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by Alexis Degryse I think we all know the <datalist> element (and if you don’t, it’s ok). It holds a list of <option> elements, offering suggested choices for its associated input field. It’s not an alternative for the <select> element. A field associated to a <datalist> can still allow any value that is not listed in the <option> elements. Here is a basic example: Pretty cool, isn't it? But what happens if we combine <datalist> with less common field types, like color and date: <label for="favorite-color">What is your favorite color?</label> <input type="color" list="colors-list" id="favorite-color"> <datalist id="colors-list"> <option>#FF0000</option> <option>#FFA500</option> <option>#FFFF00</option> <option>#008000</option> <option>#0000FF</option> <option>#800080</option> <option>#FFC0CB</option> <option>#FFFFFF</option> <option>#000000</option> </datalist> Colors listed in <datalist> are pre-selectable but the color picker is still usable by users if they need to choose a more specific one. <label for="event-choice" class="form-label col-form-label-lg">Choose a historical date</label> <input type="date" list="events" id="event-choice"> <datalist id="events"> <option label="Fall of the Berlin wall">1989-11-09</option> <option label="Maastricht Treaty">1992-02-07</option> <option label="Brexit Referendum">2016-06-23</option> </datalist> Same here: some dates are pre-selectable and the datepicker is still available. Depending on the context, having pre-defined values can possibly speed up the form filling by users. Please, note that <datalist> should be seen as a progressive enhancement because of some points: For Firefox (tested on 133), the <datalist> element is compatible only with textual field types (think about text, url, tel, email, number). There is no support for color, date and time. For Safari (tested on 15.6), it has support for color, but not for date and time. With some screen reader/browser combinations there are issues. For example, suggestions are not announced in Safari and it's not possible to navigate to the datalist with the down arrow key (until you type something matched with suggestions). Refer to a11ysupport.io for more. Find out more datalist experiment by Eiji Kitamura Documentation on MDN
by Schepp Everybody loves fast websites, and everyone despises slow ones even more. Site speed significantly contributes to the overall user experience (UX), determining whether it feels positive or negative. To ensure the fastest possible page load times, it’s crucial to design with performance in mind. However, performance optimization is an art form in itself. While implementing straightforward techniques like file compression or proper cache headers is relatively easy, achieving deeper optimizations can quickly become complex. But what if, instead of solely trying to accelerate the loading process, we triggered it earlier—without the user noticing? One way to achieve this is by prefetching pages the user might navigate to next using <link rel="prefetch"> tags. These tags are typically embedded in your HTML, but they can also be generated dynamically via JavaScript, based on a heuristic of your choice. Alternatively, you can send them as an HTML Link header if you lack access to the HTML code but can modify the server configuration. Browsers will take note of the prefetch directives and fetch the referenced pages as needed. ⚠︎ Caveat: To benefit from this prefetching technique, you must allow the browser to cache pages temporarily using the Cache-Control HTTP header. For example, Cache-Control: max-age=300 would tell the browser to cache a page for five minutes. Without such a header, the browser will discard the pre-fetched resource and fetch it again upon navigation, rendering the prefetch ineffective. In addition to <link rel="prefetch">, Chromium-based browsers support <link rel="prerender">. This tag is essentially a supercharged version of <link rel="prefetch">. Known as "NoState Prefetch," it not only prefetches an HTML page but also scans it for subresources—stylesheets, JavaScript files, images, and fonts referenced via a <link rel="preload" as="font" crossorigin> — loading them as well. The Speculation Rules API A relatively new addition to Chromium browsers is the Speculation Rules API, which offers enhanced prefetching and enables actual prerendering of webpages. It introduces a JSON-based syntax for precisely defining the conditions under which preprocessing should occur. Here’s a simple example of how to use it: <script type="speculationrules"> { "prerender": [{ "urls": ["next.html", "next2.html"] }] } </script> Alternatively, you can place the JSON file on your server and reference it using an HTTP header: Speculation-Rules: "/speculationrules.json". The above list-rule specifies that the browser should prerender the URLs next.html and next2.html so they are ready for instant navigation. The keyword prerender means more than fetching the HTML and subresources—it instructs the browser to fully render the pages in hidden tabs, ready to replace the current page instantly when needed. This makes navigation to these pages feel seamless. Prerendered pages also typically score excellent Core Web Vital metrics. Layout shifts and image loading occur during the hidden prerendering phase, and JavaScript execution happens upfront, ensuring a smooth experience when the user first sees the page. Instead of listing specific URLs, the API also allows for pattern matching using where and href_matches keys: <script type="speculationrules"> { "prerender": [{ "where": { "href_matches": "/*" } }] } </script> For more precise targeting, CSS selectors can be used with the selector_matches key: <script