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Reading List More from Naz Hamid — Journal + Links
Tagged by Scott and Luke and in thoughtful return, I’m answering the Blog Questions Challenge here. Some of these answers may overlap with the answers I gave Manu for his People & Blogs series, so I’ll do my best to do something a bit different. Please visit Manu’s P&B site though, and read through many of the excellent interviews there. Much credit to Bear Blog for these questions. Why did you start blogging in the first place? I noted how I appreciated the early bloggers, in particular from the Pyra Labs/Blogger crew, but to go back even further, I was fond of journaling early. Much of that was in the form of drawings as a child, then coupled with text. It wasn’t until I read about how musicians like Eddie Vedder of Pearl Jam would keep copious journals, and in particular, Henry Rollins’ Get In The Van, showed me that documenting your life was important as a record of a lived person. Rollins would later read from these journals early in his transition from full-time musician to spoken word artist, and the storytelling inspired me. Since I was online, and web design had captivated me, it all came together. What platform are you using to manage your blog and why did you choose it? I’m currently using the lovely static site generator, Eleventy (11ty). It pushes to a GitHub repository, which triggers a deploy to Netlify. After using so many different platforms over the decades, with my posts and data semi-locked in MySQL databases, the idea of a fast, file-first, SSG was the way I absolutely wanted to go when I started blogging at this domain. Steph Ango’s File Over App is a thoughtful read on data portability. Have you blogged on other platforms before? As mentioned just before this, yes. I started with Geocities, Livejournal, tried Greymatter, then Movable Type was the first to make it all click. I got really comfortable and pushed that system far — Gapers Block was the most involved version that I had done with multiple blogs running under one instance with different layouts and sections and includes all over the place. Dean Allen’s (RIP) Textpattern stole my heart away for many years after MT got acquired, and then I stopped blogging when Weightshift became my focus, and social media started to bloom. Weightshift used various CMSs for clients: MT, TXP, ExpressionEngine, CraftCMS, Wordpress, etc. I toyed with Tumblr, and other things, but eventually restarted with Jekyll, but quickly switched to 11ty. How do you write your posts? For example, in a local editing tool, or in a panel/dashboard that’s part of your blog? Most everything starts in Bear. I have a master note of ideas, that links out to other notes and I keep adding new ones, revisit others, and check off published ones. When do you feel most inspired to write? Whenever an idea strikes. This can happen at any time and drafts are started anywhere. I generally publish in the evening though. Do you publish immediately after writing, or do you let it simmer a bit as a draft? I used to be more immediate with my publishing decades ago, adhering to a near daily schedule. These days, some thought and care goes into each post, and if possible, I like to add a touch of flavor to a post, like the rotated album covers for the Music in 2024 post. What are you generally interested in writing about? How we as humans live in a world ever-changing because of technological influence and society’s adoption and adaptation to it. I love travel so posts about cultures and countries, as well as overlanding and camping domestically. And personal things that are more feeling the feels. Who are you writing for? Myself first, but through a lens of, “this information or thought could help someone else, and/or I’d love to share a different perspective that’s unique to me.” What’s your favorite post on your blog? 2023 in the Rearview is a big one, and I worked on that for a while. Taken for a Ride is a good one I think about taking a Waymo autonomous vehicle for the first time, but I like the sort of pieces that come from a more emotional and resilient place, like Let This Be a Moment, that allow me to work through things. Any future plans for your blog? Maybe a redesign, a move to another platform, or adding a new feature? I’m very content with 11ty. I’m constantly evolving and refactoring the design and code where I can see improvement. This is a lovely mode to be in: it’s iterative like software development than constantly new like marketing. As for features: a work section (underway), and better ways to showcase my photography, which is a longtime interest and activity for me. Tag ‘em. I’m going to tag Bix, Ethan, Gosha, Grant, Matt, Piper, Rachel, Simon, Susan, Thu, and Winnie. Read on nazhamid.com or Reply via email
We are tenants with landlords who want to make sure that we can’t leave the building or go hang out with friends elsewhere, all while showing us how happy we should be with the limitations imposed on us. — Den Delimarsky A long, weighty one, but very worth the read. Visit original link → or View on nazhamid.com →
