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Quality, Maintenance & Craft

from Naz Hamid • Journal [alt+shift+b] in literature

We are shokunin. Last week I was in Ojai, California, for True’s Founder Camp.[1] James Freeman, founder of Blue Bottle Coffee was in conversation with Jeff Veen, and one of the attendees asked him: “How do you maintain such high quality?” Freeman answers, “‘Maintaining’ is a trigger word for me. You’re either getting better or you’re getting worse. There is no maintaining.” That struck me as he said it. It immediately reminded me of shokunin. Master woodworker and shokunin himself, Tashio Odate describes: Shokunin means not only having technical skill, but also implies an attitude and social consciousness... a social obligation to work his best for the general welfare of the people, [an] obligation both material and spiritual. The Art of Fine Tools If you’ve seen “Jiro Dreams of Sushi,” Jiro Ono himself is a shokunin, and I think of his lifelong pursuit of making sushi better every day. Compare that to the rise of supermarket sushi, which can be passable and satiate an immediate need, but never reaches the levels and highs of what master sushi chefs can achieve during their tenure. Sachiko Matsuyama in a piece titled, “Shokunin and Devotion,” writes: When I take guests to visit shokunin at their studios, they often ask how long it takes to make one item. The shokunin, sometimes annoyed by the question, answers: ‘A lifetime’. Among shokunin that I often work with, there are some who are carrying on their family business, and others who have courageously jumped into the field of craftsmanship to become one simply through their own strong will. The independent web, where people are making homes on the internet, on their own domains — creating, building, and sharing with the world — stands in contrast to the walled-off prisons of social media networks. The curation and craftsmanship that individuals develop over time — iterating, tending, evolving, and continuously improving — results in a collection of work that embodies their creators’ intentions and aspirations for...
12th Mar 2025

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More from Naz Hamid • Journal

Exile on Silicon Valley

The golden window of tech may have expired. In 2010, I came across a video of Mick Jagger being interviewed (text version here). It was for a re-release of Exile on Main Street with 10 new tracks. During the interview he says this: But I have a take on that — people only made money out of records for a very, very small time. When The Rolling Stones started out, we didn’t make any money out of records because record companies wouldn’t pay you! They didn’t pay anyone! Then, there was a small period from 1970 to 1997, where people did get paid, and they got paid very handsomely and everyone made money. But now that period has gone. So if you look at the history of recorded music from 1900 to now, there was a 25-year period where artists did very well, but the rest of the time they didn’t. In 2009, I had just started to recover or find my footing from the dot-com bust and the 2008 recession. I wondered about the tech industry’s longevity and resilience then, having experienced my first taste of startup life from 2000-2002. After which, I did my best to navigate what it meant to be a maker on the internet, before it figured out how to make money. I certainly didn’t make any for a number of years. What Jagger said has stuck with me ever since. I often come back to this when I think about any industry or vocation — how long do people really make money doing a thing? Tech feels that way now, again — that for a decade or more, coming out of 2008, people started to make money hand over fist, and tech was rosy, optimistic and all blue skies. We believed we could shape a utopian future, but eventually extracting value came calling, and has always been at the core of capitalism. And tech is a capitalist endeavor. Today, streaming has lobotomized all earnings for musical artists, which has led to heavy touring schedules and lucrative reunions capitalizing on fanbases that have only become even more endeared to the artists of their youth or formative years. Audiences are willing to dole out hundreds of dollars to see their favorite artists perform for hours in an arena or venue. We’re at an inflection point again, facing a different kind of existential threat. The younger generation will chalk this up to how tech is today, while those of us with decades in this industry and the long view of experience have either accepted it, made good money from it and retired, or are fighting the good fight. Is that period gone for tech too? And if so, what’s the equivalent of touring? → This looks better on the web → Reply via email Thanks for reading and using RSS!

