More from The Great Discontent (TGD)
Britt Reilly's work lives at the intersection of immersive visual arts, historic architecture and preservation, and modernist design. Britt is the executive director and collections curator at the Irving & Aaronel deRoy Gruber Foundation in Pittsburgh, Pennsylvania, and when we chat via Zoom, she is flanked by Plexiglas sculptures and a wall painted DayGlo Aurora Pink. "In color theory, hot pink is actually more calming than blues and grays," says Britt, who is full of nuggets like this that exhibit her range of expertise. She has worked with such artists and entities as Jon Rubin, Einat Amir, Pierre Huyghe, Janine Antoni, the Carnegie International, and dOCUMENTA (13); she founded the Pittsburgh Modern Committee of Preservation Pittsburgh; and she and her partner converted a 1930s building into their home, the first collaboration of their studio Hong Kong Trees. She spoke with us about local wanderlust, the magic of preservation, and the benefits of a great discontent. The post Britt Reilly appeared first on The Great Discontent (TGD).
Brad Montague is an illustrator, speaker, picture book author, video creator, and all-around maker. He’s a self-proclaimed dreamer and doer. Above all, he’s a storyteller, “working to create a better world for kids with kids” through Montague Workshop, the creative studio he runs with his wife Kristi in Henderson, Tennessee. Everything he puts into the world, whether the viral web series Kid President, which featured his then 9-year-old brother-in-law giving soul-buoying pep talks, or books aimed at kids (The Fantastic Bureau of Imagination) and former kids (Becoming Better Grownups), radiates with a sense of poignant wonder. Here he talks with The Great Discontent about the nonlinear path of meaningful work, the power of a parade, and what it means to be a joy rebel. The post Brad Montague appeared first on The Great Discontent (TGD).
Schessa Garbutt is the founder of the Inglewood–based design studio, Firebrand. An educator, lecturer, and published essayist (see The Black Experience in Design anthology, a must-read). Garbutt works at the intersection of co-design practices and making huge, mind-bending ideas and histories ring clear as a bell. Garbutt spoke with The Great Discontent about cultural memory as the foundation for their practice, the pains of delegating, and the strength of rooting in a local community. The post Schessa Garbutt appeared first on The Great Discontent (TGD).
When Earlonne Woods and Nigel Poor came up with the idea for Ear Hustle, the podcast they’ve hosted together since 2017, Earlonne was serving a prison sentence of 31 years to life—the result of California’s three-strikes law. The two met at San Quentin State Prison where Nigel, a lifelong artist and photographer, was volunteering in the media center. For 13 seasons, Earlonne and Nigel have been sharing the experiences of those living life on the inside—“ear hustling” is prison slang for eavesdropping—and in the process have exposed listeners to countless characters, illuminating perspectives, and new depths of empathy and understanding. In 2018, Earlonne's sentence was commuted and he’s since continued creating Ear Hustle with Nigel as a free man. A fitting testament to the immense power of storytelling. Earlonne and Nigel spoke with The Great Discontent about their collaboration, process, and ambitions. The post Earlonne Woods and Nigel Poor appeared first on The Great Discontent (TGD).
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The reason we train is to get better. Every successful product goes from version 1.0 to 2.0, eventually. Very few people still drive a Model T. It’s not perfect, not yet. But we ship the work because it’s on the way to the next step. Perfect isn’t possible. Better always is.