More from Tyler Cipriani: blog
.title {text-wrap:balance;} #content > p:first-child {text-wrap:balance;} .gallery { display:flex; justify-content:center; } figure a:link, figure a:visited, figure a:hover, figure a:active {color:inherit; text-decoration: underline;} Netbooks are dead, but the Chuwi Minibook X scratches the same itch. The Minibook X is a 10.5″ x86_64 sub-ultrabook with 16GB RAM, a 512GB NVMe drive, and only one majorly annyoing Linux quirk. I needed a knock-around laptop, so I bought myself a Minibook for my birthday last year. The more I tote it around, the more fun I’m having with this ridiculous little computer. Chuwi Minibook X Quick specs Much like the netbooks of yore, the Minibook is a budget machine. But it’s 2026, so even budget machines pack more oomph than I need from a utility laptop. CPU 4-core/4-thread 3.6GHz Intel N150 Twin Lake 16 GB RAM – LPDDR5-6400 – soldered 😿 512GB NVMe – upgradable 10.51” IPS 2K 16:10 screen 28.88Wh Li-Ion battery Weight: 911g Ports: 2×USB-C (1×PD charging) Cost: $350 Chuwi Minibook Guts One oddity is that the Minibook comes bundled with a 12V/2A USB-C charger. I chucked the charger; I worried I’d fry some 5V SoC someday. The Minibook works fine with a PD charger. Minibook X using a PD Charger at 20V I’d assume the 12V charger was a cost-saving choice, but it also creates some weird possibilities for DC/off-grid setups. Linux and weirdness: sideways panels and kernel parameters Charlie Stross, a favorite SciFi author, talks up the Chuwi Minibook X on Mastodon The fediverse told me that Minibook runs Linux “boringly well,” which was almost true. I tried Debian, then jumped to NixOS for kicks. What works: Camera/Microphone/Speakers Touchscreen Sleep/Suspend Hibernate Keyboard backlight USB-C HDMI Bluetooth (non-free blobs – Intel) Wi-Fi 6 (non-free blobs – Intel) But on first boot, the screen orientation is 270° clockwise: Linux setup screen rotated 270°. The Chuwi’s screen is a panel from a cheap tablet; the screen rotation issue is a hardware problem (the screen is mounted sideways). To fix the screen’s rotation, I had to tweak screen orientation at every software layer. Fixing this problem was a journey: Bootloader – Switched from systemd-boot to grub, carrying some unmerged GRUB rotation patches on top. Initrd – Tell the Intel display driver about the panel orientation via a kernel parameter, and force the Intel driver to load in the initramfs. On NixOS: boot.kernelParams = ["video=DSI-1:panel_orientation=right_side_up"]; and boot.initrd.kernelModules = ["i915"]; (see Kernel docs for modedb default video mode support) Desktop environment – For X11, good ole xrandr --output DSI-1 --rotate right. Wayland picked this up from the DRM connector. This one was easy. Framebuffer – Ensure all TTYs have the proper orientation by adding fbcon=rotate:1 to kernel parameters boot.kernelParams = ["fbcon=rotate:1"]; (see Kernel docs for framebuffer console boot options) Behold, the final result in all its glory: Non-rotated system boot. Zero Cool's bootscreen courtesy of mainframed/Hackers-Plymouth Size, weight, and build This computer is mind-bogglingly small. The build is sturdy and totable; it’ll hold up to a backpack jostling. Chuwi Minibook X with "banana" for scale The laptop’s case is MacBook-esque: aluminum and good-looking. The MacBook Air’s dimensions dwarf the Chuwi’s, but the two laptops are about the same thickness. Chuwi Minibook X alongside the Macbook Air Chuwi Minibook atop the Macbook Air A notebook that weighs more than a kilo is simply not a good thing – Linus Torvalds The Minibook weighs in just shy of a kilo at 912 grams. My Minibook X weighs 912g Perf, thermals, and power tl;dr: you get what you pay for. But battery life and cooling are better than I’d have guessed. The Minibook X was never going to compile the Linux kernel in record time. But the performance matches the specs, it stays cool, and it has enough battery life to run a movie marathon. Numbers: Geekbench6 (a fun side-quest to get running on NixOS), better than I expected. Single-core: 1295 Multi-core: 3332 Wi-Fi 6 speed: 424 Mbps, more than enough to stream a 4K movie. Power Idle: 3.8W During benchmark: ~15W Battery: When I left the 1995 classic film “Hackers” looping in VLC, the battery lasted about 6 hours. Heat: Running stress-ng for 10 minutes, the hottest part of the laptop chassis remained below 90°F (32°C): Thermal camera view of Chuwi Minibook X running stress-ng What I dislike There’s so much to dislike about this laptop: Screen is terrible – 2K? 50Hz refresh rate? Why!? Keyboard is terrible – it only registers keystrokes when you hit the exact center of each key. Touchpad is terrible – It’s a diving board-style, without physical buttons. Sound is meh – I can hear the tinny laptop speaker fine, but it’s underwhelming. I’ve never tried tweaking it in Pipewire, though; it’s possible it could be better. But “terrible” is in comparison to the nicest modern laptops in existence. Everything I listed here works fine. I’m honestly blown away when I tune my expectations to the sub-$400 laptop range. Verdict In The Death and Life of Great American Cities, Jane Jacobs wrote, “new ideas require old buildings”: cheap spaces let people try risky ideas. The Chuwi Minibook X is an old building. I can brick the Minibook and have a normal Monday on my serious work laptop. Nothing has to work, which makes it perfect to try out new Linux desktop stuff: NixOS – I’ve been using Debian for 15 years+, figured I’d try joining the NixOS cult for a while. RiverWM – I’m on a quest to find the Wayland version of XMonad; River is pretty close. KDE Plasma – I’ve used a tiling window manager for over a decade. What’s it like to use a desktop that Just Works™? Steam – Never been much into games, but I decided to give Steam a try since, well, why not? Cheap, weird computers like the Chuwi make it safe to play. And playing with computers is still fun. Playing Melatonin on Steam on the Chuwi
