More from Naz Hamid — Journal + Links
There is no such thing as a perfect place on the internet. But it’s possible to avoid the ones that aren’t even pretending to try to be better. The best time to leave Substack was a long time ago. The second best time is now. — Marisa Kabas Visit original link → or View on nazhamid.com →
If anything, as the well gets poisoned by their own outputs, large language models may well end up eating their own slop and getting their own version of mad cow disease. So this might be as good as they’re ever going to get. — Jeremy Keith I use AI. Not particularly for generative work but to work through code or even to find some semblance of an answer because the very same companies have made search unusable. My work also involves AI, and there's a longer post here about ways that AI might help, but the concerns are real, and I struggle with that balance. Visit original link → or View on nazhamid.com →
Stone Temple Pilots’ “Kitchenware & Candybars” comes on, and suddenly I'm 17 again, driving underneath the amber glow of late-night deserted streets in Kuala Lumpur. I can feel the sharp air conditioning in the car against my skin, keeping the tropical heat and humidity outside at bay, while the heady thoughts of my former teenage self wash over me. This isn’t singular to that song or memory. Music is so engrained in my being, noting the notable. A chord, drumbeat or lyric can transport me through my lifetime and to the person I once was. I then exist in this liminal state, suspended between now and then, today and yesterday. Read on nazhamid.com or Reply via email
Eva Decker is a designer engineer who likes playing piano and writing CSS. Currently living in NYC with Samwise. — Eva Decker Visit original link → or View on nazhamid.com →
More in literature
it’s been going well for me.
Carl Elliott on the ethical implications of going beyond organ transplantation The post Dawn of the Brain-Dead appeared first on The American Scholar.
Joe Giago is skilled bowyer from the Pine Ridge Reservation in South Dakota and an enrolled member the Oglala Sioux tribe. Joe began his bow-making journey over 15 years ago from the encouragement of an uncle and has been carving beautiful replica Native American bows every since.