More from Naz Hamid — Journal + Links
Tagged by Scott and Luke and in thoughtful return, I’m answering the Blog Questions Challenge here. Some of these answers may overlap with the answers I gave Manu for his People & Blogs series, so I’ll do my best to do something a bit different. Please visit Manu’s P&B site though, and read through many of the excellent interviews there. Much credit to Bear Blog for these questions. Why did you start blogging in the first place? I noted how I appreciated the early bloggers, in particular from the Pyra Labs/Blogger crew, but to go back even further, I was fond of journaling early. Much of that was in the form of drawings as a child, then coupled with text. It wasn’t until I read about how musicians like Eddie Vedder of Pearl Jam would keep copious journals, and in particular, Henry Rollins’ Get In The Van, showed me that documenting your life was important as a record of a lived person. Rollins would later read from these journals early in his transition from full-time musician to spoken word artist, and the storytelling inspired me. Since I was online, and web design had captivated me, it all came together. What platform are you using to manage your blog and why did you choose it? I’m currently using the lovely static site generator, Eleventy (11ty). It pushes to a GitHub repository, which triggers a deploy to Netlify. After using so many different platforms over the decades, with my posts and data semi-locked in MySQL databases, the idea of a fast, file-first, SSG was the way I absolutely wanted to go when I started blogging at this domain. Steph Ango’s File Over App is a thoughtful read on data portability. Have you blogged on other platforms before? As mentioned just before this, yes. I started with Geocities, Livejournal, tried Greymatter, then Movable Type was the first to make it all click. I got really comfortable and pushed that system far — Gapers Block was the most involved version that I had done with multiple blogs running under one instance with different layouts and sections and includes all over the place. Dean Allen’s (RIP) Textpattern stole my heart away for many years after MT got acquired, and then I stopped blogging when Weightshift became my focus, and social media started to bloom. Weightshift used various CMSs for clients: MT, TXP, ExpressionEngine, CraftCMS, Wordpress, etc. I toyed with Tumblr, and other things, but eventually restarted with Jekyll, but quickly switched to 11ty. How do you write your posts? For example, in a local editing tool, or in a panel/dashboard that’s part of your blog? Most everything starts in Bear. I have a master note of ideas, that links out to other notes and I keep adding new ones, revisit others, and check off published ones. When do you feel most inspired to write? Whenever an idea strikes. This can happen at any time and drafts are started anywhere. I generally publish in the evening though. Do you publish immediately after writing, or do you let it simmer a bit as a draft? I used to be more immediate with my publishing decades ago, adhering to a near daily schedule. These days, some thought and care goes into each post, and if possible, I like to add a touch of flavor to a post, like the rotated album covers for the Music in 2024 post. What are you generally interested in writing about? How we as humans live in a world ever-changing because of technological influence and society’s adoption and adaptation to it. I love travel so posts about cultures and countries, as well as overlanding and camping domestically. And personal things that are more feeling the feels. Who are you writing for? Myself first, but through a lens of, “this information or thought could help someone else, and/or I’d love to share a different perspective that’s unique to me.” What’s your favorite post on your blog? 2023 in the Rearview is a big one, and I worked on that for a while. Taken for a Ride is a good one I think about taking a Waymo autonomous vehicle for the first time, but I like the sort of pieces that come from a more emotional and resilient place, like Let This Be a Moment, that allow me to work through things. Any future plans for your blog? Maybe a redesign, a move to another platform, or adding a new feature? I’m very content with 11ty. I’m constantly evolving and refactoring the design and code where I can see improvement. This is a lovely mode to be in: it’s iterative like software development than constantly new like marketing. As for features: a work section (underway), and better ways to showcase my photography, which is a longtime interest and activity for me. Tag ‘em. I’m going to tag Bix, Ethan, Gosha, Grant, Matt, Piper, Rachel, Simon, Susan, Thu, and Winnie. Read on nazhamid.com or Reply via email
We are tenants with landlords who want to make sure that we can’t leave the building or go hang out with friends elsewhere, all while showing us how happy we should be with the limitations imposed on us. — Den Delimarsky A long, weighty one, but very worth the read. Visit original link → or View on nazhamid.com →
01/05 PREDATORS, AMERICAN GREED — Steven Soderbergh Director Steven Soderbergh's media recap of 2024. It's fascinating to see how many movies he watched multiple times, and the reverse watch of the original Star Wars trilogy. Phantom of the Menace twice too? Visit original link → or View on nazhamid.com →
I’m including the most memorable, impactful, or beloved works of—creative genius, or something, that I’ve encountered this year. I’m not a critic; I am mostly just talking about things I liked. These are tremendous to me. I hope they can be tremendous to you, too. — Anh The list is great, but this one is also visually gorgeous. Best experienced in a browser near you. Visit original link → or View on nazhamid.com →
It’s idealistic and very millennial of me to reminiscence the early days of Web innocence, unbound creativity it hosted and wonderful lack of monetisation of virtually every aspect of being online. We can’t turn back time. But, individually and collectively, we can strive for better as the Web evolves as a home for work, knowledge, community, and love. We can resist the ongoing enshittification and corporate capitalism. So I jotted down an non-exhaustive list of what I’d love the future Web to be. — Karolina Szczur A great list. Visit original link → or View on nazhamid.com →
More in literature