.title {text-wrap:balance;} #content > p:first-child {text-wrap:balance;} Hackers are pwning packages at an exhausting clip. But the hacks are hackneyed. What’s new is the doom cycle: Code that steals keys to publish code to steal more keys. A zombie army of infected code. And AI is making it worse. GitHub Actions are a trap Trivy is an open-source security scanner. But if you used Trivy in late March, you had a bad time. On March 19th, hackers pushed a version of Trivy that tried to smuggle secrets from anywhere it ran. Trivy cited a “misconfiguration” in their continuous integration (CI) system, GitHub Actions. But the exploit was less a misconfiguration and more a GitHub Actions trap. Admiral Ackbar warning about the trap in GitHub Actions Here’s a simplified version of how Trivy got pwnd1: # INSECURE. DO NOT USE. on: pull_request_target jobs: check: steps: - uses: action/checkout@deadbeefdeadbeefdeadbeefdeadbeefdeadbeef with: ref: refs/pull/${{ github.event.pull_request.number }}/merge - uses: ./.github/actions/setup-go - uses: some/go-static-analysis@c0ffeec0ffeec0ffeec0ffeec0ffeec0ffeec0ff At first glance, this code looks fine: No secrets referenced. Third-party actions pinned to an immutable hash. Check out a pull request. Perform some static analysis. But this code is a verbatim antipattern from a 2021 GitHub blog post titled “preventing pwn requests”: if the pull_request_target workflow only […] runs untrusted code but doesn’t reference any secrets, is it still vulnerable? Yes it is – GitHub Security Lab The problem is pull_request_target: pull_request_target – plunks a nice, juicy GITHUB_TOKEN into the environment. actions/checkout – takes an optional parameter persist-credentials, which removes secrets if set to false. But the default for the parameter is true. Setting the persist-credentials parameter to false has been an open issue in GitHub Actions since 2021. Your $HOME is a crime scene Once hackers had Trivy’s keys, they published a new version of Trivy to steal more keys. LiteLLM used Trivy in their CI. The same CI they used to publish code to PyPI, the Python software registry. When LiteLLM’s CI ran the compromised Trivy, hackers nabbed their publishing key. And on March 24th, when Callum McMahon fired up his IDE, his MacBook froze. And that’s how he discovered the LiteLLM hijack. McMahon’s MacBook was flailing at bad code that hackers snuck into LiteLLM. And the bad code trying to steal credentials: ~/.netrc ~/.aws/credentials ~/.config/gcloud ~/.config/gh ~/.azure ~/.docker/config.json ~/.npmrc ~/.git-credentials ~/.kube/ Files that are typically strewn around $HOME directories, full of tokens and keys, often unencrypted. AI and the supply chain doom spiral We’ve dealt with problems like unencrypted credentials, unpinned dependencies, and CI footguns forever. But AI has accelerated everything, including repeating security mistakes. On the day of the Trivy compromise, I asked Claude, “how do I scan docker registry images for security vulnerabilities?” The reply, in part: CI/CD Integration Example (GitHub Actions with Trivy) - name: Scan image for vulnerabilities uses: aquasecurity/trivy-action@master Broken in two ways: Unpinned references – master is a reference that changes all the time. If hackers zombify the repo, I’d be the first victim. Active vulnerability – No mention whatsoever of the CVE posted that day. I never asked, so Claude never checked. Meanwhile, Vercel’s CEO has attributed his company’s recent data breach to a hacker that was “accelerated by AI.” And Anthropic’s latest hype tour includes briefing the US Federal Reserve Chair about vulnerabilities unearthed by their frontier model. Bad guys with LLMs get superpowers. Good guys with LLMs fall prey to mid-2010’s CI problems. And the same tool that can root out 27-year-old security problems in OpenBSD, will still tell you to pin your GitHub actions to @master. My GitHub Actions example is a simpler verison of the action removed in aquasecurity/trivy #10259.↩︎
.title {text-wrap:balance;} #content > p:first-child {text-wrap:balance;} If Git had a nemesis, it’d be large files. Large files bloat Git’s storage, slow down git clone, and wreak havoc on Git forges. In 2015, GitHub released Git LFS—a Git extension that hacked around problems with large files. But Git LFS added new complications and storage costs. Meanwhile, the Git project has been quietly working on large files. And while LFS ain’t dead yet, the latest Git release shows the path towards a future where LFS is, finally, obsolete. What you can do today: replace Git LFS with Git partial clone Git LFS works by storing large files outside your repo. When you clone a project via LFS, you get the repo’s history and small files, but skip large files. Instead, Git LFS downloads only the large files you need for your working copy. In 2017, the Git project introduced partial clones that provide the same benefits as Git LFS: Partial clone allows us to avoid downloading [large binary assets] in advance during clone and fetch operations and thereby reduce download times and disk usage. – Partial Clone Design Notes, git-scm.com Git’s partial clone and LFS both make for: Small checkouts – On clone, you get the latest copy of big files instead of every copy. Fast clones – Because you avoid downloading large files, each clone is fast. Quick setup – Unlike shallow clones, you get the entire history of the project—you can get to work right away. What is a partial clone? A Git partial clone is a clone with a --filter. For example, to avoid downloading files bigger than 100KB, you’d use: git clone --filter='blobs:size=100k' <repo> Later, Git will lazily download any files over 100KB you need for your checkout. By default, if I git clone a repo with many revisions of a noisome 25 MB PNG file, then cloning is slow and the checkout is obnoxiously large: $ time git clone https://github.com/thcipriani/noise-over-git Cloning into '/tmp/noise-over-git'... ... Receiving objects: 100% (153/153), 1.19 GiB real 3m49.052s Almost four minutes to check out a single 25MB file! $ du --max-depth=0 --human-readable noise-over-git/. 1.3G noise-over-git/. $ ^ 🤬 And 50 revisions of that single 25MB file eat 1.3GB of space. But a partial clone side-steps these problems: $ git config --global alias.pclone 'clone --filter=blob:limit=100k' $ time git pclone https://github.com/thcipriani/noise-over-git Cloning into '/tmp/noise-over-git'... ... Receiving objects: 100% (1/1), 24.03 MiB real 0m6.132s $ du --max-depth=0 --human-readable noise-over-git/. 