type="speculationrules"> { "prerender": [{ "where": { "selector_matches": ".navigation__link" } }] } </script> These rules, called document-rules, act on link elements as soon as the user triggers a pointerdown or touchstart event, giving the referenced pages a few milliseconds' head start before the actual navigation. If you want the preprocessing to begin even earlier, you can adjust the eagerness setting: <script type="speculationrules"> { "prerender": [{ "where": { "href_matches": "/*" }, "eagerness": "moderate" }] } </script> Eagerness values: immediate: Executes immediately. eager: Currently behaves like immediate but may be refined to sit between immediate and moderate. moderate: Executes after a 200ms hover or on pointerdown for mobile devices. conservative (default): Speculates based on pointer or touch interaction. For even greater flexibility, you can combine prerender and prefetch rules with different eagerness settings: <script type="speculationrules"> { "prerender": [{ "where": { "href_matches": "/*" }, "eagerness": "conservative" }], "prefetch": [{ "where": { "href_matches": "/*" }, "eagerness": "moderate" }] } </script> Limitations and Challenges While the Speculation Rules API is powerful, it comes with some limitations: Browser support: Only Chromium-based browsers support it. Other browsers lack this capability, so treat it as a progressive enhancement. Bandwidth concerns: Over-aggressive settings could waste user bandwidth. Chromium imposes limits to mitigate this: a maximum of 10 prerendered and 50 prefetched pages with immediate or eager eagerness. Server strain: Poorly optimized servers (e.g., no caching, heavy database dependencies) may experience significant load increases due to excessive speculative requests. Compatibility: Prefetching won’t work if a Service Worker is active, though prerendering remains unaffected. Cross-origin prerendering requires explicit opt-in by the target page. Despite these caveats, the Speculation Rules API offers a powerful toolset to significantly enhance perceived performance and improve UX. So go ahead and try them out! I would like to express a big thank you to the Webperf community for always being ready to help with great tips and expertise. For this article, I would like to thank Barry Pollard, Andy Davies, and Noam Rosenthal in particular for providing very valuable background information. ❤️
by Alexander Muzenhardt Introduction Imagine you’re tasked with building a cool new feature for a product. You dive into the work with full energy, and just before the deadline, you manage to finish it. Everyone loves your work, and the feature is set to go live the next day. <button> <i class="icon">📆</i> </button> The Problem You find some good resources explaining that there are people with disabilities who need to be considered in these cases. This is known as accessibility. For example, some individuals have motor impairments and cannot use a mouse. In this particular case, the user is visually impaired and relies on assistive technology like a screen reader, which reads aloud the content of the website or software. The button you implemented doesn’t have any descriptive text, so only the icon is read aloud. In your case, the screen reader says, “Tear-Off Calendar button”. While it describes the appearance of the icon, it doesn’t convey the purpose of the button. This information is meaningless to the user. A button should always describe what action it will trigger when activated. That’s why we need additional descriptive text. The Challenge Okay, you understand the problem now and agree that it should be fixed. However, you don’t want to add visible text to the button. For design and aesthetic reasons, sighted users should only see the icon. Is there a way to keep the button “icon-only” while still providing a meaningful, descriptive text for users who rely on assistive technologies like screen readers? The Solution First, you need to give the button a descriptive name so that a screen reader can announce it. <button> <span>Open Calendar</span> <i class="icon">📆</i> </button> The problem now is that the button’s name becomes visible, which goes against your design guidelines. To prevent this, additional CSS is required. .sr-only { position: absolute; width: 1px; height: 1px; padding: 0; margin: -1px; overflow: hidden; clip: rect(0, 0, 0, 0); white-space: nowrap; border-width: 0; } <button> <span class="sr-only">Open Calendar</span> <i class="icon">📆</i> </button> The CSS ensures that the text inside the span-element is hidden from sighted users but remains readable for screen readers. This approach is so common that well-known CSS libraries like TailwindCSS, Bootstrap, and Material-UI include such a class by default. Although the text of the buttons is not visible anymore, the entire content of the button will be read aloud, including the icon — something you want to avoid. In HTML you are allowed to use specific attributes for accessibility, and in this case, the attribute aria-hidden is what you need. ARIA stands for “Accessible Rich Internet Applications” and is an initiative to make websites and software more accessible to people with disabilities. The attribute aria-hidden hides elements from screen readers so that their content isn’t read. All you need to do is add the attribute aria-hidden with the value “true” to the icon element, which in this case is the “i”-element. <button> <span class="sr-only">Open Calendar</span> <i class="icon" aria-hidden="true">📆</i> </button> Alternative An alternative is the attribute aria-label, which you can assign a descriptive, accessible text to a button without it being visible to sighted users. The purpose of aria-label is to provide a description for interactive elements