a week ago • 1 votes
SF Zine Fest 2026

The antithesis of slop. It's been a few years since I'd attended the SF Zine Fest. Friend Scott Boms had a table with his Matter Editions wares, and it's a 10-minute walk from home, so Jen and I had to go. Held at The Hibernia, it was a treat to actually go into this historic building that I've wondered about for as long as we've lived here.[1] It's a beautiful venue inside, and lots of people were milling about outside, having just gone in or waiting to meet friends to head inside. Masks were required (which we already had), and they were giving out plenty of KN95 masks. Transmission is high at the moment, and I just recovered from my second bout with Covid two weeks ago. Bustling with people! Inside, the venue was delightfully packed. Good energy in the air, and it was pretty tight getting around to seeing makers and their wares. A huge variety of zines in all shapes, sizes, and styles were present, and it warmed my heart. Having made a few zines in the past, it really inspired me to pick up a long-gestating project of making some zines or book-shaped things with the photography and words from the Weightshifting newsletter overland archives. Scott's table, and a photo of the two of us taken by Jen. We found Scott downstairs, chatting with people, and interjected with hugs. I had just received his Lost Memories zine last week, so it was a delight to add his fresh-off-the-overnight-press spiral-bound release, The Tower That Ate People. More people kept coming by, and with the vibrant crowd continuing to grow, we started to make our way out. Matter Editions latest — The Tower That Ate People. (And C3P0's eyes are worked in here). As we passed more tables on the way out, Jen and I remarked to each other that this felt like “the antithesis of slop.” So many young people, getting zines, getting into art. So many hand-drawn, hand-made pieces of art all over the venue. That energy again present in the air, feeling like I was back in my own teenage years in the 90s, when technology was just a means to propel our own innate creativity rather than usurp it. Photocopiers, basic computer graphics for layouts, cut and paste collages. That felt liberating. Today's technology feels imprisoning. Good job, SF Zine Fest. I fucking loved it. That would be over 17 years now. ↩︎ → This looks better on the web → Reply via email Thanks for reading and using RSS!

7th Sep 2026 • 1 votes
Write Like a Human

Collaborative writing is rewarding. In the past few months, I’ve been writing a lot. Not as much here, but for Aphera. Between our newsletter, blog, direct email feedback, and social media networks, I might spin up a draft and then bounce it off Ryan and Juan, or we volley it back and forth. It’s a remarkable thing: we’re absolutely slower by writing collaboratively, but the end product is so much better than if just one of us wrote it alone. At times, we take point on direct beta feedback emails as questions arise that speak to our respective strengths or knowledge. But I’ve been really enjoying the here’s-a-markdown-file-thoughts? approach. And then the subsequent revisions, image additions, and even last-minute PRs. All to say: I enjoy reading the end result because it’s not just a human voice, but a collaborative one, made better each time it passes each of our eyes. → This looks better on the web → Reply via email Thanks for reading and using RSS!