49M noise-over-git/ $ ^ 😻 (the same size as a git lfs checkout) My filter made cloning 97% faster (3m 49s → 6s), and it reduced my checkout size by 96% (1.3GB → 49M)! But there are still some caveats here. If you run a command that needs data you filtered out, Git will need to make a trip to the server to get it. So, commands like git diff, git blame, and git checkout will require a trip to your Git host to run. But, for large files, this is the same behavior as Git LFS. Plus, I can’t remember the last time I ran git blame on a PNG 🙃. Why go to the trouble? What’s wrong with Git LFS? Git LFS foists Git’s problems with large files onto users. And the problems are significant: 🖕 High vendor lock-in – When GitHub wrote Git LFS, the other large file systems—Git Fat, Git Annex, and Git Media—were agnostic about the server-side. But GitHub locked users to their proprietary server implementation and charged folks to use it.1 💸 Costly – GitHub won because it let users host repositories for free. But Git LFS started as a paid product. Nowadays, there’s a free tier, but you’re dependent on the whims of GitHub to set pricing. Today, a 50GB repo on GitHub will cost $40/year for storage. In contrast, storing 50GB on Amazon’s S3 standard storage is $13/year. 😰 Hard to undo – Once you’ve moved to Git LFS, it’s impossible to undo the move without rewriting history. 🌀 Ongoing set-up costs – All your collaborators need to install Git LFS. Without Git LFS installed, your collaborators will get confusing, metadata-filled text files instead of the large files they expect. The future: Git large object promisors Large files create problems for Git forges, too. GitHub and GitLab put limits on file size2 because big files cost more money to host. Git LFS keeps server-side costs low by offloading large files to CDNs. But the Git project has a new solution. Earlier this year, Git merged a new feature: large object promisers. Large object promisors aim to provide the same server-side benefits as LFS, minus the hassle to users. This effort aims to especially improve things on the server side, and especially for large blobs that are already compressed in a binary format. This effort aims to provide an alternative to Git LFS – Large Object Promisors, git-scm.com What is a large object promisor? Large object promisors are special Git remotes that only house large files. In the bright, shiny future, large object promisors will work like this: You push a large file to your Git host. In the background, your Git host offloads that large file to a large object promisor. When you clone, the Git host tells your Git client about the promisor. Your client will clone from the Git host, and automagically nab large files from the promisor remote. But we’re still a ways off from that bright, shiny future. Git large object promisors are still a work in progress. Pieces of large object promisors merged to Git in March of 2025. But there’s more to do and open questions yet to answer. And so, for today, you’re stuck with Git LFS for giant files. But once large object promisors see broad adoption, maybe GitHub will let you push files bigger than 100MB. The future of large files in Git is Git. The Git project is thinking hard about large files, so you don’t have to. Today, we’re stuck with Git LFS. But soon, the only obstacle for large files in Git will be your half-remembered, ominous hunch that it’s a bad idea to stow your MP3 library in Git. Edited by Refactoring English Later, other Git forges made their own LFS servers. Today, you can push to multiple Git forges or use an LFS transfer agent, but all this makes set up harder for contributors. You’re pretty much locked-in unless you put in extra effort to get unlocked.↩︎ File size limits: 100MB for GitHub, 100MB for GitLab.com↩︎
Any code of your own that you haven’t looked at for six or more months might as well have been written by someone else. – Eagleson’s Law After scouring git history, I found the correct config file, but someone removed it. Their full commit message read: Remove config. Don't bring it back. Very. helpful. But I get it; it’s hard to care about commit messages when you’re making a quick change. Git commit templates can help. Commit templates provide a scaffold for your commit messages, reminding you to answer questions like: What problem are you solving? Why is this the solution? What alternatives did you consider? Where can I read more? What is a git commit template? When you type git commit, git pops open your text editor1. Git can pre-fill your editor with a commit template—a form that reminds you of everything it’s easy to forget when writing a commit. Creating a commit template is simple. Create a plaintext file – mine lives at ~/.config/git/message.txt Tell git to use it: git config --global \ commit.template '~/.config/git/message.txt' My template packs everything I know about writing a commit. Project-specific templates Large projects, such as Linux kernel, git, and MediaWiki, have their own commit guidelines. Git templates can remind you about these per-project requirements if you add a commit template to a project’s .git/config file. Another way to do this is git’s includeIf configuration setting. includeIf lets you override git config settings when you’re working under directories you define. For example, all my Wikimedia work lives in ~/Projects/Wikimedia and at the bottom of my ~/.config/git/config I have: [includeIf "gitdir:~/Projects/Wikimedia/**"] path = ~/.config/git/config.wikimedia In config.wikimedia, I point to my Wikimedia-specific commit template (along with other necessary git settings: my user.email, core.hooksPath, and a pushInsteadOf url to push to ssh even when I clone via https). Forge-specific templates Personal git commit templates lead to better commits, which make for a better history. The forge-specific pull-request templates are a band-aid, the cheap kind that falls off in the shower. There’s no incentive for GitHub