01/05 PREDATORS, AMERICAN GREED — Steven Soderbergh Director Steven Soderbergh's media recap of 2024. It's fascinating to see how many movies he watched multiple times, and the reverse watch of the original Star Wars trilogy. Phantom of the Menace twice too? Visit original link → or View on nazhamid.com →
It’s idealistic and very millennial of me to reminiscence the early days of Web innocence, unbound creativity it hosted and wonderful lack of monetisation of virtually every aspect of being online. We can’t turn back time. But, individually and collectively, we can strive for better as the Web evolves as a home for work, knowledge, community, and love. We can resist the ongoing enshittification and corporate capitalism. So I jotted down an non-exhaustive list of what I’d love the future Web to be. — Karolina Szczur A great list. Visit original link → or View on nazhamid.com →
More in literature
“You say truly, that death is only terrible to us as it separates us from those we love, but I really think those have the worst of it who are left by us, if we are true friends. I have felt more (I fancy) in the loss of Mr. Gay, than I shall suffer in the thought of going away myself into a state that can feel none of this sort of losses.” If Alexander Pope is read today, he’s read as a manufacturer of elegantly barbed witticisms, a crafter of technically perfect verse. What is The Dunciad but an assault on his sorry contemporaries, exemplars of “Dulness”? Pope himself wrote “The life of a Wit is a warfare upon earth." Pope writes above in a letter to Swift on April 2, 1733. John Gay, the poet and playwright, had died less than four months earlier. The letter continues: “I wished vehemently to have seen [Gay] in a condition of living independent, and to have lived in perfect indolence the rest of our days together, the two most idle, most innocent, undesigning poets of our age. I now as vehemently wish you and I might walk into the grave together, by as slow steps as you please, but contentedly and cheerfully: whether that ever can be, or in what country, I know no more, than into what country we shall walk out of the grave.” Pope would live another eleven years; Swift, another twelve. As a boy, tuberculosis of the spine left Pope stunted and in pain. He never grew taller than four feet, six inches. If his physical suffering accounts for his satirical gift, it also helps explain his love for and dependence on Swift and his other friends. They “help me thro’ this long Disease, my Life.” He also faced the English laws banning Roman Catholics from teaching, attending university, voting and holding public office. Pope to Swift on September 15, 1734: “I have ever thought you as sensible as any man I knew . . . When the heart is full, it is angry at all words that cannot come up to it; and you are now the man in all the world I am most troubled to write to, for you are the friend I have left whom I am most grieved about. Death has not done worse to me in separating poor Gay, or any other, than disease and absence in dividing us. I am afraid to know how you do, since most accounts I have give me pain for you . . .” My niece tells me she is reading Pope’s poetry and asked what I thought of him. In my private pantheon he is one of the supreme English poets and terribly unfashionable. Our age could use him. Hannah gave me a little hope.
Andrew Taylor on Charles Montagu Doughty, author of Travels in Arabia Deserta (1888): “He appealed instinctively to the past, against what he saw as the corruption of language, manners and morality of his own time, but Travels in Arabia Deserta is not backward-looking for its own sake. The achievement of the book lies in the way that language, style, rhythm and structure are all directed towards the end of accuracy in presenting landscape, characters, mood and atmosphere.” Timothy Fuller in his introduction to Michael Oakeshott on the Human Condition (Liberty Fund, 2024): “He had minimal regard for any features of modern life. The computer did not exist for him. He thought most modern inventions had done the human race little good. He wrote everything by hand. From his cottage one looked out on the country of Hardy. One felt oneself transported back before World War I, even to the nineteenth century, to a world where one might meet Jude the Obscure coming down the path. This is exactly how Oakeshott wanted to feel. Life was, to him, sweeter then.” The Taylor passage is taken from God’s Fugitive: The Life of C.M. Doughty (Dorset Press, 1999). During an electrical storm Wednesday morning we lost our internet connection and it hasn’t been restored. Possibly tonight. I wrote this on my phone. Try to ignore the irregularities. Blogger is even more intractable on a smartphone.
Wanting is the menacing margin of error between desire and need. It is the blade that vivisects your serenity, the hammer that shatters your wholeness — to want anything is to deem your life incomplete without it. It is a perpetual motion machine that keeps you restlessly spinning around the still point of enough. “Enough is so vast a sweetness, I suppose it never occurs, only pathetic counterfeits,” Emily Dickinson lamented in a love letter a century before Kurt Vonnegut, in his shortest and most poignant poem, located the secret of happiness in the sense of enough. Wanting is a… read article