13th Jul 2026 • 4 votes
Fade to Blue

Redesigning as a method of interrogation. Okay, okay, okay. I did it again. Sometimes you design a thing, or redesign it, or evolve it, and you think you're there. But this unsettling feeling sinks in, and you think: “I’m not happy with this. What’s the problem?” Friggin' vibes Lo and behold, the structure is fine, but the aesthetic is... bothersome. And why is that? Oh, because my design language has now become what the damn LLMs spit out and regurgitate for every vibe-coded design that’s positioned as “craft.” So the previous design became hard to look at. I wondered how many passing visitors might think my site was made on vibes — that the Klim type I paid for was something out of Google Fonts — because to the untrained eye, who could tell? They see warm beige, terracotta orange, serif fonts, small sans, and VIBES. Damnit, they're all there. It’s a real concern, and I’ve come to notice some lauded “well-designed” sites to be the tells of Claude (and I suppose ChatGPT). If you don’t get much exposure to these designs, just spend time on LinkedIn, Threads, or that other trash platform run by a man-child. I paused to think about what I found inspiring at this time, and what feels fundamentally me. The answer lay in a mix of blueprints, indigo dyes, and selvedge denim. Add in some mid-century Americana via compartmentalized typography, and here we are. In hindsight, I’ve used shades of blue a number of times with Weightshift, but had left it behind. The blues are back. What’s new to me is what’s true to me. Design is typography Manuka Condensed livin' large. For a brief moment, Manuka Condensed, another Klim favorite, was in rotation, and it’s returned in the form of both a graphical and textural element. If you’ve seen the design I did for Lost World's Fairs, you’ll know I love print work; in particular, that was inspired by Hatch Show Print. Screenprints and letterpress have remained strongly in my aesthetic appreciation bucket. I’ve also introduced a touch of grain for more texture. It's no surprise then with the way Klim describes it: New growth from old wood. Mānuka is a collection of compressed fonts for large sizes. With deviant details pilfered from Teutonic timber type, Mānuka grafts a contemporary antipodean aesthetic onto 19th century German root-stock. Tight spacing, closed apertures and sharp joins make a compelling texture, like sunlight sparkling through a forest canopy. Speaking of type, I’ve dropped Tiempos Text. I will forever love these Plantin revivals, and Tiempos is just an astounding piece of work.[1] As I’ve gotten older, however, I’ve noticed my eyes getting tired from reading serif text of a certain weight.[2] I considered switching to the medium weight, but that feels a little too thick at larger sizes while looking great at smaller ones. I faintly recall a reply on Mastodon that Kris Sowersby might be agnostic about variable fonts,[3] but I could see a cut of Tiempos Text around the 450 range. Depending on which way you slice it, it could be a Book weight, or vice versa. Well, I think you know what these are. That said: Söhne is now utilized for most text here, with its agreeable thickness at Buch (regular?) weight being soothing and easy for these aging eyes. Your default OS monospace provides an auxiliary font where applicable. Söhne may be used by many organizations and companies, but I truly do love it. Sundries For a bit of flavor, the About page gets a shift in color — somewhere between the shades of kraft paper you’d find at a paper store and a hint of the butcher paper you’ll find wrapped around, or serving as the base for, barbecue. The images on this page took more CSS than it may be worth, but it's for me, so... Peachy goodness. The topics and “see also” mechanism on individual posts also got a revamp as I wanted a more robust taxonomy. The list suits me more than anything. Related topics was also something I wanted, and so that’s present on an individual topic page. Personally, it’s illuminating. Maybe, you’ll find something of interest there. I'm quite fond of the dark mode. It’s my full-on “selvedge mode.” Again, its dark blues and texture harken back to a previous version of Weightshift — these subconscious patterns prevalent in my work and inclinations. I’ve never been self-aware of it, but when I find myself looking back at older work, it’s there. Two versions of Weightshift that used blue. This is what they mean when they say, “to know yourself.” Live enough life and do enough work, and your intuition inevitably kicks in. Or do enough work under pressure and deadlines, and it shakes out. It’s a percolation of all of your influences, taste, and tendencies — you know what you like. And I like this iteration of this site quite a bit. For now. See Copernicus, and Sowersby’s third take on Plantin, Martina Plantijn (which I also purchased). ↩︎ How close am I to bolding the font on my iPhone?! ↩︎ Die Grotesk is the first. While we don’t use the variable font, as we have only two weights, I was itching to use it when it was released, and Aphera was the perfect moment. ↩︎ → This looks better on the web → Reply via email Thanks for reading and using RSS!