to make git history better: the worse your commit history, the more you rely on GitHub. Still, all the major pull-request-style forges let you foist a pull-request template on your contributors. As a contributor, I dislike filling those out—they add unnecessary friction. Commit message contents Your commit template allows you do the hard thinking upfront. Then, when you make a commit, you simply follow the template. My template asks questions I answer with my commit message: 72ch. wide -------------------------------------------------------- BODY # | # - Why should this change be made? | # - What problem are you solving? | # - Why this solution? | # - What's wrong with the current code? | # - Are there other ways to do it? | # - How can the reviewer confirm it works? | # | # ---------------------------------------------------------------- /BODY But other clever folks cooked up conventions you could incorporate: Conventional commits – how do your commits relate to semantic versioning? This makes it easier for SRE and downstream users. Problem/Solution format – first pioneered by ZeroMQ2, this format anticipates the questions of future developers and reviewers. Gitmoji – developed for the GitHub crowd, this format defines an emoji shorthand that makes it easy to spot changes of a particular type. Commit message formatting How you format text affects how people read it. My template also deals with text formatting rules3: Subject – 50 characters or less, capitalized, no end punctuation. Body – Wrap at 72 characters with a blank line separating it from the subject. Trailers – Standard formats with a blank line separating them from the body. People will read your commit in different contexts: git log, git shortlog, and git rebase. But git’s pager has no line wrapping by default. I hard wrap at 72 characters because that makes text easier to read in wide terminals.4 Finally, my template addresses trailers, reminding me about standard trailers supported in the projects I’m working on. Git can interpret trailers, which can be useful later. For example, if I wanted a tab-separated list of commits and their related tasks I could find that with git log: $ TAB=%x09 $ BUG_TRAILER='%(trailers:key=Bug,valueonly=true,separator=%x2C )' $ SHORT_HASH=%h $ SUBJ=%s $ FORMAT="${SHORT_HASH}${TAB}${BUG_TRAILER}${TAB}${GIT_SUBJ}" $ git log --topo-order --no-merges \ --format="$FORMAT" d2b09deb12f T359762 Rewrite Kurdish (ku) Latin to Arabic converter 28123a6a262 T332865 tests: Remove non-static fallback in HookRunnerTestBase 4e919a307a4 T328919 tests: Remove unused argument from data provider in PageUpdaterTest bedd0f685f9 objectcache: Improve `RESTBagOStuff::handleError()` 2182a0c4490 T393219 tests: Remove two data provider in RestStructureTest Git commit templates free your brain from remembering what you should write, allowing you to focus on the story you should tell. Your future self will thank you for the effort. Starting with core.editor in your git config, $VISUAL or $EDITOR in your shell, finally falling back to vi.↩︎ I think…↩︎ All cribbed from Tim Pope↩︎ Another story I’ve heard: a standard terminal allows 80 characters per line. git log indents commit messages with 4 spaces. A 72-character-per-line commit centers text on an 80-character-per-line terminal. To me, readability in modern terminals is a better reason to wrap than kowtowing to antiquated terminals.↩︎
[The] Linux kernel uses GPLv2, and if you distribute GPLv2 code, you have to provide a copy of the source (and modifications) once someone asks for it. And now I’m asking nicely for you to do so 🙂 – Joga, bbs.onyx-international.com Boox in split screen, typewriter mode In January, I bought a Boox Go 10.3—a 10.3-inch, 300-ppi, e-ink Android tablet. After two months, I use the Boox daily—it’s replaced my planner, notebook, countless PDF print-offs, and the good parts of my phone. But Boox’s parent company, Onyx, is sketchy. I’m conflicted. The Boox Go is a beautiful, capable tablet that I use every day, but I recommend avoiding as long as Onyx continues to disregard the rights of its users. How I’m using my Boox My e-ink floor desk Each morning, I plop down in front of my MagicHold laptop stand and journal on my Boox with Obsidian. I use Syncthing to back up my planner and sync my Zotero library between my Boox and laptop. In the evening, I review my PDF planner and plot for tomorrow. I use these apps: Obsidian – a markdown editor that syncs between all my devices with no fuss for $8/mo. Syncthing – I love Syncthing—it’s an encrypted, continuous file sync-er without a centralized server. Meditation apps1 – Guided meditation away from the blue light glow of my phone or computer is better. Before buying the Boox, I considered a reMarkable. The reMarkable Paper Pro has a beautiful color screen with a frontlight, a nice pen, and a “type folio,” plus it’s certified by the Calm Tech Institute. But the reMarkable is a distraction-free e-ink tablet. Meanwhile, I need distraction-lite. What I like Calm(ish) technology – The Boox is an intentional device. Browsing the internet, reading emails, and watching videos is hard, but that’s good. Apps – Google Play works out of the box. I can install F-Droid and change my launcher without difficulty. Split screen – The built-in launcher has a split screen feature. I use it to open a PDF side-by-side with a notes doc. Reading – The screen is a 300ppi Carta 1200, making text crisp and clear. What I dislike I filmed myself typing at 240fps, each frame is 4.17ms. Boox’s typing latency is between 150ms and 275ms at the fastest refresh rate inside Obsidian. Typing – Typing latency is noticeable. At Boox’s highest refresh rate, after hitting a key, text takes between 150ms to 275ms to appear. I can still type, though it’s distracting at times. The horror of the default pen Accessories Pen – The default pen looks like a child’s whiteboard marker and feels cheap. I replaced it with the Kindle Scribe Premium pen, and the writing experience is vastly improved. Cover – It’s impossible to find a nice cover. I’m using a $15 cover that I’m encasing in stickers. Tool switching – Swapping between apps is slow and