that lack a visible label or descriptive text. All you need to do is add the attribute aria-label to the button. The attribute aria-hidden and the span-Element can be deleted. <button aria-label="Open Calendar"> <i class="icon">📆</i> </button> With this adjustment, the screen reader will now announce “Open calendar,” completely ignoring the icon. This clearly communicates to the user what the button will do when clicked. Which Option Should You Use? At first glance, the aria-label approach might seem like the smarter choice. It requires less code, reducing the likelihood of errors, and looks cleaner overall, potentially improving code readability. However, the first option is actually the better choice. There are several reasons for this that may not be immediately obvious: Some browsers do not translate aria-label It is difficult to copy aria-label content or otherwise manipulated it as text aria-label content will not show up if styles fail to load These are just a few of the many reasons why you should be cautious when using the aria-label attribute. These points, along with others, are discussed in detail in the excellent article "aria-label is a Code Smell" by Eric Bailey. The First Rule of ARIA Use The “First Rule of ARIA Use” states: If you can use a native HTML element or attribute with the semantics and behavior you require already built in, instead of re-purposing an element and adding an ARIA role, state or property to make it accessible, then do so. Even though the first approach also uses an ARIA attribute, it is more acceptable because aria-hidden only hides an element from screen readers. In contrast, aria-label overrides the standard HTML behavior for handling descriptive names. For this reason, following this principle, aria-hidden is preferable to aria-label in this case. Browser compatibility Both aria-label and aria-hidden are supported by all modern browsers and can be used without concern. Conclusion Ensuring accessibility in web design is more than just a nice-to-have—it’s a necessity. By implementing simple solutions like combining CSS with aria-hidden, you can create a user experience that is both aesthetically pleasing and accessible for everyone, including those who rely on screen readers. While there may be different approaches to solving accessibility challenges, the key is to be mindful of all users' needs. A few small adjustments can make a world of difference, ensuring that your features are truly usable by everyone. Cheers Resources / Links Unicode Character “Tear-Off Calendar” comport Unicode Website mdn web docs aria-label mdn web docs aria-hidden WAI-ARIA Standard Guidlines Tailwind CSS Screen Readers (sr-only) aria-label is a Code Smell First Rule of ARIA Use
by David Luhr The Description List (<dl>) element is useful for many common visual design patterns, but is unfortunately underutilized. It was originally intended to group terms with their definitions, but it's also a great fit for other content that has a key/value structure, such as product attributes or cards that have several supporting details. Developers often mark up these patterns with overused heading or table semantics, or neglect semantics entirely. With the Description List (<dl>) element and its dedicated Description Term (<dt>) and Description Definition (<dd>) elements, we can improve the semantics and accessibility of these design patterns. The <dl> has a unique content model: A parent <dl> containing one or more groups of <dt> and <dd> elements Each term/definition group can have multiple <dt> (Description Term) elements per <dd> (Description Definition) element, or multiple definitions per term The <dl> can optionally accept a single layer of <div> to wrap the <dt> and <dd> elements, which can be useful for styling Examples An initial example would be a simple list of terms and definitions: <dl> <dt>Compression damping</dt> <dd>Controls the rate a spring compresses when it experiences a force</dd> <dt>Rebound damping</dt> <dd>Controls the rate a spring returns to it's extended length after compressing</dd> </dl> A common design pattern is "stat callouts", which feature mini cards of small label text above large numeric values. The <dl> is a great fit for this content: <dl> <div> <dt>Founded</dt> <dd>1988</dd> </div> <div> <dt>Frames built</dt> <dd>8,678</dd> </div> <div> <dt>Race podiums</dt> <dd>212</dd> </div> </dl> And, a final example of a product listing, which has a list of technical specs: <h2>Downhill MTB</h2> <dl> <div> <dt>Front travel:</dt> <dd>160mm</dd> </div> <div> <dt>Wheel size:</dt> <dd>27.5"</dd> </div> <div> <dt>Weight:</dt> <dd>15.2 kg</dd> </div> </dl> Accessibility With this markup in place, common screen readers will convey important semantic and navigational information. In my testing, NVDA on Windows and VoiceOver on MacOS conveyed a list role, the count of list items, your position in the list, and the boundaries of the list. TalkBack on Android only conveyed the term and definition roles of the <dt> and <dd> elements, respectively. If the design doesn't include visible labels, you can at least include them as visually hidden text for assistive technology users. But, I always advocate to visually display them if possible. Wrapping up The <dl> is a versatile element that unfortunately doesn't get much use. In over a decade of coding, I've almost never encountered it in existing codebases. It also doesn't appear anywhere in the top HTML elements lists in the Web Almanac 2024 or an Advanced Web Ranking study of over 11.3 million pages. The next time you're building out a design, look for opportunities where the underrated Description List is a good fit. To go deeper, be sure to check out this article by Ben Myers on the <dl> element.