24th Jun 2026 • 1 votes
Craft Is Not Culture

A time, a place, and humans. Let’s take a moment to consider the font, Instrument Serif. Created by the Portland-based design agency Instrument for their own use — along with Instrument Sans — they open-sourced it on GitHub, where it made its way to Google Fonts, in a generous act. And, guess where LLMs love to get fonts? There is something deeply ironic about the sample text on Google Fonts. Instrument Serif went from a cool nod to the condensed serif type beloved by direct-to-consumer brands on Instagram — inspired by the way New Balance, Nike, and Apple approached branding — to the default output of LLM-assisted and vibe-coded web work. Today it’s everywhere. The White House uses it. In all caps, natch. “It’s the fascism font.” Condensed serifs were all the rage back then. The embrace of typefaces like this, and the slurping up of what’s been hot and trendy results in the tell-tale sign of the manufacturer. “Craft will no longer be a moat. The LLMs are getting very good at craft.” A speaker said something to this effect at the recent Design Futures Assembly.[1] I nodded to myself. A while ago, craft and taste were bandied about as untouchable and unreplicable. But there is bad craft and terrible taste. There’s no accounting for it. LLMs are in the cosplaying stage, approximating what’s popular and what’s in the zeitgeist. Aesthetic alone was never a defense. It’s always been easy to copy, mimic, and rip-off design. Another speaker: a mechanical engineer from a hundred years ago and one today could find common ground in process. Technology evolves, but shared understanding persists, and an engineer from then and one from now will still be able to converse. I nodded again. That fundamental knowledge passes through culture, through community, to practitioners who push it further. Culture is the moat. It’s not craft and it’s not aesthetic. It’s always been culture — lived, relational, contextual. The ability to decode what’s happening right now, to encapsulate it, to communicate it through deep experience. Culture can give birth to something that hasn’t been seen, hasn’t been appropriated, hasn’t been followed to death. LLMs can pattern-match around culture, but they cannot be inside it. They cannot live it. A curated gathering of about a hundred design operators across generations hosted by Jeff Veen. We were seated in a squircle — fitting — able to face each other, in the light-filled space. It operated under the Chatham house rule. Disclaimer: I did the identity, branding, and website for the event. ↩︎ → This looks better on the web → Reply via email Thanks for reading and using RSS!

24th May 2026 • 2 votes

More in literature

On Foraging Mushrooms From the Local Park (Part 2)

