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From Scientific American, December 8, 1894, an interesting view of two buildings: drawings that include both the above-ground portion of the buildings, more or less as you would see them, and the foundations as they could never be seen. The foundations are seen as if the earth had been turned transparent. The image of the […]
That’s the Hotel Marlborough at 36th Street and Broadway, shortly after 1900. The hotel opened in 1888 when the entertainment district on Broadway was further south; by the time it was demolished in 1922, that district had moved to Times Square, a few blocks to the north. It’s a story repeated for hundreds of buildings […]
The restoration of Notre Dame deserves all the praise that has been heaped upon it, but have I mentioned recently that my son and I have built the LEGO Notre Dame? We finished our small Notre Dame about a week after the official opening of the large one, but they had a head start on […]
From a graphic novel about art called Naked City: how do you capture the spirit of New York? A relentless grid and Old-Law tenements.
More in architecture
A border is an idea so powerful that we never even have to see it to believe it. Or believe in it. Global borders can be sites of peace and conflict, violence and celebration, opportunity and confinement. And borders as they exist today – which is to say, increasingly militarized and clearly defined – are
Planning policies reflect a deep disdain for the poor, prioritizing elite aesthetics over social equity.
At the heart of San Francisco’s Mission Rock development, The Garden Party by Min Design transforms a bustling pedestrian path into something softer, slower, and more inviting.
With tributes from Witold Rybczynski, Gerhard W. Mayer, James Howard Kuntsler, and Jeff Speck.
Worrell Yeung has designed a two-part retreat in the wooded hills of Columbia County, New York, for a young family looking to connect with the landscape. Set on an 88-acre ridgeline, the project includes Ridge House and Ridge Barn, two structures that balance clean architecture with raw, expressive materials. Blending land art, local references, and a pared-back palette, the Brooklyn-based studio created a place that feels both grounded and quietly sculptural.