clunky. I blame Android and the current limitations of e-ink more than Boox. No frontlight – The Boox’s lack of frontlight prevents me from reading more with it. I knew this when I bought my Boox, but devices with frontlights seem to make other compromises. Onyx The Chinese company behind Boox, Onyx International, Inc., runs the servers where Boox shuttles tracking information. I block this traffic with Pi-Hole2. pihole-ing whatever telemetry Boox collects I inspected this traffic via Mitm proxy—most traffic was benign, though I never opted into sending any telemetry (nor am I logged in to a Boox account). But it’s also an Android device, so it’s feeding telemetry into Google’s gaping maw, too. Worse, Onyx is flouting the terms of the GNU Public License, declining to release Linux kernel modifications to users. This is anathema to me—GPL violations are tantamount to theft. Onyx’s disregard for user rights makes me regret buying the Boox. Verdict I’ll continue to use the Boox and feel bad about it. I hope my digging in this post will help the next person. Unfortunately, the e-ink tablet market is too niche to support the kind of solarpunk future I’d always imagined. But there’s an opportunity for an open, Linux-based tablet to dominate e-ink. Linux is playing catch-up on phones with PostmarketOS. Meanwhile, the best e-ink tablets have to offer are old, unupdateable versions of Android, like the OS on the Boox. In the future, I’d love to pay a license- and privacy-respecting company for beautiful, calm technology and recommend their product to everyone. But today is not the future. I go back and forth between “Waking Up” and “Calm”↩︎ Using github.com/JordanEJ/Onyx-Boox-Blocklist↩︎
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It's time for a dev blogger's favorite topic: blogging about my new blogging setup. After migrating my blog from Hexo to Eleventy, building a photography website and creating a personal one-pager, it was time to find a new digital home for all my projects. If you notice any issue after the migration, please let me know. I redirect the RSS feed to the new domain, but you might want to update the feed URL in your reader. Motivation I've been maintaining three different websites under two different names: a mostly developer-oriented blog, a photography portfolio and a one-pager gluing everything together. When I started blogging about my sabbatical journey, I was thinking about making yet another page to create a clear separation. I've decided to do the opposite and merge all my websites into one instead. As I further reduce my dependency on social media and third-party services, it has become even more important to have my own space and practice POSSE. Every decision I've made was driven by two main goals: simplicity and personality. Setup I've stopped chasing the latest and greatest. I want to keep the setup as clean as possible, which means pulling fewer dependencies. Every package adds complexity and maintainability costs, so I've only added what was necessary — no more Gulp, Sass or Tailwind. Instead of taking one of my existing websites as a starting point, I created this project from scratch. I reused some of my previous code, but I didn't want to take over any technical debt (especially with the advancements in CSS). The foundation of this website hasn't changed: Eleventy (Build Awesome). It covers the fundamentals of a static site and offers a great level of customization. I've made my project more and less dependent on Eleventy at the same time: I replaced Gulp as my build pipeline with pure Eleventy processing. I replaced most shortcodes with Markdown alternatives (and markdown-it plugins), which are better supported by editors like Obsidian. I've also replaced the Nunjucks template engine with Liquid, which comes with a few trade-offs. The main reason was to avoid creating a new collection for every set of posts I render. With Liquid, you can apply array functions like filtering or sorting in the template itself: {% assign drafts = collections.all | where: "data.isDraft" | reverse %} {% for draft in drafts %} … {% endfor %} Another advantage is having date formatting included, so I don't need another library or custom code. You can even set a default date format, so you don't have to provide it each time. What I don't like is the verbosity of the template language, although I've gotten used to it by now. Nunjucks: {{ "/tags/" + tag + "/" }} {{ modified or created or date }} {% set perspectives = ["dev", "photography", "life"] %} Liquid: {{ "/tags/" | append: tag | append: "/" }} {{ modified | default: created | default: date }} {% assign perspectives = "dev, photography, life" | split: ", " %} After migrating my existing content, I've noticed the build taking way too long, both in the dev server and the production build. I've found out that the Eleventy template cache is turned off for Liquid by default. This was useful during development, but when updating actual content, it caused every template and partial to be constantly recalculated. After turning the cache on, this issue was resolved: eleventyConfig.setLiquidOptions({ cache: true }); Check the colophon for the full tech stack overview. Perspectives The main challenge was finding a way to separate and present my main personas. The Venn diagram intersection of people interested in software development, photography and my personal life is probably small. I could use tags, but they don't offer the level of personalization I was looking for. Most personal blogs separate the content by post type (blog post, note, photo), but this doesn't fit my use case. Instead, I've decided to structure my website around three perspectives, a term I have borrowed from the Eclipse IDE. Each perspective comes with its own avatar, tagline and bio. If someone is interested in everything I share (hi Mom!), they can still view all my posts. Design Since building my photography website, I've made many changes, but I never got around to share an update. The biggest change was the design, which I have used as a blueprint for the new website. I've decided to mimic a social timeline/feed, which most people