A time ago, I wrote a thing that felt like stumbling into a delightful discovery: On Foraging Mushrooms at Cheesman Park Sometimes I’ll amend a post, with updates from a later time, sometimes it’s easier to just make a separate part 2. Everything continues delightfully with picking them up from the grass I already walk around in regularly (frisbee, walking/scooting through or near the park). I’ve now encountered them far beyond {local park} I’ve now seen the same fruiting body in similar configurations in parks all around Denver. I’ll add a map screenshot. It feels like any time it rains even a little bit, and/or there is a bit of chilly weather (relative to the summer lately) or in many other conditions, these mushrooms will sprout. Anywhere there’s wood to metabolize. Mulch works, but it seems to particularly favor the root balls of long-gone trees, where there’s nothing above ground remaining. Sometimes I’ve made a guess and said “I think when it rains enough, mushrooms sprout right here: 👇” and it’s been correct. Other times I’ve simply noticed them in the grass along side of wherever I happen to be. Sometimes I see something that might be the caps in the distance, and i’ll go check and indeed, button mushrooms. Other times it’s a napkin. Improvements at cooking with 🍄 I’ve upped my bulk food prep game. I’ve always loved the instant pot, and now I have an even easier method. I could give it it’s own blog post, perhaps. I used to do a lot more chopping of things before steaming it into a meal in an instant pot. Then I’d use an immersion blender to blend it all together. Sometimes I’d use the blender before starting the instant pot, it all depended. Now I dump basically whole vegetables into the pot, washed but not cut (i’ll crack some things like carrots in my hands so they fit better), and cook it whatever amount of time the longest item needs. I might also cook soft stuff in, even the whole time (like dropping whole mushrooms into the pot before cooking everything for 50 minutes) or I’ll cook the whole thing slightly less (45 minutes), then open it up and add the ‘delicate stuff’ (like mushrooms, tomatoes, onion, garlic, still all whole or cut in half like once) and cook it 5 more minutes. Then everything gets spiced again, and then I use an immersion blender to blend/mix it all together. cooked Chickpeas can be added at the end after immersion blending to bring in some texture, ditto a few blocks of crumbled up tofu. If the tofu got a little sauté and tossed in the soup… damn. This method is much less work/time than it took before where i’d do more chopping/cubing of ingredients, sauté’ing some stuff before adding the bulk and cooking it. Sometimes the bottom of the contents would burn before the instant pot would get to pressure. So, this new method (whole plants placed loose into the container, some water, cook for as long as needed by the longest item (dry beans, squash) and then immersion blend. It’s all been excellent for me. ‘soy boy dinner’, some could call it. It’s conceptually similar (identical?) to beans/rice/sausage that I would cook for myself when I was a kid, and ate meat, but a bit more customized to my current personal preferences. I can make it delicious, and it makes a ton of food all at once. As always, I pour a big thing of olive oil over the whole thing when serving up in a bowl. An ongoing source of enjoyment and practical value I’ve now had exclusively fresh, free, delicious mushrooms from local parks now, for years, and feel reasonably changed by it. observation is a big part of curiosity, interest. Reading books by people who see some things so well and then write about it, of course changes ones own sense of observation. 1 I’m glad to have encountered cool books like this book about moss and this book about beavers, and this book about plants. I notice that if I’m doing my normal barefoot hill sprints thing, I can sometimes easily tell through my feet where I’ll find mushrooms. I continue to enjoy cooking with them, find them nourishing in all the normal ways, and of course stepping outside of capitalism is delightful. Bulk storage last year, ahead of the winter, after encountering surprisngly huge amounts of mushrooms, on a whim, I decided to try some bulk storage. the bulk storage I did for myself easily lasted through the winter, even though the winter was super dry. Turned out that mushrooms grew throughout the winter, especially in sunny spots, anytime there would be a bit of snow followed by warm-enough temps. So even after I opened my first bag of dried mushrooms that I stored in the freezer, I didn’t get very far through it before fresh mushrooms were popping up in the grass again and I’d go back to fresh mushrooms. The bag would go back in the freezer. Then I’d use up the fresh ones I got, go back to the dried ones. Last winter was very dry, but not super cold, so there were not many mushrooms growing throughout the winter, but again, I was surprised that there were any. Since last winter, I’ve made a few improvements to the process. I’ve gotten better at bulk storage. I’ll cook them at a lower temperature a bit longer in time (usually 220-240 f) and having a rack under them probably would make it go even better. I can pile them high on a baking sheet and turn them a few times: i’ll two sheets at a time, they can be condensed to a single sheet after the first bit of drying. Eventually, they’re fully dried and can be bagged and frozen. It takes a few hours. lower temperatures get closer to what a normal dehumidifier would do (140 degrees, maybe) but it takes too long for this large volume of mushrooms to get cooked down at that temperature. I finally got around to weighing the before and after weight of the mushrooms, and indeed the finished weight is exactly 10% of the pre-cook weight. The mass is about the same diminishment, so one can fit like three baking sheets of mushrooms, many pounds worth, into a small bag. In two stops at the park, I picked up enough mushrooms that, by the time I’d finished baking them down and storing in the freezer, I had enough mushrooms that I could not encounter another fresh mushroom at the park until next summer, and I wouldn’t bottom out the supply. two trips to the park, and I wasn’t even trying. I could have gotten 100 lbs of mushrooms both days, with just a few canvas bags. Here’s a photo. Up top is a container of about 2.5 pounds of mushrooms. The smallest of those bags contains the dried-out end result. The smallest bag has three containers worth of mushrooms in it. This represents perhaps 40 pounds of fresh mushrooms. Mushrooms contain every essential amino acid, and are as complete a protein as any animal flesh or excretion. I was still eating eggs for a while after I started eating mushrooms, and even after I began getting mushrooms for free. I noticed not liking that I was participating in the exploitation of animals (I’d been reducing my participation in it at a subconcious level for a time) but I was obviously paying for it every time I spent my own money on it. And ‘dairy’ and ‘eggs’ are the same as the rest. So any participation was close enough to full participation, and implied the correctness of the frame, which is low key ‘you/it/she low-key deserved what happened’, and it’s voluntary. There’s not even a health claim to be made for it. What I hope for you and mushrooms I want something for you, too. I write these things for me, sure, and even younger versions of me. I wonder where else around colorado these mushrooms grow. I suspect they may grow widely. and where besides colorado. If they grow widely like this, how many other people could slip a little of the shackles of human exploitation (capitalism) and entitlement to the exploitation of animals. and why not both-ish? at least the animals, but if one escapes a bit of capitalism, please certainly also have already freed other beings from your direct exploitation. (consuming individual animals, her excretions) what I hope for you and scooters This easy, whimsical, “oh look at me finding little fruits in the fairy circles as I prance about barefoot” energy is enabled entirely by a very particular vehicle. A scooter. 