by Alistair Shepherd Web performance is incredibly important. If you were here for the advent calendar last year you may have already read many of my thoughts on the subject. If not, read Getting started with Web Performance when you’re done here! This year I’m back for more web performance, this time focusing on my favourite HTML snippet for improving the loading performance of web fonts using preloads. This short HTML snippet added to the head of your page, can make a substantial improvement to both perceived and measured performance. <link rel="preload" href="/nova-sans.woff2" as="font" type="font/woff2" crossorigin="anonymous" > Above we have a link element that instructs the browser to preload the /nova-sans.woff2 font. By preloading your critical above-the-fold font we can make a huge impact by reducing potential flashes of unstyled or invisible text and layout shifts caused by font loading, like here in the following video: Recording of a page load illustrating how a font loading late can result in a jarring layout shift How web fonts are loaded To explain how preloading fonts can make such an impact, let’s go through the process of how web fonts are loaded. Font files are downloaded later than you may think, due to a combination of network requests and conservative browser behaviour. In a standard web page, there will be the main HTML document which will include a CSS file using a link element in the head. If you’re using self-hosted custom fonts you’ll have a @font-face rule within your CSS that specifies the font name, the src, and possibly some other font-related properties. In other CSS rules you specify a font-family so elements use your custom font. Once our browser encounters our page it: Starts streaming the HTML document, parsing it as it goes Encounters the link element pointing to our CSS file Starts downloading that CSS file, blocking the render of the page until it’s complete Parses and applies the contents of that file Finds the @font-face rule with our font URL Okay let’s pause here for a moment — It may make sense for step 6 to be “Starts downloading our font file”, however that’s not the case. You see, if a browser downloaded every font within a CSS file when it first encountered them, we could end up loading much more than is needed. We could be specifying fonts for multiple different weights, italics, other character sets/languages, or even multiple different fonts. If we don’t need all these fonts immediately it would be wasteful to download them all, and doing so may slow down higher priority CSS or JS. Instead, the browser is more conservative and simply takes note of the font declaration until it’s explicitly needed. The browser next: Takes a note of our @font-face declarations and their URLs for later Finishes processing CSS and starts rendering the page Discovers a piece of text on the page that needs our font Finally starts downloading our font now it knows it’s needed! So as we can see there’s actually a lot that happens between our HTML file arriving in the browser and our font file being downloaded. This is ideal for lower priority fonts, but for the main or headline font this process can make our custom font appear surprisingly late in the page load. This is what causes the behaviour we saw in the video above, where the page starts rendering but it takes some time before our custom font appears. A waterfall graph showing how our custom ‘lobster.woff2’ font doesn’t start being downloaded until 2 seconds into the page load and isn’t available until after 3 seconds This is an intentional decision by browser makers and spec writers to ensure that pages with lots of fonts aren’t badly impacted by having to load many font files ahead of time. But that doesn’t mean it can’t be optimised! Preloading our font with a link <link rel="preload" href="/nova-sans.woff2" as="font" type="font/woff2" crossorigin="anonymous" > The purpose of my favourite HTML snippet is to inform the browser that this font file will be needed with high priority, before it even has knowledge of it. We’re building our page and know more about how our fonts are used — so we can provide hints to be less conservative! If we start downloading the font as soon as possible then it can be ready ahead of when the browser ‘realises’ it’s needed. Looking back at our list above, by adding a preload we move the start of the font download from step 9 to step 2! Starts streaming the HTML document, parsing it as it goes Encounters our preload and starts downloading our font file in the background Encounters the link element pointing to our CSS file Continues as above Taking a closer look at the snippet, we’re using a link element and rel="preload" to ask the browser to preload a file with the intention of using it early in the page load. Like a CSS file, we provide the URL with the href attribute. We use as="font" and type="font/woff2" to indicate this is a font file in woff2. For modern browsers woff2 is the only format you need as it’s universally supported. Finally there’s crossorigin="anonymous". This comes from the wonderfully transparent and clear world of Cross Origin Resource Sharing. I jest of course, CORS is anything but transparent and clear! For fonts you almost always want crossorigin="anonymous" on your link element, even when the request isn’t cross-origin. Omitting this attribute would mean our preload wouldn’t be used and the file would be requested again. But why? Browser requests can be sent either with or without credentials (cookies, etc), and requests to the same URL with and without credentials are fundamentally different. For a preload to be used by the browser, it needs to match the type of request that the browser would have made normally. By default fonts are always requested without credentials, so we need to add crossorigin="anonymous" to ensure our preload matches a normal font request. By omitting this attribute our preload would not be used and the browser would request the font again. If you’re ever unsure of how your preloads are working, check your browsers’ devtools. In Chrome the Network pane will show a duplicate request, and the Console will log a warning telling you a preload wasn’t used. Screenshot showing the Chrome devtools Console pane, with warnings for an incorrect font preload Result and conclusion By preloading our critical fonts we ensure our browser has the most important fonts available earlier in the page loading process. We can see this by comparing our recording and waterfall charts from earlier: Side-by-side recording of the same page loading in different ways. ‘no-preload’ shows a large layout shift caused by the font switching and finishes loading at 4.4s. ‘preload’ doesn’t have a shift and finishes loading at 3.1s. Side-by-side comparison of two waterfall charts of the same site with font file `lobster.woff2`. For the ‘no-preload’ document the font loads after all other assets and finishes at 3s. The ‘preload’ document shows the font loading much earlier, in parallel with other files and finishing at 2s. As I mentioned in Getting started with Web Performance, it’s best to use preloads sparingly so limit this to your most important font or two. Remember that it’s a balance. By preloading too many resources you run the risk of other high-priority resources such as CSS being slowed down and arriving late. I would recommend preloading just the heading font to start with. With some testing you can see if preloading your main body font is worth it also! With care, font preloads can be a simple and impactful optimisation opportunity and this is why it’s my favourite HTML snippet! This is a great step to improving font loading, and there are plenty of other web font optimisations to try also!
