 1 votes
How Two Souls Can Interact with One Another: Simone de Beauvoir on Love and Friendship

It is in relationships that we discover both our depths and our limits, there that we anneal ourselves and transcend ourselves, there that we are hurt the most and there that we find the most healing. But despite what a crucible of our emotional and spiritual lives relationships are — or perhaps precisely because of it — they can be riddling and nebulous, destabilizing in their fluidity and ambiguity, leaving us grasping for the comforting solidity of categories and labels. The ancient Greeks, in their pioneering effort to order the chaos of the cosmos, neatly taxonomized them into filial love… read article

9 hours ago 1 votes
'The Rest Is Silence'

Here I pause to remember a forgotten poet who remembered a slightly less forgotten poet – a reminder that all of us are eminently forgettable, regardless of our purported virtues. Walter de la Mare died on June 22, 1956, at age eighty-three. The journal Poetry assigned William Burford to write a remembrance of the English writer, “Master of Silences,” which was published in the November 1957 issue.  Scrap that.   As I was reading “Burford’s” commemoration, it seemed familiar. I dug around and realized I had written about the same piece almost two years ago, under its true byline: William Jay Smith. In the same issue of Poetry, the piece after Smith’s remembrance is a review by Burford (I trust) of a Hart Crane biography. Someone at some time, whether in 1957 or last week, switched bylines -- which, of course, bolsters my observations above about forgettability. Smith’s piece on de la Mare remains definitive:   “When a poet of stature dies, a silence settles upon language. One becomes suddenly aware that words will never again be handled as they have been by this particular man. All that can be said or heard resides in his poems: the rest is silence.”   So, what about Burford? I don’t think I had ever heard of him. I see he died in Dallas in 2004 at age seventy-seven. He had a long academic career and published at least three collections of poems. His work appeared prolifically in Poetry, especially in the nineteen-fifties. In 1967, he translated and published with Christopher Middleton The Poet’s Vocation: Selections from Letters of Hölderlin, Rimbaud, & Hart Crane. He translated minor work by Proust. I would love to say his poems are unforgettable, or even memorably funny and incisive, and that I have salvaged a forgotten genius. Here is “Local God,” published in the Summer 1953 issue of Southwest Review:   “There stands a man in Texas, can grab the rattlers by the tail and crack them like a whip, snapping the vertebrae. He is the curse of all the snakes; milks the venom out of their mouths and wraps them round his arms for bracelets. Strange to say how the little children all steal away from his loving fingers.”

yesterday 2 votes
Muscle Memory

Michael Joseph Gross on the importance of strength, past and present The post Muscle Memory appeared first on The American Scholar.

yesterday 2 votes