🛵 My scooter is very similar to this particular vehicle: HHH 200cc scooter Here’s a normal-enough vibe. I see something that looks like maybe mushrooms somewhere, pull the scooter up right next to them. I can ride my scooter directly to the mushroom, put the kickstand down, place the mushrooms inside the bag I store in my scooter bucket anyway, as if a basket of them had been dumped on the ground, hop back on the scooter, and take home the extra 2-20 lbs in the container I’d had in my scooter already. I can ride around anywhere easily with it, and never have to park it far from my destination. I love bicycles, truly, and yet I find denver to be too damn dangerous to use with a bicycle. Because of the entitlement of drivers, and ‘bad’/irresponsible/obedient-to-random-rules-from-supremacists road design, margins of safety and comfort just don’t quite work for me, getting around on a bicycle. I resent that, though. I loved the time of my life that I was using my bike a lot. And as soon as I got my first moped, I never rode that bike again. I’ll have another bike some day, and i’ll ride it, probably/maybe even around Denver, in some limited situations. But not at night, not if I needed to carry stuff, not if i’ll have to deal with cars/car traffic very much. buying scooters There’s been nice innovations in scooters in the USA recently! I got my scooter for $3200 in 2022 from a company based in Taiwan named Sym. Now in 2026 I’ve seen the same vehicle at the shop, also new, for $4400. On the other side of the strait of Taiwan are some quality manufacturers. One could get a similar version of the vehicle I have for $1600. It’ll show up in a week on a wood pallet, and all it needs is the front tire attached, and the handlebars attached. A friend got this scooter, it was super easy to put together. It costs more on HHH’s website directly, delivery is included. Amazon has it $400 cheaper, with a $400 delivery fee. Same either way. I was shocked at how easy the whole “buy a scooter off a website and assemble it” process was. Next time I’m getting a scooter, that’s what I’m going to do. To get my current scooter in the older way, I had to travel to a dealer in one vehicle, get dropped off, then drive the new other vehicle home. But having a brand new scooter dropped off at your house? amazing. And so cheap. It comes in a wood crate and uses metric bolts. I think most of the bolts on the crate (and handlebars) needed a 10mm socket and the front tire used a 17mm socket. A metric socket set like this is all one needs to do all the maintenance it’ll need, too. 2 Long ago I wrote a thing about scooters, since they’ve had such an impact on me, of course, how could I not, and then I could refer other folks to that page. I need to do a part 2. Any 125cc scooter from HHH also is great. One friend of mine has a 170cc scooter from them (the tank 200, obtained via facebook marketplace) and another friend has a 150 that is also lovely, obtained directly from HHH. The 150 size scooters have a 125cc engine, the 200 size scooters have a 170 cc engine. I don’t know why this is how it is. So, cheers to that. One of them gets to use the scooter now instead of an e-bike. One of them uses it instead of a regular car. Both are thrilled with the improvements. and if we all find it to be this way, maybe you will too. reducing car domination and capitalism and animal exploitation all at the same time? A scooter feels like an escape from car domination, and a way to obtain many interesting experiences (and to obtain instant free, ready-to-consume food). Foraging mushrooms feels like decapitalizing a certain portion of my food, and thus my life. Capitalism is so exploitative and coercive. How nice to reduce it’s footprint in my life. Speaking of exploitation and coercion… I cannot help think that people (me, I am people) could eat free mushrooms and replace any part of their diet that was animal flesh with mushrooms. (or tofu, or chickpeas, or store bought mushrooms, it doesn’t have to be foraged mushrooms obv), and in doing so doing escape participation in yet another exploitative system. I liked escaping capitalism via foraging, even when I was still participating in entitlement to animal exploitation. Now that I’ve Even without mushrooms, though, I would want for the same end result. The abundance of free mushrooms seems like a cool point to pass through on a stance towards the non-exploitation of animals, and a lesser exploitation of human animals (self and others). Resources The Light Eaters The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory Gathering Moss: A Natural and Cultural History of Mosses Foraging Mushrooms from Cheesman Park (part 1) Mycorrhizal Planet: How Symbiotic Fungi Work with Roots to Support Plant Health and Build Soil Fertility Footnotes after reading a book about moss I began carrying a pocket magnifying glass and guess what? the outside is even more interesting to me now. ↩ When I got my first scooter, and at first on my second scooter, I’d let the scooter dealer do the oil changes. Now I do them myself, for the same reason I cut my own hair. It’s so convenient to do it when I want, where I want, and I’m good/good enough at it. Sometimes I can do it in 10 minutes using a plastic container I fetch from my own trashcan. It takes exactly one container of oil (it’s like 957mil or something) and I pour the discard oil back into that same now-empty container, and drop the waste oil off at a mechanics shop when convenient. It took a while and was not as easy the first few times I did it as it is now. The only cost is a container of 10w-30 or 10w-40 oil which is usually $8 or so. And I began doing the transmission oil myself too, and belt and rollers. None of it felt trivial the first time I did it, but now I’m much better at it, and can do it in a pretty low-mess, clean, fast-enough way. I feel very independent and cost-effective, having a car-like vehicle that can go 55 mph, can carry multiple people, can carry stuff, but has a 1.5 gallon gas tank, weighs only 240 lbs, and I can do all of/most of the maintenance myself, as someone who doesn’t give a shit about cars and has always disliked dealing with stuff like that. I will do the brake pads myself for the first soon, too. There’s many youtube videos about how to do anything, and the vehicle is so simple even ‘big’ car maintenance tasks are simple with the scooter. ↩