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Denmark has been reaping lots of delayed accolades from its relatively strict immigration policy lately. The Swedes and the Germans in particular are now eager to take inspiration from The Danish Model, given their predicaments. The very same countries that until recently condemned the lack of open-arms/open-border policies they would champion as Moral Superpowers. But even in Denmark, thirty years after the public opposition to mass immigration started getting real political representation, the consequences of culturally-incompatible descendants from MENAPT continue to stress the high-trust societal model. Here are just three major cases that's been covered in the Danish media in 2025 alone: Danish public schools are increasingly struggling with violence and threats against students and teachers, primarily from descendants of MENAPT immigrants. In schools with 30% or more immigrants, violence is twice as prevalent. This is causing a flight to private schools from parents who can afford it (including some Syrians!). Some teachers are quitting the profession as a result, saying "the Quran run the class room". Danish women are increasingly feeling unsafe in the nightlife. The mayor of the country's third largest city, Odense, says he knows why: "It's groups of young men with an immigrant background that's causing it. We might as well be honest about that." But unfortunately, the only suggestion he had to deal with the problem was that "when [the women] meet these groups... they should take a big detour around them". A soccer club from the infamous ghetto area of Vollsmose got national attention because every other team in their league refused to play them. Due to the team's long history of violent assaults and death threats against opposing teams and referees. Bizarrely leading to the situation were the team got to the top of its division because they'd "win" every forfeited match. Problems of this sort have existed in Denmark for well over thirty years. So in a way, none of this should be surprising. But it actually is. Because it shows that long-term assimilation just isn't happening at a scale to tackle these problems. In fact, data shows the opposite: Descendants of MENAPT immigrants are more likely to be violent and troublesome than their parents. That's an explosive point because it blows up the thesis that time will solve these problems. Showing instead that it actually just makes it worse. And then what? This is particularly pertinent in the analysis of Sweden. After the "far right" party of the Swedish Democrats got into government, the new immigrant arrivals have plummeted. But unfortunately, the net share of immigrants is still increasing, in part because of family reunifications, and thus the problems continue. Meaning even if European countries "close the borders", they're still condemned to deal with the damning effects of maladjusted MENAPT immigrant descendants for decades to come. If the intervention stops there. There are no easy answers here. Obviously, if you're in a hole, you should stop digging. And Sweden has done just that. But just because you aren't compounding the problem doesn't mean you've found a way out. Denmark proves to be both a positive example of minimizing the digging while also a cautionary tale that the hole is still there.
I’ve made another small tweak to the site – I’ve added “new” banners to articles I’ve written recently, and any post marked as “new” will be pinned to the homepage. Previously, the homepage was just a random selection of six articles I’d written at any time. Last year I made some changes to de-emphasise sorting by date and reduce recency bias. I stand by that decision, but now I see I went too far. Nobody comes to my site asking “what did Alex write on a specific date”, but there are people who ask “what did Alex write recently”. I’d made it too difficult to find my newest writing, and that’s what this tweak is trying to fix. This should have been a simple change, but it became a lesson about the inner workings of CSS. Absolute positioning and my first attempt I started with some code I wrote last year. Let’s step through it in detail. <div class="container"> <div class="banner">NEW</div> <img src="computer.jpg"> </div> NEW .banner { position: absolute; } absolute positioning, which removes the banner from the normal document flow and allows it to be placed anywhere on the page. Now it sits alone, and it doesn't affect the layout of other elements on the page – in particular, the image no longer has to leave space for it. NEW .container { position: relative; } .banner { transform: rotate(45deg); right: 16px; top: 20px; } NEW I chose the transform, right, and top values by tweaking until I got something that looked correct. They move the banner to the corner, and then the transform rotates it diagonally. The relative position of the container element is vital. The absolutely positioned banner still needs a reference point for the top and right, and it uses the closest ancestor with an explicit position – or if it doesn’t find one, the root <html> element. Setting position: relative; means the offsets are measured against the sides of the container, not the entire HTML document. This is a CSS feature called positioning context, which I’d never heard of until I started writing this blog post. I’d been copying the position: relative; line from other examples without really understanding what it did, or why it was necessary. (What made this particularly confusing to me is that if you only add position: absolute to the banner, it seems like the image is the reference point – notice how, with just that property, the text is in the top left-hand corner of the image. It’s not until you set top or right that the banner starts using the entire page as a reference point. This is because an absolutely positioned element takes its initial position from where it would be in the normal flow, and doesn’t look for a positioned ancestor until you set an offset.) .banner { background: red; color: white; } NEW .banner { right: -34px; top: 18px; padding: 2px 50px; } NEW .container { overflow: hidden; } box-shadow on my homepage to make it stand out further, but cosmetic details like that aren’t important for the rest of this post. NEW As a reminder, here’s the HTML: <div class="container"> <div class="banner">NEW</div> <img src="computer.jpg"> </div> and here’s the complete CSS: .container { position: relative; overflow: hidden; } .banner { position: absolute; background: red; color: white; transform: rotate(45deg); right: -34px; top: 18px; padding: 2px 50px; } It’s only nine CSS properties, but it contains a surprising amount of complexity. I had this CSS and I knew it worked, but I didn’t really understand it – and especially the way absolute positioning worked – until I wrote this post. This worked when I wrote it as a standalone snippet, and then I deployed it on this site, and I found a bug. (The photo I used in the examples is from Viktorya Sergeeva on Pexels.) Dark mode, filters, and stacking contexts I added dark mode support to this site a couple of years ago – the background changes from white to black, the text colour flips, and a few other changes. I’m a light mode person, but I know a lot of people prefer dark mode and it was a fun bit of CSS work, so it’s there. The code I described above breaks if you’re using this site in dark mode. What. I started poking around in my browser’s developer tools, and I could see that the banner was being rendered, but it was under the image instead of on top of it. All my positioning code that worked in light mode was broken in dark mode. I was baffled. I discovered that by adding a z-index property to the banner, I could make it reappear. I knew that elements with a higher z-index will appear above an element with a lower z-index – so I was moving my banner back out from under the image. I had a fix, but it felt uncomfortable because I couldn’t explain why it worked, or why it was only necessary in dark mode. I wanted to go deeper. I knew the culprit was in the CSS I’d written. I could see the issue if I tried my code in this site, but not if I copied it to a standalone HTML file. To find the issue, I created a local branch of the site, and I started deleting CSS until I could no longer reproduce the issue. I eventually tracked it down to the following rule: @media (prefers-color-scheme: dark) { /* see https://web.dev/articles/prefers-color-scheme#re-colorize_and_darken_photographic_images */ img:not([src*='.svg']):not(.dark_aware) { filter: grayscale(10%); } } This applies a slight darkening to any images when dark mode is enabled – unless they’re an SVG, or I’ve added the dark_aware class that means an image look okay in dark mode. This makes images a bit less vibrant in dark mode, so they’re not too visually loud. This is a suggestion from Thomas Steiner, from an article with a lot of useful advice about supporting dark mode. When this rule is present, the banner vanishes. When I delete it, the banner looks fine. Eventually I found the answer: I’d not thought about (or heard of!) the stacking context. The stacking context is a way of thinking about HTML elements in three dimensions. It introduces a z‑axis that determines which elements appear above or below each other. It’s affected by properties like z-index, but also less obvious ones like filter. In light mode, the banner and the image are both part of the same stacking context. This means that both elements can be rendered together, and the positioning rules are applied together – so the banner appears on top of the image. In dark mode, my filter property creates a new stacking context. Applying a filter to an element forces it into a new stacking context, and in this case that means the image and the banner will be rendered separately. Browsers render elements in DOM order, and because the banner appears before the image in the HTML, the stacking context with the banner is rendered first, then the stacking context with the image is rendered separately and covers it up. The correct fix is not to set a z-index, but to swap the order of DOM elements so the banner is rendered after the image: <div class="container"> <img src="computer.jpg"> <div class="banner">NEW</div> </div> This is the code I’m using now, and now the banner looks correct in dark mode. In hindsight, this ordering makes more sense anyway – the banner is an overlay on the image, and it feels right to me that it should appear later in the HTML. If I was laying this out with bits of paper, I’d put down the image, then the banner. One example is nowhere near enough for me to properly understand stacking contexts or rendering order, but now I know it’s a thing I need to consider. I have a vague recollection that I made another mistake with filter and rendering order in the past, but I didn’t investigate properly – this time, I wanted to understand what was happening. I’m still not done – now I have the main layout working, I’m chasing a hairline crack that’s started appearing in the cards, but only on WebKit. There’s an interaction between relative positioning and border-radius that’s throwing everything off. CSS is hard. I stick to a small subset of CSS properties, but that doesn’t mean I can avoid the complexity of the web. There are lots of moving parts that interact in non-obvious ways, and my understanding is rudimentary at best. I have a lot of respect for front-end developers who work on much larger and more complex code bases. I’m getting better, but CSS keeps reminding me how much more I have to learn. [If the formatting of this post looks odd in your feed reader, visit the original article]