are familiar with. At the same time, it should be clear that it's a personal website and not yet another walled garden. Typography is an important part of every design. The first step is to choose between a system font stack and a custom font, which comes with the usual performance vs. personality trade-offs. I've decided to go with a uniform look across all devices. I've settled on Source Sans 3 for copy text and Hack for code. Another big change was introducing a sidebar. I always felt like the empty horizontal space was "wasted" on a desktop device, but getting the sidebar UX right is challenging. I'm happy with the result, especially with the last two panels adding a personal touch to the design. Images I've made several changes to the handling of image files. To make them compatible with Markdown editors, I had to replace my custom picture shortcode. The official Eleventy image plugin is a popular choice, but it violates my simplicity goal and doesn't support everything I needed. I've decided to go with a plain Markdown image markup and a single image file (no format fallback or 2x version for retina displays). Additionally, I wrote a markdown-it plugin to turn the optional title parameter into a caption. As for the file format, both WebP and AVIF have excellent browser support. For each image, I select the format based on the quality and file size. For my photos, I'm using WebP for the timeline thumbnails and JPG for the full-size version. Theme picker There have been some recent discussions about dark mode toggles, and I considered going for a light/dark solution based on the user's OS preference. Driven by the personality goal, I knew I had to add at least one more theme, so a proper theme picker was necessary. Similar to navigation, people like to hide the theme selection on mobile devices behind a burger menu or a dropdown. I prefer the solution by Sarah L. Fossheim, where all available themes are displayed above the page footer. A friend was scrolling through my new website, and their first question was "Why is the theme picker in the footer?". This tells me the solution was a good idea — I don't think he would have noticed a typical theme button in the header. The implementation follows standard practices: Use the light or dark theme as default based on the user's OS or browser preference. Store a selected theme in the local storage and use it as the single source of truth. Prevent a flash of inaccurate color theme. Make the theme play nicely with bfcache. I might have slightly gone overboard with my third theme, but the nostalgia kept me adding more and more features. Enjoy going back to the 90s: Feeds As browser vendors decided to remove XSLT support, I didn't bother to style my feed. Instead, I've created a new web feeds page, listing all available feeds and a short explanation. I provide one feed for every perspective and one with all my posts combined. I once offered tag-based RSS feeds. This was useful for my sabbatical, but even there I had only a single subscriber. Now, all tag feeds redirect to their main perspective feed. I've also dropped the JSON feed, despite having at least 16 subscribers. Given that every web feed reader supports Atom feeds, I don't see the value of providing a JSON alternative. A JSON feed doesn't add much complexity, but handling different media types (post, photo) and properly escaping the content is one more thing to implement and maintain. Quality assurance I've put a lot of effort into my new digital home, and I want to make sure it stays in good shape. I've included several tools, most running automatically as part of the CI pipeline: eleventyDataSchema — lint Eleventy data values like titles or dates markdownlint — format/lint Markdown files Vale — lint content (grammar, writing style, formatting) Lychee — find broken links (internal and external) Evaluatory — check accessibility and validate HTML Oxlint — lint JavaScript files Eleventy linters are another option to analyze a template's output, but I haven't found a use case for it yet. Not everything can be automated, so I also did the following manually: Test with Chrome, Firefox and Safari Test with Polypane Test with Google Lighthouse Test with a screen reader Test with JavaScript disabled Test with CSS disabled Test at 200% zoom Test with a bigger browser font size Test with custom fonts disabled Test with delayed assets Performance It's difficult to compare the performance of two separate websites with that of a combined one. Some parts got worse, e.g. bigger font files and more CSS. At the same time, I've noticed that gzip compression was turned off for anything but HTML for a few years now (I must have missed it when upgrading nginx) 🙈. One improvement was to implement on-demand assets. For example, the lite-youtube-embed CSS and JavaScript is only loaded if a <lite-youtube> element is present on the page. As before, JavaScript is fully optional (except for interactive demos in individual posts). I've been using a mix of <noscript> and CSS to hide elements that require JS (like the theme picker). I don't like the user experience of pagination, so I avoided it for years. But now that I have almost 300 posts, I've decided to finally add it. I display 30 posts per page, with images further down still being lazy-loaded for better performance. I haven't applied pagination to tag pages, as that's more complex with Eleventy. Bits and pieces Here are some other noteworthy changes: I've removed post-specific social share images and use a single WebP Open Graph image instead. I've dropped JSON-LD. Open Graph and microformats are sufficient. "Naming is hard" is a common expression in software development, but it also applies to photograph titles. I've decided to use a counter as the title, e.g. #0100. Sometimes I do come up with a title that I love, like the Castle in the Sky, so I might mention it in the description. On a photo page, you can now open the previous/next photo using the left/right arrow keys (in addition to the existing navigation buttons). It's now possible to filter photos by date, gear, or location. Check the explore page for an overview. I've learned about and used some experimental CSS features (with progressive enhancement), like scroll-triggered animations or squircle corners. I've added an AI statement on my LLM usage. I finally have a proper about page. Cool URIs don't change, but it's inevitable when moving to a new domain. All my previous URLs are redirected, except for some assets that are no longer used. I will keep the old domain, so the redirects will continue to work for a foreseeable future. I've kept my previous Easter egg and added a few more. Have a happy hunt! 