Johnson, Boswell and friends met for dinner at the Crown and Anchor on April 12, 1776. Among the topics of conversation was the evergreen favorite “whether drinking improved conversation and benevolence.” Sir Joshua Reynolds maintained it did. Johnson replies: “‘No, Sir: before dinner men meet with great inequality of understanding; and those who are conscious of their inferiority, have the modesty not to talk. When they have drunk wine, every man feels himself happy, and loses that modesty, and grows impudent and vociferous: but he is not improved; he is only not sensible of his defects.’” My experience confirms this. In conversation, the only thing more insufferable than a know-it-all is a drunken know-it-all. Alcohol creates experts. Otherwise modest fellows suddenly start thinking they know what they’re talking about. When one or more meet, arguments ensue, fistfights, bail bondsmen. Reynolds disagrees and Johnson replies: “‘No, Sir; wine gives not light, gay, ideal hilarity; but tumultuous, noisy, clamorous merriment. I have heard none of those drunken,—nay, drunken is a coarse word,—none of those VINOUS flights.’” And Reynolds responds more personally: “‘Because you have sat by, quite sober, and felt an envy of the happiness of those who were drinking.’” It was the late novelist Donald Newlove who first suggested to me that Johnson may have been in his earlier years an alcoholic or at least a “problem drinker” (that anxiety-easing euphemism). In Those Drinking Days: Myself and Other Writers (1981), a meditation on the writing/alcohol connection, Newlove writes: “Great writing about alcohol is an ocean without shoreline and I have a thick notebook of excerpts from world literature to attest to it, a sheaf of quotations to help me keep sober. One of the most stirring recoveries from excessive drinking was made by Dr. Samuel Johnson two centuries ago.” To clarify that he is not issuing a blanket condemnation of alcohol or its effects – basically, not wishing to sound like a moralistic wet blanket -- Johnson says: “Sir, it is not necessary to be drunk one’s self, to relish the wit of drunkenness. Do we not judge of the drunken wit, of the dialogue between Iago and Cassio, the most excellent in its kind, when we are quite sober? Wit is wit, by whatever means it is produced; and, if good, will appear so at all times. I admit that the spirits are raised by drinking, as by the common participation of any pleasure: cock-fighting, or bear-baiting, will raise the spirits of a company, as drinking does, though surely they will not improve conversation. I also admit, that there are some sluggish men who are improved by drinking; as there are fruits which are not good till they are rotten.” I knew guys who were diffident dullards when sober and sparkling entertainers when drunk, at least for a short time, until the demons took over. Some recognized their transformation, drank greater quantities and more often, and turned into bums or wet brains. Fellow drinkers deemed them weaklings, failed drinkers. Alcoholics are hard on their own kind. Johnson describes my style of drinking: “‘Sir, I do not say it is wrong to produce self complacency by drinking; I only deny that it improves the mind. When I drank wine, I scorned to drink it when in company. I have drunk many a bottle by myself; in the first place, because I had need of it to raise my spirits; in the second place, because I would have nobody to witness its effects upon me.’” I’m reminded of a wisecrack attributed to Dylan Thomas: “An alcoholic is someone who drinks as much as I do whom I don’t like.”
It is in relationships that we discover both our depths and our limits, there that we anneal ourselves and transcend ourselves, there that we are hurt the most and there that we find the most healing. But despite what a crucible of our emotional and spiritual lives relationships are — or perhaps precisely because of it — they can be riddling and nebulous, destabilizing in their fluidity and ambiguity, leaving us grasping for the comforting solidity of categories and labels. The ancient Greeks, in their pioneering effort to order the chaos of the cosmos, neatly taxonomized them into filial love… read article
Here I pause to remember a forgotten poet who remembered a slightly less forgotten poet – a reminder that all of us are eminently forgettable, regardless of our purported virtues. Walter de la Mare died on June 22, 1956, at age eighty-three. The journal Poetry assigned William Burford to write a remembrance of the English writer, “Master of Silences,” which was published in the November 1957 issue. Scrap that. As I was reading “Burford’s” commemoration, it seemed familiar. I dug around and realized I had written about the same piece almost two years ago, under its true byline: William Jay Smith. In the same issue of Poetry, the piece after Smith’s remembrance is a review by Burford (I trust) of a Hart Crane biography. Someone at some time, whether in 1957 or last week, switched bylines -- which, of course, bolsters my observations above about forgettability. Smith’s piece on de la Mare remains definitive: “When a poet of stature dies, a silence settles upon language. One becomes suddenly aware that words will never again be handled as they have been by this particular man. All that can be said or heard resides in his poems: the rest is silence.” So, what about Burford? I don’t think I had ever heard of him. I see he died in Dallas in 2004 at age seventy-seven. He had a long academic career and published at least three collections of poems. His work appeared prolifically in Poetry, especially in the nineteen-fifties. In 1967, he translated and published with Christopher Middleton The Poet’s Vocation: Selections from Letters of Hölderlin, Rimbaud, & Hart Crane. He translated minor work by Proust. I would love to say his poems are unforgettable, or even memorably funny and incisive, and that I have salvaged a forgotten genius. Here is “Local God,” published in the Summer 1953 issue of Southwest Review: “There stands a man in Texas, can grab the rattlers by the tail and crack them like a whip, snapping the vertebrae. He is the curse of all the snakes; milks the venom out of their mouths and wraps them round his arms for bracelets. Strange to say how the little children all steal away from his loving fingers.”
Michael Joseph Gross on the importance of strength, past and present The post Muscle Memory appeared first on The American Scholar.