Since November 2023, I’ve been living in Karuizawa, a small resort town that’s 70 minutes away from Tokyo by Shinkansen. The elevation is approximately 1000 meters above sea level, making the summers relatively mild. Unlike other colder places in Japan, it doesn’t get much snow, and has the same sunny winters I came to love in Tokyo. With COVID and the remote work boom, it’s also become popular among professionals such as myself who want to live somewhere with an abundance of nature, but who still need to commute into Tokyo on a semi-regular basis. While I have a home office, I sometimes like to work outside. So I thought I’d share my impressions of the coworking spaces in town that I’ve personally visited, and a few other places where you can get some work done when you’re in town. Sawamura Roastery 11am on a Friday morning and there was only one other customer. Sawamura Roastery is technically a cafe, but it’s my personal favourite coworking space. It has free wifi, outlets, and comfortable chairs. While their coffees are on the expensive side, at about 750 yen for a cafe latte, they are also some of Karuizawa’s best. It’s empty enough on weekday mornings that I feel fine about staying there for hours, making it a deal compared to official drop-in coworking spaces. Another bonus is that it opens early: 7 a.m. (or 8 a.m. during the winter months). This allows me to start working right after I drop off my kids at daycare, rather than having 20 odd minutes to kill before heading to the other places that open at 9 a.m. If you’re having an online meeting, you can make use of the outdoor seating. It’s perfect when the weather is nice, but they also have heating for when it isn’t. The downsides are that their playlist is rather short, so I’m constantly hearing the same songs, and their roasting machine sometimes gets quite noisy. Gokalab Gokalab is my favourite dedicated coworking space in Karuizawa. Technically it is in Miyota, the next town over, which is sometimes called “Nishikaruizawa”. But it’s the only coworking space in the area I’ve been to that feels like it has a real community. When you want to work here, you have three options: buy a drink (600 yen for a cafe au lait—no cafe lattes, unfortunately, but if you prefer black coffee they have a good selection) and work out of the cafe area on the first floor; pay their daily drop-in fee of 1,000 yen; or become a “researcher” (研究員, kenkyuin) for 3,000 yen per month and enjoy unlimited usage. Now you may be thinking that the last option is a steal. That’s because it is. However, to become a researcher you need to go through a workshop that involves making something out of LEGO, and submit an essay about why you want to use the space. The thinking behind this is that they want to support people who actually share their vision, and aren’t just after a cheap space to work or study. Kind of zany, but that sort of out-of-the-box thinking is exactly what I want in a coworking space. When I first moved to Karuizawa, my youngest child couldn’t get into the local daycare. However, we found out that in Miyota, Suginoko Kindergarten had part-time spots available for two year olds. My wife and I ended up taking turns driving my kid there, and then spending the morning working out of Gokalab. Since my youngest is now in a local daycare, I haven’t made it out to Gokalab much. It’s just a bit too far for me (about a 15-minute drive from my house, while other options on this list are at most a 15-minute bicycle ride). But if I was living closer, I’d be a regular there. 232 Coworking Space & Hotel Noon on a Monday morning at 232 Coworking Space. If you’re looking for a coworking space near Karuizawa station, 232 Coworking Space & Hotel is the best option I’ve come across. The “hotel” part of the name made me think they were focused on “workcations,” but the space seems like it caters to locals as well. The space offers free coffee via an automatic espresso machine, along with other drinks, and a decent number of desks. When I used it on a Monday morning in the off-season, it was moderately occupied at perhaps a quarter capacity. Everyone spoke in whispers, so it felt a bit like a library. There were two booths for calls, but unfortunately they were both occupied when I wanted to have mine, so I had to sit in the hall instead. If the weather was a bit warmer I would have taken it outside, as there was some nice covered seating available. The decor was nice, though the chairs weren’t that comfortable. After a couple of hours I was getting sore. It was also too dimly lit for me, without much natural light. The price for drop-ins is reasonable, starting at 1,500 yen for four hours. They also have monthly plans starting from 10,000 yen for five days per month. WhatI found missing was a feeling of community. I didn’t see any small talk between the people working there, though I was only there for a couple hours, and maybe this occurs at other times. Their webpage also mentioned that they host events, but apparently they don’t have any upcoming ones planned and haven’t had any in a while. Shozo Coffee Karuizawa The latte is just okay here, but the atmosphere is nice. Shozo Coffee Karuizawa is a cafe on the first floor of the bookstore in Karuizawa Commongrounds. The second floor has a dedicated coworking space, but for me personally, the cafe is a better deal. Their cafe latte is mid-tier and 700 yen. In the afternoons I’ll go for their chai to avoid over-caffeination. They offer free wifi and have signs posted asking you not to hold online meetings, implicitly making it clear that otherwise they don’t mind you working there. Location-wise, this place is very convenient for me, but it suffers from a fatal flaw that prevents me from working there for an extended amount of time: the tables are way too low for me to type comfortably. I’m tall though (190 cm), so they aren’t designed with me in mind. Sheridan Coffee and a popover \- my entrance fee to this “coworking space”. Sheridan is a western breakfast and brunch restaurant. They aren’t that busy on weekdays and have free wifi, plus the owner was happy to let me work there. The coffee comes in a pot with enough for at least one refill. There’s also some covered outdoor seating. I used this spot to get some work done when my child was sick and being looked after at the wonderful Hochi Lodge (ほっちのロージ). It’s a clinic and sick childcare facility that does its best to not let on that it’s a medical facility. The doctors and nurses don’t wear uniforms, and appointments there feel more like you’re visiting