17 hours ago • 1 votes
How is music possible

If you take a scene from a horror movie and add funny music, the killer suddenly looks hilarious. Isn’t it strange that that happens?

23 hours ago • 1 votes
[RIDGELINE] Walking and Not Walking a Castle in Italy

Ridgeline subscribers — Hello! It’s me, Craig Mod. I’m doing an event with David Marx in Tokyo this Friday night (17th) at Tiger Mountain, a small, hip bookshop. The in-person tix are all sold out, but it will be livestreamed, and there are still tickets for that bit. It costs about seven bucks, and would make the small bookshop running it super happy to sell more tickets! (Although I realize the timezone difference is terrible for most readers …)

4 days ago • 1 votes
Exile on Silicon Valley

The golden window of tech may have expired. In 2010, I came across a video of Mick Jagger being interviewed (text version here). It was for a re-release of Exile on Main Street with 10 new tracks. During the interview he says this: But I have a take on that — people only made money out of records for a very, very small time. When The Rolling Stones started out, we didn’t make any money out of records because record companies wouldn’t pay you! They didn’t pay anyone! Then, there was a small period from 1970 to 1997, where people did get paid, and they got paid very handsomely and everyone made money. But now that period has gone. So if you look at the history of recorded music from 1900 to now, there was a 25-year period where artists did very well, but the rest of the time they didn’t. In 2009, I had just started to recover or find my footing from the dot-com bust and the 2008 recession. I wondered about the tech industry’s longevity and resilience then, having experienced my first taste of startup life from 2000-2002. After which, I did my best to navigate what it meant to be a maker on the internet, before it figured out how to make money. I certainly didn’t make any for a number of years. What Jagger said has stuck with me ever since. I often come back to this when I think about any industry or vocation — how long do people really make money doing a thing? Tech feels that way now, again — that for a decade or more, coming out of 2008, people started to make money hand over fist, and tech was rosy, optimistic and all blue skies. We believed we could shape a utopian future, but eventually extracting value came calling, and has always been at the core of capitalism. And tech is a capitalist endeavor. Today, streaming has lobotomized all earnings for musical artists, which has led to heavy touring schedules and lucrative reunions capitalizing on fanbases that have only become even more endeared to the artists of their youth or formative years. Audiences are willing to dole out hundreds of dollars to see their favorite artists perform for hours in an arena or venue. We’re at an inflection point again, facing a different kind of existential threat. The younger generation will chalk this up to how tech is today, while those of us with decades in this industry and the long view of experience have either accepted it, made good money from it and retired, or are fighting the good fight. Is that period gone for tech too? And if so, what’s the equivalent of touring? → This looks better on the web → Reply via email Thanks for reading and using RSS!

a week ago • 1 votes
how i transitioned into writing short stories as an essayist

it’s been going well for me.

a week ago • 1 votes
📚 BoredReading

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