🕵️♂️ Inspiration I visited hundreds of personal websites looking for inspiration. Here are a few that I kept coming back to: Emma Goto. I love Emma's approach to presenting the variety of her interests, even though I went a different route. Brennan Kenneth Brown. This website has so much to offer. It's a great example of what the open web looks like. Rex Barrett. The sentence "Collecting hobbies is my hobby." hit home — so much that I had to steal borrow it for my short life bio. Conclusion This project was mostly about merging the content of two websites into one. I knew this would take a considerable amount of time, but I still greatly underestimated the effort. In the end, it was all about the journey, not the destination. I loved fine-tuning the design and tweaking little details that probably no one will ever notice. I still have many more ideas left in my backlog. How do you like my new digital home? If you have an opinion, let me know! Reply via email
New electronica album by Warrington-Runcorn New Town Development Plan
To protect against link rot and disappearing content, I save local copies of web pages I like into my web archive. Ideally, this archive is completely self-contained. I want a local copy of each page’s HTML and all the assets it depends on (CSS, images, scripts, and so on). I don’t want my archived pages fetching resources from the original website, which could disappear at any time. Initially, I was verifying self-containedness by hand. I’d open each saved page in a web browser, and check the browser dev tools. I’d check the Console tab for errors and failed requests, and watch the Network tab for requests going out to the internet. That approach was tedious and error-prone, and I wanted something better. I now automate the process using Playwright, a testing framework that allows you to control web browsers. I open each page using Playwright, and check if it’s making external requests. Detecting external requests in Playwright When you open a page in Playwright, you can subscribe to request events which tell you when the page issues a request. In this Python snippet, we start Playwright, start a WebKit browser, and open a new page. We tell the page to append external requests to a list, and then load example.com. We see that example.com makes two requests on page load: one for https://example.com, and one for a JavaScript file. from contextlib import closing from playwright.sync_api import sync_playwright with ( sync_playwright() as p, closing(p.webkit.launch()) as browser, closing(browser.new_page()) as page, ): requests = [] page.on("request", lambda msg: requests.append(msg)) page.goto("https://example.com") print("requests:", requests) # requests: [<Request url='https://example.com/' method='GET'>, # <Request url='https://example.com/s.js' method='GET'>] In a more complex scenario, we might use Playwright to interact with the page after loading – for example, clicking a button or filling in a form, and then we could see the requests triggered by each action. Once we have a list of requests made by the page, we can inspect the url property to check if any of them were fetching from an external website. I wrote a function is_external_request to carry out this check: from playwright.sync_api import Request import urllib.parse def is_external_request(req: Request, original_url: str) -> bool: """ Check if a request has a different origin than the original URL. A request is considered internal if: - it matches the original URL exactly - it has the same scheme, host, and port as the original URL - it uses a `blob:` scheme (for example, in-memory media representations) """ if req.url == original_url: return False # Compare the scheme/host of the request to that of the original URL. org_url = urllib.parse.urlsplit(original_url) req_url = urllib.parse.urlsplit(req.url) if org_url.scheme == req_url.scheme and org_url.netloc == req_url.netloc: return False # Ignore blob: URLs, which are in-memory representation of some data, # and not an external request. # # Playwright detects blob: URLs when loading media files; for example # using the <audio> or <video> tag. if req_url.scheme == "blob": return False # Fail open: if we can't decide if a request was internal or external, # assume it was external. return True assert_page_is_self_contained(ctx, url) I’ve wrapped these two steps in a function assert_page_is_self_contained(ctx, url), which is part of my chives utility library. The function takes a Playwright Browser (or BrowserContext) and a URL, then: Opens a new page in the browser Loads the URL in the page Checks what happened when the page completes loading It throws an exception if there are any: Uncaught page exceptions or errors Console warnings or errors Non-GET requests Requests targeting external resources The function tries to trigger important network requests that might be skipped on the initial page load. For example, it evaluates the body’s offsetHeight to force a synchronous reflow, which causes the browser to request any lazily loaded images or fonts that might otherwise be missed. Here’s an example which verifies a file example.html from the working directory: from chives.browser_fixtures import assert_page_is_self_contained, file_uri from contextlib import closing from playwright.sync_api import sync_playwright with ( sync_playwright() as p, closing(p.webkit.launch()) as browser, ): assert_page_is_self_contained(browser, url=file_uri("example.html")) I originally passed a Page as the first argument, but changing the function to take a Browser or BrowserContext lets it manage its own pages. It gets a fresh page for