someone’s home. Sheridan is within walking distance of it. Natural Cafeina An excellent cappuccino but only an okay place to work. If you’d like to get a bit of work done over an excellent cappuccino, Natural Cafeina is a good option. This cafe feels a bit cramped, and as there isn’t much seating, I wouldn’t want to use it for an extended period of time. Also, the music was also a bit loud. But they do have free wifi, and when I visited, there were a couple of other customers besides myself working there. Nakakaruizawa Library The Nakakaruizawa Library is a beautiful space with plenty of desks facing the windows and free wifi. Anyone can use it for free, making it the most economical coworking space in town. I’ve tried working out of it, but found that, for me personally, it wasn’t conducive to work. It is still a library, and there’s something about the vibes that just doesn’t inspire me. Karuizawa Commongrounds Bookstore Coworking Space The renowned bookstore Tsutaya operates Karuizawa Books in the Karuizawa Commongrounds development. The second floor has a coworking space that features the “cheap chic” look common among hip coworking spaces. Unfinished plywood is everywhere, as are books. I’d never actually worked at this space until writing this article. The price is just too high for me to justify it, as it starts at 1,100 yen for a mere hour, to a max of 4,000 yen per day. At 22,000 yen per month, it’s a more reasonable price for someone using it as an office full time. But I already have a home office and just want somewhere I can drop in at occasionally. There are a couple options, seating-wise. Most of the seats are in booths, which I found rather dark but with comfortable chairs. Then there’s a row of stools next to the window, which offer a good view, but are too uncomfortable for me. Depending on your height, the bar there may work as a standing desk. Lastly, there are two coveted seats with office chairs by a window, but they were both occupied when I visited. The emphasis here seems to be on individual deep work, and though there were a number of other people working, I’d have felt uncomfortable striking up a conversation with one of them. That’s enough to make me give it a pass. Coworking Space Ikoi Villa Coworking Space Ikoi Villa is located in Naka-Karuizawa, relatively close to my home. I’ve only used it once though. It’s part of a hotel, and they converted the lobby to a coworking space by putting a bunch of desks and chairs in it. If all you need is wifi and space to work, it gets the job done. But it’s a shame they didn’t invest a bit more in making it feel like a nice place to work. I went during the summer on one of the hottest days. My house only had one AC unit and couldn’t keep up, so I was hoping to find somewhere cooler to work. But they just had the windows open with some fans going, which left me disappointed. This was ostensibly the peak season for Karuizawa, but only a couple of others were working there that day. Maybe the regulars knew it’d be too hot, but it felt kind of lonely for a coworking space. The drop-in fee starts at 1,000 yen for four hours. It comes with free drinks from a machine: green tea, coffee, and water, if I recall correctly. Karuizawa Prince The Workation Core Do you like corporate vibes? Then this is the place for you. Karuizawa Prince The Workation Core is a coworking space located in my least favourite part of the town—the outlet mall. The throngs of shoppers and rampant commercialism are in stark contrast to the serenity found farther away from the station. This is another coworking space I visited expressly for this article. The fee is 660 yen per 30 minutes, to a maximum of 6,336 yen per day. Even now, just reading that maximum, my heart skipped a beat. This is certainly the most expensive coworking space I’ve ever worked from—I better get this article done fast. The facilities include a large open space with reasonably comfortable seating. There are a number of booths with monitors. As they are 23.8 inch monitors with 1,920 x 1,080 resolution, they’re a step down from the resolution of modern laptops, and so not of much use. Though there was room for 40 plus people, I was the only person working . Granted this was on a Sunday morning, so not when most people would typically attend. I don’t think I’ll be back here again. The price and sterile corporate vibe just aren’t for me. If you’re staying at The Prince Hotel, I think you get a discount. In that case, maybe it’s worth it, but otherwise I think there are better options. Sawamura Bakery & Restaurant Kyukaruizawa Sawamura Bakery & Restaurant is across the street from the Roastery. It offers slightly cheaper prices, with about 100 yen off the cafe latte, though the quality is worse, as is the vibe of the place as a whole. They do have a bigger selection of baked goods, though. As a cafe for doing some work, there’s nothing wrong with it per se. The upstairs cafe area has ample seating outside of peak hours. But I just don’t have a good reason to work here over the Roastery. The Pie Hole Los Angles Karuizawa The best (and only) pecan pie that I’ve had in Japan. The name of this place is a mouthful. Technically, it shouldn’t be on this list because I’ve never worked out of it. But they have wonderful pie, free wifi, and not many customers, so I could see working here. The chairs are a bit uncomfortable though, so I wouldn’t want to stop by for more than an hour or two. While this place had been on my radar for a while, I’d avoided it because there’s no good bicycle parking nearby—-or so I thought. I just found that the relatively close Church Street shopping street has a bit of bicycle parking off to the side. If you come to Karuizawa… When I was living in Tokyo, there were just too many opportunities to meet people, and so I found myself having to frequently turn down offers to go out for coffee. Since moving here, I’ve made some local connections, but the pace has been a lot slower. If you’re ever passing through Karuizawa, do get in touch, and I’d be happy to meet up for a cafe latte and possibly some pie.