every verification, and closes it when it’s done. (The first time I ran this, I created a new page for every verification, and never closed them – my computer ground to a crawl as my script opened hundreds of browser tabs.) If you create a new context, you can emulate different browser settings, like location, locale, and window size. Here’s an example where we use contexts to test the same page in light/dark mode: with ( sync_playwright() as p, closing(p.webkit.launch()) as browser, ): with closing(browser.new_context(color_scheme="light")) as light_ctx: assert_page_is_self_contained(light_ctx, url=file_uri("example.html")) with closing(browser.new_context(color_scheme="dark")) as dark_ctx: assert_page_is_self_contained(dark_ctx, url=file_uri("example.html")) In my web archive, I check every page in light/dark mode, and at 1×/2× pixel densities. It takes at least a second to run each verification, so I cache the results. As I save new pages, they’re added to a verification queue, and I’m warned of any missing assets. Unsurprisingly, the first run flagged many missing fonts and images, which I added to my local archive. Every saved page now passes cleanly. Browser is best-effort, but may still miss things Even with automated testing, it’s difficult to guarantee a completely self-contained archive. Different instances of a browser might load different assets, and a single page load might miss different variations: Responsive images – web pages can offer different sizes of an image, and the browser chooses a specific size based on the current window dimensions Appearance settings – a browser might load different fonts or images depending on light/dark mode Interaction-dependent assets – a web page might have assets that are only required on hover or user action You can mitigate some of this by testing with multiple contexts or adding post-load interactions, but every step makes the process take longer. Fortunately, most of the pages I save are simple, blog-style pages where I’ve stripped out the JavaScript. For my specific use case, initial load verification is more than good enough. Other uses for this code There are other projects where it could be useful to intercept and audit the requests made by a web page: Verifying your Content Security Policy (CSP). The CSP header restricts what resources can be loaded by a web page, and you could check that your configuration has the correct effect. Auditing login screens. You could check that sensitive pages don’t load any external scripts, which mitigates the risk of credential theft via a compromised third-party. Testing analytics and tracking. You could script user flows, like a shopping cart checkout, and confirm that tracking events fire correctly. I don’t do much front-end web development, but Playwright has become a key tool in my toolbox. I read a lot about people using AI agents and MCPs to interact with websites, but I prefer Playwright. It’s more fiddly and requires explicit instructions, but it’s constrained, deterministic, and I never have to worry about it doing something unexpected. [If the formatting of this post looks odd in your feed reader, visit the original article]
It’s four years since I bought a printer. I thought I would provide an update on running costs, print sales, and profit. I’m happy to be completely transparent about all this as I know it can be difficult to figure this out if you are thinking of creating your own printing business. January 11th 2026, 11:30am All the photos here are work shot in the last twelve months. Year Four Investment? Nothing other than consumables this year. I did purchase a high-spec film scanner last year, detailed here, but don’t consider that as part of this. The scanner has paid for itself several times over, and it may become a factor in future years (see below). Income Income is made up of sales through a local gallery that I am part of, along with web sales: 5,940.- CHF - sales through the gallery 80.- CHF - sales through web shop = 6,020.- CHF total income Total income is down about 50% compared to 2025. Costs I had to purchase consumables (paper and ink), at a total of 957.- CHF. That cost is included in the total here under the “print consumables” category. January 11th 2026, 3:30pm Rental cost of space in the gallery was reduced due to having overpayments of rent and my loan to the gallery, from the previous year(s), paid back to me. -1,500.- CHF - rental cost of space in the gallery -957.- CHF - print consumables (paper, ink) -1,138.- CHF - framing/mounting/postage -1,135.- CHF - commission to the gallery -300.- CHF - web shop subscription 0.- CHF - stripe / paypal fees 0.- CHF - advertising (none this year) = -5,030.- CHF total costs Total costs are down by about 60% compared to 2025. Total Profit 6,020.- CHF total income -5,030.- CHF total costs = 990.- CHF total profit A Quiet Year? Actually an average year. The previous couple of years were outliers, due to large orders, so really I’m back to normal in terms of sales. The key factors in managing to generate a [small] profit this year were: 1) no longer having to pay back the loan used to finance the printer, and 2) reduced rental cost of space in the gallery due to a previous loan to it being repaid. Also having to spend almost 1,000.- CHF on ink this year ate into profit. This is probably a “once every three years” cost given the rate I print at. The principal cost is rental of space in the gallery - in a normal year this would be 3,000.- CHF. Essentially this means, given the material cost of printing and framing/mounting and commission to the gallery, I need to make about 5,500.- CHF of sales to break even. Solar Eclipse, August 12th 2026 That’s a grind. However I did receive two substantial orders at the end of October, which haven’t made it in to this year’s figures and should boost next year’s. Maybe even a good sign for the year to come? At least now the original investment loan is repaid, the printing costs cover themselves in most years. I may look at offering scanning services now that I have a high-spec film scanner, which could become a scan + print service. More thoughts about that next time.